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#also miracle as reindeer hehe
sasanka-27 · 6 months
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The advent calendar is here! There are 24prompts for each day and 2bonus days (25+31)
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Sharing my prompt list for anyone who want to join in the fun, do a drabble, ficlet or a drawing for all days or just those you like. Ill link all the days i make after they are posted in this post.
Rules? Just this: no angst allowed and to have fun! (Also if you do join please use the tag #spnadvent23 so i can see your lovely works and reblog you! Lets have some fun friends
Prompts I am doing for each calendar “window” are below the cut:
1. Christmas card
2. Snow
3. Baking
4. Hat
5. Tree
6. Gingerbread
7. Mistaken
8. Lights
9. Naughty
10. Ice
11. Creative
12. Sweater
13. Fire
14. Tangled
15. Decorating
16. Winter walk
17. Gift
18. Candy cane
19. Reindeer
20. Cozy
21. Family time
22. Mistletoe
23. Matching
24. Happy holidays
+ bonus days
25. Morning
31. New Years Eve
I needed something to keep me daily drawing and also i wanted to give out some soft fluffy stuff thru the december to enjoy the end of the year and wrap it up in good spirit you could say. Had lots of hard times past years but spn brought me out of worst this march when i started rewatching and even got me back to creating i am thankful to be back in the fandom so i want to dedicate some time to create.
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beatmyaudio · 4 years
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Last Call Song Lyrics – Kanye West
Last Call Song Lyrics
Last Call Song Lyrics From Popular Hollywood Artist Kanye West from College Dropout Album.
This song is sung by singer ” Kanye West ” in Year .
Lyrics of Last Call :
Yo fuck you, Kanye, first and foremost For making me do this shit Muh’fucker Had to throw everybody out the motherfucking room ‘Cause they don’t fucking…. (I’d like to propose a toast) (I said toast motherfucker) And I am (here’s to the roc) And they ask me, they ask me, they ask me, I tell them (here’s to Rocafella) Raise your glasses, your glasses, your glasses to the sky (here’s to the roc) This is the last call for alcohol, for the…. (here’s to Rocafella) So get your ass up off the wall The all around the world Digital Underground, Pac The Rudloph the red nosed reindeer of the Roc I take my chain, my 15 seconds of fame And come back next year with the whole fucking game Ain’t nobody expect Kanye to end up on top They expected that College Dropout to drop and then flop Then maybe he stop savin’ all the good beats for himself Rocafella’s only niggaz that help My money was thinner than Sean Paul’s goatee hair Now Jean Paul Gaultier cologne fill the air, here They say he bourgie, he big-headed Won’t you please stop talking about how my dick head is Flow infectious, give me 10 seconds I’ll have a buzz bigger than insects in Texas It’s funny how wasn’t nobody interested ‘Til the night I almost killed myself in Lexus Now was Kanye the most overlooked? Yes sir Now is Kanye the most overbooked? Yes sir Though the fans want the feeling of A Tribe Called Quest But all they got left is this guy called West Better take Freeway, throw him on tracks with Mos Def Call him Kwa-lI or Kwe-li, I put him on songs with Jay-Z I’m the Gap like Banana Republic and Old Navy, and oooh It come out sweeter than old Sadie Nice as Bun-B when I met him at the Source awards Girl he had with him – ass coulda won the horse awards And I was almost famous, now everybody loves Kanye I’m almost Raymond’ Some say he arrogant Can y’all blame him? It was straight embarrassing how y’all played him Last year shoppin my demo, I was tryin’ to shine Every motherfucker told me that I couldn’t rhyme Now I could let these dream killers kill my self-esteem Or use my arrogance as the steam to power my dreams I use it as my gas, so they say that I’m gassed But without it I’d be last, so I ought to laugh So I don’t listen to the suits behind the desk no more You niggaz wear suits ’cause you can’t dress no more You can’t say shit to Kanye West no more I rocked 20,000 people, I was just on tour, nigga I’m Kan, the Louis Vuitton Don Bought my mom a purse, now she Louis Vuitton Mom I ain’t play the hand I was dealt, I changed my cards I prayed to the skies and I changed my stars I went to the malls and I balled too hard ‘Oh my god, is that a Black Card?’ I turned around and replied, why yes but I prefer the term African American Express Brains, power, and muscle, like Dame, Puffy, and Russell Your boy back on his hustle, you know what I’ve been up to Killin y’all niggaz on that lyrical shit Mayonnaise colored Benz, I push Miracle Whips “…. last call for alcohol, for my niggaz” So this A&R over at Rocafella, named Hiphop picked the Truth beat for Beanie And I was in the session with him I had my demo with me You know, like I always do I play the songs, he’s like “Who that spittin?” I’m like “It’s me..” He’s like “Oh, well okay..” Uhh, he started talkin to me on the phone going back and forth, just askin me to send him beats And I’m thinking he’s trying to get into managing producers cause he had this other kid named Just Blaze he was messin with And um, he was friends with my mentor, No ID And No ID told him, “look man, you wanna mess with Kanye you need to tell him that you like the way he rap” “Yo, you wanna sign him, tell him you like how he rap” I was all, I dunno if he was gassin’ me or not but he’s like he wanna manage me as a rapper AND a producer “I’ll sign you as a producer and a rapper”, I’m like oh shit I was messin with, uh, D-Dot also People were like this, started talking about the Ghost production But that’s how I got in the game If it wasn’t for that, I wouldn’t be here So you know After they picked that Truth beat I was figuring I was gonna do some more work But shit just went poppin off like that I was stayin in Chicago I had my own apartment I be doin’ like, just beats for local acts just to try to keep the lights on, and then to go out and buy get a Pelle Pelle off lay-away, get some Jordans or something or get a TechnoMarine, that’s what we wore back then I made this one beat where I sped up this Hal Melville sample I played it for Hip over the phone, he’s like “oh, yo that shit is crazy Jay might want it for this compilation album he doin, called The Dynasty..” And at that time, like the drums really weren’t soundin’ right to me so I went and um, I was listening to Dre Chronic 2001 at that time and really I just, like picked the drums off Xxplosive and put it like with it sped up, sampled, and now it’s kind of like my whole style when it started, when he rapped on ‘This Can’t be Life..’ And that was like, really the first beat of that kind that was on the Dynasty album I could say that was the, the resurgence of this whole sound You know, I got to come in and track the beat, and at the time I was still with my other management I really wanted to roll with Hiphop ‘Cause I, I just needed some fresh air, you know what I’m sayin, ’cause I been there for a while, I appreciated what they did for me, but, you know there’s a time in every man’s life where he gotta make a change, try to move up to the next level And that day I came and I tracked the beat and I got to meet Jay-Z and he said, “oh you a real soulful dude” And he uh, played the song ’cause he already spit his verse by the time I got to the studio, you know how he do it, one take And he said “check this out, tell me what you think of this, right here” “tell me what you think of this..” And I heard it, and I was thinking like, man, I really wanted more like of the simple type Jay-Z, I ain’t want like the, the more introspective, complicated rhy- or the, in my personal opinion So he asked me, “what you think of it?” “so what you thinkin?” And I was like, “man that shit tite,” you know what I’m sayin’, man what I’ma tell him? I was on the train man, you know So after that I went back home And man I’m, I’m just in Chicago, I’m trying to do my thing You know, I got groups I got acts I’m trying to get on, and like there wasn’t nothin really like poppin’ off the way it should have been One of my homeys that was one of my artists, he got signed But it was supposed to really go through my production company, but he ended up going straight with the company So, like I’m just straight holdin’ the phone, gettin’ the bad news that dude was tryin’ to leave my company And I got evicted at the same time So I went down and tracked the beats from him, I took that money, came back, packed all my shit up in a U-Haul, maybe about ten days before I had to actually get out So I ain’t have to deal with the landlord ’cause he’s a jerk Me and my mother drove to “Come on, let’s just go” Newark, New Jersey I hadn’t even seen my apartment.. I remember I pulled up “Kanye, baby, we’re here”, I unpacked all my shit You know, we went to Ikea, I bought a bed, I put the bed together myself I loaded up all my equipment, and the first beat I made was, uh, ‘Heart of the City..’ And Beans was still working on his album at that time, so I came up there to Baseline, it was Beans’ birthday, matter of fact, and I played like seven beats And, you know I could see he’s in the zone he already had the beats that he wanted, I did nothing like already at that time But then Jay walked in I remember he had a GuccI bucket hat on I remember it like, like it was yesterday And Hiphop said “yo play that one beat for him..” And I played ‘Heart of the City..’ And really I made ‘Heart of the City,’ I really wanted to give that beat to DMX “No I think Jay gon’ like this one right here”.. And I played another beat, and I played another beat And I remember that GuccI bucket, he took it and like put it over his face and made one of them faces like ‘OOOOOOOOOOH..’ Two days later I’m in Baseline and I seen Dame Dame didn’t know who I was and I was like “yo what’s up I’m Kanye..” “Yo, you that kid, Kanye?” “You that kid that gave all them beats to Jay? Yo, this nigga got classics” “Jay got classics, G..” You know I ain’t talkin shit.. I’m like “oh shit..” And all this time I’m starstruck, man I’m still thinking ’bout, you know I’m picturing these niggaz on the show The Streets is Watching, I’m lookin, these were superstars in my eyes And they still are, you know So, Jay came in and he spit all these songs like in one day, and in two days…. I gotta bring up one thing, you know, come back to the story, the day I did the ‘Can’t be Life’ beat on track, I remember Lenny S, he had some Louis Vuitton sneakers on, he think he fly And Hiphop was there, I think Tata, John Minnelli, a bunch of people I didn’t know all these people at the time they was in the room, and I said, “yo Jay I could rap..” And I spit this rap that said, uh “I’m killin y’all niggaz on that lyrical shit Mayonnaise colored Benz, I push miracle whips..” And I saw his eyes light up when I said that line But you know the West, the rap was like real wack and shit, so that’s all the response.. He said “man that was tite..” “That, that was cool That was hot..” That was it You know, I ain’t get no deal then, hehe.. Okay, fast forward.. So, Blueprint, H to the Izzo, my first hit single And I just took that proudly, built relationships with people My relationship with KwelI I think was one of the best ones to ever happen to my career as a rapper Because, you know, of course later he allowed me to go on tour with him Man, I appre– I love him for that And at this time, you know I didn’t have a deal, I had songs, and I had relationships with all these A&R’s, and they wanted beats from me, so they’d call me up, I’d play them some beats “Gimme a beat that sound like Jay-Z..” You know, they dick riders Whatever So I’ll play them these post-Blueprint beats or whatever and then I’ll play my shit I’ll be like, “yo but I rap too..” Hey, I guess they was lookin’ at me crazy ’cause you know, ’cause I ain’t have a jersey on or whatever Everybody out there listen here I played them ‘Jesus Walks’ and they didn’t sign me You know what happened, it was some A&R’s that fucked with me though, but then like the heads, it’d be somebody at the company that’ll say “naw..” Like, Dave LottI fucked with me, my nigga Mel brought me to a bunch of labels Jessica Rivera, man “Man, you niggaz is stupid if y’all don’t sign Kanye, for real..” I’m not gonna say nothin to mess my promotion up “Y’all niggaz is stupid” Let’s just say I didn’t get my deal.. The nigga that was behind me, I mean, he wasn’t even a nigga, you know? The person who actually kicked everything off was Joe 3H from Capitol Records He wanted to sign me really bad “We gonna change the game, buddy..” Dame was like, “yo you got a deal with Capitol, okay man, just make sure it’s not wack..” “you gotta make sure it’s not wack..” Then one day I just went ahead and played it, I wanted to play some songs, ’cause you know Cam was in the room, Young Guru, and Dame was in the room So I played…. actually it’s a song that you’ll never hear, but maybe I might use it So, it’s called ‘Wow..’ “I go to Jacob with 25 thou, you go with 25 hundred, wow I got eleven plaques on my walls right now You got your first gold single, damn, nigga, wow..” Like the chorus went Don’t bite that chorus, I might still use it So I play that song for him, and he’s like “oh shit” “Oh shit it’s not even wack..” “I ain’t gonna front, it’s kinda hot..” “it’s actually kinda hot..” Like they still weren’t looking at me like a rapper And I’m sure Dame figured, ‘like man If he do a whole album, if his raps is wack at least we can throw Cam on every song and save the album, you know So uh Dame took me into the office, and he’s like “yo man, we, we on a brick, we on a brick” “you don’t wanna catch a brick” You gotta be under an umbrella, you’ll get rained on.. I told Hiphop and Hiphop was all, “oh, word?” Actually, even with that I was still about to take the deal with Capitol ’cause it was already on the table and ’cause of my relationship with 3H That, you know, ’cause I told him I was gonna do it, and I’m a man of my word, I was gonna roll with what I said I was gonna do Then, you know, I’m not gonna name no names, but people told me, “oh he’s just a producer rapper” and told 3H that told the heads of the Capitol, and right– the day I’m talking about, I planned out everything I was gonna do man, I had picked out clothes, I already started booking studio sessions, I started arranging my album, thinking of marketing schemes man I was ready to go And they had Mel call me, they said “yo…. Capitol pulled on the deal” “Yo, Capitol pulled out on the deal..” And, you know I told them that Rocafella was interested and I don’t know if they thought that was just something I was saying to gas them up to try to push the price up or whatever I went up…. I called G, I said, “man, you think we could still get that deal with Rocafella?”
Last Call Song Lyrics
Youtube Channel Link
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jokertrap-ran · 7 years
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Boykira Event! Connect! Encore ◆Holy Night’s Miracle Volume◆ Event Story Translations (Ep 6)
*Kirameki Note’s tag will be Boykira *Boykira Masterlist will be under  ボーイフレンド(仮)Translations masterlist
1/2/3/4/5/6/7
Izumi Chikanojo: Oka~y♪ There’s christmas gifts for everyone~!
Girl: A present!? Thank you!!
Shirakawa Motoi: It’s a present……! Please take it……!
Boy: Hm? Wow, it’s a bell! How pretty—!
Izumi Chikanojo: Nufufu♪ The kids seemed to be pleased with them.
Narumi Masato: Yup! Kitagawa-kun’s surprise really was a wonderful idea!!
Kitagawa Shota:Hehe, it seems like the bells have been passed to all the children!
MC: Hehe, I’m glad we’ve also called the children from the facility you’re indebted to here.
Kitagawa Shota: Yeah! It’s thanks to Saionji-senpai!
MC: Even so, I was surprised when you said to invite the children from the orphanage over.
Kitagawa Shota:Actually, I had been thinking about it all the time ever since I heard that I had been selected as a member.
MC: Eh? Really?
Kitagawa Shota: I see…...I never knew…...
Kitagawa Shota: It’s because I wanted the children to enjoy christmas no matter what, you know~
Kitagawa Shota: When I had been in the orphanage, I couldn’t really celebrate a beautiful christmas or the like.
Kitagawa Shota: …...Did you decorate a christmas tree back home?
MC: Eh? Yeah, once…...
Kitagawa Shota: The orphanage’s tree is old and the decorations disappear often…...the decoration at the very top was always fought over for.
Kitagawa Shota: But you have to give the very best part to the youngest, right~?
MC: I see. So that’s why you wanted to decorate that tree’s top star.
Kitagawa Shota: Yup yup! But though christmas back then had been enjoyable, the christmas I have now after having been adopted by my parent’s enjoyable too.
MC: That’s true. A christmas spending time with everyone like this is fun too.
Kitagawa Shota: Yup, there are various kinds of christmas.
Kitagawa Shota: Of course, a christmas spent with a lover too…...
MC: Eh?
Kitagawa Shota: N-NOTHING……! I JUST ALSO WANT THE CHILDREN OF THE ORPHANAGE T-TO KNOW HOW FUN IT IS TO SPEND CHRISTMAS IN ANOTHER WAY~!
MC: That’s right. You absolutely have to convey that feeling to the children!
Kitagawa Shota: Yeah! I’ll do my best~!
Hyuga Minato: Ahh, Kitagawa, so you were here huh.
Kitagawa Shota: What’s the matter, Minato?
Hyuga Minato: Here, your costume.
Kitagawa Shota:Thank you—!
Kitagawa Shota: …...WHOA, THIS IS MY COSTUME!? IS IT REALLY ALRIGHT!?
Hyuga Minato: It’s because everyone’s either a santa or a reindeer. So this is proof that you're the leader.
Kitagawa Shota” Yay~! Al~right! I’ll wear this and get onto the stage!
MC: Yup. It’s already time. Good luck!
Kitagawa Shota: Thanks, (Last name). I’ll make it the best stage there ever is!
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jokertrap-ran · 7 years
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Boykira Event! Connect! Encore ◆Holy Night’s Miracle Volume◆ Event Story Translations (Ep 5)
*Kirameki Note’s tag will be Boykira *Boykira Masterlist will be under  ボーイフレンド(仮)Translations masterlist
1/2/3/4/5/6/7
Kitagawa Shota: WILL THE DECORATION BE FINE HERE~!
Watase Chisato: Isn’t it unbalanced like that? A little more to the right.
Hodoka Natsuki: It seems to be a little slanted.
Kitagawa Shota: UWA~A, IT’S TRUE! HOW ABOUT THIS~!?
Sagisaka Shu: Yeah, seems good.
MC: (Hehe, everyone seems to be having fun)
MC: …...Come to think of it, Kengo-kun, you seem to have been on your personal computer all this while but, what are you doing?
Kengo Myojin: Fufu…...here, please accept this. And could you turn it towards where the tree is and touch it?
MC: A smartphone? I just have to touch this, right…...ah!
MC: Amazing! The tree’s lights ilt up when I pressed the smartphone!
Kengo Myojin: Indeed. It’s my special illumination system interlockable with smartphones.
MC: Illumination system……?
Kengo Myojin: On the festive day itself, you can have the application downloaded to work the illumination just by touching the terminal.
MC: Wow! If this is how it is, the guests can also enjoy it together! Kengo-kun, you’re amazing!
Kido Senji: Heh— You’re rather good! Kengo-kun was it? Hey, can I try it out too?
Kengo Myojin: Humph…...this technology’s also used by popular up and coming idols.
Kengo Myojin: With this, (Last name)-san would be into me! Fuhahahaha!
Kido Senji: A-Ahaha…...Fujishiro really does have lots of interesting people…...
Inui Kotaro: —Oi. There was someone suspicious in the tree so I brought him here. Is there anyone here who knows this guy?
MC: O-Osaka-kun!? …...Eh, in the tree!?
Osaka Hiromu: H-Hi, (First name)-chan…...such a coincidence to be meeting you in such a place…...
MC: What are you holding in your hands……? Cooling gas and…...reindeer horns!?
Osaka Hiromu: NO, THIS IS, WELL…...SOMETHING I PREPARED FOR THE CHRISTMAS PERFORMANCE……! IT’S NOT LIKE i SPECIALLY PREPARED IT FOR SOMEONE OR ANYTHING……!
Inui Kotaro: …...What, so it was an acquaintance of yours huh.
Osaka Hiromu: We’re not acquaintances. We’re really really good friends with each other. Who are you and where are you from? It can’t be that you’re trying to get in the way of our friendship…...that’s not the case, is it?
Kido Senji: —Oi, dog. This person seems kind of bad news…...bad news in various ways. Let’s return back for today already.
Inui Kotaro: ……? Got it.
Kitagawa Shota: Al—right, I think it’s about time we talk about the planned surprise since the decorations have been settled~!
MC: (The surprise…...it was what he had been talking to Saionji-senpai about. I wonder what it is?)
Kitagawa Shota: So what the surprise contains is—
—Actual day of the performance battle—
MC: (There seems to be lots of guests coming and Kitagawa-kun’s preparations for the surprises are perfect too!)
Female Audience A: Hey hey, so I can just download the application from the QR code written on this flyer, right?
Female Audience B: Yup. And they also said that the illumination lights up according to the app. I’m looking forward to seeing how it turns out~
Kannagi Mitsuru: Hi. The distribution of the flyers seem to be going well.
MC: K-Kannagi-san! Hello……! Yes. I’m glad that everyone’s enjoying themselves.
Kannagi Mitsuru: It apparently seems like the children around the area have all come here as well.
MC: You’re right. Kitagawa-kun…...the unit’s leader seemed to have proposed inviting the children too…...
Kannagi Mitsuru: That seems like a really great thing to do for a wonderful city event. Will the children also be participating in the performance?
MC: Er~rr, we’ve actually planned to give the children bells before the actual thing starts so that they can enjoy themselves together till then.
Kannagi Mitsuru:  The adults have apps and the children have musical instruments to enjoy themselves…...huh. How wonderful.
Kannagi Mitsuru: Us too, let’s trust that we’ll be able to enjoy it as we showcase the best performances we have to offer.
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