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r0semultiverse · 2 months

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Mr. 6 made you do a good show to be released?? 👀 um....

This is already giving serious eye vibes.

A whole show dedicated to public humiliation?

The Mr. Bonzo suit started moving??? 👀 Serious stranger vibes. 🤡

"It actually became a sort of ritual"

I've seen people being like "don't cross tag" but buddy... the writing cross tags itself here I mean c'mon! 😂 Something something ritual of the stranger- okay, I'll keep listening!

Hey, what's with the music?? Hey, who is Terrance Menki???👀

"The police said there were eleven bodies in total and his wardrobe was full of all sorts of homemade costumes." BRO IS ACTUALLY MAGNUSPOD WILLIAM AFTON-

"It certainly had a profound effect on the Mr. Bonzo brand." Oh I'm sure it did, holy fucking shit. 👀

Oh, me using this image is rather ironic now.

"In a lot of ways I’m more his prisoner now than I ever was on my show." WHAT DO YOU MEAN BY THAT? 👀

"The witness statements from three murders over the last five years that claim a person in a Mr. Bonzo costume was at the scene? Do you think there could be a copycat?" Has the fear of clowns manifested as an actual clown-guything?

"Don’t contact us again." "Us?" "Why am I still trapped dealing with all this this- Why won’t he let me go?! Why-" So Mr. Bonzo is absolutely a clown cryptid of sorts with some sort of hold over Nigel.

Oh no, Gwen's about to fuck around & find out, isn't she? 👀

Hey, is Colin still himself & is he supposed to be back?

Hmm, okay, I guess that's him (hopefully).

"Maybe don’t tell them I’ve been on their terminals. They’ll only get the wrong idea." "If Lena asks, I wasn’t here." Seems like everyone's got their own little secret investigations going on, fun! This can only go well! 🙃

One of the episodes absolutely no one shows up to work except Lena is there & is like "where the fuck did everyone go?"

"Time to get some new hires again I guess."

Let's go!! Ruin exploration gang!!

"Like, it’s Saturday night and I’m choosing to hang out in a hole with you. A wet hole. And not the good kind either."

Alice with the absolute best quotes. lmao

That sounds like something with giant wings like a bat or some sort of cloth flapping in the wind. Let's hope it's the latter!

Oh a rusty old filing cabinet! Wait tetanus- 😭

"That carved floor in the big atrium – I don’t know what’s going on with that." Ah so we're just gonna breeze past that then. 😶

These are probably the remnants of old avatar creation test areas like mentioned in the Gerry & Gertrude episode. I'm just assuming here.

A key? Big find! Let's go!

AS I WAS SAYING-

Gwen, it was nice knowing you. 🫡

"Now get out of his house."

Archivist! 👁👄👁

"symbols of ancient otherworldly power"

Wait could this be a timeline where this universe's Jane Prentiss actually did manage to invade the building & succeed? I'm thinking out loud.

21:10 that sounds like critters, insects specifically 👀

"I have memories of weird stuff I saw here, but no context. I want to know what was happening, why they chose us… why they didn’t choose me. Maybe find the bit where everything started to go wrong." I am so captivated & intrigued please recount said memories to us- I mean Alice so we can learn more. Please. 👀

EXCUSE ME, WHO THE FUCK WAS THAT?!? WHO IS "[ERROR]?"

WHY DO THEY SOUND DISTORTED AS FUCK?? ARE THEY FROM THE PRIME TIMELINE OR IS THIS A NEW THING?

ARE WE GAZING OUR EYES UPON A WRETCHED THING FROM THE MAGNUS ARCHIVES?!

edit:

Is Lucia Wright an avatar of The Flesh now (in this universe or from the original timeline somehow)? Because it sure fucking sounds like it! 👀 Well, at least that key was put to good use! 😂

Also, supposedly Mr. Bonzo is a reference to Mr. Blobby.

Gwen, I'd be quaking in my boots too. That thing is terrifying!

Late observation but this universe & story seems to focus a lot on the cryptids & I like the direction it's going in! Loving this plot of cryptid hunters, childhood avatar experiments, a strange institute where our main character has past trauma, & just all of it is so good! 💜

Amazing episode, 10/10, I was at the edge of my seat the entire time! 💜 That Bonzo scene & the sound design were absolutely horrifying, thank you! The ending too! 🔥

#nigel dickerson if you need help from mr. bonzo or mr. six please blink twice omg #what if bonzo & six are actually the same creature or entity of sorts?#someone keep an eye on Colin; I'm worried about him #that carved floor in the big atrium is gonna come back into importance I just know it #so Lena uses mr. bonzo as a hitman crytpid of sorts... & now Gwen is exposed to the occult #this episode is a lot... holy crap #these episode do not miss; oh my gods; hit after hit; every time!#worm tracks made me think of jane prentiss; I just made the connection #did lucia wright become an avatar of the flesh & invade this world or is she a left over experiment of the magnus institute #I can only hope Gwen Bouchard will tell the others about wtf she saw (likely against Lena's wishes)#tmagp liveblog #mine #op #tmagp 10 #tmagp #tmagp spoilers #tma spoilers #tma #the magnus protocol #the magnus archives

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nonbinaryspy · 8 months

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Meta: Elincia's Trolley Problems

Elincia's arc comes into sharpest relief when you consider both PoR and RD together. From living a sheltered life as a secret princess, to watching her parents get killed as her country is invaded, to eventually rising to the challenge of her unexpected role as queen, she has to deal with important decisions at every turn. Every action she takes is out of love for Crimea's people and a desire to secure them safe and happy lives. But what happens when she has to choose between the life of a loved one and the future of the overall populace? Both PoR and RD test this with narrative beats that form a perfect mirror, ultimately reflecting Elincia's development.

Path of Radiance

Throughout PoR, Elincia has been separated from her usual support network, particularly her retainers. After returning to Crimea, she finally finds them—however, in chapter 24, before she is able to reunite with Geoffrey, he is left behind to fend off Daein troupes so that Elincia can escape. Elincia is naturally horrified.

Bastian: Geoffrey's acting as a decoy. You must continue on this road to the southwest. Lucia: So the enemy's found us, eh? Lucia: Nothing to do about it but change course. I'll lead you to another hiding place. Elincia: Wh-what are you saying, Lucia? We must help Geoffrey! Bastian? Lucia: Luck was not with us, Princess. We have no choice. We'll have to abandon our companions in Castle Delbray. Elincia: No!! We will not!! Geoffrey and the others have survived so much already... I will not abandon them! Lucia: Princess, please understand. If we could do so without danger to you, we would gladly risk our lives to go back. Elincia: We cannot do this! Please, Lucia! We must go to the castle! ...Bastian! You must not do this thing! Bastian: Geoffrey is a knight. In the name of our friend's honor, Princess, you must escape. Elincia: No... No! They've survived this long! They're alive! NO!!!

When Ike gives her the chance to instead save Geoffrey, she affirms that this is what she wants.

Elincia: Yes. I don't want... I don't want anyone else to be sacrificed.

Lucia and Bastian respect her wishes and agree to help Geoffrey, at which point she is able to get her feelings across.

Elincia: Because the two of you think to put me above all else, you say you will sacrifice your lives for me. Yet... Even if I'm able to borrow of Ike's strength and win back Crimea... If the cost of that victory is the lives of the two of you, I shall never smile again. And joy? Never again would that emotion fill my heart...

Elincia is a leader, but she's also a person—one who never asked for this role. Until recently, she has not had to make decisions that would affect the future of a whole country, as opposed to only living within her personal sphere. In fact, the main political decision made re: her life—the decision to keep her birth secret—was made for her. She has already lost her parents and, as far as she knows, her beloved uncle.

Since then, her choices have all been for the sake of Crimea. In reality, she has had little choice in how to go about that goal, considering she has been fleeing for her life while at the whims of Begnion politics. Being able to return to Crimea and reunite with her retainers is the first time she has been running toward, rather than away, from something, and still part of that goal is being held from her reach. Nothing will stop her from working hard for Crimea, but individual losses will still give her permanent grief. So here, she finally takes a stand against the choices other people try to make for her, and insists on protecting her loved ones and regaining some of what she lost.

What happens next depends on the player, but considering her retainers are alive in RD, the duology's canon here is that they all survive this fight. Due to Elincia getting her feelings across, her loved ones are saved, and the campaign continues.

After this experience, the cost of individual lives in war is hammered home, and Elincia decides it's not enough to order others to keep her retainers safe. Regaining her inherited pegasus and sword, she takes to the field despite the mixed feelings of her retainers.

Elincia: Even though I'm dressed like this, I have no experience, and do not expect to fight as well as the rest of you. But…this constant waiting behind and doing nothing…it sets my heart beating with such unease I fear it may burst. Even if I cannot fight, I could use a staff to heal the wounded. If I could save just one soldier, it would mean so much to me.

This quote shows her resolve and compassion, but it also shows that she still lacks experience and confidence, especially when it comes to conflict. Despite being trained in swordplay, she instead emphasizes her ability to heal, and sets a fairly low bar for what her contribution will mean. Although, given that this plot demonstrates the importance of saving an individual life, maybe I shouldn't call it a low bar. Either way, at this point, there is still plenty of room for her to grow and change, and RD will challenge her to due so.

Radiant Dawn

Part two of Radiant Dawn focuses on Ludveck attempting to usurp Elincia's throne by stirring up reactionary attitudes toward her policies, specifically with regards to her alliance with Gallia, to threaten civil war and pressure her into giving up her throne. Because she fears the conflict that could come out of taking direct action against a noble, and because his followers are also citizens of Crimea for whom she feels responsible, she approaches the situation carefully. Ludveck takes advantage of this hesitance to eventually kidnap Lucia.

Once again, one of the Delbray siblings is in peril, and this time, as Crimea's queen, Elincia does not need to convince anyone to save her. Instead, she takes to the field herself. As with PoR, she had not immediately done so—in this case, because of the delicacy the situation called for. But with Lucia's life at risk and Ludveck's forces at Elincia's door, she decides the time for delicacy is past.

Elincia: “Lucia… Lucia, I’m sorry. Somehow, I promise you… I will save you!” ... Elincia: “…Very well. I must prepare as well. I had hoped this day would never come… Amiti, the treasured blade of House Crimea, will awaken from its long slumber.”

Unlike in PoR, rather than focusing on her healing ability, she mentions Amiti. She no longer needs to make disclaimers or doubt the importance of her role commanding the field. The wording of "I had hoped this day would never come" and "awaken from its long slumber" emphasize that she has already been through the horrors of war once, and never wanted to again. She despises violence, but she is resigned to doing what she must.

Despite holding out against Ludveck's forces and throwing him in the dungeon, she is not able to do anything about his trump card. With Lucia as hostage, he tries to use her life as a bargaining chip for his release, as well as the country. After the incident in PoR, where her retainers saw their own lives as disposable, she convinced them to realize how valuable they were to her. So with the Delbray siblings' situations reversed, Geoffrey now asks Elincia to save Lucia.

Geoffrey: “…Your Majesty, you can’t… You have to let me do something about this.” Elincia: “…” Geoffrey: “Lucia would willingly die fighting for her country, I know… But you have to help her, Elincia. If you were in her position, she would surely do the same. Please, just give the word.”

Again, Elincia is at the point where she is taking action herself instead of entreating others. Rather than order him to do anything, Elincia visits Ludveck in what is one of the most defining scenes of her arc. The non-extended version is below as I think it gets the point across quite well, but there are more dialogue beats in the extended version.

Ludveck: “Queen Elincia, you’re so naive. Cold and callous decisions are sometimes required of a nation’s ruler. …I was testing you. We all wanted to know if our queen would have the power to stop a civil war.” Ludveck: “But, no, you were too hesitant and too concerned about harming the people… Now look what has happened. The rule of Crimea cannot be kept in your hands! Please, Your Majesty! You must abdicate and cede the crown to me!” Ludveck: “And considering Lady Lucia’s life is on the line, you haven’t much choice. Now, let’s have you free me from this prison cell, and then we can discuss any further details…” Elincia: “I don’t think so.” Ludveck: “What?! Are you truly willing to sacrifice Lady Lucia?!” Elincia: “…Lord Ludveck, all your dissatisfaction and misgivings about me are well founded. However, do you realize how many lives you’ve simply thrown away?! Strength without compassion does not a ruler make. You care nothing for the people, sir. You cloak your desire to rule with pretty speeches, but it is petty avarice nonetheless!” Ludveck: “…So this is how it shall be? Very well… But Lady Lucia cannot be spared without my order.” Elincia: “Allowing you to plant the seeds of rebellion and play havoc with the lives of my people is a failure for which I must answer. But I will see Crimea through this trial. I will give my people the future they deserve, no matter the cost.”

Ludveck patronizes Elincia for her compassion while pretending he has the citizens' best interests at heart, but Elincia doesn't bow to his demands. She maintains her compassion along with her resolve. However, no matter how caring someone is, the fact of the matter is that decisions that help even a great deal of people still come with consequences. Elincia realizes this, and is prepared to make that sacrifice while taking responsibility—even though, as she said in PoR, she "shall never smile again."

In the beginning of PoR, Elincia lost almost everything in one fell swoop. When she was finally reunited with her retainers, the thought of sacrificing even one of them was unbearable, even if it could potentially have derailed her goal to retake her country from an invading tyrant. Now, though, she is in a position of greater power, and she is fully aware of the responsibility that comes with it. Compared to PoR, where she was so often at the mercy of others, the only thing tying her hands now is the threat to Lucia. Of course, Lucia is immensely important to her, but after spending three years working to rebuild Crimea, nothing can convince her to let it again fall to ruin under another power-hungry leader.

Thankfully, Lucia's life and Elincia's smiles are saved, thanks to Bastian secretly calling in the Greil Mercenaries. Despite her resolve, Elincia's conflicting priorities are still apparent, as in the extended version (translation on Serenes Forest provided below) she expresses wonder at her decision. As for her retainers, though their feelings on how she should handle such situations have shifted over time, they don't begrudge her decision.

Elincia: “…When Lucia was captured… It was as if I lost my other half. Even now, seeing her by my side, I feel so strange… Wondering how, at that time, I could make the decision to abandon her…” Lucia: “Lady Elincia…” Elincia: “Still… If the same scenario occurred… I believe I would make the same decision. Lucia’s life is important, but it’s not on the same scale as protecting the country. As the Queen of Crimea, I must accomplish my duty to the country foremost.” Lucia: “Of course. Seeing Lady Elincia being able to make this decision, it truly makes me happy. As if I would hate you.” Geoffrey: “My thoughts exactly.” Elincia: “Lucia, Geoffrey… I value your lives more than even my own. But it’s my duty to protect this country, even if that means losing you. I’ve learned a lot from all of this. I hope to keep them out of harm’s way, and I’ll never make the same mistakes again.”

By the end of this section, the bulk of Elincia's arc is complete. She has decided what matters to her and what she will do as queen when put into high-pressure situations. She resolves the situation by deciding to be openly harsh in punishing Ludveck's followers despite the fact that it will gain ire toward her, as refusing to do so before gave him the opening he needed. She has decided to be uncompromising in the face of reactionary politics. Not everyone in Crimea will agree with her decisions, but those closest to her will never waver in their loyalty, to the extent that they are both willing to live and die for her. It's no wonder that, as her epilogue says, "Her reign was remembered as a golden age."

Conclusion

Because I touched on the topic of Elincia's agency and how she maneuvers within the limits of it, I want to give a brief shout-out to her actions in part three. She is Gallia's ally and does not want any more bloodshed in her lands. However, due to Begnion exercising its imperial power, she cannot fully stop its army from entering her lands in pursuit of the laguz alliance. The action she ultimately takes, dropping her weapon in between the opposing armies and essentially daring them to murder a queen of a country with whom they're both allied, all without betraying her own nonviolent ideals, is an unparalleled power move.

Getting back to Elincia's trolley problems, what I find interesting is that though Elincia's decisions are different in PoR and RD, neither game condemns her for her choices. She cares for both the mass of strangers that comprise her kingdom and the loved ones who she's spent her life beside. Her situation in each game is different, so she handles each situation differently in ways that make sense given her roles, pressures, and motivations.

FE in general, and Tellius in particular, asks the characters and players to care about the fates of individual lives as well as whole worlds. Both PoR and RD present the question of what someone would or should do when these personal and political goals conflict, without giving one black-and-white answer. Elincia's arc is just one impactful example of this.

As for me, I'm not gonna lie—though Elincia doesn't have the option to reset the game whenever someone dies, I probably always will.

#fire emblem #tellius #fe9 #fe10 #elincia #elincia ridell crimea #elincia fire emblem #lucia fire emblem #geoffrey fire emblem #path of radiance #radiant dawn #anyway I'm still yodeling about her finally getting a legendary. in the same year as her ascended alt even!

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tianhai03 · 1 year

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this is definitely what happened at the beginning of dmc2

#was playing dmc2 for a bit just now #and idk i feel like with this ive finally figured out the reason why dante kept doing the stupid coin toss thing #(i say stupid in an affectionate way i love watching him flip coins for no reason)#anyway. dante has adhd its canon (source: trust me)#devil may cry #dante(dmc)#lucia(dmc)#allyart #i wonder if lucia ever asked him about the coin. wouldnt it be really funny if even dante didnt know that both sides were heads #im pretty sure he at least knew that but still. it'd be hilarious

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vool-zam · 3 days

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we'll always have san myshuno

#the late and often great mrs. villareal #(correction: considered late. technically........missing. re: the police report.)#the real mobwives of san myshuno. u get the vibe #jacques villareal #lucia villareal #<-she's got a name ppl. I'm so deathly srs about this fckn idea 💀#townie makeover #ts4 edit #mine #story: get real

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dmc-questions-anon · 2 months

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Feel free to put how much you think about them in the tags.

#Nico!#I think about her quite often #It's really on high right now though because of Before the Nightmare #Devil May Cry #DMC #Dante DMC #Trish DMC #Lucia DMC #Vergil DMC #Lady DMC #Nero DMC #Kyrie DMC #Nico DMC #Polls

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tacticalhimbo · 6 months

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AAAAAAA???????

there is so much to unpack in the official trailer but just know that i am so unwell (positive) about. everything in this.

the fact we have a power couple as our two protagonists. the fact we have a female protagonist finally. the way it shows miami beach and the suburbs blending out into the everglades, and the difference in culture in these areas. the fucking gators. the wild shenanigans spreading from screaming on the highway to road rage to uh. the mud pit <3

i am. obsessed. so here's my favorite stills.

#txt #pic #gta 6 #i am not kidding when i say i want to see SO MUCH content about lucia and her boyfriend/partner #we've seen all but 20 seconds (generous estimate) of their dynamic and i just know they're ride or die lovers #and i love that #it's definitely giving she's a troublemaker from miami beach and he's a hick (positive) from the everglades area/rural suburbs #and i am obsessed with the energy #obsessed!!!!

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nightmun · 4 months

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Here’s a comic that’s based on an idea from @hear-that-music-in-the-air! Since it’s kinda long half of it is under the split so it doesn’t stretch too far 😅

Bonus panel:

#rhythm doctor #ada paige #ian #hailey #logan #lucia moon #cole brew #my art #we picture Ian as someone who’s not big on socializing so this was based on that thought #I feel like he’s more upset about the having to socialize for an hour part than the nails #also Cole is being genuine in the last panel #he’s too chill to know what toxic masculinity is #I made an attempt at lip sync in the one panel cause it was much funnier than a static image to me #I’ve never done lip sync animation before so if it’s a bit wonky that’s why (though who really cares)#this comic also made me realize how fun Ian is to draw #it was the start of what has become Ian brainrot over the last week or so

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mintnoodles · 2 months

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[ID: Coloured cartoon/anime illustration of 3 women (Lucia: Plume, Lucia: Crimson Weave, Luna: Laurel) in regular attire, with yellow lighting. They look like a schoolgirl, biker chick and a comfy gamer respectively. They're described further in detail ahead. In the background are doodles of several characters. Lucia Plume stands, looking down wide eyed at a kermit plush in her hands. She wears an oversized green coat with red lining over a uniform (blouse, red tie, black skirt with red lining, stockings, leather shoes). Her skin is tan, her pigtails are done with rectangular red bobbles. Tiny horns poke out of her hair. Lucia Crimson Weave stands next to Plume with a wide legged, confident stance, hand in jacket pocket. She gazes to Plume from aside. She's tan, her white high ponytail done with a large bunnyear red ribbon. She wears a white jacket with red lining/accents and decorative zippers, red goggles around her neck, black turtleneck crop top exposing some underboob, navel piercing, denim shorts with belt chain, black fingerless gloves and ankle boots. Her legs feature several scratch scars. From her left hand dangles keys and a frog keychain. Luna sits with fingers clasped across knees, looking up at both Lucias with a slight smile. She's pale. Black bobbles tie up her shorter white twin tails. She wears black headphones with red accents. Draped over her is a thin white cardigan edged with a grey diamond pattern. Under is a blouse with a red ribbon and grey moon charm, anklelength white skirt, and grey socks. In the background are several doodles of other characters. Liv and Lee in school uniform. Liv has a braided bun and cochlear implant. Lee has a blazer and pimples and a neutral look. Liv smiles wide as she says 'Lucia! You can sit with us!' Commandant (in biker helmet and jacket with gray raven emblem) rubs their head awkwardly while presenting a wrapped gift with tag reading 'to: Lucia' Rosetta (in neck brace and arm cast) glares determinedly with yugioh card between 2 fingers, saying ''Alpha'. It's time to duel.' Behind her Diana in a deer sweater worriedly says 'rosetta please rest.' Phone with group chat named 'ASS NET'. 3 speech bubbles surround it: Exaggerated smiling chibi Roland emanating hearts. 1 heart bounces off a tearful chibi goth Lamia. 1 screenshot of of a youtube page featuring Lamia: Lost Lullaby's mermaid design. End ID.]

punishing gray raven but it's just the postapocalyptic rpg run by a very determined Luna for her younger sister and her friends. Chapter 1 to 8 is their shaky start to getting used to the system before they hit their stride, Luna gets better at narration, and a couple very weird dice rolls lead to wild story adaptation.