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#You me the parking lot after i finish and post my arc analysis
fuumiku · 1 month
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Chilcille huh... ngl I was a little suspicious. like why would you do that, huh... hope youre not mischaracterizing anyone in your weird and wacky ship. a little weird. but then you said they both had flat asses and you know what? I salute you and your perfect characterization
The fact you seem to think you managed to not make this ask insulting is baffling. What the hell. Fuck off.
If you actually care to be open minded about the ship, I talk about marchil on my sideblog 24/7. Funnily enough I’m currently 4k words deep into an analysis of their character arc together in canon, but that’ll take some more days to get done. Some notable posts:
Of course without counting the analyses of Chilchuck on his own I’ve made, like my masterpost on his family situation. Or better yet you could also read my fics for them, see how weird and wacky they are here.
Wanna talk about mischaracterisation? They’re literally a comedic duo who interacts 24/7. Marchil is crazy bc ppl are like "did those shipper read with their eyes CLOSED?? They have no chemistry!" Meanwhile canon is like: "She’s obsessed with knowing everything she can about him and she reads him like a book." In her eyes he’s like that extra rare and hard and shiny unlockable dating sim character, that brooding mysterious character trope that’s thrilling to crack open and typically is at the center of the plot. The wife roleplay???? "Hey, did you know his type is blondes. Hey did you know he likes his women pretty and blonde. Hey did you know he likes her hair. Hey did you know that he teases her 24/7 and it’s one of the few things that consistently gets him grinning because he finds her reactions cute." Like a schoolyard bully pulling on the pigtails of the girl he likes.
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It’s not like they have any thematic narratives or relevance. It’s not like she’ll live to 1000 and has existential dread about it while he’s logically gonna be her next friend to die at 50 and wether it’s romantic or platonic it’ll terrify her to lose him. It’s not like it’s fear of death x fear of rejection so they’re both obsessed with the thought of loss looming, past and ongoing. It’s not like it’s half-elf x half-foot and there’s an inherent journey that was and still is to dispel prejudices and truly come to see each other. It’s not like he’s painfully real and raw and flawed but still a good man, that he’s not the figure of prince charming that she’s always dreamed of while still being virtuous and worth fighting for. Or you know, her hair being golden and it being the epitome of beauty to him, and his hair turning silver and it being Marcille’s worst nightmare.
Just a weird wacky ship who means nothing but shallow things to people who have weirdo reasons for liking it. Like can you not. If you’re not imaginative enough to think of reasons why this ship may have an appealing dynamic that’s not my issue. But yes, yes, they’re both flat asses to me, thanks.
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pynkhues · 3 years
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I got so excited seeing you post about Succession, I am absolutely obsessed with everything about that show from the writing, to the performances, to Kendall fucking Roy. Would love to hear any of your takes or analysis on the Roy siblings.
Oh my gosh, me too, anon. I'd been watching the eps a few at a time and when I got halfway through s2, I started watching them one at a time just because I didn't want it to end! It's been a crazy long time since I've done that, and it was such an invigorating feeling to enjoy a show that much to want to draw it out again. I finished s2 a few days ago and am halfway through a rewatch already, haha, and I am SO. HYPED. for s3.
It's so well written and like you said, the performances are top-notch (Jeremy Strong ridiculously deserved his Emmy last year, oh my god), and just the pay off with plotlines and character arcs is unreal, even if that pay off often hurts. I think it does such a great job of showing how filthy rich they are too, but making no part of their life aspirational? Which is a hard line to walk. They're all so miserable and traumatised and disconnected and lonely and they're destined to stay that way because they have no emotional tools to do or be otherwise. It hurts, but it's so frequently what they deserve too, and that gets so tangled up and twisted. I love it.
And man, the Roy kids!! Putting some broadstrokes analysis / opinions under the cut, because omg, I feel like I'll be talking for 1,200 years otherwise, haha.
Connor Roy
Legit obsessed tbh. When I was growing up, my mum was a huge Spin City fan, so she used to park me and my sister on the floor in front of it with toys while she watched, and as a result I think I have this really warm response to Alan Ruck, haha. He's fantastic in this, and lends the right amount of vulnerability to Connor.
I love that there's this push-pull with him as kind of an outsider, but also not? Like he's there at the table, to borrow the phrase from Tom, but there's very much this feeling that it's a courtesy or formality to Logan's previous family (and god, I'm dying to know more about his mum / Logan's first wife), but that doesn't stop this deep rooted need that Connor shares with his siblings for their father's validation.
I think a lot about what Connor says to Kendall in the s1 finale about how anyone can have a million dollars, but right now, with Logan's empire, they're somebody. It's this sort of tangled disconnect from reality (anyone can have a million dollars??) but also his desire to be seen broadly, but more specifically seen as Logan's son, that I feel really grounds Connor's arc, and I feel like he's just going to get louder and louder about it, especially with his presidential run getting closer.
Kendall Roy
Okay, okay, okay, I know that he's an absolute nightmare and a terrible human, but oh my goooooddddd, I love him as a character. I saw it in somebody's tags on a gifset, but I love this set-up where Logan keeps Kendall on the shortest leash, but it's a leash all of his siblings, despite themselves, want to be on. That's awful, but so indicative of the toxic way that Logan's raised his children.
There's also a great quote from Jeremy Strong somewhere, and I can't find it now, but to paraphrase, he said that the whole family is raised on this idea of strength and power, and Kendall's sort of a case study in strength not being his native language. It's so true, and I think Kendall's smart and resourceful and quick on his feet, but he's also so often desperately trying to wear a costume of who he thinks he should be.
I don't think he's weak (in fact, I think he's really resiliant), but he's definitely a fragile character and an addict, who nakedly needs nurturing that no one is willing to give him, least of all his mother (which, god, that scene when he tries to talk to her in the UK destroyed me) so instead he pretends to mould himself into the perceived image of his father and fails every time.
It's brutal to watch, especially when you see other characters know that and use it to manipulate him. Hell, his own father pretends to nurture and protect him (and I think kind of genuinely does too? But it's so warped?) the whole of s2, and it brings Kendall closer than ever before. It's painful, and affecting, and it's just this manifestation of trauma in a hopeless, cringe-inducing package, haha.
Roman Roy
Another nightmare baby I tragically love, hahaha. I actually think Roman's had one of the most interesting arcs on the show and one of the few that seems to be positive? Like his tendency to not take anything seriously so that he never truly fails was pretty fun in the first season, but to see that evolve into someone who's green but has great gut instincts, and is good when he lets himself be and when he lets himself try, is really invigorating narratively, especially as the other characters all slip further down morally and/or stagnate.
I'm loving the way that it's sort of cannibalising itself though too with him and Geri's relationship suddenly, um, pivoting, hahaha, and especially the way she's honed in on him getting off on being demeaned. There's something really fun about the one character clawing his way up masturbating to being told exactly how low he is.
Plus Kieran Culkin is a gem.
Shiv Roy
Sarah!! Snook!!!!!!!!!!!!!!!! I've had a huge crush on her since Not Suitable for Children so was already totally delighted to see her in this, but oh my god, she's so good, and Shiv is so awful in so many wonderful ways. I love that she's kind of like Kendall in the way she pendulums between extreme competence and the most mortifying self-sabotage, and the way she's a very specific sort of insecure. Logan never asked her, y'know? Not really, and the way she knows she's his favourite, but knows that being his favourite without the validation of succession doesn't mean anything.
In a lot of ways, she encapsulates the show's themes and Logan's abuse in the best way, because she has what her brothers want. Her father loves her more openly than he does any of them, but that love isn't enough, because Logan's made sure it never will be. It's not a true love after all, because Logan loves them, but he loves none of them more than himself and his legacy, and being given the latter is what they've all been convinced will make them happy when it never will.
Nothing will.
It's just so good and so painful, and I'm in love with it all.
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bonsoir-rilour · 6 years
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Weeks 15-18: The Tour de France and my Internship Wrap-up!
Long time no see everyone!!
 These past few weeks have been quite the blur – between visiting new cities, the iREU conference, and wrapping up things in my lab, I’ve had very little time to sit down and write this update. Thankfully however, I found some calm time just recently, on my last Sunday here in France.
 To start, after the completion of my final experiment (which thankfully went off without a hitch), myself and Alex begun our own little “Tour de France”, with our first stop being Paris!! It was a long bus ride, but it was well worth it. (And Alex is the MASTER at picking places to stay – our AirBnB in Paris, although a little bit north of the city center, was extravagant. Our host was out of town for the weekend, but he still treated us with a 2011 vintage of some wonderful wine and his apartment was nothing short of stellar.
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(An early morning breakfast/snack and a cool façade on the way to our first destination!)
Our first stop in Paris early Saturday morning was to the Sacré-Cœur basilica, a newly created icon (early 20th Century) which stood on a hill overlooking the rest of the city. A quick walk up to the top of the church gave way to some FANTASTIC early morning shots of Paris.
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After we were both satisfied with our photos (more of a plug to Alex, his shots are always phenomenal in quality) we made our way down towards the city center and made our way to Les Invalides, where a handful of military museums and prominent tombs lie. ß Most notably, Napoleon himself is laid to rest here. I was able to sneak a few photos of some military exhibits before we made way to the tomb of Napoleon.
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(These pictures really doesn’t do the size justice - this ENTIRE BUILDING was dedicated to Napoleon’s shrine. The actual coffin pictured above is ~20-30ft tall on its own, housed below a dome that extended ~100-150ft above it.)
Also of note, Napoleon’s brother, eventual King of Spain as Jose I, is also laid to rest in the same hall as Napoleon. Albeit his shrine is significantly smaller..
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(His older brother gets a tiny little corner in his younger brother’s Egyptian Pyramid of a shrine)
We wrapped around the palace for some more photos of the building when we saw President Macron himself!! We were stopped from crossing a driveway that lead into the complex when we saw Macron and his police escort leaving the area!! There was coincidentally a military-band festival at Les Invalides, so we think Macron visited to see the festival, and we caught him right as he was leaving!!
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In celebration we stopped by a cute little creperie and made our way to the Eiffel! (No visit to Paris is complete without a photo by the Eiffel Tower!!) Although we didn’t take a trip up to the top, we laughed at the exorbitant prices that we would’ve seen in the Eiffel restaurant, had we gone up!
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Our next stop was to the Arc de Triomphe – when Alex visited a long time ago, he took a photo with his sister in front of the Arc. As a surprise and gift to his sister, I helped Alex recreate the exact angle and photo to show his sister and show much time has passed.. Very cute idea.
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Before moving towards our final destination of the Notre Dame cathedral, we went full circle to Le Esplanade des Invalides (a park right in front of Les Invalides) to rest our feet and enjoy the wonderful weather.
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Day Two in Paris started with a quick visit to a department store, as Alex wanted to pick up some clothing before leaving Paris.
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(Yes, this is a department store..)
  We took a quick gander at Le Academie Nationale de Musique on our way towards the Louvre! We decided that it would’ve taken too much time out of our day to actually visit the museum, so we were content at taking a couple photos of the courtyard and the pyramidal entrance before heading out to our next stop.
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Our next stop was to the Pere Lachaise Cemetery – the largest cemetery in the Paris city proper. Although there are countless well known individuals buried here, of personal interest to me was visiting the grave of Oscar Wilde, author of the well-known novel The Picture of Dorian Gray.
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Our final destination of visit in Paris was to Le Jardin du Luxembourg, for a couple minutes rest before returning back to the AirBnB to prepare for our departure.
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We promptly left for our overnight bus and arrived early in the morning to our next destination, Lyon! Lyon was the host city for our new friend Annika, and we had made plans to visit her in her own city (like she did with us) before we all left for the iREU conference.
 After arriving in our hostel and recovering from the long bus ride, we set off to the highest peak in Lyon – “Vieux Lyon”, where La Basilique Notre Dame de Fourviere resides. This MASSIVE basilica overlooks the entire city, and photos do not do this basilica justice – I do not exaggerate when I say that this may have been the greatest cathedral I have ever visited. (Perhaps the Notre Dame in Paris is better, however we didn’t have time to go inside while in Paris)
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The next stop was arguably my favorite destination of the whole trip, the Theatre Gallo Romain! I adored the small roman ruins here in Bordeaux, and those ruins is merely a single archway. Almost the entirety of this roman theatre is intact, and there are TWO stages! Alex and I went to the top of the ruins and relaxed for a while – the combination of the city view and the ground that I sat on lead for an amazingly content rest. My only dissatisfaction from the visit was that the theatre was fitted with modern tech to make it more applicable for modern day performances – of course this is a great convenience, but it takes away from the historic grandeur of the site to see metal bars and black stages lining this great site.
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There aren’t many more photos that I took while in Lyon – we spent some quality time with Annika, and our second day in Lyon was mostly spent in the hostel. Alex and I both wanted to prepare for our conference the following day and it happened that France was playing a game in the World Cup, so we spent a lot of time sipping coffee, doing work, and watching football!!
 Our final stop in the Tour de France was the culmination of my program here! In Toulouse was the IREU conference, hosted by the Universite de Paul Sabatier! I unfortunately took very few photos of my time in Toulouse, but it was still an amazing experience. The conference was VERY insightful with great talks, and it was wonderful to meet all the other students that were in our iREU, but hosted in different cities. The conference was only two days long, but every night I was in Toulouse, I was fortunate enough to meet up with friends, both old and new. The people who stopped by my poster to hear about my project seemed content with the work I have done with few questions!!
 Toulouse wasn’t without its fair share of goodbyes however, as Annika and Kyler both had their flights to the US immediately following the conclusion of the conference. It’s surprising how close of a friendship you can create with some people in such a short period of time – although both Annika and Kyler live in California, I surely hope I see them again.
I did snag this photo while in Toulouse however – for dinner on the first night of the conference, our hosts secured an ENTIRE restaurant for us! It was very homey, it was described by our host as “We wanted to give you a taste of genuine Toulouse food and experience, although it is not the flashiest or most known restaurant, this place is genuine. It will feel like you’re eating food your grandma would make.. If your grandma was french and had lived in Toulouse her whole life!”
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Our time in Toulouse ended our “Tour de France”. Although the trip was amazing beyond words, it felt comforting to be back in Bordeaux. It’s been my “home away from home”, and I’ll always have a sweet spot for this stellar city.
 My past week in lab here has mostly been wrap-up; I unfortunately won’t have time to finish my analyses of my samples, so I will be bringing them home with me for analysis when I start up my semester back in Binghamton. Since the majority of my time has been downtime, I completed my final report for my experiments here in the lab along with a final presentation that I will be giving to my advisors this week. My final week here in Bordeaux will be spent closing the various accounts and services I have made during my time here, and packing for the big trip home.
 It’s very surreal to be at this point. I remember how long the first week went by here, and how difficult I thought the transition was going to be. But here I am, with one week left. This experience has truly been eye opening, both with my professional career and personal development.
 I think this will be my last weekly update, as there won’t be much to detail this following week. I may make a short post on my last day here (14/07) just to document my travels to Paris and then out of the country.
 I’m going to miss Bordeaux. With the career opportunities now available to me after this internship, I sure hope I find my way back here. For the ~4-5 of you who have been following my posts, thanks for sticking around. And I apologize again for having to put ~6 weeks of content in one large series of posts.
 Cheers to this wonderful country one last time. This goodbye is bittersweet, but I know my family and friends will be happy to see me back home. VIVE LA FRANCE!
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creative-type · 7 years
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Chapter 218 is Amazing and Here’s Why (Continued)
So I had intended to finish my analysis of chapter 218 of One Piece in one post, but things were starting to run a little long and I split it in two. Here’s Part 1 for those who are interested. For the rest of you, let’s jump in where we left off
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I know I say this a lot, but I really like that panel. For one thing, Usopp is using a desk lamp. Knowing him, he probably invented it himself just for the occasion. 
On a more serious note, the entire feel of this scene is completely different than the last time the Straw Hats as a group interacted with Robin. I wrote extensively on chapter 114 here, but what I want to draw attention to now is how the tables have (supposedly) turned. Remember how Robin held all the power and was seated above the Straw Hats while tossing them around like a bunch of punks?
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Yeah, that’s no longer the case. Robin is surrounded by Usopp, Zoro, and Nami, the three Straw Hats who distrust her most. And while Usopp’s too much of a chicken to be intimidating, there’s no mistaking Zoro and Nami’s body language. They’re closed off, guarded, and Zoro at least has his weapons close at hand. 
At the same time, the way the speech bubbles are placed draw attention to Chopper and Luffy. You can barely make out a hand, and one might assume it’s Sanji’s, as he’s the only Straw Hat not visible. 
Which, of course, it’s not
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This set up is the impetuous for three hilarious pages where Robin one by one wins over the Straw Hats (except Zoro, because he’s a killjoy). I recommend reading the entire sequence to get the full effect. It’s classic Oda humor from start to finish that makes me smile every time I read it
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(especially this)
Now going back a bit, Robin tells Usopp that she’s an archaeologist from a long line of archaeologists and has been on the run for twenty years. Never once in this entire “interview” does she lie. In fact, I can’t recall Robin ever  lying in the entire series, except for when she didn’t give Crocodile Pluton’s location. 
There are a couple of different reasons for this. For one, it’s convenient for the narrative if the audience doesn’t have to second-guess everything the main characters say. On the whole the Straw Hats are pretty honest people - Usopp being the obvious exception. (Nami is also a bit of a wheeler and a dealer, but since Arlong Park is more prone to using her good looks and force of will to get her way over straight-up lying. That, or stealing what she wants outright.)
Secondly, Robin has had a bounty on her head for a long time. The Ohara incident was publicized around the world. There’s no reason to hide certain aspects of her backstory when it’s essentially public knowledge. 
Still, it’s interesting to note that the one Straw Hat who is known world-wide as a demon who has betrayed every group she’s joined tells the truth here. It’s obvious that in addition to winning the Straw Hats over, Robin is using her ability to direct the attention away from herself. One might even suggest that Robin tells Usopp she’s an assassin to rattle him enough to avoid more personal questions. She does a masterful job of using each of the Straw Hat’s weaknesses against them. 
It becomes more apparent later on that Robin is an incredibly private person. When Chopper and Sanji are looking for her on Water 7 they don’t know where to even to start, because there are no ancient ruins about, and that’s the only place they can think of where she would go. 
Now, this falls more into the realm of theories and head canons, but since Robin’s whole dream focuses around finding The Truth and since her whole life has been ruined by vicious slander and falsehoods, I would imagine that Robin hates lying more than the average person. She will misdirect, avoid questions, or tell bits and pieces of well-known information without giving context, but she won’t lie.
Moving on, Robin uses the same intelligence and playful nature that was established in chapter 114 to avoid any more of Usopp’s questions (consistent characterization, gotta love it) before having a private word with Zoro. I like how Robin doesn’t even try the same tricks she used with the rest, because I think she knows it won’t work. Instead she addresses him more or less as an equal.
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Assuming this is a nuanced and accurate translation, when Robin says “This isn’t that bad” we can make the assumption that she thought it would be bad. It’s understandable that she would think this way - the Straw Hats were her enemies not too long ago - but it brings up the point that Robin willingly stowed away on a ship she knew she wouldn’t be welcome because she had no place else to go. When Zoro affirms that the Straw Hats are basically a bunch of dorks, Robin smiles.
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Now Robin smiles an awful lot for someone who wants to die. It’s basically her default expression, and it’s nothing but a front to hide her real feelings. She even smiles when she’s just been stabbed and is about to be buried alive after living a miserable, meaningless life without accomplishing anything she’s ever set out to do. That’s one deeply-rooted defense mechanism.
This is the first time we see Robin really be happy, and her surprise at learning that the Straw Hat Pirates are fun-loving and cheerful even when traveling with a former enemy is the kick-start to Robin’s character arc.
Because make no mistake, the Robin who joined the Straw Hat Pirates was the same Robin who joined Crocodile. All the stuff at the beginning of the chapter helps flesh her out into a fully-realized character instead of a cardboard Vivi replacement, but at this moment Robin’s beliefs about the Straw Hat Pirates are challenged, and a character can’t change if they aren’t challenged. 
There’s a cute Zoro-pouty face to that ends this scene, and our focus swings back to the Straw Hats as a whole. An undetermined amount of time has passed because now they’re talking about the weather and Zoro is back to lifting weights
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I don’t know if you can have foreshadowing that’s paid off in one panel, but Oda doesn’t waste a beat with the little clacks of wood against wood. For the second chapter in a row there’s an amazing twist at the end that no one could have seen coming. I already shown this spread in my last post, but it’s so epic it deserves a second viewing
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I can’t remember if this is the only time Oda has used a real life quote in One Piece, but if not, it’s one of very few. And honestly, what could be more appropriate for a series like One Piece? The whole composition of this page is beautiful, and all the little details take my breath away. I really don’t get it when people say Oda’s art is ugly, because they’re wrong. 
Anyway, things get crazy for a couple of pages while the Straw Hats try not to capsize. Oda has this thing he does when he uses square or rectangular panels for his dialogue and uneven shapes like trapezoids for action scenes. I think that’s pretty standard procedure for comics (I’m by no means an expert) but here Oda helps sell the chaos by composing his pages so it feels like the panels are tilting with the ship
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There’s also a nice gag with Usopp that doubles as a character moment. Instead of grabbing hold for dear life Usopp sits and closes his eyes to pray, completely ignoring the problem in hopes that it goes away. It’s funny here when he gets a skeleton to the face, but it highlights a huge flaw that finally comes to a head during the Water 7/Enies Lobby arcs.
After that we get this sequence of panels
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Please forgive my horrendous edit, but I wanted to show how the speech bubble fits into curve of the wave in the second panel and leads the eye through the rest of the sequence even though the individual images don’t really relate to one another. Oda constructs this scene in such a way that we feel the chaos, but he does so in an orderly fashion. Each panel gets smaller and smaller - similar to the “fade to black” technique I talked about previously, and it leads directly the last splash panel on the page
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The chaos ends just as abruptly as it began. The Straw Hats are mystified, and, honestly, Oda could have ended the chapter here. It’s such a high note, a good dose of Grand Line craziness after so much focus on the crew. But Oda isn’t satisfied with stopping here. He ends the chapter with what I believe to be one of the best story hooks in the series, tied only with Zou for sheer “WTF, the Straw Hats are going where?” moments in all of One Piece.
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Skypea isn’t my favorite arc in the series. A lot of people say the same. But if you can pretend that you’d never read/seen what was coming next and take the end of 218 for what it is - and that’s pure hype - then you’ve got to admit that Oda has done his job.
So that concludes our look into chapter 218 “The Log Pose and Why It Is Round”. To summarize my thoughts on the chapter and why it’s amazing
Ships fall from the sky
Oda never forgets 
But he does lure us into thinking he does
Ships fall from the sky
Robin is established as a “protagonist” without necessarily being a “good guy”
Symbolism
Excellent page composition
Gags that reveal character
Consistent characterization with hints of further development to come
and last but not least
      10. Ships falling from the sky
(Thanks to everyone who has the patience to read this far. Next I’ll continue my Nico Robin study with chapter 253, specifically looking at Robin’s place in the Skypea arc and how Oda prefers stealth development over big character moments. See you next time!)
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diverdowns · 7 years
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narciso anasui - 1 am character analysis
so, anasui — one of my favorite jjba characters, he’s probably somewhere around third or fourth on my list. i’ll do a quick rundown of his background and personality before i go in-depth into some of the arcs he’s in as well as some of his quotes, notably from the heavy weather arc and the made in heaven arc.
(as you might expect, major spoilers for all of part 6.)
i’ve tried to go easy on the headcanons and focus more on actual character analysis / meta stuff, so here we go.
anasui probably has some serious abandonment issues — we see in canon that it’s mentioned anasui had some major issues connecting with other people growing up, and so he developed a stilted sense of empathy + an obsession with dismantling / disassembling things. this presumably carried over to people — perhaps an underlying subconscious desire to understand people’s motivations that he couldn’t read on the surface through social cues that had, until that point, gone over his head. (or maybe he just really liked tinkering. who knows.)
judging at least from his obsession being allowed to grow unrestricted and out of hand as he continued to suffer socially as a result of it, we can probably assume that anasui’s parents probably didn’t care about him too much — at worst, they may have been neglectful or abusive. still, everything abt his parents is just speculation. notably mentioned in canon though: as a child, he disassembled his neighbor’s car, and was institutionalized for six months. being placed in a place like that for that long of a time does shit to you, and it’s def nothing pretty. add likely parental neglect to the equation, and you have abandonment issues just waiting to erupt.
(as a side note, psychologically, this is an obsessive ritual that can be seen in a number of conditions from asperger’s to alzheimer’s, so honestly any kind of mental illness speculation is fair game for anasui, but this isn’t the post for that.)
whatever the case, he seems to assimilate back into society once his awkward phase ended, though his strange upbringing probably left some lifelong habits / scars there, who knows. he doesn’t do anything to warrant serious attention until he’s 21. at this point, he has a (presumably) long-term, monogamous girlfriend — if it’s anything like the way he treated jolyne, we know that anasui is… overbearing, to say the least. in any case, he walks in on his girlfriend cheating on him when he makes a surprise visit to his girlfriend’s house, and murdered both of them, dismembering them so that “they would never come together again.”
it’s never mentioned if anasui was a stand user since birth, so we can assume he either used diver down to do all this disassembling or he was just…really good at taking things (and people) apart, but it’s likely that he’d had diver down from a young age — up until he’s imprisoned, it doesn’t seem like he was doing anything in particular that would’ve caused him to be normally strong enough to kill two grown adults on the spot, without the help of a stand. (then again, anasui’s capable of some pretty fucked up things either way, so this is just my speculation / hc.)
after his imprisonment, he has a full psychiatric analysis and — nobody can find anything technically wrong with him. besides his obsessive ritual and explosive temper, he’s…just a regular guy, albeit somewhat of an asshole. emporio mentions that his original obsession’s cause was never really discovered, as well. the murder of his girlfriend and girlfriend’s lover was highly publicized, his name being spread through news both on tv and in newspapers, so presumably the details of the crime were sufficiently brutal.
anasui shows a stunning lack of regard for most people’s wellbeing — for the most part, he ignores F.F. and offers little help as she fights kenzo and his dragon dream — though jolyne (and by extension, jotaro) is a notable exception. anasui claims to have fallen in love at first sight, attracted to jolyne by her iron will and strong determination to do the right thing and save her father, and expresses a strong desire to marry her. actually, when jolyne’s involved, he has an almost humorous lack of self-preservation — eg. during the green birth arc, when jolyne’s infected with a presumably fatal plant…infection…disease….thing, anasui not only touches the flowers growing across jolyne’s skin (trying to use his stand to destroy them from inside of jolyne’s body, to no avail) but also puts the flowers in his mouth, which while being played for laughs is also ridiculously foolish. (in general, though anasui ricochets heavily from being the comic relief character to being the stoic yet brash character in the main ensemble, mostly after weather’s death) there’s kind of an explanation for his reckless behavior, coming up later.
(keeping all of this in mind, and despite anasui’s willingness to use his stand to protect the main cast to the point of taking fatal blows for them, he is definitely not a good person. i just want to get that out of the way before someone accuses me of being like, an apologist lmao)
ok, so let’s go thru anasui’s main appearances, from his introduction onward.
emporio goes on to mention that “if weather report wasn’t here to keep [anasui] calm, there’s no telling what anasui’d do.” seeing as anasui is imprisoned when he’s 21, as mentioned in his introductory chapter, and he’s 25 when SO takes place, four years have passed since he’s landed in green dolphin street jail. (for reference, his sentence is for 12 years — relatively light for a double homicide, all things considered — so he’s served a third of that.) presumably, he’s known weather report for at least a majority of that time, as they at least have enough of a rapport for weather to keep anasui out of serious trouble. (weather is 39 during the events of SO. weather, for reference, has been in prison for around 20 years, since pucci took his memories from him when he was 16. also, at the beginning of the BR arc, weather has trouble using a sink that anasui with his impressive sink knowledge notes has been around in modern plumbing for at least 20 years. as a quick side note, anasui seems to have a ridiculous knowledge, in general, of a lot of mechanical things in general — during the yo-yo-ma arc, he spouts off the specifications of a random machine gun after just glancing at it.)
at the end of ch 697 we also just see a scene of weather and anasui hanging out in what appears to be some random ass hallway in the male ward of the prison with no guards around, so take that as you will lol. the two have presumably been hanging around each other for a while like this, so that’s interesting, at least.
the BR arc is where i really got into anasui, so let’s go a little in-depth on those chapters. anasui seems to know a whole bunch of random facts about disney world (though he holds a theme park guide in his hands while he spouts a bunch of random disney world facts, he doesn’t seem to look at it / open it until after he finishes talking, which draws out the legendary “where the fuck is mickey” line). he also mentions manhattan and rome, and how he’s been to neither of those places. it’s probably safe to assume that anasui is floridian — but maybe he’s just really passionate about orlando, who knows. he seems pretty passionate about sinks, too. other than that, not much real information is released here besides things like “anasui’s very passionate about mickey” and “weather report is a fan of post-impressionism”
so, on to the Fun Arc. heavy weather. when weather first gets his memories back, the first things he does, in order, are shove a injured person out of a chair, take said chair, and then force water into a doctor’s body to make him into a chair.
anasui, despite being a literal murderer and honestly doing plenty of fucked up things over the course of the series, flips his shit. he’s legitimately horrified, probably less so from what weather’s doing and more so that it’s weather that’s doing it. actually, weather kinda acts like anasui, honestly, so maybe this is also just anasui being a giant hypocrite, but hey. he’s literally described between chapters as having no idea what’s going on and being pretty freaked out — he’s just following weather at this point because he still has no idea where jolyne is.
(im going to note for my own self-satisfaction that despite weather’s whole “you’re only useful to me now cause you can kill me, anasui” line and all that, when pucci grabs anasui during weather’s fight against him, weather visibly reacts and gets worried regardless, so hey, my rarepair)
okay, after weather’s death, anasui makes a mini speech. (arguably, weather’s death is the turning point for anasui to take more of a serious and less of a comedic role.) here’s what he says:
“listen, jolyne. people have called me a ‘murderer.’ the papers have called me that, and i can’t say that i disagree with them. when people asked me if i would sacrifice myself for the sake of my family, i answered ‘no.’ i’d probably answer that way, now. my heart was never moved by them.”
(more evidence to suggest that anasui’s relationship with his family wasn’t necessarily the best.)
“but i know that i’d be willing to risk my life for something that was able to revive me. i used to be dead.”
interjection here: whether he’s talking about his betrayal (when his girlfriend cheated) or maybe just a general feeling of aimlessness towards life in general, this is pretty dark for anasui, actually. it’s one of the only times he even talks abt his crimes, and this is an interesting concept that araki explores a few times with multiple characters. (eg. anasui risks his life to revive himself with “love,” or what he thinks is love, in any case, to follow jolyne. abbacchio does something similar to follow buccellati, in p5. weather “revives himself” for revenge, and johnny in p7 for the hope of walking again.)
prior to giving himself a mission (jolyne), anasui thinks of himself as functionally dead. this also explains, for example, his nonchalance towards risking his own life and wellbeing for the others.
“weather was that way, too. weather came back to life when he left that prison. i can tell. so don’t think too deeply about what happened to him. these past few days, weather was happy. weather was already saved.”
— okay, in my mind, most of this is just shit anasui says to make jolyne and hermes feel better about weather’s sudden death. to an extent, it’s true: weather prior to getting his memories back was enraptured with the world outside the prison, helping innocent people, messing with sinks, reading fairy tales, but that’s not really the truth. after getting his memories back, weather admits to wanting to die, admitting that he took a cruel sense of pleasure in watching heavy weather run its course and telling anasui that in a twisted way, he’s glad anasui’s there so that he’d kill him. weather’s not happy.
(but who knows? in the end, the character that actually knew weather for the longest was anasui — maybe he’s right and that there was something that revived in weather that we didn’t get to see as the readers.)
but what’s interesting is that he doesn’t mention weather’s sudden transformation after getting his memories back, he lets jolyne and hermes carry on the weather they knew in their thoughts, instead of telling them the truth of weather���s personality. on my second read-through, i noticed that (besides pucci, i guess, and versace by proxy) anasui is the only one who sees weather’s true personality.
and maybe, dying for the sake of his goal (ie. weather’s attempted revenge) was close enough to redemption, in anasui’s eyes. if we pick apart weather’s final goals, he’s living only so that he can 1. take revenge on pucci and 2. die. honestly, in a sad, fucked up anasui-logic kind of way, weather dying in his attempt to kill pucci at least fulfills half of those goals, so it’s not a stretch that anasui could shrug and say “close enough i guess.” but imo, he still says what he does mostly to ease jolyne and hermes’ consciences. it’s one of his kinder moments.
in the actual final fight against pucci, anasui’s probably just behind jotaro in terms of fully grasping and understanding pucci’s abilities — and their implications in battle. his final plan is the only one they really have: because diver down is able to phase through and protect all of the others, he will take the first hit from pucci, and at that exact moment jotaro will stop time and presumably ora pucci into oblivion.
it doesn’t work, but the plan had merit and was surprisingly well thought-out, showing quite a few of his personality traits — while he’s angry and headstrong most of the time, he’s relatively good at thinking on his feet and is always quick to come up with plans, especially in battle. now let’s look at his last lines.
“don’t stop [pucci’s blow] before he hits me. do it after…”
while all the other characters pause and stare at him in shock after he says this, he’s relatively calm about it. he knows it’s the only chance they have, regardless of the danger it poses to himself. dying, to anasui, is not the worst that can happen — it’s having to live again with no purpose (which he’s established, atm, as jolyne).
“ever since i got out of prison, i’ve managed to stay alive… if i can just stay alive, keep this trend… then maybe i’ll ask jolyne to marry me. …or, you know, something like that.”
a lot of people do make light of this (and it’s somewhat comedic, for sure) but it’s interesting again to see how much this drives him. before i really get into it, let’s take a look at jolyne’s (infamous) response.
(jolyne:) “anasui… all right, ask me. […] your plan… it still as hope. it’s not darkness that drives you… even if there’s only one path that we can take, if there’s a hint of hope, then that’s the right path.
holy shit do i love this quote. in the end, anasui’s not… redeemed, not really. he’s still a murderer. he still feels no remorse over killing those people. but he’s not evil, either. his motivation is that he wants to live for real: he is driven by hope. and through all the morally grey protagonists of parts 5 on, this is what they all have in common: a hope or dream that gives someone who’d thought themselves dead something to live for. jolyne doesn’t say this because she’s suddenly in love with anasui, or because she wants to marry them, she says it because she’s realizing this — she’s realizing that anasui’s hope, his resolve, might be enough for this plan to work.
actually, in the end, in an ironic twist of fate, he does die for — and by — jolyne’s hand. (hah.) pucci redirects stone free’s punch into anasui’s torso, piercing through his chest and killing him near instantly. rip. and that, in any case, draws an end to this wall of text.
also i think one random fic i read mentioned a throwaway line that anasui apparently had about him having been married once in prison? i dont recall anything like that, but someone else has confirmed it (i’d love to find the source, if anyone has it!)
i’d love to get into the whole thing about his motivation in the first place: why anasui “falls in love” with jolyne and why that matters, as well as possible subconscious motivations for his obsessions/his stand ability but that’s falling solidly into the territory of hc’s, and not so much analysis/meta. 
i’ll write it up some other time, maybe, if there’s interest.
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