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#WEW THIS WAS A LOT!!!!!

mintae-chii · 1 year

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Drew some fan art requests from my twitter mutuals to fight art block

#arknights #tgaa #the house in fata morgana #limbus company #hatsune miku #aak #mostima #chongyue #kazuma asogi #vergilius #lee arknights #wew thats a lot of tags #taedrawsstuff

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duefault · 3 months

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𝗖𝗛𝗔𝗥𝗔𝗖𝗧𝗘𝗥 𝗜𝗡𝗙𝗢 𝗦𝗛𝗘𝗘𝗧.

𝗡𝗔𝗠𝗘 : zen'in maki ( 禪院真希 ).

𝗡𝗔𝗠𝗘 𝗠𝗘𝗔𝗡𝗜𝗡𝗚 :

zen'in maki ( 禪院真希 ) —

in zen'in ( 禪院 ) , 'zen' ( 禪 ) is a translation of chinese chán, which ultimately comes from sanskrit dhyāna meaning meditation. ( 院 ) in means 'institution'

in maki ( 真希 ), 'ma' ( 真 ) means "real" or "genuine," and ki ( 希 ) means "hope".

zen'in can roughly be translated to 'zen hall/temple' - interesting to note that the school of zen buddhism likens its teachings as a finger pointing to the moon. in that, its teachings can lead to enlightenment - but there is caution not to get stuck focusing on the finger. essentially, not getting stuck in dogma or the teachings themselves but the fruit of the teachings. for an incredibly dogmatic and conservative clan, there is definitely some irony when you look at it through that lens.

𝗔𝗟𝗜𝗔𝗦 : maki first and foremost. people generally only call her by zen'in once before learning not to do so again.

𝗘𝗧𝗛𝗡𝗜𝗖𝗜𝗧𝗬 : asian ( japanese ).

𝗧𝗛𝗥𝗘𝗘 𝗛𝗘𝗔𝗗𝗖𝗔𝗡𝗢𝗡𝗦 𝗬𝗢𝗨 𝗛𝗔𝗩𝗘 𝗡𝗘𝗩𝗘𝗥 𝗧𝗢𝗟𝗗 𝗔𝗡𝗬𝗢𝗡𝗘 :

- maki's family initially pushed her take up naginata when she was younger. however, after witnessing the kendo class going on at the same time she relented and insisted on doing kendo instead. eventually her parents permitted her. this was considered a little out of the ordinary as kendo and naginata are traditionally ( wrongfully, of course ) understood as 'men' and 'women' sports respectively. she trained alongside another girl in the class named umeko, who became an early ( but soon drifted apart from ) friend of hers. - maki is a pretty inept cook; not for lack of trying or inability but she simply prefers the tastes of 'junk food' - her palette is sometimes a subject of jokes among her classmates. but she is content with easy snacks and fried food. - maki has a pretty poor concept of money; moreso than the average teenager even. being raised in the zen'in family generally meant there was no shortage of money for comforts and luxuries. she tries to be cognizant of this financially privledged upbringing ( and certainly never flaunts it ) but the logistics of saving money and the worth of certain objects doesn't necessarily click with her.

𝗧𝗛𝗥𝗘𝗘 𝗧𝗛𝗜𝗡𝗚𝗦 𝗬𝗢𝗨𝗥 𝗖𝗛𝗔𝗥𝗔𝗖𝗧𝗘𝗥 𝗟𝗜𝗞𝗘𝗦 𝗗𝗢𝗜𝗡𝗚 𝗜𝗡 𝗧𝗛𝗘𝗜𝗥 𝗙𝗥𝗘𝗘 𝗧𝗜𝗠𝗘 :

- fishing. its simple, its quiet and low-stress. when she was younger she'd find her way down to creeks and other wooded areas to get away from her family and the general hustle and bustle of downtown. she'd occasionally bump into groups of fishermen who'd let her hold the fish they'd catch. - running. its her most enjoyed form of physical fitness. she prefers to wake up early in the morning, before anyone else is up, and get in a long run through the empty streets of town. she's more focused on stamina and distance over speed. her long-term goal is to compete in an ultramarathon (100 mi long race) - watching baseball. maki is a big fan of baseball ( and, as evidenced by the goodwill event certainly capable of playing it well as well ) while her favorite team are the saitama lions, she is a fan of kenta maeda and has followed his career onto the detroit lions when he transitioned to the MLB

𝗦𝗜𝗫 𝗣𝗘𝗢𝗣𝗟𝗘 𝗬𝗢𝗨𝗥 𝗖𝗛𝗔𝗥𝗔𝗖𝗧𝗘𝗥 𝗟𝗜𝗞𝗘𝗦 / 𝗟𝗢𝗩𝗘𝗦 :

- yuuta: while the two had a rocky start she has come to have immense respect for him and his growth as both a person and a jujutsushi - inumaki and panda: classmates who have become great friends, understanding of her circumstances and always willing to support each other - nobara: someone who's not afraid of speaking her mind and sees through others, something maki finds both refreshing and comforting. she enjoys spending her free time with her, which says a lot as maki values her alone-time when she can get it. - mai: despite it all, maki does love her sister. that is why she executes her last wish with no regrets. the blade she carries now is a reminder of that love, which manifested in the ultimate sacrifice someone can make for another. - megumi & yuji: while their antics can be a little much sometimes, maki has a fair deal of respect for the first-years after seeing what their capable of. - jotaro: while she doesn't quite understand his cool nature at first, she comes to learn that he has a heart of gold and the willpower to always go above and beyond to protect those he cares about

𝗧𝗪𝗢 𝗧𝗛𝗜𝗡𝗚𝗦 𝗬𝗢𝗨𝗥 𝗖𝗛𝗔𝗥𝗔𝗖𝗧𝗘𝗥 𝗥𝗘𝗚𝗥𝗘𝗧𝗦 :

- after shibuya, maki does regret having spent most of her time with mai fighting. although it was inevitable they'd clash she wishes they could have spent more time together after coming to terms with their predicament. its not a regret that causes her to place any blame on herself, rather a regret that they were dealt this hand. a regret that mai couldn't at least have had the life she wanted to. - spending more time with others when she had the chance; chiefly nobara. though hours of training paid off, she didn't realize just how little time she'd have to spend with everyone until after shibuya. if she knew their time as "just highschool students" was so fleeting she would've spent more weekends at the mall or arcade with everyone.

𝗧𝗪𝗢 𝗣𝗛𝗢𝗕𝗜𝗔𝗦 𝗬𝗢𝗨𝗥 𝗖𝗛𝗔𝗥𝗔𝗖𝗧𝗘𝗥 𝗛𝗔𝗦 :

- losing herself or her drive, mostly compromising her ideals. this is something she worries about moreso prior to confronting the zen'in clan; but it is something she is always cognizant of. she has a worry in the back of her mind that she'll be tempted to take the easy route, to conform back to what the zen'in wish of her. it seems like an irrational phobia for someone so driven and outspoken about her goals but nevertheless its one of those fears that sits just below the surface. - i honestly cannot think of another at the moment but this is something i want to come to back to so im going to put a pin in it !

tagged by : @waraningyo (thank you!!) tagging : @goodgrieved / @omezuki ( your choice ! ), @vessuna @mellodiies @dontm0ve @reqciems ( mai, or your choice ! ) @pontevoix ( haibara or gojo ! ) and anyone else pls steal

#★ ・﹙ to spite them zen'in maki ﹚#★ ・ ( im at my best maki hcs )#wew that kind of took a lot of thinking but was v helpful #anyways if you see any mispellings no u dont

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yotsubaclover · 9 months

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on natsumugi, girls’ literature, and love

“Love is the key to life’s secrets. Love exists first, then there is life. If one takes away love, what is the meaning of life?” Kitamura Tokoku, “Disillusioned poets and women” (1892)

In the process of writing a paper arguing the validity of Enstars as yuri, I got to read a lot about Yoshiya Nobuko’s 1920 novel Two Virgins in the Attic. Chronicling the story of Akiko, a lonely young woman without purpose or direction, and her relationship with a rebellious girl named Tamaki, Two Virgins is incredibly notable not just for its queerness, but also for the way it participates in the love discourse of its time.

What does any of that have to do with Natsume or Tsumugi or Enstars as a whole? Girls’ lit has a lot of crossover and noticeable traces in Enstars, but that’s not a beast for today. What I want to explore is how Natsumugi’s journey during the War arc parallels Akiko and Tamaki’s story, and in turn, how Enstars echoes modern love discourse.

“Love can be a wonderful thing to experience.” That’s what Natsumugi makes me feel. They surrender themselves to it, letting themselves be scorched by flames, and from the ruins build themselves up again, as new people from the same material, within themselves a little bit of the other. They become intertwined. I want to try and break down that lofty feeling so I can share it with you.

i. what is ‘modern love discourse’?

Just like other abstract but incredibly proximate concepts, people have been trying to concretely define ‘love’ since time immemorial. Modern love discourse is one of those many attempts.

During the Meiji era, Japan opened up to the rest of the world after a long period of national isolation and began absorbing Western influence like crazy. One of the concepts they were eager to adapt was Christian love. This was in stark contrast to tradition Japanese conceptions of love, which were focused more on the physical and carnal. Spiritual in nature, that is, recontextualizing love as a pathway to not only physical pleasure but also spiritual/intellectual/internal fulfillment (self-realization, basically); and emphasizing purity, monogamy, and the institution of the family, Japan viewed this new idea as an asset in nation-building. Hence the heterosexual and nationalistic undertones in a lot of modern love discourse.

The opening quote to this essay is a good example of this. It’s from Kitamura Tokoku, a prominent writer during the Meiji era. (I encourage you to go back and give it another read or two before proceeding!) It’s a pretty concise and simple way to describe the majority outlook on love at the time: through experiencing love, we learn more about ourselves and find our place in the world. That place being... becoming a productive member of society by marrying and reproducing.

Love is generative. It is union, creation, and foundation. People live to pursue the goal of (heterosexual) love, in order to attain its rewards: wholeness of self, a purpose in the world. Without love, people are unable to live a full life.

Pretty rigid, isn’t it? It’s het and pretty focused on clear-cut romance. It assumes everyone wants to get married or have kids or has the capability to do either. Not too far from our society now, really; we still glorify (romantic—and heterosexual, I am thinking about comphet here) love as an important milestone in life. The dominant perception of love in modern Japan clearly privileged straight men. What about the women? And more pertinently, what about the queers?

There were certainly feminists who contributed to the discourse, but often they remained attached to the idea of marriage leading to fulfillment; in its engagement with queerness, one of the most prominent feminists of the time, Hiratsuka Raicho, actually disavowed same-sex relationships between women after getting married, despite previously having been in one herself and speaking fondly of it.

But queerness still sneakily found its way into the discourse through girls’ literature, due in no small part to the influence of lesbian writer of popular fiction, Yoshiya Nobuko.

ii. how does two virgins queer modern love discourse?

As a quick definition, girls’ literature or fiction here pertains to any written work meant for an audience of girls. While the term initially referred to novel-length narrative pieces, now it’s more or less an umbrella term. Modern girls’ literature was published in girls’ magazines, to be read by children and schoolgirls.

Written in an ornate, flowery prose that borrowed from classical Japanese literature, girls’ literature often told stories of unrequited love or passionate friendships between girls. These relationships were termed S-relationships or sister relationships; often, they manifested a sense of distance between the girls involved, usually through differences in age or status (think student/teacher). In fiction this distance took on other forms, such as unrequited feelings, noncommunication, and even emotional unavailability.

As you might be thinking or already know, S-relationships seem pretty gay. If we want to be period-accurate (which means doing away with labels like gay or lesbian), then S-relationships are a form of same-sex relationships. They were not just a literary trope but an actual real-life phenomenon; both its practice and literary representation was allowed because it was seen as normative, a way to prepare young girls for heterosexual partnerships while protecting their purity because “there’s no way girls would have sex with each other! They’re pure schoolgirls!” In the cases girls did have sex, the relationship was seen as deviant and harmful. Same goes for the instances when two girls would attempt a lovers’ suicide because they couldn’t be together after graduation, or once they got married.

A lot of girls’ fiction about S-relationships ended in tragedy as a result of those attitudes. Usually, one of the girls dies; sometimes one of them must leave, never to be seen again; other times there’s the responsibility of marriage and motherhood which is greater than the bond between two Best Friends And Something More (But Not Lovers, Not At All). It’s easy to see that and think “Oh no, the lesbians have been buried again!” and/or “Wow, so queerness here is a phase, huh.” In other words, girls’ lit seems like it bends to the will of the productive, heterosexual order of modern Japanese society.

But ‘a lot’ isn’t ‘all,’ and anyway, whether the tragedy of girls’ lit is positive or negative is an entirely different discussion from this one. Perhaps to your relief, Two Virgins in the Attic has a happy, liberatory ending for its queer couple: the titular virgins, Akiko and Tamaki.

Akiko is introduced as a girl who lacks a purpose in life. Struggling to pass in school and having distanced herself from her Christian faith, Akiko is evicted from her religious school’s dorm and forced to move to a new one. Her new room, the titular attic, is shaped unconventionally as a triangle, mirroring Akiko’s own feelings of detachment from people around her. She begins to see the attic as a safe space, the only place she can feel she truly belongs. This escapist fantasy is her sole happiness which allows her to bury her feelings of inadequacy and alienation, as well as distance herself from her social responsibilities as a young woman. However, beyond her beloved attic lies reality, which Akiko must eventually confront.

Despondent with her imminent loss of youth and lack of direction in life, Akiko meets Tamaki, her new roommate. A kindred rebellious spirit, but much more outspoken, Tamaki quite literally brings Akiko outside of her shell, taking her to meet new people, experiencing new things in the city, and teaching her about finding herself and her own path. Akiko develops romantic feelings toward Tamaki, which are returned, and the two form a bond that ultimately drives both girls out of the attic for good, and into the real world.

Throughout the novel, Yoshiya includes characters who have chosen to forsake same-sex love for heterosexual unions. One of these is the character Kinu, who appears towards the end of the novel. She is a beautiful older girl who was once involved with Tamaki. Unhappy and unfulfilled in marriage, and with nary a way out, she seeks out her old flame to ask if they could attempt a lover’s suicide. Kinu’s proposal poses not only a grave threat to Akiko and Tamaki’s relationship, but also represents the supposed destructive nature of same-sex unions; yet Yoshiya subverts this by clearly making Kinu’s misery in marriage the rationale for her extremity.

Heterosexual partnerships are painted as limiting and destructive for women, especially with regard to their own self-development and actualization. Conversely, through Akiko and Tamaki, same-sex love is seen as conducive for this development.

While their bond brings many good things to Akiko, it also surfaces her insecurities when Kinu enters the picture. She grows incredibly jealous of Kinu, and these feelings drive a wedge between her and Tamaki; feeling abandoned and once again excluded from the world around her, Akiko lashes out, hitting friends who enter the attic and even destroying a doll that had been a gift from Kinu to Tamaki. This violence forces the dorm’s management to evict Akiko, giving her no choice but to enter the world she had so longed to hide from. While this may seem like a negative portrayal of same-sex love, similar to the strategy employed with Kinu, the narrative does not portray Akiko’s feelings for Tamaki as destructive. By framing it as jealousy and frustration at loneliness, same-sex love itself is not portrayed as the threat, but rather the inability to realize it.

However, Tamaki comes to Akiko as she is packing, and proposes that they leave the dorm together. This pushes Akiko to realize what direction she wants to take in life—being with Tamaki—a realization made possible not only by Tamaki’s teaching, but their union as a whole. It is through their relationship that Akiko finally finds the purpose that had been evading her from the start.

In this way, same-sex love is portrayed as equally legitimate to heterosexual unions, if not more preferable altogether. Akiko and Tamaki’s relationship guides Akiko towards her own journey to selfhood and self-actualization; through her union with Tamaki, she is able to enter a state of ‘becoming.’

iii. what’s natsumugi got to do with any of this?

Two Virgins in the Attic, to me, is a story of love and how it reinvents the self. Our main girl Akiko starts out stressing over who she is and who she should be; she is caught at a crossroads of identity, unsure of what she herself wants, paralyzed as she clings to her youth and girlhood, which is ultimately unstable. It’s relative to age and societal perception; she can’t be a maiden forever, eventually she will become an old maid. The one thing she believes and wants herself to be, she doesn’t even have control over.

Akiko reminds me of Natsume.

I think about this a lot, but you can read the war as Natsume’s bildungsroman. It’s his story of education—preconceptions of himself and the world around him are totally shattered, he is forced into an uncomfortable, unfamiliar position (that of powerlessness and a lack of control); these events force him to grow up, to leave the fantasies of his childhood with the new, more weathered outlook the experience has left him with. Of course, relationship troubles with your roommate are a different ball game from the psy-op that is the war, but Akiko and Natsume go through incredibly similar journeys. In the end, it’s through love (most strikingly for the Oddballs in Natsume’s case) that they realize what they truly want, and it’s also love which guides them to a new purpose.

Tamaki is this mentor-character who teaches Akiko so much without us ever really getting into her head and understanding her views and side of the story, which makes it simultaneously extremely easy and difficult for me to put her as a parallel to Tsumugi.

Clearly, both of them are the catalysts for Natsume/Akiko’s change. Like, Natsume’s name gets brought up as an Eccentrics candidate because of Tsumugi. If not for that, maybe his first year would have been less traumatizing. Regardless of the reason behind Tsumugi bringing him up—did he recognize him from the get-go or no?—the fact remains that Tsumugi influenced the course of Natsume’s path during the war. Plus, even when he knew the Sakasaki Natsume of the rumor mills was his dear childhood friend Natsume-chan, he made no moves to remove him from the conflict. But on the flip side, Natsume is also the catalyst for Tsumugi’s change—extremely evident with “I really love that child,” and “You taught me pain... and everything else.”

Tsumugi’s struggles with minimizing his existence mirrors Akiko’s desperation to cling to her girlhood; in turn, we can say that Tsumugi’s comfort in diminishing himself is like Natsume’s stubborn belief in his own greatness and other childhood fantasies. These attitudes are both remnants of childhood that they refuse to let go. It is their comfort zone and what they know to be true and right in the world. If we keep with the coming-of-age theming, it’s their marker of immaturity. (I know it’s way more complicated for Tsumugi because of family and trauma and everything, but work with me!)

“Okay, sure, that makes enough sense. But the war had Natsumugi fighting against each other. Where’s the love in that? If anything, they only show any ‘love’ to the other in the aftermath,” you might be thinking.

Well, yeah! (Partly because during the war itself, they had different objects of affection; Eichi for Tsumugi, his nii-sans for Natsume. I’ve written something on Natsume’s love for the Oddballs already and there’s a lot to say for Eimugi, but I digress. I do want to point out that Natsume never really stopped caring about Tsumugi, even during the war. The intensity of his feelings of betrayal makes that pretty clear. On the flip side... there was definitely some tunnel vision and delusionality going on.)

It’s at the end when they do anything caring or ‘loving’ to the other. That’s because by then, they’re completely spent and alone. They’re spoils of war; lacking purpose, lacking direction, lacking motivation and ambition. By the end of the war, Tsumugi has never been more content with living a small and mediocre existence. Natsume’s first year of high school has been ruined, and both of them are alone like never before. They only have one another.

It’s a little funny that I talked all about growing up and maturing as a result of the war, to circle back to the idea that Natsume and Tsumugi are childhood friends.

I think it’s interesting that they now have to learn how to navigate the pains of growing up together. Not because they were on opposing sides of the war, but because they’re reminders of who they used to be to each other; the ‘return to childhood’ between them is the beginning of a return to their dreams, what they wanted before they were invariably changed by that one academic year, and probably even before that. It’s a return to earnestness.

When they were kids, they both just wanted to make people (their moms) happy. That was really it; they wanted to put smiles on their faces, wanted them to be proud of their kid. After the war, they don’t just return to that dream; they discover their own rationale for pursuing it, defined by who they are now, rather than forgetting either their innocence or jadedness. They rekindle a long-dimmed spark in each other.

It is through their connection that they are able to begin their journey towards a greater, more whole selfhood—towards a future as idols—on their own terms. It is through their union that they can reconstruct themselves.

(While I drew parallels between them and Akiko/Tamaki, who are romantically involved, I don’t even think that this reading of Natsumugi has to be romantic. Like an S-relationship, it’s definitely something more than simple friendship, but not necessarily romantic. It’s like a transcendental devotion, if that makes any sense.)

Rather than saying “love is generative/productive,” I think it’s more apt and economical to say that love is transformative. It’s exactly as the meme says: to be loved is to be changed. Let me offer a different image to ponder that thought, though.

When I think of Natsumugi, I think of Prometheus. Because fire marks not an ending but a beginning; what can be destructive and violent is but an agent of change, a step forward into new frontiers, the key to doors of possibility that would otherwise never have occurred to someone. Fire creates agency in its ashes, free to scatter wherever it may please, the remnants untethered to the ground or to whatever it used to be. Its gift is a spit in the face of a god; now you've the tool to shape your fate. Now you can be anything or nothing at all.

What do we make of ash? Patience Worth gives quite a tender answer:

Who said that love was fire? I know that love is ash. It is the thing which remains When the fire is spent, The holy essence of experience.

There’s no better testament to that than Natsume and Tsumugi, together.

#enstars #ensemble stars #enstars analysis #natsumugi #natsume sakasaki #tsumugi aoba #almost 3k words long... wew #this is unedited i wrote this in one sitting please do not mind technical errors #i have lots of cool sources for the girls' lit stuff and i love talking abt it so if anyone happens 2 b curious..#plz hmu #to be honest you can go really crazy w the love discourse thing. i have tied it to the bubble economy actually #its really interesting but way too wide of a scope to put in here #can you tell i have SO MUCH to say and am always THINKING #raccoon trash emporium: writing

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azurityarts · 2 years

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Daily Doodle #264

sketch for fall

If all goes well, this won't end up going stale in a WIP folder

if all goes well

#pokemon #pkmn #art #doodle #sketch #umbreon #pokemon oc #oc tag #azure umbreon #wew #probably gonna have to tweak this a lot #sketching at 3 am is hard

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tovarischgrazhdanin · 1 year

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two commissions for two subscribers in vk

(an update for comic fans: i will post the new chapter some few days later, ‘cus i don’t want the posts to overlap too much with one another)

#muh too bad i cant open commissions on tumblor no more...#cant get paid! wew #i think like. there are ways to get paid #but i dont believe that a lot of people will be willing to jump thru hoops

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shinkaishoujo103 · 10 months

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tomoya for the ask game :3

(ask game here!)

Okay i SWEAR to god ill try to NOT make this as long as it was with sena. ty for the ask anyway riko! its tomochin so normally itll be okay. right

First impression

Mmm not sure if i remember that. I probably just. Didnt think much of him. Maybe something like "oh he's supposed to be the normal one okay"

Current impression

How can one be so homosexual like. hokuto hajime nazuna. and it doesnt end. what. tomochin. i am shaking you so aggressively rn. how can you be so casually so Gay

But anyway he's not one of my favorites but i DO love him a lot!! And definitely dont consider him as just bland and normal anymore. Like theres so much more to him than that! His theatre talent, his insecurities, he's funny, he's also extremely cute, and i dont know enough about his development but i can tell he has grown so much since then, and i am so proud of him!

Sighs...tomoya is on my "characters i need to study more" list yeah

Favorite moment

THAT ONE TIME IN FLAMBÉS STORY WHERE LIKE. HE OPENS THE DOOR. HE SEES RINNE AMAGI. HE IMMEDIATELY CLOSES THE DOOR. PEAK COMEDY I TELL YOU.

Idea for a story

I. Unfortunately do not think about him enough to have any stories ideas about him :(

I do have some where he's part of it, but not really as the focus so...

Unpopular opinion

Kinda ties with my current impression of him but like. A lot of people joke that he's the "the normal/bland one haha" and like. No?! He's so much more than that. Even me who doesn't know that much about him can tell. Like did you know he has that quirk where when he's under stress, he starts randomly spelling out tongue twisters?

Its silly methinks

Idk if this opinion is really unpopular but. Yeah 👍

Favorite relationship

Mh, good question! And honestly, hear me out...

Rinne (EDIT JUST TO CLARIFY NOT ROMANTIC OFC BUT DYNAMIC WISE!!!)

Im gonna be honest, i didnt even read shit of the flambés story, its mostly just me imagining how their dynamic would be like and absolutely LOVING it. Also because theyre travel partners in my wonderland au. Absolutely wonderful

Of course, i also really love tomoyas relationship with all of ra*bits!!!

Favorite headcanon

That he has a crush on nazuna...and hokuto...and hajime...and yeah. to me he's definitely the kinda boy to have multiple crushes going on at the same time

#saku mail #wew! it wasnt as long! i think!#...actually nvm i think its still failry lenghty SORRY I JUST LIKE TO RAMBLE A LOT!!!#from aeri

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sins-of-the-sea · 1 year

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𝐌𝐔𝐒𝐄'𝐒 𝐋𝐈𝐅𝐄 𝐄𝐗𝐏𝐄𝐑𝐈𝐄𝐍𝐂𝐄𝐒

RULES: Bold what always applies. Italicize what could apply / applies only to some verses.

Tagged by: @dragonskxn

Tagging: ALL OF YOU, DO IT

#WEW that a is a lot of bolds #I mean he's long lived and a bloody pirate #[About Giovanni]#[Meme]#thanks for sending the meme!

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tsubakura-enraku · 1 year

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🌑 🐈 for tsubakura and yabusame?

Gonna combine sleep for these two as they're pretty intertwined in my mind~

🌑: Tsubakura and Yabusame sleep on futons in the same room together. Yabusame put their futon next to Tsubakura's, as much as they dislike that.

Tsubakura has nightmares often and wakes up in a sweat in the middle of the night. Yabusame has to calm them down.

Yabusame is able to sleep through basically any and all noises, but if Tsubakura makes noises, they wake up.

Yabusame wakes up quite early in the morning to birdwatch and do upkeep for the shrine. Tsubakura often sleeps in late unless Yabusame or Jinbei wakes them up.

🐈Tsubakura: They aren't much of a fan of animals. They had a pet cat back in the outside world who ended up running off and not coming home. They do like birds a fair bit, though. In Mugenri, they have a few ink birds that hang out around the shrine. They put a bowl of ink out each evening to feed them.

🐈Yabusame: They absolutely LOVE animals! In the outside world they'd often bring stray cats into Tsubakura's lab asking if they could keep them. Of course, Tsubakura always said no. In Mugenri, they have a few slime pets they keep around. Their favourite is a black one that has a grumpy face as it makes them think of Tsuba. They like watching whatever birds happen to fly past the shrine in the morning.

#ask game #wew that was a lot #i love these two so much

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not-yet-usernamed · 2 years

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(I'm on summer holidays so I'm doing jack shit hguujiol AAAHAHA- help /silly) (I've said so much about my 432's headcanons, what is a headcanon You have about him?) -[𝟺𝟹𝟸]

(ajsjsksjs same)

(ooo,, MY headcanons? ehhe lets get into it

ive already said this but i headcanon them as not being able to speak/speaking entirely through text boxes that appear in air!

also i gave them neopronouns (tick/ticks, like the ticking of a clock) along with he/they because its MY blorbo and I get to project as much as i want to /silly

rapid-fire design headcanons! their tie is a slider, their employee nameplate thingy is just static now (it tends to glitch out quite a bit), they have a censor bar looking thing over their eyes with the text 4:32, they typically don’t like. have a mouth? but it can appear when they want it to!

actually i might just.