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#Voltron season 7 and 8? What are you talking about? It ended at season 6
nejishadow · 2 years
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First piece of really old art I finished was this Matt from a sketchpage cause I liked his hair. Didn’t change a ton just cause I wanted to see how odd it would look. A little odd I think
Tried out some lighting and quickly gave up, but included it in case you wanted to see it anyways lol. There was only one other small thing on the page worth finishing so that’ll also go in the queue.
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scorpionyx9621 · 2 years
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TW: Death, Queerbaiting, and Voltron
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Like I'm sorry y'all I'm just as hyped for the new content as much as anyone but the second I heard Lauren Montgomery was the one directing the first animated movie my heart sank to my god damned stomach.
For those of you who don't know, Lauren Montgomery was one of the co-directors for Voltron: Legendary Defender with fellow LoK creative director Joaquim Dos Santos. For those of you who very fortunately were not on this god forsaken hellsite between the years of 2016-2018 VLD had this website by the god damned throat. From seasons 1 through debatably 6 it was a genuinely good, if weirdly paced show. Then from Season 7-8 the show went down the shitter. FAST.
To make a long story very short that can be easily explained much better than I ever could by a brilliant YouTube miniseries by The Sin Squad. Lauren Montgomery and Joaquim Dos Santos both had an original script that involved killing off one of the characters, but were forced by their production company DreamWorks to keep said character (It's Shiro.) Alive because DreamWorks correctly predicted that Shiro would become the favorite character of the show.
How did Lauren Montgomery and Joaquim Dos Santos react to this news that they had to re-write a heavy portion of the show just to keep Shiro alive? Well they made it work for Season 3-6 with minor jabs towards DreamWorks here and there. Yet the second they could get Shiro introduced fully back into the team on Season 7 onwards they do a litany of things ranging from pretty good to exceptionally bad.
Announce that Shiro actually died but we're gonna fudge with reality and our own universe to bring him back (cool I guess)
Instead of expanding upon Shiro's role as a leader and a character just designate him as a talking head and a wallflower until they get back to earth (Bad)
Upon getting back to earth, the show shoves a half-baked romantic subplot for Shiro involving another man whom we know Jack and Shit about only to have him be on screen for all of like 4 minutes, 3 of them he's fighting with Shiro, and the last 1 minute he's dying. Perpetuating the bury your gays trope yet again. (very derogatory and bad)
Take a character who literally could have been the champion of diversity in an animated show (A gay, physically disabled Japanese man suffering from PTSD) and turn him into a wallflower for what could have been a fantastic growth opportunity and just have him go through even more trauma all for shits and giggles. (Hatred)
LM and JDS both fully admitted that they did all of this and the reason for this being largely because of their resentment towards DreamWorks and they both regret how the show ended. (*Screams into the dark, cold, uncaring void*)
I do not mean this post to be an attack towards Lauren Montgomery. She has a family and loved ones who care about her, sh does not under any circumstances deserve harassment or threats. She is a professional writer who makes a whole lot more money than I do and is able to churn out a literal multi-million dollar franchise in less than 3 years. Even if said franchise crashed and burned in a way that is only comparable to the finale of HBO's Game of Thrones. She has the professional chops and I don't. I am not at all trying to say I could ever fix Voltron after the literal maelstrom of a shit storm it became with the fandom literally threatening to kill people over ships.
But I am never going to forgive her and Joaquim Dos Santos for what they did to Takashi Shirogane. Ever. And after hearing the announcement this morning that she's at the helm of this upcoming animated movie I cannot in good faith just sit by and let people not know what she has done. Yes you can call me a crazed Shiro Stan. You wouldn't be wrong. But Lauren Montgomery and Joaquim Dos Santos both tortured and maimed a disabled Japanese character and turned him gay only for the woke points and to create more pain. They never wanted to make Shiro gay in the first place because they never wanted Shiro to be alive at that point.
I am happy to see that the Team of Bryke is working very closely with Lauren Montgomery on this if only because they were they original creative directors, but if I were in their position being forced to give one of the highest positions to a well known and documented bad-faith actor, I'd keep her on as tight a leash as possible. I'm still going to watch the movie, but I am going to be hyper-vigilant about the fact that Lauren is the one at the helm. I want this movie to succeed just as much as anyone else, but like I said, I cannot in good faith just stand by and let it not be known what Lauren Montgomery has done and what she could be capable of doing again.
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Voltron Part 47
God, I’m really running out of one-liners to put here... Anyways. Time for season8, episode 11! Only a few episodes left! And I guess, then I’ll maybe do a post, about the show as a whole (For which, I may actually look up characters names):
Allura in the Medbay, What Will She Do?
Moustache man is best dad, has been best dad, and remains best dad
I just laughed for like a solid minute. 
After Lance said, that Allura will be okay, Shiro’s announment-speaker made a sound. And I thought, that was Allura flatlining, directly after it is said, that she’ll be fine
Space witch really isn’t mentally stable at all...
Waait a sec.... That’s a giant mecha for space witch.... Did I predict something again?!??
Arc1= Seasons 1+2 -> Ends in a Mecha-battle against Zarkon
Arc2= Season 3-6 -> Ends in a Mecha-battle against Lotor
Arc3= Seasons 7+8 -> Ends in a Mecha-battle against Space witch???
Does her mecha have Google Street View installed or something?
Hunk is, once again, correct. Just why isn’t there a bullshit-solution now? Also, couldn’t you guys form Voltron, if Shiro decided, to get out of retirement?
Everyones finding ways to help, referencing the finales of the last two arcs. Meanwhile, Lance just sulks...
Is this a Klance moment? They’re mostly talking about Allura, but it’s totally a Klance moment
And maybe Kallura?
I can just imagine, that this scene, of Keith and Lance shaking hands, ended up in so many Klance compilations
“We’ve come a long way since then” Yeah. It’s probably the trauma of fighting a war at such a young age ¯\_(ツ)_/¯
Sailor Moon’s taking the mortgage-owning, middle-aged man with them to the Balmera... Sure?
Since when is “Some Other Guy” important enough, to advance the plot?
Were we supposed to care about the guys who saw Space witch’s mecha? I think we might have seen Papa Smurf before. But like, that’s it!
Pidge, don’t challenge Pigeon man. He’s got a Powerpoint ready and everything
Awww, Allurance. They’re basically a couple, right out of a Disney-movie
“Lonce~”
Shiro really had a downgrade, from “Major character. Kinda the main focus of the show” to “Moves the plot forward, every now and then”
Allura’s back, and she’s ready to Get! Shit! Done!
She’ll even Uber Moustache man and Hunk over!
Moustache man is such a dad!!!! I can’t even!!!!!
This all feels very “season-finale” already. Which is to say, that there are fight-scenes, I can’t really comment about...
This all wouldn’t have happened, if the Altean colony just took the plunge, and stabbed Space witch, when she first arrived. Because.... stranger danger
This is the second time, someone broke out of the Atlas’ high secruity prison
THE SECOND!!!!
Me: Watching an (intense?) fight scene
My thoughts: What happened to Keith’s space wolf?
Did Altean Village Girl just betray Space witch?
If the castle-diamond is the only energy-source for the ship. And the power just went out. Shouldn’t oxygen and stuff also be cut off?
Shiro: “We have a chance!”
Literally 5 seconds later: “Well, there goes our chance”
Space witch and Lotor fused together..... That’s gotta be illegal in some states...
Technically the stakes are now higher than ever....But I just think that this season’s pretty boring....
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sour-n-salty-citrus · 3 years
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Do you have any hopes for the season finale? I saw in another ask, you described the dynamic between rick and morty this season as "very weak, distant, and downright frankly boring" and I completely agree with you! I hope that, because this is most we'll see rick and morty interacting this season, it'll have at least a few moments of what makes their dynamic so interesting to watch.
(Ok i started airing my grievances with this season, which ended up being... long, so skip this paragraph (starting at / / /) to get to my thoughts on the finale)
Oh gosh I remember that ask (I think-). And yeah, maybe I'm being a bit overly critical. I'll probably look back on this season with retrospect, and a kinder, fonder view. Ik androgynousblackbox (think thats right) made a great point about it being the season FOR rickorty shippers. And sure, I agree on some bits, like Rick acting all pissy and partying the way you would if your ex got with someone new in the planetina ep. Overall though, i think my problem lies in that I was enjoying more individual moments than episodes themselves, especially the middle three. For example- Amortycan Grickfitti. Like, I really liked the idea of the Ship getting on a crazy adventure with Summer and Morty (and Chutback). I like the idea of a Beth-Jerry-Rick adventure. But put together, it's just kinda... meh? You know? I liked the first half of the Thanksgiving special... but it kinda dragged on after that. I get that they want to give other characters (particularly female ones) more attention, which is completely understandable and i encourage it(!) but I can't help but find it underwhelming. Like, Summer in the voltron ep was like- girl how are you STILL vying for Rick's attention! He's the worst! Haven't we done this already? (I will say though I ADORE how far Beth has come, props to her for continuing to seeing through her dad's BS. I was worried the character would relapse into a more typical s1/s2 Beth, and I'm glad she didn't). Some of these plots, funnily enough, seem more fitting of the comics (they actually had a voltron parody already). Fun and entertaining for two or three-something issues, not so much a 22 minute episode. i think most of my complaints come from the dynamic between our titular characters- ok, I know I'm very biased (I mean you can see it), but I came to the show primarily for their relationship. It doesn't even feel drama-fueled, just that they kinda... can't be arsed. I'm torn because on the one hand, they're unhealthily codependent and this separation is probably a good thing, but on the other... it doesn't feel natural? I'm not sure if that's the right word- it's like, season 4 had them practically joint at the hip, but all that's suddenly flung out the window. It just kinda feels like this "i got better things to do" vibe from both of them and its strange. The only time they both got a solo adventure (I'm classifying "solo" as an adventure where they spent a significantly large portion of time together, without the other family members) was in the sperm ep and Thanksgiving ep. And, well, in the Thanksgiving ep Morty felt like a side character in his own show, and the sperm ep... um. Yeah. I don't think it's AS bad as people were saying, but I was cringing the whole time (the second hand embarrassment for Morty was so strong I had to turn off the episode multiple times and return to it. It's just like- godammit MORTY). And I think there's good reason those two seemed to be the most disliked episodes overall. They're the ones RaM spend the most time together and it's... meh. Meh? Meh. I don't mean to say the season overall is bad (it has loads of good points, and its amazing for Smith family as a whole) just that if we're talking specifically about the dynamic between these two? Yeah, I wouldn't recommend a single episode from this season so far to use as an example of their relationship.
/ / /
There's one thing this season has been pretty good at, though. And it's showing us what happens when Rick is alone.
And that brings me to the finale.
"Who is Rick without Morty?"
Well... we already know the answer to that. Pathetic. Sad. Lonely.
This season has been phenomenal in humbling Rick. (And trust me I'm happy for it- every time someone beats the crap outta this shitty old man I'm like YES!!! IT'S WHAT HE DESERVES!). Ep 1 had his "nemesis" clearly besting him, ep 2 had Beth making constant digs (love her) and overall pointing out his extreme callousness and cruelty towards even himself(ves). Ep 3- when Morty shows interest in a girl and ditches him (like seriously it's not like he's moving out, chill) he immediately goes on a bender and develops a deep attachment to the first person he can (wearing yellow, funnily enough). Ep 4, he devotes himself to becoming an "honest man" for his new child, only for it to instantly be taken away from him. Ep 5 highlights how RICK is the asshole for making fun of and taking advantage of someone well-meaning and honest, if "simple", and how literally not cool that is. Ep 6 has his crazy rivalry with the president, and they both get smacked down a couple pegs for that. Ep 7 shows what happens when he allows himself to get carried away, and that he can end up driving everyone else away in the process (lucky they still wanted to save his ass when he needed them). And episode 8? Hooooo boy. Episode. 8. We see a direct parallel in Birdperson with Morty, and the whole "Rick and [insert] 100 years!" Rick has few people he cares about, arguably only one or two that he truly devotes himself to, but when he does, boy does he go HARD. We see younger Rick, optimistic, energetic, friendly and hopeful. And we see all of that crushed in minutes. Rick is desperate for a companion, someone to see the stars with. He needs someone there, someone he can trust and rely on to stay. Someone like Morty. So without Morty, who is Rick?
No one.
And the thing is, Morty doesn't need Rick anymore. Not like Rick needs him. In season 1, Morty was this bright-eyed kid who was new to the cosmos and the multiverse, who needed his grandpa there with him as they explored all these places together. But that's not him anymore. That's not them.
The promo has Morty using the portal gun to go somewhere w/o Rick's permission (i like to think it's boob world lol). It doesn't matter to me as much where he's going, as much as he's doing it alone. He doesn't just not need Rick there, he doesn't want him.
(Also correct me if im wrong but I've missed that sweet portal gun so much. I think the last ep was like- the first time this season we saw it).
Morty's response to Rick? "Replace me!". And wow. Wow. WOW. Morty doesn't give a FUCK! I think Rick thinks that because he's so smart, that he can offer so much, that Morty will come crawling back, and I don't think he will.
Hopes for the finale! Hmm. I mean, I definitely hope "evil" Morty makes a reappearance, haha. I think we all do tbh ;). I want to see some Morty development too, this season has been very Rick-centric (not that there's anything wrong with that!) so I wanna see what's in store for Our Boy. I really hope we get to see the Citadel again, and see the state it's in, but I doubt it. We know something super big is in store, it's just a question of what? Other hopes I have is some Summer + Beth action (please let them team up Im BEGGING) and Jerry too ahaha. I'd love if some other side characters made an appearance as well. Oh- I'm definitely expecting a dramatic cliffhanger at the end of the first half leading to the second half, with the kind of angsty music that leads into the credits (pls that shit is so good (OH WAIT imagine if it was like, for the damaged coda, but like- the chopin version or smth so it could be more subtle maybe bruhhhh)). Ok haha, maybe that's asking too much, the writers made it clear in the story train ep that they weren't gonna do that big dramatic showdown (... unless 👀). Oh, I'd also love some Premium Angst too, like someone getting kidnapped/nearly dying (like ACTUALLY nearly dying). These stakes better be so damn high I could spear a man on them! OH, also I remember androgynousblackbox (is that right? I hope it is) mentioned something along the lines that they could be driving Rick and Morty apart this season in order to have them come back together stronger than ever in an explosive finale, which, I'm strongly hoping for myself.
Thanks if you made it this far! If you have any thoughts on or hopes of your own for the finale please feel free to share! :D
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criminalmutantsins · 3 years
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Unpopular Opinions(Voltron: LD Edition)
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Please respect others’ opinions. Thank you! 😊❤️
*Sorry if any of mine are popular. I don’t talk about my opinions with fandoms since they can be pretty toxic.*
Here are mine:
1. The Shiro clone idea was really bad.
I don't like this idea because the development "Shiro" went through between S3 & 6 did not affect the actual Shiro.
2. Voltron went downhill once Keith replaced Shiro as the leader.
I don't think it is Keith's fault for the show's quality depleting; this is a timeline of when quality decreased. But, I think Shiro was a way better leader than Keith since he has the experience and personality of one. Keith is more of a second-in-command, at least for me.
3. Allura and Lance should have never gotten together.
This ship was all over the place. First Lance had a huge unrequited crush on Allura, then he seemed to be moving on and she was in love with Lotor. The development was rushed near the end, and their chemistry was kind of awkward to me.
4. I wasn’t super upset about Allura’s death. Just the way it was written.
Allura never really connected with me. I really tried to like her as much as most of the main characters, but I couldn't feel it. Her death was sudden and lukewarm, especially the goodbye between her and the Voltron crew. There was this feeling of emptiness in this reunion. The circumstances of why she had to die was meh. It would've been better if the lions sacrificed themselves instead.
5. Klance is very overrated(still kind of ship it tho).
This ship was everywhere, and some Klance shippers I've seen were toxic which turned me off for a while. At first, I felt kind of pressured to like this ship since Klance shippers populated the fandom. Now, I genuinely enjoy the ship, though I wish other ships gained more attention.
6. Shiro’s second arm design was bad.
I loved his first arm and was super upset when the designers did a 180 on the second one. It was so clunky and distracting whenever it was in full view. The detached portion of it was really annoying too.
When it comes to robotic limbs, I want them to look natural with the body.
7. Having so many villains was not a great idea.
I've watched shows with a lot of villains and they mostly put me off since some of them were one-note and generic. I really didn't like when Lotor was the temporary villain; he could've been a great ally for the finale. Honerva was pretty rushed and boring; she would have been better if she was the main villain much longer than two seasons. Zarkon was probably the best one.
8. Compared to villains in general, Honerva wasn’t too bad.
Compared to a lot of villains (especially the minor ones), Honerva is okay. I don't think she was great though. She needed a lot more development and her redemption was so quick.
I didn’t have a lot to say since most of my strong opinions are about the last two seasons and I agree with most of the fans.
What do you guys think? 😊❤️
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lezbianz · 3 years
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good voltron moments (comprehensive list!)
all of season 1 <3 especially episodes 4 through 9 <3
the sharpshooter scene💖💖 chills. literal chills
THE PART IN THE LAST EPISODE OF SEASON 2 WHERE ALLURA IS FIGHTING WITH THE STAFF AND THE MAGIC......
that part in the beginning of season 3 where everyone looks to lance to comfort keith...this isn’t even a klance thing on my end btw i am just SO biased towards lance lol <3
the part in season 3 where allura and lance talk you KNOW which scene i’m talking about. when she puts her hand on his shoulder. that one lives in my mind rent free
WHEN ALLURA COMES OUT IN THE BLUE LION <3 she should’ve been the black paladin lol but i digress <3
okay NOW it’s time for klance lol <3 sorry i’m 13 again. anyway that part in season 3 where lance like rescues keith on that planet?? DO YOU KNOW WHAT I’M TALKING ABOUT. the scene that was in the new york times that one time
that one scene in season 3 episode 6 lol you guys know what i’m talking about <3
THE FINAL SCENE IN SEASON 4. THE ONE WHERE LANCE GIVES ALLURA THAT PEP TALK AND THEN SHE DOES SOME MAGIC SHIT AND SAVES THE DAY OH MY GODDDD. I THINK ABOUT THAT DAILY NO LIE
the scene in season 5 where allura teaches lance how to use a sword...god bless <3
WHEN LANCE YELLS OUT TO SHIRO IN SEASON 5
ALSO IN SEASON 5. WHEN LANCE IS THE ONLY ONE WHO REALIZES SHIRO IS NOT SHIRO. that really had me believing the writers were gonna do something good </3
the allurance hug in season 6 <333
i did not watch seasons 7 or 8 so if there were any more good moments i don’t know of them <3
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The Search for the “Bluest Quintessence” and S6 - The Most Unnecessary Conspiracy In VLD?
Can somebody riddle me this? I’m rewatching Voltron: Legendary Defender, and I just…hm. Am confusion.
I’ve been thinking about the types of quintessence throughout the show, and how the show’s plots always revolve around energy harvesting. According to season 1, totally raw quintessence mined from worlds is yellow, and Haggar’s druids are the ones who filter it into its purple state: 
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(Screenshots from Season 1, Episode 10: Collection and Extraction)
I feel safe in assuming that the filtering of raw, mined quintessence into its purple form is what turns it into a usable source of energy. But it also seems that this purple quintessence was still never “as good” as the enriched, concentrated blue quintessence that Alfor and Honerva originally discovered with the comet. Because if the purple version were so perfect, then no one would be desperately trying to get a better grade of quintessence, right?
Which sets the stage for Lotor’s whole arc:
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(Screenshot from season 3, episode 7: The Legend Begins)
So here’s where I get confused: How does the need for specifically concentrated quintessence in any way result in the plot twist we got in s6 with the Altean colony? 
Please help me out here. So s6 was about Lotor having this totally secret and horrifying operation to harvest concentrated quintessence from “a few” Alteans, in order to specifically break into the rift. In season 4, Lotor himself even confirms Pidge’s s3 suspicions regarding the purpose of his agenda, that it’s all about getting to the rift using this special quintessence:
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(Screenshots from season 4, episode 5: Begin the Blitz)
Lotor also admits to the goals he wants to achieve by piercing the barrier:
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(Screenshots from season 5, episode 5: Bloodlines)
And throughout these endeavors, the purest, most concentrated quintessence always and specifically appears as blue:
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(Screenshot from season 6, episode 2: Razor’s Edge)
In season 6, we see the show building up to this wild connection between Lotor and where he’s getting this secret, concentrated quintessence. Krolia and Keith confirm they’ve been trying to track it down in different ways:
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(Screenshots from season 6, episode 2: Razor’s Edge)
And in this episode, Krolia builds this blue, enriched quintessence as being very scarce and from a totally unknown source:
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But in rewatching earlier seasons, I get really confused as to why literally anyone was
so amazed
by this blue quintessence as a mystery energy source. Because...it seems to me like the show itself...didn’t even need an all-new secret source via the Alteans? It already had multiple potential sources? Like, everywhere?
So I guess, let’s talk Komar because it heavily affects the potential plot of the show.
Season 4 details Keith and Kolivan’s initial discovery of enriched quintessence. And the enriched quintessence they found wasn’t scarce or from a mysterious ship like Krolia’s experience in season 6. Instead, the Blades found massive vats of it in a major, well-known, and old but active Galra stronghold—with several Galran soldiers still guarding it and even moving the supply around:
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(Screenshots from season 4, episode 1: Code of Honor)
Canon tries to excuse Komar tech from being the answer to the existence of this enriched quintessence, given that Voltron destroyed Haggar’s Komar Experiment in season 2. And it has to explain this away, because Komar tech is very, very good at harvesting vast amounts of that precious blue stuff, and we just can’t have a simple answer, can we:
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(Screenshots from season 1, episode 6 – Take Flight)
But whether Komar had been destroyed or not, its very existence...never actually goes away in the larger show’s story. For example, Coran describes the Komar in a way that hauntingly reflects exactly what Lotor’s tech in the Altean colony does:
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(Screenshots from season 2, episode 13: Blackout)
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(Screenshot from season 6, episode 4: The Colony)
Idk if this is a “chicken or the egg” type of situation, but the technology for the Komar and the technology for harvesting Alteans seem to have the same result of procuring concentrated quintessence. Not just the yellow raw stuff or the somewhat better purple. But the enriched, blue quintessence that Lotor coveted so desperately for breaking into the rift.
So, conspiracies aside that Haggar stole Komar tech from Lotor or vice versa, I find it pretty wild that Lotor’s automatic go-to for harvesting energy was the Alteans. Because with the technology he had, he literally could have linked it up to....just about any other form of life on the universe. 
What the Komar, totally destroyed or not, ultimately suggests is that the pure, concentrated quintessence is not actually unique to special Alteans--but that the trick is simply being able to more purely harvest any given life force.
In which case, it makes turning survivors of omnicide of one’s own heritage into cattle and breeding them for more “special” victims seem so...utterly pointless on so many levels. Lotor could have just pointed said tech at plants and fish, and received a similar result. Haggar and Zarkon confirmed within season 1 that it could canonically be done. The show even depicts them taking pure, concentrated quintessence from specifically animals and a large body of water.
I suppose prior to this rewatch of earlier seasons, I did think that, in response to this, VLD was arguing for Alteans as the only beings in the universe who had the “bluest” quintessence. Which would maybe better explain Lotor’s exploitation of them despite the squicky master race/species vibes that such a concept gives off. But this concept also can’t explain the s6 plot twist to me anymore after my rewatch.
In looking back at previous seasons, Alteans originally were dependent on Balmeras for quintessence-based energy:
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(Screenshots from season 1, episode 8: Rebirth)
Notice how Coran talks of the Balmera giving of the crystals as a gift, but yet Alteans repaid their “sacrifice” (same language Lotor used for the Alteans) by providing a token of their own pure life force. This episode reveals that Balmera ultimately function as concentrated quintessence generators and storages.
But even then, Alteans were also dependent on the people of the Balmera to complete this transfer of pure, concentrated quintessence, as they could manipulate the Balmera’s energy for symbiotic purposes:
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In which case, if Balmeras were the original™ self-replenishing stores of pure, concentrated quintessence, and also so readily found across the universe with entire groups of people capable of transferring its energy, why even need to harvest Alteans? And since Balmeras can be convinced to willingly give of themselves for a good cause, would it not have made sense for Lotor to work alongside these gentle giants and their people, perhaps finding a way to extract its quintessence in a form other than a crystal? Perhaps even using his smaller-scale version of harvesting tech? Because clearly, he had an issue with just wiping out an entire planet or culture:
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(Screenshots from season 5, episode 1: The Prisoner)
And Lotor is shown as canonically very interested in wanting to work alongside other cultures:
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(Screenshots from season 5, episode 6: The While Lion)
I think it very likely that Balmera would have worked out some way for him to extract concentrated quintessence in the form he needed—and even better, this would have presented the opportunity to re-initiate the culture and repayment ceremonies of old sacred Alteans.
Because...why wouldn’t he have known about this Altean practice?
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(Screenshot from season 5, episode 6: White Lion)
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(Screenshot from season 6, episode 4: The Colony)
So despite Balmera being prevalent concentrated quintessence stores throughout the universe, and despite their people still knowing how to enact an Altean repayment ceremony, and despite Lotor having “deep knowledge,” he somehow missed this opportunity??
Lotor would have happily nerded out over being like his Altean ancestors and sustainably and respectfully extracting pure, concentrated energy while also achieving his end goals. And if he’d connected to a Balmera even once, just to try it, he would have discovered that he was a “sacred Altean” as well. Because canon confirms it:
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(Screenshots from season 5, episode 6: White Lion)
So Lotor is, canonically, a magical “sacred Altean” with deep cultural knowledge that not even Allura or Coran were aware of. He had generally pretty immediate access to or the ability to find Balmeras across the universe, which are also canonically storages of pure, concentrated life force. And Balmera have canonically deep and respectful relationships with the Alteans who harvest their energy for their own purposes.
Through Balmera and perhaps a simple redesign of his own harvesting tech he was working on, Lotor had an easy way to secretly siphon blue concentrated quintessence in the form he needed, from a willing, self-sustainable source—and afterward, to also give back in thanks in the ways of his mother’s people, without having to actually “sacrifice” anyone.
And yet...malicious Altean harvesting was the only explainable option and the answer this show went with...??
I’m really tempted to just conclude that blue, concentrated quintessence is not as scarce in other life forms as the latter half of the show makes it out to be, that more forms of life can actually interface with it and manipulate it beyond Alteans, and that Lotor had very simple ways to hide and run a sustainable and culturally meaningful quintessence experiment. 
So to me, it seems that the search for the “bluest quintessence” represents just another example of VLD inconsistently manipulating its own inconsistent worldbuilding to arrive at outrageous, universe-contradicting and pointlessly evil plot twists like the s6 colony plot.
But I’m curious what you all think and if I’m just...missing something? 
(Also apologies if someone else has already brought this up somewhere and I’m just lagging behind, haha.)
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avidbeader · 4 years
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CW: Voltron S8 talk, VLD S8 talk, Shiro’s marriage, ship wars
I’ve been seeing an influx of new VLD fans in the last several months – guess people have more time to watch shows – and it’s brought in a new wave of Sheith fans. And that’s lovely – having more people to create and cheer is a good thing. I know I’ve pointed a lot of people at “Sheith the Movie” so they can have just the Sheith (all 3.5 hours of their scenes with some context) if they want.
However, even if the new fans have been aware of how toxic the klanti shippers were (Klance fans who resorted to slander, harassment, and threats to both other fans and the show’s cast and crew in an attempt to force the studio to make their ship canon), I’m seeing some conflict crop up because some new fans aren’t aware of just how ugly things got in 2018, that most of the people who embraced Shiro and the random groom as a ship were the same people who had spent the previous two years attacking Sheith fans.
In June, we had Season 6. Keith and Lance interaction was at an all-time low. Keith said “I love you” to Shiro in what he thought was a dying confession. Yes, it was preceded by “You’re my brother (in arms)”, but interviews with showrunners like story editor Josh Hamilton made it clear that Keith was trying his best to encapsulate just how important Shiro was to him (without saying that they almost certainly had to include the “brother” line to give DW executives plausible deniability).
In July, we had the SDCC showing of Season 7’s first episode and the confirmation that Shiro is an LGBT character. Klance fans jumped all over the character of Shiro’s ex-boyfriend Adam, because in their minds he would be the key to invalidating Sheith. The media properly observed that Shiro and Adam had broken up over very profound issues and drew the conclusion that if Shiro were to get an on-screen romance in the remainder of the series, Keith was the obvious choice.
In August, we had Season 7. Instead of the heartfelt Shiro/Adam reunion klantis were salivating for, we saw Adam get killed in the Galra invasion. And the klantis rose up, hurling so many unjustified accusations of “fridging” or “bury your gays” over a minor character with a total of maybe three minutes of screen time, that JDS actually had to put his name to an unnecessary apology from the studio.
We also had Keith and Shiro’s backstory, showing just how close of friends they became after Shiro helped Keith join the Garrison, AND Keith saving Shiro yet again. While Lance and Allura continued to grow closer. Because it was clear that the producers had never once considered making Keith and Lance a thing, klanti fans went ballistic with their slander, accusing Sheith of being pedophilic and incestuous when neither accusation has any canon basis at all.
And in December, we got Season 8. Season 8 with a mostly new set of writers who didn’t do their research. Season 8 that tried to cram in too much excess content while finishing up a major plotline. Season 8 that finally showed that the producers had never fully thought through or sought input for handling Shiro, a character they’d originally planned to kill off, decided to make their LGBT rep when told to keep him, and then failed to pick up the strong story arcs he had in the first seasons. And because studio execs gave JDS and LM a single day to change their epilogue cards from minor characters to the main team, we got the very bad decision to marry Shiro off to a random character.
(And the character was random. Stills were leaked that showed Shiro kissing a character that had been seen once in the very first episode, but was too obviously a reference to a character in another series. It clearly didn’t matter to JDS/LM or the people above them who Shiro married as long as it wasn’t another main character. Because we’ve barely passed the point where we can have more than one character of a certain race in the main cast, much less multiple LGBT characters.)
Like they did with Adam, klantis jumped all over “Curtis” as their savior, because to them this should have killed Sheith fandom. And a great many Sheith fans did leave, angry and hurt, not because their ship wasn’t canon (very few Sheith fans expected more than an open ending) but because the concept of Shiro marrying some random character with absolutely no buildup undercut the notion of Shiro as a strong example of LGBT rep. Because those endcards erased every single character’s growth through the series, not just Shiro’s.
Media saw the ploy for what it was, a clumsy attempt to try and reach for a historic milestone when today’s audiences aren’t looking for milestones anymore. Today’s audiences want to be included in the entire narrative. No one talks about Shiro’s wedding as a good example of rep. In mainstream pop media, no one talks about Shiro at all, in contrast to the celebrations post-SDCC. When articles are written about progress in children’s media, Shiro is never included on the list. It’s only this past June, 2020, that DreamWorks shoved Shiro into the background of a collage of LGBT characters from their cartoons, WITHOUT his desultory groom.
LGBT fans, especially gay men, saw the ploy for what it was. Just as the media collectively set Shiro’s wedding aside when talking about positive LGBT rep, gay men spoke out against it. Too bad they didn’t get any kind of apology from DW and the best JDS/LM could say on their one appearance on an “Afterbuzz” was “But we tried! Something was better than nothing!”
And the majority of Sheith fans who remained in the fandom collectively jettisoned Season 8 and began producing even more content. There have been schisms and fallouts, mainly over whether/how carefully to tag for content that includes Adam or “Curtis”, but the fandom as a whole has continued to produce fic, art, vids, and merch. There’s a reason people outside the fandom groan “Sheith in 2020?” There’s a reason antis continue to push their lies about the ship. We haven’t let go of what we love, we continue to create, and we continue to attract new fans.
But most of us do not want to engage in any way with “Curtis” content unless a fix-it is involved (and sometimes not even then – for many of us, Season 8 does not exist). We don’t care about a character who had zero interaction with Shiro before the endcard, whose name isn’t even spoken once in the show’s dialogue – the only reasons we know it are the IMDB credits and one reference in the close-captions identifying who is speaking (and there’s stronger evidence to show that “Curtis” is a last name, not a first name).
If other people find enough of an attachment to this character to ship him, fine. You do you. But most Sheith fans expect those who support Shiro’s wedding to be klantis and therefore look to avoid conflict by minimizing contact. We do not forget. We do not forgive. We just want to be left alone to enjoy our ship in peace.
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appleb18 · 4 years
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Cartoons Relationships Are Terrible
Back in the day of cartoons, the romantic subplots were simple and yet very heartwarming to see such as 
Katara and Aang from Avatar: The Last Airbender
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Phineas and Isabella from Phineas and Ferb 
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But now, modern cartoons are taking romantic subplots into heavier territories that something that some live-action shows would do. While it does sound interesting that making relationships more realistic and complex but the way that has been written in the previous decade is pretty bad. The writers try to make romance relatable to the audience but fail on doing so such as making likable characters to really cringy and awful people, shoving down our throats of how cute it is and having the romantic subplot more focus than the actual plot.
Adventure Time and Regular Show 
So you must be wondering why I put Adventure Time and Regular Show together instead of separate categories. The thing about these two shows is they used to have bad romantic subplots but as the show progresses, they really did it well and I have to say it did better than most cartoons that failed to do which I’ll talk about later. 
For Adventure Time, Finn and Flame Princess broke up in “Frost and Fire” due to him deceiving her by having FP fight Ice King/Simon Petrikov for his amusement
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After their break, he tries to rekindle his romantic feelings for Princess Bubblegum and thinks age is just a number in “Too Old”. However, it doesn’t end up too well that she has people to watch over and that’s when he realized that he really did donk up with Flame Princess. 
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Although he apologized to FP in “Earth and Fire” to her it didn’t fully restore their relationship and Finn still had romantic feelings for her and Princess Bubblegum. 
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Thankfully, Finn matures in later seasons.
Finn realized it’s better for him to be friends with Princess Bubblegum 
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He then fully apologized and realized what he has done wrong to Flame Princess and she tells him that he really matured and hang out by playing guess who and rapping in “Bun Bun” 
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and Princess Bubblegum, and Marceline. They both finally reconcile at the end of “Varmints” and start to hang out more which develops their relationship from being platonic to romance.
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For Regular Show, in “Steak Me Amadeus' ' Mordecai asked Margaret to be his girlfriend and although she would like that, she can’t because she got accepted into college which broke his heart.
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It didn’t last when he’s been reunited with CJ in “New Years Kiss”. 
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As the show progresses, the two become a couple but then things get complicated when Margret returns. It made things awkward between CJ, Mordecai, and Marget like CJ always gets jealous and runs away when she sees Mordecai and Margret together. 
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By the end of season 6, he dumps CJ in front of everyone in Muscle Man's wedding. 
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Like Adventure Time, Mordecai and Margret hangout and realized they should stay as friends in “Just Friends” 
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While Eileen and Rigby become a couple. 
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Now it’s time to talk about other cartoons shows and their romantic subplot problem  
Steven Universe 
Steven Universe relationships can sometimes be well written but most of the time can handle poorly.
Such as Lars and Sadie were starting to develop their relationship in “Joking Victim” however it repeats itself throughout three seasons until the end of season 4 where Lars develops. Then there’s Sadie trapping him and Steven on the island in “Island Adventure” so he won’t have to leave and they don’t resolve and don’t even mention it ever again in later seasons. All they show was Sadie scar and that’s it
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In “Steven Universe: Future”, Sadie and Lars didn’t get together and she’s now with Shep and they did it off-screen. So throughout the whole thing with Lars and Sadie, they don’t get together. The show kept teasing it and they might get together in the future but the writers just said screw it, let's have her date a nonbinary while Lars goes on a space adventure. It feels like a waste of seeing those two characters that the show keeps showing them together and not have them become a couple. Unlike SvTFoE, Shep just came out of nowhere with no proper introduction and doesn’t establish they and Sadie's relationship and it’s really bothersome! 
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Connie and Steven's relationship was good for the first four seasons. It was really had good chemistry and she was a good partner for him 
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then season 5 came in and it kinda got ruins by after Steven escape from Gem Homeworld and coming back to Earth, it starts off with Connie leaving Steven with lion and never to be seen for a month according to “Keven Party”. The Steven and Connie arc was really bad like why was it dragged for five episodes? The whole thing could’ve been resolved in one episode by having them talk about their feelings like how “Mindful Education” and “Full Disclosure” did by they talk about their emotions instead of running away. 
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Then in “Gemcation”, Steven the most important thing to him is Connie's relationship than worrying about Lars and the Off Colours' safety. That has to be the dumbest thing I’ve heard in my life and I can’t believe Rebecca and the Crewniverse have written it like that. 
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Then there’s Ruby and Sapphire. I’ll be honest, the relationship feels like old Disney love stories like Cinderella, Seven Dwarfs, and Sleeping Beauty and that’s not a compliment. In “The Answer”, after they accidentally fused, they escape and wander Earth that caused them to fall in love which kinda contradicts what Garnet said to Jamie about love, at first sight, isn’t good in “Love Letter”. 
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In “Pink Diamond” Arc, the plot came to hold to make room for Ruby and Sapphire’s wedding. 
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While it is revolutionary that they show an LGBT wedding live on television but as a narrative standpoint, it feels rushed. The reason for that is after that Blue and Yellow came in after the wedding. They were no build-up or anything, they just came.The reason why they did it so some countries can’t take it down due it the main story which is stupid. It’s nice they represent LGBT but why in the middle of a major story arc, that’s just sloppy. 
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Voltron 
So Voltron has a reputation of queerbaiting the audience that Shiro is gay and he has a boyfriend. The writers keep telling us on Twitter that they’ll show his boyfriend in season 7 but when it finally aired. It was terrible 
The first time we saw Adam was a flashback but it was nothing, it was more friendship than romance. 
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When he finally shows up in the present he dies. Shiro goes to the memorial and signs than that’s it. 
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The writers really made a dumb move of hyping it up but they let us down by having him die. They try to make it up by having Shiro marrying some guy who has a very little screen in the final season. Similar to Regular Show with Mordecai marrying a batgirl but not dumb while Voltron trying to get brownie points for having LGBT rep. 
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Lance and Allura were really forced. For six seasons, Allura was never interested in Lance and only saw him as a friend but in season 8, the two confessed their love for each even though there wasn’t any chemistry nor sign that they truly love each other and they insensitively become a couple for one date. I would’ve supported if their relationship was established back in season 2 
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The Legend of Korra
The love triangle between was handled so poorly with bad timing, making characters look terrible, making things force and having it engage more than the plot. 
For the first season, there was a love diamond. Bolin liked Korra, Korra likes Mako and Mako liked Asami and those two go out. Korra and Mako kissed which broke Bolin’s heart but he got over it but when Asami finds out when Korra was missing, she gets jealous. I understand that she was concerned about her relationship with Mako but during when Korra, the avatar that is missing while Equalis are on the move? That’s not the right moment to get jealous when Republic City is gonna be under attack but of course, Mako and Asami break and Korra gets in with Mako. 
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In season 2, things get worse when the happy couple keep nagging and they break up
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Which he tries again with Asami 
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After Korra got her memories back but forgot breaking up with Mako, she asked him if it was bad however though he lied and everyone judged him for that dick move, especially Asami who started to have feelings for him again. Thankfully they broke up because that was just an awful way to get someone back by having their mind erased. 
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Also, Bolin was with Eska and it was abusive. Forcing him to be her man, changed his whole entire to match with hers and she forced him to marry her. 
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What’s worst about it is no one is concerned about him being with her and instead they just laugh like it’s supposed to be funny. Being in an abusive relationship isn’t funny and I hate how the show treats it so. By the end, they just forgot the whole thing that ever happened and moved on with their lives. 
Season 3 and 4 kept the romance to a minimum with Bolin x Opal and Jinora x Kai but there was one romantic relationship that had to happen with no hints or build up and it’s Korra x Asami. By the end of the series, they decided to go to the spirit together while holding hands and having their eyes glazed toward each other and they become a couple. 
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While many of you may say that they hinted it since season 3, however, it looks like friendship. Blushing and writing to her isn’t enough to say they have feelings towards each other. That is what best friends do too. The creators even have to confirm that they are a couple and the comics showing their love while it’s nice and all but it would’ve been a lot better to show it either on streaming service or live television than buying volumes to see more of their pairing, it’s balderdash. Now it’s time to talk about a cartoon that has one of the worst romance I’ve ever seen in my entire life of watching shows. 
Star vs The Forces of Evil
Star vs The Forces of Evil has one of the WORST romantic subplots I’ve ever watched, it is even worse than CW’s Arrowverse romance and that’s saying something. The romantic subplot makes Star and Marco look like terrible people that only care about each other more than other characters. 
Jarco 
Out of all ships in SvTFoE, Jarco has the most establishment than most others. Marco liked Jackie when he was little and it was bound to happen that those two will date. Ever since season 1, the relationship has been growing to platonic to a romantic couple in season 2. 
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Their chemistry together worked well but then “Sophomore Slump”. When Marco finally went back to Earth, he was obsessed with Mewni and Star and he won’t stop talking about and he still wears the cape. When Jackie told him to stop obsessing over Mewni which he tries to do but it got the better to him by he still wears the cape when he was on his date with Jackie. It’s really BS when Marco said to Jackie “You’re my best friend” which ruined everything that it established since season 1 and this, of course, caused them to break up.
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 Then he left Earth to go to Mewni the day after their break up. It’s a real shame that building up their relationship and giving Jacie character got shoved aside for Starco. Although she returns and meets up with him again I can’t help feeling that it just for fan service and being inclusive for Jackie being Bi
Tomstar 
Before the show started, Star and Tom were a couple but broke up due to him getting angry very easily and he wanted her back for the past two seasons luckily he stopped trying in “Mr. Candles Cares”. Their relationship becomes healthier when Tom gives Star space and that causes them to get back together and not have feelings for Marco anymore.
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 Tom went through a lot of development for Star and it was a Mewni x Monster romance which is similar to Eclipsa and Globglor and it fits season 3. After rewatching it, it was pretty good. However, like Jarco, it was doomed from the start due to fans wanting Starco to be canon even though Tomstar was getting good. Also, Star was a terrible girlfriend to him. 
Star never told him she kissed him, Marco did and when Tom confronted her about it, she got mad and tried to walk away. 
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She mistreats him by nagging somethings, blowing on his face and angrily ask translate
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She declined on going on a vacation with him so she can be with Marco.
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Even his mom was afraid that she might break his heart again and her response “Everybody breaks up. That’s what teenagers do! Teenagers are dumb”. He went through so much development, changed his character and gave her so much but she never returned the favor. What an awful girlfriend 
Kellco
With Tom and Star getting together (for now) it left Marco feels devastated that she’s dating someone and can’t get rid of his feelings for her while Kelly doesn’t want to be with Tad which she broke up with him. They both have something in common and start to hangout and their relationship has developed throughout season 3 and he’s with her more than Star. 
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They became officially a couple as “breakup buddies” in “Kelly’s World” and it also when they did a perfect synchronization between two partners. 
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So they’re pretty much a good pair but everything changed when the episode “A Boy and His DC-700XE” and did an off-screen break up. I don’t care who or what you write but never, ever a major plot point or character development offscreen. Kelly finds happiness when she leaves Tad but they break up with no explanation. It was glossed over like for five seconds and Marco doesn’t even care about their break up, what an a*hole. 
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This relationship feels like a real waste of time and serves nothing to the plot nor character development, it was just there to waste time.
Starco
Before I talk about Starco, I used to ship it and I thought they were enjoyable characters. They would've worked in a relationship if things were written better and would have been the next Phineas and Isabella but sadly the writers messed up probably the easiest romance to write. 
Season 1, Star and Marco became best friends. Although there weren't many romantic moments they still look pretty good together 
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Season 2, As Star was happy for Marco that she’s finally dating Jackie, the girl he has had a crush on since preschool,
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 on the other hand, she started to have feelings for him and she has trouble expressing it. 
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In season 3, Marco started to have feelings for Star which caused him and Jackie to break up. Star told him that he wants nothing to do with him romantically in “Lint Catcher” and Tad told him that he does have feelings for her in “Lava Lake Beach” and he wasn't happy to find out about it at all. Then in Booth Buddies, they were held hostage by some freak until they kiss and they were completely in denial about having feelings for each other
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Then season 4 is when Starco becomes really sour. Star and Marco always keep saying that they don’t want to have feelings for each other and yet the writers have several episodes before the end of the series
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. They never showed any romantic interest until “Mama Star” where he confessed his feelings to her and then they kissed in the second last episode. By the finale, instead of either of them going back to their dimensions they went back to the World of Magic and held each other. It would’ve been more meaningful if they got together before the end of the  show. 
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It’s very odd that they risk their lives for a relationship that just started. However, for some miracle, both of their worlds collide and become one with no explanation of what so ever. 
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Starco could’ve been a lovely ship but the writers have to keep messing around with it till the very end. 
Conclusion 
Whenever a show presents a romance, I don’t mind as long it either fits with the narrative of the story it be fun but 2010s romantic subplots have been written very terribly by having it the main focus but sacrifice pacing and quality of the story, forcing characters to become a couple without establishing it enough in the show, and having characters go off for the sake of drama. Romantic stories can be simple and cute like Kim x Ron from Kim Possible, Suki x Sokka from Avatar: The Last Airbender and Starfire x Robin from Teen Titans and that’s all right. I do hope that this generation will fix what the previous decade of cartoons has failed to do. 
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80scartoonfan · 3 years
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My Review of Masters of the Universe Revelation - Better late then Never...
It has been two months now, and wow... Not, not many fans of the entire franchise like the Kevin Smith Masters of the Universe series do they? As an aspiring writer myself I can't say I blame them.
I know this comes literally on the heels of the LATEST series being released (obligations to projects, work, family and other things got in the way) and I have to say I wasn't all that impressed with it. If anything, compared to the dumpster fire that was Season 8 of Voltron Legendary Defender that season was more enjoyable than this first part of the mini-series. 
And if I am being honest from the first leaks of Skele-God, to the drama with YouTubers like Clownfish-TV and others, to the "race swapping" of Andra and King Greyskull, to spoilers Kevin Smith himself even made, I would give Part-1 a GENEROUS D-Minus. This is a shame because I really wanted this series to exceed all expectations and be equal to the original like 2012s TMNT is or 2011s ThunderCats. But there is too much against it. 
First, let’s talk about the animation. It was absolutely breathtaking! It was crisp, the world-building in just the scenery was a masterpiece. Out of what I saw of all of part 1, spotted one goof - dealing in episode 1 with Evil-Lyn's staff, which shows that their animators care of what they produce. I loved the animation so much that if the rights to my favorite anime were purchased by a studio to do a continuation from 2005 or a second reboot, I'd gladly give Powerhouse Animation my salary for the next 5 years!
The music, the music was gorgeous! But then I am biased towards Bear McCreary. Even though He-Man seems a bit knew to compose music to, he immediately got my vote of confidence when it was announced he was attached. Reason being, his work for the movie Godzilla King of the Monsters! His music made me actually tear up during that movie. Something I didn't do since another Godzilla movie.
With the exception of Mark Hamill - as shocking as it comes and Sarah Michelle Gellar, the voice acting was phenomenal! I loved Kevin Michael Richards as Beastman, Tony Todd as ScareGlow, even Liam Cunningham as Duncan! Chris Wood was spectacular as Prince Adam/He-Man for just being introduced to him. But the one who really stole the show for me was Lena Headdy. She killed it as Evil-Lyn, so much that if the Eternity War Saga or 2 part crossover event ThunderCats and He-Man/Injustice vs Masters of the Universe were made into live-action or animated movies, I'd pay whatever she wanted just to have her return. 
I also want to applaud the effort of getting a diverse group of voice actors. Something which I noticed few if ANY have. Actors who are both known for their VA resumes and those who are new to voice acting. But also the actors themselves, besides the white and black VAs there were if I am not mistaken a Native American and I think 2 Mixed-Race voice actors. I don't remember if there were any Asian or Middle Eastern VAs, but it is always Part-2! 
As for Mark Hamill, at first, I was excited that he was going to do the voice of Skeletor. But upon hearing him as Skeletor, I'm not sure anymore. Granted this is just the first part of the mini-series, but it didn't feel like Skeletor if that makes sense? To me, it felt like he was trying to mix Joker/Alvin the Treacherous/and Firelord Orzi all into one character.
Sarah Michelle Gellar is another one I wasn't sure about. I admit I found it hard going in unbiased because I never liked Sarah. Not as Gwendy Doll, or Andromeda, Daphne and certainly not as Buffy - mainly because I preferred Kristy Swanson as Buffy, but that is beside the point. She had some nice emotional spots, but for the majority of her performance as Teela, it just wasn't there for me. If the writing and script had been better than what it was, she could have won me over for Teela, but as I write this I am more excited for Kimberly Brooks to voice Teela.
Now let’s talk about the things I hated. This will involve anything from Characters including designs to the writing and other things. If you don't want to be triggered I advise you to stop reading this and move on. If you are still here and get triggered, like one person who always seems to be, don't say I didn't warn you. I am always open to engaging others civilly in talking and debate. But if you can't even do that, don't bother engaging. These are my opinions and MY THOUGHTS, and I will hold nothing back regardless of the topic. You have been warned!
The story, the story absolutely sucked! You can tell the writers, if you can call them that, just didn’t care about what they were doing. I’ll go into this shortly. But those writers should be ashamed to even call themselves that. Sure it was catered to be modernized and appealing to potential new fans, but they should have been more aware of what they were doing. Just in this first part, there are so many plotholes and questions I was asking myself that I filled 4 whole pages of paper asking questions and thoughts - which to the fanfic writers I will put in at the end of this if you want to explore them. 
I watched the mini-series five times now, trying to be as objective as I possibly could as an aspiring writer and not as a MotU fan, and each time got even more painful. Let’s be clear on one thing, I wanted this series to succeed. But too many things brought it down, and like with Ghost in the Shell 2045, I’m not sure I want Netflix to release part 2 or that I would watch it if they did. 
Let’s start with how it was advertised as a “direct sequel to the original.” It was not a direct sequel to the original. I have seen someone bring this up and I have to agree with him. This mini-series is more in line with Nickelodeon’s Voltron-Force from 2011. I remember watching that series when it premiered and then had to hunt down my VHS tapes that had them to get a feel for the series again. 
Both played off their respective originals as direct sequels, but both are in fact pseudo-sequels/soft reboots. They have the characters we grew up with and we can identify these characters because they are close to their original counterparts, but that is as far as the “sequel” goes. They bring in newer characters who we know nothing about or characters who have maybe been unimportant to the main characters, but we have to accept them now. It was like that with Mona Lisa in the 2012 TMNT who I enjoyed WHEN they used her, Larmina of Voltron-Force being Allura’s niece, and Andra of Revelation who had maybe 2 or 3 appearances in the entire run of the Masters of the Universe franchise.
Like Voltron-Force, Revelation, had no real ties to the original. There were no mentions of battles, events, and characters who played critical roles in the original. Instead, it starts off with a narrative deposition to set the series up (not matching how the original ended) and just starts in with new adventures. For it to be a direct sequel to an original,  you need to have more than just characters we can identify as He-Man/Skeletor/Keith/Lotor/Allura/or Teela.
Next, let’s talk about the length of this mini-series. This is still a bitter subject amongst Voltron fans because so much Netflix could have done more with it if they didn’t do four seasons that were  6/7 episodes. We can all agree that with the “story telling” they wanted to do, just five episodes just were not enough for the first part and potentially the second part. The amount of time needed to portray the journey from Adam’s death to Skeletor taking the power sword and becoming Skelegod could have easily been an entire season. Even 9-10 episodes would have been acceptable with the proper writing that wasn’t going for deliberate shock value goals or “shipping.”
With a 9-10 episode first part, they could have given everyone what they wanted. They could have had He-Man solidly in the first 3 episodes killing him off in the 3rd in such an emotional way it would leave us old-timers not only devastated but eager for more. Use episode 4 to transition into a dying magical world trying to survive with the loss of He-Man and Skeletor and set up the following episode where we see Teela and Andra meet, rather than “next episode we meet Teela and her ‘friend’ Andra on a practically dead world.” Hell, if this was supposed to be a series which wanted to emotionally cripple old timers like me, I’d have been fine if were three season 13 episode series where He-Man dies at the very end of season 1, season 2 picks up with the aftermath of his death, and season 3 is He-Man’s return to defeat Skeletor.
Let’s now talk about the plotholes in this series which tie together with the amount of episodes. These are the biggest things that damage the series the most! The biggest plothole and the most important one is “SPAN OF TIME!” How long has it been since Prince Adam’s death and we see Teela with Andra - days/weeks/months/years - WHAT?! When did they meet? Where did they meet? What happened to Eternos? Did King Randor go all Mad-King Targarian or was Eternos get sacked and destroyed now that He-Man was no longer there to protect its people? Did King Randor put a bounty on Teela’s head for leaving? Remember she was a sworn member of the guard to the King. I doubt he would have just let her leave unless he had a good reason not to go after her. What happened to all the other Masters - Clamp Champ/Ram-Man/Stratos/Buzzoff/Tusk Man and many others in the aftermath of Adam’s death? These are questions and things fans should have been focusing on rather than “will Teela and Andra be together?” Kevin Smith said this series had what others didn’t... STAKES. What are those stakes?
Speaking of Teela and Andra and I know this will be a touchy one for most. I feel that their dynamic is directly done to “queerbait” people. Now I am not saying we can’t have LGBT couples in series, it’s just that writers either need to commit to establishing these couples or not at all. Only doing glimpses or hints at, is for a lack of a better term a Kobayashi Maru - (a No Win Scenario for the Non-Star Trek fans) like it was with Shiro in Voltron Legendary Defender. And if and when this blows up in their faces, like it did the Voltron writers, they have no one to blame but themselves. 
Star Trek Lower Decks like every other Star Trek since “The Next Generation” have no qualms in establishing certain characters as LGBT. It is how you do it, and many of these shows need to follow the example from Star Treks TNG/DS9/VOY/LD. This series are a clear testament that you can have Straight/Gay/Lesbian/Bisexual relationships without “queer-baiting” or overtly shoving it in people’s faces.
The writers have made it clear that there is something between Teela and Andra but while also making it clear there is still something between her and Adam. Which regardless of how part 2 ends is liable to upset the fans they “catered” this series to. Who do you make happy and who do you ostracize? And with today’s social media are you going to handle the backlash of giving one and not the other? I personally would prefer Teela and Adam to be what kids today call “Endgame,” but ever since the Keith & Allura tradition was soundly destroyed in Season 2 of Netflix’s Voltron, that when it comes to Netflix series I just simply don’t care anymore who ends up with who, I want a well thought-well developed story. 
The character designs of Teela/Andra/Evil-Lyn I understand they wanted a more “modern” realistic feel to them, which I am neither for nor against. Because let’s face it spandex-clad or barely covered barbarian fantasy women with chainmail is a product of the 70s/80s/90s. It is alright to have modern designs for characters but not too modern. Especially when we have shows like Game of Thrones and others to draw references from.
I do admit, I am not a fan of Teela’s design. I understand the reasoning is to make her a “Strong Female Character” but there is more to being a strong female character than looking strong. Strength is also one’s character, how they grow and develop. Teela’s stubbornness, fear, and anger at her “past life” are preventing her growth. If this is the way they portray a strong female character then they have no business doing so. 
Kimberly Brooks’ Allura is a far stronger woman than this Teela ever will be. The burdens she shouldered, admitting she was wrong and not gloating when she was correct, the forgiveness of a race responsible for the genocide of her’s, being a diplomat while also being a warrior, sacrificing her well being for others all contributed to her growth from “Princess who just woke up” to Strong Female Character by the end of Season 6. 
Teela understandably was hurt by the lies that filled her life. Sure she built a life away from those lies, but she was running away from them. Rather than confront the reason why she became bitter and ran away essentially. She was only forced to confront those lies to save Eternia and the universe and even then there really wasn’t any humility about it. Instead, it is all about her. Not once in this series have I seen growth for Teela’s character like Legendary Defender’s Allura, and let me be perfectly blunt - I had no love for Allura after Season 2. Not once did she admit she was wrong or apologize. Not once was she willing to sacrifice her life for the greater good - instead she was willing to let the whole universe die because of the lies she was fed her life. 
Now let me address the whole Race-Bending “controversy.” As with the new designs, I am neither for nor against them. I understand the arguments on both sides when it comes to Andra and King Greyskull. One side argues it appeals to young black girls and boys while the other argues they are being tired of being handed “Hand-Me-Down” characters. Both sides have valid arguments. But honestly, as an old Masters of the Universe fan, it took the so-called “race-swapping” of Andra for me to even remember her because she was never that important and even betrayed Teela for Faker in the Injustice vs Masters of the Universe comics and even then she appeared in maybe 5 panels at most.
Now King Greyskull, at first I was against, I’ll admit it but then I changed my tone looking at myself and my family. See I am Bi-Racial, my mother is white and my father is black. My father’s sister married a white guy and had 6 bi-racial kids. Two who in turn gave birth to white-skinned blond-haired blue-eyed kids. Had they gone the “bloodline” path Prince Adam could have been a representation of not just blacks, whites, but bi-racial and mixed-blood peoples. 
I realize this is coming out on the eve of that new He-Man and the Masters of the Universe series, which as a He-Man fan since 1984 (when I was potty training) I will give it a shot, maybe even write a review of it. But I still have my reviews of Godzilla: Singular Point, Pacific Rim: The Black, Star Trek Lower Decks, Ghost in the Shell: Stand Alone Complex 2045, and other series to write on top of work and my family life.
-------------------------------~ Question and Thoughts Time ~---------------------------
As I mentioned above,  had many thoughts and questions which I believe were pivotal in the development of this series. Questions and thoughts should have been vocalized during the writing stage rather than fans asking them. These are of the first 3 episodes and some of episode 4. If you are a fanfiction writer who wants to explore these feel free to do so, I will be more than happy to read if they answer these questions and make the mini-series more enjoyable.
Keep in mind these are questions and thoughts I had because I am also an aspiring writer of my own fiction - that I am keeping close to my chest until I feel ready to release it.
Any true He-Man fan would question why is He-Man on a mechanical horse when he would be using battle cat
I do like the celebration happening at the same time quote-unquote He-Man is approaching Castle Grayskull it makes you think Adam is missing out on an important event
In the original series, Castle Grayskull had defenses that the Sorceress could call upon to confuse and combat an enemy who breached its walls how did Skeletor learn about the true secrets of Castle Grayskull when it should only be the Sorceress that knows of such secrets
If the Sorceress is so powerful and so smart why was she tricked by the faker He-Man he doesn't have the power sword?
I love that Orko is still a bumbling magician in Eternia’s realm. Shows how different realities have an effect on others
Adams entrance to “I have the power” let alone his playful jab at who “He is” should have been a hint to Teela
I do like the scene between Adam and Teela in the hall. It really makes you think that they actually are friends from childhood that grew up together and possibly have a future together.
My knowledge of the 38 years of the canon may be a bit shady now, but hasn’t Skeletor always needed the Power sword to get into Castle Grayskull like he always needed it in the comics?
They hinted that his mother knows he's He-Man and that she does reveal that he is He-Man after the battle. I know a mother knows these things about her child. But how did she learn Adam was He-Man and how did she not tell King Randor
Again how did Marlena know He-Man was her son and not tell her husband?
King Randor’s response is feasible but Teela’s response, because everyone lied to her is understandable - but she's a warrior. She is also a sworn captain of the royal guard, sworn to the King. She can’t just quit like that, can she?
How much time has passed between the death of Adam and when we see Teela with Andra
What has happened to the Royal Family in this time? What about Eternos? Has King Randor and Marlena revealed that he-man was their son Prince Adam? With He-Man out of the picture Has Eternos Fallen? Did Randor go all Mad-King Targaryen and become a ruthless tyrant?
What has happened to all of the other Masters? Ram-Man/Buzzoff/Clamp Champ/Fisto/Stratos/ and so many others? Were they killed off? Did they disband? Or were they exiled, WHAT?!
What about Snake-Mountain? What happened in the aftermath of Skeletor’s apparent death? Did Triclops and Beastman betray Evil-Lyn?
How did Teela meet Andra? What is the “When, where, and how” behind their meeting? What did she do to gain Teela’s trust when she felt betrayed by the world?
What is Andra’s background or history in this series besides being an engineer?
When old hag gives Teela and Andra their mission you can obviously tell it's evil-lyn
He-Man flashbacks are kind of nice but it would have been nice to have a build-up for such flashback or have a series season before his demise with such flashbacks that way it could be more poignant
I do like the idea of Triclops and Trap-jaw building a technical but what put them on the path for this techno cult
The cult kind of feels like the Borg as much as I like the idea of Trap-jaw and Triclops making a cult I don't know how I feel about it being Borg-like
This may be controversial but Andra feels like the stereotypical POC Rooky sidekick you see join the main character on their quest.
Like Grace Randolph said this whole Teela/Andra angle may come up and bite everyone in the ass later on if they don’t follow through which will piss off all the old-time fans and if they don’t follow through with the Teela/Andra angle and make Prince Adam/Teela are a couple then all the LGBTQ fans will be pissed off about that
I can already foresee it happening just like it did with Voltron Legendary Defender with Shiro being gay and his ex-partner Adam being killed in combat
We do get a hint of what the king did after the final battle but still what happened in that time after Prince Adam was killed? Did king Randor go off the deep end and become a dictator, what? These are questions that needed to be asked and answered during the writing stage
When did Evil-Lyn, Cringer, and the Sorceress make an alliance to save what little magic is left and in essence the entire universe?
I have the suspicion that was the Sorceress finally trying to tell Teela she's her mother Ford Shadows that the Sorceress is going to die and Teela is going to take her place
Did Teela really name Cringer, or was it something to boost her up in this mini-series?
Did cringer really tell Tela the Adam loved her?
Thus Begins the quest to reforge the sword to go to heaven and hell to get the parts and rebuild the Power sword thus queue Duncan
How much time has passed between the end of the previous episode and the beginning of this new one?
How is time measured on Eternia? 
If Skeletor truly wanted to kill He-Man why didn't you take his power sword when he was shackled up?
Kevin Conroy is ma as Mermaid Man if he gets more roles as mermaid man he might grow on me
Instead of gloating, why didn’t they take He-Man’s sword if it was their prize all along?
Typical 80s cartoon ponds very nice
If Evil-Lyn preached that Man-at-Arms was the most dangerous man in Eternia why didn't they act like it why did they act like He-Man was the most dangerous one?
I do love the jobs both Teela and Evil-Lyn take at each other because they are pretty much the same. Evil-Lyn is Skeletor’s version of the Sorceress and Teela is practically He-Man sorceress when she accepts her destiny.
Teela has seen her father fight hundreds of times how could you not recognize his fighting style?
I like how beast man's loyalty never swayed from evil when I also like Kevin Michael Richardson parentheses? As Beastman I thought I would like him as King Grayskull but I I do like him as beast man
Orko like Castle Grayskull does provide a little hint as to King Randor’s reaction to Prince Adam’s death. I feel this is something they should have put into the series
I feel that all of Orko's scenes in episode 3 and my Following episode 4 are tainted because of Kevin Smith revealing he gets killed and why he decided to have Oracle killed
Why should Beastman show a little fear to Andra who is she to him?
I like that you can still see that Man at Arms still loves the Sorceress and I also find it funny that when it comes to that one huge secret something always gets in the way
Again I hate how they portrayed the span of time in this? 
How did they go from a Forest Village so halfway across the world?
Something's been nagging me lately could Evil-Lyn be related to both Teela and the Sorceress somehow?
It could be a reference to how similar the Figures were in the 80s but in some scenes, Teela and Evil-Lyn’s facial structures look almost identical could you be separated sisters?
The further this point it's funny how Evil-lyn and Kela can just cut through the bullshit between their infatuation with He-Man and Skeletor
Again what time something happened between evil-lyn and Merman we don't know what just that he seems bitter that she didn't take over the land while he took a while he tried to take over the seat
It seems that there are undertones to a massive war and the wake of Prince Adam’s death.
I kind of like how even evil-lyn kind of shows that she may be afraid of subterranean
With half of part 1 ended could Skeletor have them influencing her? Why did she have to retrieve the Havoc staff head?
How does Evil-Lyn know so much about the Subterranea?
Teela facing a false He-Man could be a hint of her feelings for Adam. But I think it would be more of a visceral scene if it was Prince Adam and not He-Man.
Was that a hint of Teela becoming the new sorceress? 
Scenes between Orko and Lyn were a nice touch. Maybe a better connection between Orko and Lyn than Teela, He-Man, and the others?
Orko’s sacrifice could be the beginning of the Dark-Orko storyline?
Was that the Sorceress’ most recent ancestor, Teela’s Grandmother or GREAT-Grandmother?
Why didn’t Adam finish the chant? If Kevin Smith borrowed aspects from everything relating to He-Man, then why didn’t Adam finish the chant? A few times Adam has been run through in which he could finish the chant to become He-Man.
If Teela is such a badass, why didn’t she attempt to stop a reconstituting Skeletor from stabbing Adam?
Really Andra? You are going to sass Skeletor? He doesn’t know you and would sleep like a baby dispersing you. You are nothing to him, you are lucky he didn’t decide to run you through with the power sword.
And really Skeletor? Because no woman could love a face like your’s? Thats your motivation?
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voltrontranscript · 3 years
Text
VLD S8E6: Genesis
Season 8 Episode 6: Genesis
Transcript by @dragonofyang
Summary: The Voltron Coalition has found Honerva’s base of operations on Oriande and prepares to take her down before she can use the siphoned quintessence to do untold damage, but they find her goals are not so simple, and every reality will pay the price for her ambitions.
[Google Doc]
Coran: We have confirmation that Honerva’s beasts have touched down on planets Sanook, VeXilum, Siiz, and we continue to receive more transmissions.
Veronica: This is consistent with the reports I’m receiving as well.
Pidge: The wormhole signatures we discovered on Olkarion, they were a map to where the robeasts were headed. They must have been waiting this entire time.
Keith: They’re targeting multiple fronts simultaneously.
Hunk: What do we do?
Shiro: We keep our calm. Coran, continue to mark the planets where the beasts have landed. Veronica, give us any real-time updates as they come in.
Veronica: Copy that. Just got another report from Sanook. The robeasts are covered in some type of shield like a particle barrier.
Allura: They’re not attacking the planet?
Veronica: Not yet.
[Scene change to the colony Alteans standing on Oriande.]
Honerva: For eons our people have suffered, cast out from our home, driven mad by the cursed Galra. We have sacrificed much. You have sacrificed much. But Lotor gave more than any of us. And today, his ultimate wish will be fulfilled. The Galra will pay for what they have done to the Alteans. The end for anyone that dares oppose us is near. It is time to begin. May Lotor’s light guide you.
[Cut to the meeting room of the IGF-Atlas.]
Veronica: The planets are reporting activity. The robeasts are siphoning quintessence.
Iverson: We need to engage them all, save as many people as we can. We’re talking about triage here.
Keith: We could split up the Lions.
Hunk: One Lion can’t handle a robeast on its own.
Keith: No, but it could slow them down, buy us some time.
Shiro: I say we attack them with the totality of our forces and wormhole from target to target.
Allura: No, we must attack Oriande directly. I think I know what Honerva’s doing. We know Honerva has the ability to create wormholes and that these wormholes are emanating from Oriande. She used a robeast to steal the Olkari cubes, which can mimic and intensify energy at a distance. And those robeasts are essentially armed with Komars, able to drain and transmit massive amounts of quintessence. Honerva is going to concentrate energy from across the universe to Oriande. She is making a Komar magnitudes larger than anything we’ve ever seen, something that could drain quintessence from an entire galaxy.
Sam: No.
Coran: That monster.
Pidge: What could she possibly need that much energy for?
Allura: I don’t know, but we need to act immediately. The only way for us to stop them is by going directly to Oriande.
Keith: And that’s what Voltron is gonna do.
Shiro: The Atlas will accompany you. We don’t have time to wait for the rest of the Coalition.
Keith: Contact Matt, let him know the rebels are gonna be in charge of the evacuation efforts for the occupied planets. They shouldn’t expect assistance.
Allura: Then we are in agreement. It is time to begin our assault on Oriande.
[Cut to Olia preparing to launch.]
Allura: Is everyone ready?
Shiro: We’re in position.
Allura: The universe is facing the gravest threat it has ever seen. Honerva has exploited a vulnerable people, my people, and bent them to her will. She convinced them to pilot her abominations and commit heinous acts. And now she has built a weapon that can destroy an entire galaxy. Today, we risk our lives for the greater good. We are the only thing that can stop her and defend the universe. It is time to end this war.
[Cut between Allura and Honerva powering up their respective teludavs, and then the robeasts shooting pink quintessence out from the planets they’ve occupied into deep space.]
Matt: Is everyone else seeing this?
N-7: Matt, what is happening?
Matt: I don’t know, but we’re going to save as many people as we can.
[Cut to the IGF-Atlas wormholing to the Petrulian Zone.]
Shiro: Sam, we’re experiencing interference. Can you lock that down?
Sam: I’m on it. This interference is multi-phasal. What could cause something like this?
Slav: Wait, what color socks are you wearing?
Sam: What? Why does that matter?
Slav: You didn’t answer me. Why didn’t you answer me? There’s a ninety-nine and three-fifths chance the multi-phasal interference is from a reality-ending event!
Sam: Because of my socks?
Slav: We need to modify the dichromate resonance chamber to a super position.
Sam: Good thinking. That will isolate the mutated antimatter isotopes.
Slav: And please put on some green socks!
Coran: The Atlas can’t go much further due to the Petrulian Zone’s radiation. There they are! The Olkari cubes!
Iverson: I’m not picking up any energy signatures. They must not be active.
Veronica: I’m picking something up. It’s coming from the white hole.
Allura: The Guardian. No! Where is the Guardian?
Keith: We don’t have time to engage these robeasts. Can you clear a path?
Shiro: We’ll get you through. Atlas crew, prepare for transformation sequence. Okay, Voltron, engaging now. Good luck out there.
Keith: Good luck to you as well. I’m deferring command to Allura. 
Veronica: Voltron is clear.
Shiro: We need to first focus on neutralizing those robeasts. Then we can attack those cubes to try and halt the process.
[Cut to Honerva on Oriande, then to the rebels evacuating the occupied planets, and once more to the IGF-Atlas fighting the robeasts in the Petrulian Zone as the beams of quintessence reach the Olkari cubes as Voltron flies through the white hole.]
Lance: Look out! Behind us!
Keith: We gotta move!
Allura: The Guardian! She’s draining its quintessence! No! She’s destroyed the Guardian! We have to stop that witch immediately!
Merla: It’s Voltron. Defend our goddess!
Pidge: Two robeasts, incoming!
Keith: Form swords!
[Cut to the IGF-Atlas fighting the robeasts.]
Veronica: Shield energy at forty-three percent. Thirty-six.
Shiro: We’re not going to make it through their blockade.
Iverson: What’s the plan?
Shiro: Scramble the MFEs. We need their precise striking ability. Pilots, attack the weak spot on their chest plate when their cannon fires.
Pilots: Copy.
Shiro: Stay safe out there. Give them heavy covering fire so they can get in close.
[Cut to Zethrid, Ezor, and the Olkari Technician in a holding cell.]
Olkari Technician: I think we’re in the middle of a battle.
Zethrid: We need to get out of here.
Ezor: No! 
Zethrid: Trust me.
[Cut to the bridge of the IGF-Atlas.]
Veronica: We’ve got a security breach reported in cell block two one four. Zethrid and the Olkari have escaped their cells. It looks like they’re on their way to the bridge.
Shiro: We don’t have time for this.
Coran: Performing evasive maneuvers!
Iverson: We have an overload in munitions bay three.
Veronica: Sir, Zethrid’s almost here.
Shiro: Prepare for a breach!
Zethrid: We’re here to help!
Shiro: What? How did you even escape?
Olkari Technician: I’m an Olkari. Your security is childlike.
Zethrid: Look, I know you don’t trust me, but we are facing certain death. Let my tech help!
Shiro: Fine.
Olkari Technician: Excellent job fusing Earth technology with Altean magic.
[Cut to the MFE pilots fighting the robeasts.]
Rizavi: I’m hit! Repeat, I’m hit! Recovering all systems.
Shiro: It worked! Pilots, we’ve got you covered. Kinkade, get Rizavi back to the Atlas safely. Griffin and Leifsdottir, use this opportunity to hone in on the robeast’s crystal.
Griffin: Copy!
Shiro: MFEs, on my count. Three… Two… One!
Iverson: Yes!
Shiro: Outstanding.
Veronica: Yeah!
[Cut to Voltron fighting the robeasts on Oriande.]
Lance: Huh? Wha… What is going on?
Hunk: Are those people down there?
Pidge: According to my readings, we’re seeing into other realities.
Lance: What?!
Pidge: There must be some kind of rip in the fabric of time. The essence of realities is leaking out. Honerva is tearing apart timelines. She could cause irreparable damage to reality itself.
Allura: Hunk!
Hunk: I feel it.
Allura: Let’s move!
[Cut to the IGF-Atlas as the white hole emits a blast and forces it to revert to ship form.]
Sam: What just happened?
Slav: I don’t know. I’ve never seen anything like this before.
Sam: I’m attempting a reboot of the thera-magnetic oscillator.
Slav: Wait, did you change your socks?
Sam: What? I thought you were kidding.
Slav: Oh, no! I think we were just hit with time spillage.
Sam: Time spillage?
Slav: It’s a rip in the fabric of this reality. Pulses of quintessence are disassociating the synchronized molecules in the ship’s power crystal.
Sam: How do we fix it?
Slav: For starters, you have to take off your socks!
[Cut to the rebels as the robeast collapses and the energy beam dies.]
Matt: Everyone’s safely on board. Let’s get out of here.
[Cut back to Oriande, where Honerva screams and collapses as a bright flash of light reveals the Sincline mech kneeling in the center of the alchemical circle.]
Keith: This was Honerva’s plan all along.
Allura: No. He’s back. I can’t… No!
Keith: Paladins, attack!
Merla: Lotor!
Altean Acolyte: Lotor has returned!
Allura: No.
Merla: Something’s not right.
Allura: We need to move. Does anyone copy? Blue, please respond. Time to end this.
Lance: Allura!
Altean Acolyte: The Red Lion is moving.
Merla: Wait! Stay back! Get out of there now!
Altean Acolyte: Lotor?
Merla: No.
Honerva: Still… Altea’s wayward daughter.
Allura: Don’t you dare mention Altea to me.
Honerva: This is just the beginning. Join me and our people. Together we will go back to Altea.
Allura: We cannot go back. It is destroyed because of you.
Honerva: Think of your father. I knew Alfor well. This is what he would have wanted. Join me and the Alteans.
Allura: Never! You cannot keep me here forever. And the moment you release your hold, I will end you.
Honerva: Then you will end your friends as well. I am the only thing keeping my son at bay. Join the right side of this war.
[Cut to the IGF-Atlas as power returns to it.]
Veronica: Captain, Commander Holt got the Atlas back online.
Shiro: Get the MFEs on board.
[Cut back to Oriande as pink lightning begins to spark.]
Allura: Paladins, are you there? Paladins, respond. We must get out of here or we will all perish.
Lance: Allura.
Keith: I’m moving again. Pidge, Hunk?
Pidge: I’m here.
Hunk: Yellow’s back online.
Allura: Let’s move.
Pidge: The white hole is closing. If we don’t get out, we’ll be trapped here forever.
[Cut to the bridge of the IGF-Atlas.]
Veronica: The white hole’s energy is collapsing into a gravity surge. There’s no way we’ll hit escape velocity.
Coran: At this point, our only hope of escape is via wormhole.
Shiro: How long do we have?
Veronica: Minutes? Seconds? It’s impossible to be sure with these surges.
Shiro: Coran, move us into position to intercept.
Coran: Adjusting heading.
Shiro: Sam, I need every ounce of power you can give us.
Sam: Pulling energy from all systems.
Shiro: They’ll come.
Veronica: The white hole’s about to collapse.
Coran: They’re here!
Shiro: Coran, we need a wormhole, now!
Hunk: What the heck just happened?
Allura: We failed. And every reality will pay the price.
End.
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It’s week three of my Global-Pandemic-Induced decision to rewatch all of Supernatural, and so I’m still attempting to make this watch more productive than the last show that I binged.
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So I’m on disc two now - that’s episodes 5 - 8 for those of you watching on Netflix. By the time we get to this disc, we know the basic formula for Supernatural as a series - Two Hunks + Fighting Evil to the Power of Acceptable Levels of Gore x Missing Dad = Ratings Gold. Or at the very least, good enough ratings that we’ll give you a season (or fourteen). And then...well...then.
Episode five is “Bloody Mary”, easily the scariest episode of this first season and, based on the nose dive that the formula takes after season 1, probably the entire series. Maybe it’s that the Bloody Mary legend was one that really got me as a kid, maybe it’s just that I don’t do so hot with ghosts, but guys this episode still made me turn on all the lights and avoid all my mirrors. I accidentally turned this episode on at 9pm and regretted it immediately. I walked away at one point to go clean my kitchen to strategically miss some of the spookier points and I walked back in during an even spookier point. I was mad that there were no commercials at the commercial break cut-to-black! The first time I watched this episode, I’m pretty sure I watched it through my fingers. This most recent viewing, I ALSO watched it through my fingers. Guys, THIS EPISODE. 
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I will say it a-hecking-gain: This episode scared the SHIT out of me.
AND THEN, THEN! Then this show has the gall to go ahead and drop a major season/character plot point right there in the middle of all this content that I am actively trying not to look at: SURPRISE! Sam has premonition powers and sorta kinda knew that his girlfriend was gonna die a terrible death weeks before she dies. Because sure, why not? 
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Ohmiglob the DRAMA.
I’m gonna take a moment to say that, yes, technically this piece of plot gets dropped within our first six episodes, so we can still safely say that, you know, they’re still setting up the story for the rest of the series. It’s not like a sudden twist they drop half way through the season, it’s being laid down as ground work. And I know that this turns out to be a MAJOR issue for the next four seasons at least, but can I just say: Kripke, you’re really throwing a lot at us. I mean, OK. here’s what we’ve got - 
The Winchester’s lost their mom at a young age to some evil thing. Cool, got it.
THEN they have daddy issues with C-minus Single Dad John Winchester. Alright, that seems logical. 
The brothers hunt bad guys looking for the thing that killed their mom. Ok still on board. 
There’s family drama, relatable. 
Dad’s gone missing and we gotta find, ok ok ok. 
Also Sam’s girlfriend dies in a fire, alright, so we’re looking for that thing now too. 
OH! And now Sam has magic powers. 
I mean, it’s a lot, right? We got a lot of layers here. That’s all I’m sayin.
So “Bloody Mary”, right? Big episode, big bad guy, they kinda loophole their way into defeating her but I’m not mad. Big reveal at the end, so kind of an important lore episode. And then...well...then we get the following episodes:
“Skinwalker” - gross-out fx, establishes Dean as a lonely asshole with a lot of APB’s out on him
“The Hook Man” - takes the Urban Legend angle of the show and dials it up to 11
“Bugs” - Does what it says on the tin.
Now to be fair: all three of these episodes have at least ONE shining moment that reveals a little more about the characters we’re working with, and that character development plays out in important ways in the rest of the season/series. But all three of them are arguably---
FILLER EPISODES-ODES-ODES-ODESSssssssss. 
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Alright, maybe that’s unkind. Maybe we should call them standalones or self-contained. A Filler is an episode designed to “fill out” your season. It doesn’t necessarily move the overarching story of the season forward, although it may contain some concepts or revelations that are important later. I’d argue that Supernatural has only ever had two kinds of episodes - Series Arc and Filler. Not that that’s a bad thing -  I like a filler episode now and again. Depending on how heavy your season gets (and by all accounts Supernatural gets pretty heavy), they can be a nice breath of fresh air - also known as a Breather Episode. Or they can be just for fun. I’mma reference “Once More with Feeling” again because sure, why not throw in a musical episode in season 6 of a show about vampire slaying, that’s fine. I wanna reference something from Community here too, but honestly anything after season 2 could probably be called filler or self contained, so who even knows. I’ll point at the Voltron episode where they spend a day in the mall to gather some unobtainium for the ship and wacky shenanigans ensue. Point being, they can be times to break the mold and experiment and have fun with what you’re writing. Or they can be ridiculous nonsense. Mileage may vary. 
The crazy thing about these episodes is that they most closely resemble what Kripke intended the show to be in the first place. Kripke wanted a show that revolved around characters investigating American urban legends. What is more quintessentially urban legend than Bloody Mary, the Hook Man and curses from ancient Native American burial grounds? These were stories that I as the viewer was already sort of familiar with because I’d heard of all of them before. What I appreciated, specifically about the Bloody Mary episode, was that they a) acknowledge the fact that these are Urban Legends (capital letters and all) and then b) acknowledge that the legends vary wildly so a part of their job is figuring out what is true and what is rumor. I guess you could also call that a cop out but when I was a kid, I was told that Bloody Mary was the ghost of Queen Mary of England who was sister to Elizabeth I and was also violently anti-protestant. WHERE did I get this story? I have no idea. But I also have no idea where Sam got the “mutilated bride” story from either. 
In an old article I found circa season 2, Kripke actually talks about preferring standalone content to mythology/lore episodes in television. Both as a creator and as a viewer, he wants a show where people can jump in at any time and “join the party” wherever they are. That’s the beauty of procedurals - you don’t need to start from the beginning to enjoy them.
But what really got me personally hooked on the show was the mythology, was the season long arc to find John Winchester and whatever killed their mom. Those mythos episodes were where the meat of the show was for me - it usually involved a lot of feelings and a lot of character development which is still mostly my jam. If I’m obsessively watching a show, it’s because I’m connected to the characters and watching them struggle through the challenges in their path, not because I want to see what monster they kill next. 
And again, I’ll reiterate that each of these episodes contains an important nugget of character. In “Bloody Mary”, easily the least likely to be called Filler, we find out that Sam has weird magic powers that are the real source of his guilt over Jessica’s death. 
In “Skin”, we find out a lot about Dean’s inner landscape from the DopppleDeaner, who reveals that Dean is probably most afraid of people leaving him (be still my 19-year-old heart). 
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Wasn’t mad about this bit...
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Coulda done without this bit tho...
In “Hookman”...alright, you kinda got me on “Hookman”, but we do get the first appearance of the rocksalt shotgun and Sam talks with a girl about her dad issues which is really Sam talking about his own dad issues in the language of tv shows. Also, he maybe starts to move on from Jessica???? It’s unclear, and also a little weird but I guess he’s only 22 and that’s not that far off from 18/19. 
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Really, WB?? Sneaking into sorority houses?
And then in “Bugs”, yes, even in “Bugs”, we get juicy little bit of tension between the brothers as they advise some teen boy about family dynamics. The fight shows a lot about what each character feels about their own experiences growing up the way they did, how they manage the expectations from their own father, and how they believe those family dynamics should exist. I mean I guess you could also argue this is the episode that plants the seed for Wincest, but I don’t really want to go there, let’s not talk about it.
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This kid’s like, “This is...not a conversation about me and MY dad, is it?”
So they could be worse. I mean the last two definitely aren’t great, and we’ll see how they measure up to the Monster Truck episode later in the season, but they’re not bad episodes. 
So let’s flash forward to Now again - have we seen the end of Filler Episodes?
As I have mentioned in previous posts and will probably continue mentioning in future posts, the 22 episode season is not the norm anymore. A lot of articles I’ve read point to Breaking Bad as the first American show to really break that mold. Breaking Bad released only 7 episodes in it’s first season in 2007. When you’ve cut your story down that much, there’s no room for filler - you’re basically producing a 7 hour movie. 
Now notice I said American TV show. I’m pretty sure for most of the rest of the world, 22 episodes is way outside the norm, but really I can only speak to UK TV. Seasons in the UK do not last as long as seasons in America. Doctor Who, one of, if not the, longest running show on BBC, aired its first season with 42 episodes, which is mind boggling. But since the series revived in 2005, it hasn’t had more than 13 episodes in a season. Spooks/MI5 never had more than 10 episodes. The IT Crowd only aired 6 episodes per season. Broadchurch had only 8. And because I must complete the Superwholock trifecta, Sherlock seasons were only 3 episodes a piece. These are the shows that spring to mind while I’m writing this, but you get the idea.
So why does American broadcast TV have such long seasons? Well, the answer is: moneymoneymoney.
We live in an age of “prestige” TV. Some throw around “Golden Era”, but there’s been like, a Golden Era of television every 10 years since tv’s became household commodities, so that phrase basically means nothing. TV today is more similar to long-form film making than it was a decade ago. We associate terms like “film” with other terms like “art”, and sometimes we forget that television is, and always was, a business. It’s a business that’s making a lot of money entertaining you for hours on end, but a business nonetheless. I’d argue that it doesn’t mean it’s not art, but I don’t think we can separate the art and entertainment value of tv from its actual monetary value. 
Strategically, the 22-episode season was to get a show to a magical number of total episodes - 100. Once you hit the 100th episode, somewhere around season 5 (thanks math), then you can sell the show in syndicated reruns. This is also referred to as second-run syndication or off-network syndication. When a show is syndicated, that means the production company that produces the show can now sell the right to air episodes to other channels. Think channels like TBS or TNT or even USA Network - they don’t really dabble in producing their own content, they just repackage content from other networks to plug in to empty slots in their programming. And because these channels can air episodes 5 days a week, 365 days a year, that means the production company can actually make more money by selling the show in syndication than when they sold the show to the primary network. The more episodes you have in a season, the faster you get to syndication, and sometimes that means a show that’s on the brink of cancellation due to poor numbers may still get greenlit for another season or two if they’re closer to that magic 100th episode. For a show like Supernatural, that has a very procedural, not-super-heavy-mythos, structure, you can do very well in syndication. Just cuz another network agreed to air your show doesn’t mean they agreed to air it in order, so procedurals work better in syndication than your season-arc shows do. And that’s why we have episodes like Bugs, that have nothing to do with the overarching plot of the season and also phone in some questionable CGI. 
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Apparently they DID use real bugs to shoot this scene and everyone got bit to hell but the bugs didn’t show up good and they went with CG anyway?!?
But these days, you don’t have to hit 100 episodes. Sometimes only 80 episodes will do. Sometimes, you run a streaming site and you don’t have to worry about reruns at all because your revenue isn’t generated from air time or even ads, but from subscription prices. Honestly, when you think of it that way, it makes way more sense to greenlight shorter seasons so that you have the budget to buy more and more diverse shows that will appeal to a broader audience of viewers. 
So if Supernatural was produced today, would we get these off-shoot, self-contained episodes that have little to do with the plot of finding Sam and Dean’s dad? It’s hard to say. Knowing what I do about Kripke’s original plans for the show and his thoughts on procedural standalone episodes in general, its possible that he’d still try for a traditional season aired on a traditional TV network. But in that same interview I quoted above, he also mentions that the only way to get into a show with a heavy mythos is to buy the DVDs. We don’t need DVDs anymore - we have Netflix. And Hulu and Prime and any number of other streaming services that pick up any show they can get just to have a larger library of content and attract new viewers. I think a good indicator of what Supernatural would look like if it aired today is Hulu’s Helstrom - a show about two siblings with a childhood marked by strange and terrible happenings, who spend the season trying to defeat an evil demon. This show is a Hulu original that dropped all 10 episodes on October 16, 2020, and damn if that doesn’t sound familiar. I told a friend, “it’s like Supernatural but more emotions.” (Her response was, MORE emotions?!?!?) And before you dive down the rabbit hole, the characters in Helstrom made their debut in a Marvel comic back in the 70’s, so you can just chalk it up to nothing new under the sun. 
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Big Mood, guys. Big Mood.
I’ll close this one by reiterating I don’t mind a filler episode. Some fillers can be weird and great and wonderful. I’d say “Tales of Ba Sing Se” (Avatar the Last Air Bender, Season 2)  is a great example - with the possible exception of Appa, the vignettes presented in “Tales” are basically side quests that have nothing to do with the main quest of season 2 and only serve to develop characters. The stories are sweet and touching and also light and fun.
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I’m not crying, YOU’RE crying! It’s ok, I’m also crying. 
 And the longer a show runs, the more likely you are to run into these fillers - episodes that take a break from the main action to bring something that’s new and out of the box and possibly/probably writers getting bored with the every-day formula of the show. I think season 1 of Supernatural does a decent job of balancing the two styles of episode so that neither gets boring. In fact, I’m pretty Supernatural was what taught me the difference between the two episode styles in the first place. And the first time around, I was hyped for those season arc episodes, because back in the late 2000’s, I hadn’t seen a lot of TV content like that. Now, 15 years on and mired in a sea of seasons that stick mainly to a season arc story with little to no room for breathing, I think that if all TV became nothing but season arc episodes...well, it’d get pretty boring. 
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Voltron Rewritten Defender (1/8)
Also known as My Almost Raging Bitch List for this Goddamn Disastrous Disappointment of a Show
I binged all 8 seasons in under a week, so believe me when I say almost nothing was forgotten between seasons/episodes and I do tend to note that.
If it’s not obvious by the title, I’m planning an entire show AU. I am extremely open to people’s opinions on what I’m currently thinking and when I finally post this I’ll be open to criticism there too. If you would like to avoid seeing anything in regards to this feel free to blacklist #voltron_rewritten_defender because that’s what I’ll be using for this whole thing.
Enjoy, I guess.
Fair warning I am a multishipper, but for this show I leaned towards Klance, so if that bothers you that’s okay, I’m not going to be bashing any other ships (mainly just Dreamworks’ forced Allurance). If you think I missed something for any other ship lemme know! If you wanna have a ship discussion that’s cool too. The only other thing I can think of is that Allura’s attitude in S8 really stuck with me to the point that she bothered me throughout the entire rewatch (I was admittedly one of the people who thought she could be very Mary Sue ish when I first watched this) so that’ll show up now and again.
If you want to look at the Google Doc for the whole show, click the link, if not you can expand this post to see Season 1. I’ll be doing these in chunks, but as some of you know I do a FicRecList on one of my other accounts here @sorcerusdragonbionics​ so I’m gonna be alternating between that and these for the next couple days.
If you do the Google Route it’ll have you ask me for permission, this is normal and if you request it I’ll give you commenting abilities.
https://docs.google.com/document/d/1t30IRJonrBFh0qvs8recf3ayGoQ0rx02y0Tg1e4NTaI/edit?usp=sharing
Key
Things I kinda wanna bitch about
Things I did genuinely enjoy and like 
Rewatch Thoughts (basically what I remember from further forward and how I feel like it reflects back on earlier seasons)
Ship Talk (behold my multishipping insanity)
Things I think I’ll do in the Rewrite
Writing Notes (mainly for me or as explanation for what I’m planning)
VA and Closed Captioning Things
Other Fic Thoughts
This ended up being music commentary in S8
Season One
Problems with the Season overall:
To be honest if I hated this season I wouldn’t’ve kept watching because by the time I started S3 had just dropped
Episode 1
Here’s the deal, WHY ARE YOU SO LONG BUT SO EMPTY?!?
Yeah, nope, that’s mostly it
Fix the problem of telling instead of showing about the other Lions and remove Allura’s explanation of the Lions if possible (thank you Kross for explaining why it felt so empty- this vid is actually where I started getting the idea to actually go through with a full series AU)
DON'T RUSH THE LION INTROS
Also let the 5 introduce themselves to Allura and Coran
Also Character Drive to Complete Mission Should Be A Thing
Flesh out Paladin Personalities so that the Aris Arrival is End of Part One (making it closer to the length of E1)
Flesh out Lion intros so part 2+3 are more like full Eps without Sendak
Episode 2
75 degrees… that’s definitely in Fahrenheit, which why?
How does no one have a watch with a date on them?
“A man can be driven to do anything if a beautiful woman is just really really mean to him”
More inbetween scenes bc I can
I will accept the transformation sequence here, I’m just not going to write it
Episode 3
Please watch the use of Earth Time Slices please, because it’s confusing
I love the portrayal of PTSD in this show and I would die before I change it
Bye bye transformation sequence
Pidge’s talk with Shiro can please change
Episode 4
“I say Vol, you say Tron” will come up again if it kills me
Lance, how do you know what hotdog water and feet taste like?
I love how Coran is completely nonchalant about the fact that he’s drinking a hair tonic
Shiro, don’t bring down the mood
Goddammit Sendak, you could stay for this arc, but god I want you GONE!
Keith, having an emotion? Really?
The Pidge plot DID NOT NEED TO HAPPEN LIKE THAT!
Fight me I will change it
Or minimally change the fact that their selfish motivations are revealed to BAD and should be changed
Oh yeah, let’s not give the ONE GUY with notable homesickness a character arc around that
That moment when you realize Allura is like ‘wtf is a peanut’
Allura, don’t push it, some people don’t want to talk about it
You will have something to talk about, BIOLOGY
Decryption happens here, and next attempt to find family occurs… when?
Poor Coran, if there is anyone who was more forgotten than Lance it was him
Keith isn’t wrong, but he also doesn’t know how to say it without getting mad, which mood
Just pointing out Lance is not only smart, but selfless, tell me how he’s not the main character
My inner Shance/Klance shipper is sobbing
“Bomb fuel” mentioned here, occurs… actually it’s ok
Timelines need to be a thing!
Can I make the fight scenes more intense? Yes, I write them for my YJ Scripts. Will I? Almost definitely.
Keith with that much fire your mask should be closed because smoke inhalation is bad
Can we explain Vrepit Sa before s6?
It feels like Coran forgets that 10k years have passed under an evil empire and part of me likes it, but it hurts me
Episode 5
The Katie flashback is hurts me
I want to add Gender Identity
Can we talk about how Shiro is a nickname for Takashi Shirogane?
That’s not how an EMP works
The Coran sitting on Hunk’s shoulders with a machine gun is everything
I know the back x-ray was a joke, but I still don’t like it
Rax is an idiot, just saying
Bonding Moment!!!
Episode 6
“Intergalactic time measuring competition.”
“We had a bonding moment!”
Where is Sendak’s arm?
Fight me, Pidge’s ‘gender speech’
It will be a gender speech if it kills me
Lance, why are you acting the way you are?
“I figured” and “We were supposed to think you were a boy” ARE NOT PROPER REACTIONS!
Rolo, sometimes I want to punch you in the teeth
Lance’s boner is going to get someone killed
Lance had 4sec of logic and then Nyma brings up Keith, which ofc does him in
Let’s expand on the Komar, yeah?
Quiznack means fuck and NO ONE can tell me otherwise
Keith’s ability to fly is impressive and it’s awesome
Friendly reminder that Lance acknowledged the bonding moment
Episode 7
I LOVE the laser gun sound effects!!!
I just realized that Allura has no clue what an Acronym is
We… literally just talked about this and YOU didn’t know that Shiro, I understand the point, but seriously?
LIONS are TELEPATHIC Shiro DID NOT need to say that aloud!
I do actually like the fact that Kieth gets excited before realizing what he did
FIRE and ICE PEOPLE come on! What the hell?! You barely had to try
“Yes sir?” Keith to Shiro, what?
I love them and their cute little arguments
Left vs Right, thank you Zamber
We be lovin’ Hunay bc it’s pure as hell
Thank you Shiro for validating Hunk’s concerns
You could check  a little faster, Allura
I LIVE for this scene
Was it actually Rolo?
Do they have teleporters?
Keith being weird is my favorite thing
I love good big bros who argue tradition to save their baby sis
Zarkon is a bit of a moron
THEIR LIVES ARE IN DANGER ALLURA!
They all came through different doors… how?
What if the answer was no?
I’m ok with Lance embarrassing himself when he’s cocky, some people seem to forget that
Bye transformation sequence, I explained you ONCE and that’s it
Prorock… why are you familiar?
Episode 8
I admittedly forgot that they didn’t know these things would be different
Flying fight scenes I can do, teleporting not so much
Poor Shiro he thought he had an idea and he was wrong
I love Coran’s reaction
Also NO SHIT Allura
UHHHH Pidge said that not and of the other three so how did He know?
Allura may piss me off, but I do love this speech
“Your Altean Energy”??? Coran, you’re an Altean, I’m confused.
The “Sacred Altean” thing I get, but you must be more specific cuz it makes Coran sound like he thinks he’s not a proper Altean.
Oof, angsty
Also, I  know we can’t kill Allura yet, but... 
I love that Hunk forgot they hadn’t formed Voltron
Bye bye transformation sequence
Ummm, they NEED to explain the Bayard Equip bc that’s… two very different things that occurred between Hunk and Keith’s Bayard Weapons
Why is this a scene? It’s not a dog. So, yeah, I’m with Keith here
Episode 9
THIS IS NOT HEALTHY ALLURA!
I just realized that this doesn’t come back until S..7? 8? Whatever, WAY too long
I can’t unhear “Training Dick”
Did they have homework on Altea?
Be still my Punk shipper heart
WHY is he SO pretty?!
Y’know, the glowing red eye is usually a bad sign
I could SO mean and hurt Keith here
That moment when you’re like 90% sure Shiro heard that somewhere
Not what haunted means Coran, but accurate
Why could Lance see Alfor for a second?
I too would like the answer to “where was the Red Lion?”
PTSD IS AMAZINGLY WRITTEN!
It’s a shame this is NEVER treated properly again
Thank you for NOT making the swimming thing a thing
You didn’t need to TRY Voltron, what the hell?!
Here’s the deal,  Altea not being Obliterated-obliterated is actually a really interesting idea
Lance still wins, for the record
If she was infected in any way this wouldn’t drive me crazier than a bot on Halloween
But she’s not so this is BULL
Shallura confuses me SO much…
Ok, admittedly the scene with Allura and Alfor is beautifully heartbreaking
Episode 10
The fact that Zarkon was a close friend to Alfor should be addressed
Also Shiro calling himself “an inexperienced Pilot” hurts
Allura’s a MORON!
YES! MASSIVE ISSUE WITH YOU COMING
Nice puppetry Hunk
What happened to THIS Allura?! She’s reckless but not INSANE (or so boring I might cry)!
Is this the same Druid from Season 8? Pretty sure it’s 8… I forget which, but the one Keith fought
“Don’t walk through that door!” / Keith does/ “I think I told him” // “You are a paragon of leadership, Lance”
Hehheh I love Hunk teasing Lance about Allura
I do actually the fact that I can’t tell what size the purple container is until Keith grabs it
Heheh the Allura interacting with the Galra soldier
The computer sounds like Lance
Also Shiro had that “holy shit” moment
I HATE WRITING TELELPORTING FIGHTS
I’m 99% sure that the ONLY reason I didn’t fall into the Galra Keith rabbit hole was the fact that I binge watched
This scene confuses me… so much now that I know Shallura was apparently never going to be a thing
So confused
Episode 11
That hair flip though...
Coran, I get it, but calm down
Okay, but Keith has a point. Seriously, he’s not wrong. 
For the record, Haggar scares me
So much makes so much more sense now that we know Zarkon is the Original Black Paladin
That… makes no sense… “enough essence to open a wormhole”
Why are you transforming? More pieces to shoot at is usually a smart idea…
Hey hey, THACE!
Why can’t you have two active at once? I’m honestly serious.
I mean too OP, got it, but you can maneuver around that for temporary stuff
Shiro, use your words, yeah?
“Thinking” uh huh you mean “telepathy” right?
I genuinely forgot that Shiro got booted from Black
Damn! Yes Shiro! Kick some ass!
Ok, here’s the deal, Keith’s not listening to Coran, but he doesn’t have all the info (LIKE THE FUCKING BAYARD), Zarkon’s the OG Paladin, and he’s in distress
I HATE TELEPORTERS!
“Could have been” … uh Kuron exists ?? 
Also, Shiro with yellow eyes is fucking terrifying
We ain’t ficking stupid VLD
Zarkon’s a fucking idiot
Written properly his power-hungry attitude works even with him destroying his own ship
But it wasn’t so it’s null
You aren’t even subtle about Galra Keith
How can Allura see through Illusions?
Nobody knows!
Shiro, you have no jetpack, how are you so fast?
“Who cares, wormhole!” mood
I… uh… I want to do SO many things with this idea
Preferably not what they actually do...
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leakinghate · 5 years
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Legendarily Defensive: Editing the Gay Away in VLD
Disclaimer: This meta is a collaboration of the entirety of #TeamPurpleLion.  We understand while we do touch on narrative romance, we are intentionally trying to be as ship-neutral as possible, and provide that which we only have evidence for.  We encourage the experts in their respective ship-fandoms to meta as they do best on these topics, and we hope this can be a factual basis to springboard from.
In the most recent AfterBuzz interview March 4, 2019, Executive Producers Lauren Montgomery and Joaquim dos Santos revealed in no uncertain terms who, precisely, is responsible for the editing fiasco that resulted in the version of Season 8 presented to the fandom, including explaining to their viewers when the changes were called for, and a heretofore unknown why: the removal of a mlm relationship between two of the male Paladins.
Let’s break it down.
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The interview itself is a little very difficult to stomach, especially the latter half.  But, the first portion is an unusually open and honest discussion of what went down behind the scenes, and what it meant to the producers.  It’s also the place where we’ll be lifting direct quotes from.  The hosts of AfterBuzz allow the Executive Producers to have the floor and speak with quite a bit of leeway, and some very curious facts come to light.  For anyone interested in the source, the interview can be found on Youtube.(3)
Voltron is a unique case.  While much of the fan base may not have been around for prior incarnations of this franchise, it has existed for quite a while.
It originally came from a Japanese show Beast King GoLion.  From this show, the robot we recognize from Voltron: Defender of the Universe, was created in 1984. There exists an interview with the Executive Producer of Defender of the Universe, Peter Keefe, as well as other cast and crew on the production of how BeastKing became Voltron.(4)
After Voltron: Defender of the Universe, several other iterations bloomed forth - some in the form of comics, some as sequels, some as reboots. The first series to follow Defender of the Universe was Voltron: The Third Dimension, a CGI-based sequel released in 1998.
While not nearly was popular as its predecessor, it managed to stir up some legal conflict:
“Worse, the Japanese creators of Beast King GoLion — Toei Animation — began saber-rattling. Toei believed World Events had overstepped the boundaries of their 1984 agreement and made the CGI series without buying those explicit rights.
To quash this dispute once and for all, Koplar and crew purchased GoLion outright in 2000. Now they had the freedom to adapt at will. But nothing was in the works.”(7)
As of 2000, Koplar and World Events Productions (WEP) owned all the rights to Voltron. Talk of a live action movie has been in the works since 2005, but with little traction. In 2010, WEP licensed rights for the Voltron franchise to Classic Media (now DreamWorks Classics) (7).   By 2011, the animated series Voltron Force was released.
In 2014 Lauren Montgomery and Joaquim Dos Santos approached DreamWorks Animation with the idea of producing a new Voltron show, with the license DreamWorks had recently come to own through their acquisition of Classics Media. In 2016, Voltron: Legendary Defender launched.
It’s worth noting World Events Productions licensed rights to produce Voltron content to DreamWorks Studios.  They did not hand over the entire franchise to do with as they saw fit.  DreamWorks only purchased the ability to play with the characters and the story in whatever capacity WEP believed would remain on-brand.
Amidst the protests and visceral reaction to the final season of Legendary Defender, many have felt confusion about where to direct their frustrations.
In another post, @crystal-rebellion theorized the symbolism in Season 7’s Episode 4 ‘The Feud’ was actually a very blatant representation of what was going on behind the scenes, and why. (2)
Since the most recent interview, statements from the Executive Producers as well as the host have confirmed this to be an accurate assessment of the situation.
Joaquim Dos Santos says it himself:
"This is not a vilifying of DreamWorks. Any exec we ever interacted with was like, 'Hey, we understand why you want to tell the story, we understand where you're coming from. It's a little bit bigger than that. There's other sort of controlling parties with Voltron, which makes it unique.’ It's not just a DreamWorks owned property, and I think it got logistically really really weird." (3)
Seven times, he specifically mentions the pushback didn’t come from DreamWorks, but from ‘other controlling parties.’  He alludes to some logistical weirdness, the implication being a difference in creative direction, or some dissention from higher up. In fact, the hosts and EPs discuss a controlling IP owner eight times in the course of one interview.
He also says, in regard to the issue of LGBTQ+ representation and Adam specifically:
“Here's where we arrived on this. And we were pointing to things like Overwatch. We were pointing to Steven Universe. They're different scenarios, we were in a slightly different position. We didn't have that position of being the creators of this IP. And we also weren't a video game that was marketed to teens and above. We for all intents and purposes were started as a show for boys like 6 to 11 to sell as many toys as possible. And that's just like a fact and that's business, and it is what it is.” (3)
DreamWorks is not a platform that markets ‘toys for boys’ (a talking point brought up no fewer than five times) - but World Events is. President Robert Koplar himself states his target demographic is boys and their dads in Episode 12 from the Let’s Voltron podcast not once, but twice. (5)
The EPs confirm as much with their recent statement in the March 4th ABTV Voltron interview(3) that the possibility of a male paladin’s replacement was greenlit until the IP holder learned the male paladin was to be replaced with Acxa, a woman. This kind of sexist hypocrisy goes as far back as 1984 with Allura being spanked in front of her own team in one episode(11) and tied to a chair by them to prevent her escape in another(11). The 2003 Devil’s Due comic shows Lotor, who looks to be no more than five, witness his mother’s murder via strangulation by his father (complete with an expression of horror on her dead face)(12). Lotor then suffers the same type of non-lethal strangulation in a scene where his father interrupts what the comic refers to as “recreation” with a scantily clad blonde resembling both Lotor’s mother and Allura in a different series(13). All of this takes place in a franchise whose target demographic has consistently been six to eleven year old boys and their fathers. Koplar’s company has made their hypocritical moral stance abundantly clear in Legendary Defender, even going so far as to order the destruction of the entire final season. According to Dos Santos:
“Specifically with Season 7 and 8 we basically held onto Season 7 so Season 8 was like done by the time S7 was dropping. We had like a month left when reaction for Season 7 started coming in, and that was day of the drop. We were in a weird position. To DreamWorks's credit, the tide started changing internally. They came back to us and said, okay we're open to explore this relationship between Adam and Shiro so we were in this weird position where we had all the animation done, we had $0.00 left in the budget in terms of like what we could do and it was like, all right, we know Adam's fate is what it is, do we do this and sort of like take this step knowing that we're going to take some flack? And we decided to do it so we revised the dialogue. You can probably see it in the animation. If you really pay attention it's like, it's literally our editor cutting out mouths and like puppeting different dialogue. The dialogue is pretty vague, it's sort of the best we could do, and that was a process of discussing what we could actually have them say.”(3)
Hold the phone. Taken in context, Dos Santos is explaining the process of DreamWorks giving the showrunners the green light to change the epilogue of Season 8 to give Shiro the unambiguously gay orientation they had written out of Season 7. The problem is, there is no dialogue in the epilogue. Even if we consider the epilogue to consist of everything from “one year later” onward, there is no dialogue for Shiro and another male character that would have to be reworked.
Here is what we think happened: Season 8 was finished in June. The IP owner hated it and ordered it changed at the beginning of July. Those changes included cutting a male/male romance. August came and the fandom melted down over Adam dying. Hoping to avoid a repeat of the Adam debacle, in mid-August DreamWorks came around and offered to let the showrunners put something into Season 8 for more gay representation. By this point the edits to Season 8 were almost complete, the budget was gone, and time was short, so they opted to give Shiro a wedding during the ending, in the epilogue. In an effort to brush off the clear edits to Season 8, Dos Santos mentions the lip movements during the interview but is confusing the making of the epilogue with the rest of the edits.
Indeed, it seems those edits resulted not only in the deaths of the series’ heroine and a childhood abuse victim, but also in the demolition of not just one but possibly two completed romantic arcs. When discussing Allura and Lance’s romance, Dos Santos and Emma Fyffe have this to say:
JDS: I could see the argument where it’s like, it's basic. It's what we've kindof come to expect from okay the guy sort of turned around and-- but I think Lance's arc aside from being with Allura was bigger than the Allura love story.
EF: And Lance's overall story arc I really enjoyed. But again, I think it's this whole idea that we were dealing with this IP that was like "okay, monster of the week, it was like dudes being in love with one hot girl and just macho men with fighting robots and whatever was happening with Pidge".
JDS: Right, yes, yes. (3)
The showrunner himself not only agrees Lance’s milquetoast romantic arc was due to pushback from the IP holder, in discussing the controversy surrounding the main characters’ sexual orientation, Dos Santos inadvertently reveals a major romance between two male paladins was cut.
EF: ...it is important to know that, again, you have this character who is very much your sort of quintessential, like, alpha male.
JDS: That-that was the trope that we were trying to, like, sort of step on was that, you know. I grew up with characters like Duke. To a much lesser degree, he’s a big, giant robot Optimus Prime. The idea of Optimus Prime being with another Optimus Prime was off the table. Like it was a no-go. (3)
If Allura and Lance’s IP-owner-influenced romantic arc is any indication, clearly two main paladins being together was fine. Dos Santos is referring to the inability to pair two male mains.
We don't know for sure, and won't until the original S8 is released. But, we have reasonable cause to believe Keith was intended to be gay and part of the romance that got tanked. When speaking about Keith’s sexuality Dos Santos says:
JDS: Because, I think we didn’t, we didn’t pair him with anybody, you know what I mean. I think we didn’t designate sort of where he stood. We don’t know. It’s-- It’s--
KC: We don’t know
JDS: Yeah, it-- It doesn’t really matter to be honest with you. I mean it would be great to confirm just to make people happy, but, like at the end of the day he is who he is, and leaving it open to interpretation. (3)
Do you hear that? “It would be great to confirm”. Not that it would be great if they could have done it, but if they could have confirmed it. It seems that JDS conceptualizes Keith as having an attraction to men, but he was forbidden from making that fact plain. Again, we have no concrete evidence of who Keith was slated to be with, just that the writers couldn't have two gay male paladins.
The wording of his statements is just clear enough to avoid dishonesty and just vague enough so as not to break contract. Even beyond NDAs, it’s not as if the Executive Producers can speak more directly to these points. We already have evidence of the IP owner’s character in the form of the Voltron Store’s Twitter presence outright lying about WEP and the store being separate entities:
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(8) When only a few weeks earlier they had liked a tweet explicitly identifying them as one and the same, while confirming they have the final say over what can be done with the characters:
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(1)
Before the fandom realized that WEP was behind the edits to S8 of VLD, the information that they owned the license was accepted fact. This excerpt from the Lets Voltron Podcast, Episode 134, is just one example:
(talking about a Voltron reference in Ready Player One)
Host 1: For those of you not in the know, if you think DreamWorks is the all in all for Voltron. Well, World Events Productions is the company that owns --
Host 2: The Voltron intellectual property.
Host 1: Many of you have heard of DreamWorks obviously. They make the show. Well, World Events Productions owns the property and has helped make this new show and all previous shows possible.
LV Podcast EP 134, 5:00-5:30 (6)
Now? Many official avenues are hastily attempting to downplay WEP’s involvement. When reached for comment in February 2019 the LV Podcast claimed that DreamWorks owned the licence.
The official phone number listed on WEP’s website no longer offers an option to connect a person to WEP, instead it offers three options: to directly input an extension, the accounting department, and The Voltron Store. (9)
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In an effort to prevent fans from contacting them with complaints, WEP have inadvertently made their association with The Voltron Store explicit. Regardless of what the twitter account may claim, they are one and the same company. If these incidents weren’t damning enough, the store has further attempted to engage in a subtle smear campaign by liking tweets from users apologizing for harassment and death threats the store had received over Season 8, when all groups bringing the problems with its forced edits to WEP’s attention have specifically advocated for civil and nonviolent communication. (8)
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As the story unfolds, one point is clear: Each new interview brings more information forth, repeatedly shining the spotlight on one little office in St. Louis.
WEP LLC is a private company. It has no shareholders, investors, or boards to answer to. It is the sole IP holder of the Voltron brand, and its President is the only person in the entire world who has final say over what can and cannot be done with the characters. When someone says “the IP holder” they are really talking about one man: Bob Koplar.
#TeamPurpleLion is a collective of analysts ( @crystal-rebellion, @dragonofyang​, @felixazrael, @leakinghate​, and @voltronisruiningmylife​ )intent on tracking down the who, what, where, how, and why of the destruction of VLDS8. We present sourced & cited commentary, relying on evidence so the VLD community can see what happened behind the scenes.
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violethowler · 5 years
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This Isn’t A Zero Sum Game: An Analysis of Lotor’s Interactions With The Paladins as a Whole Across Seasons 5 and 6
Every once in a while I’ll think about some “hot take” I saw in the VLD fandom more than a year ago and just think about how canon... just did not support those  conclusions... And since that’s how most of my meta get started, I churned out a new one: 
In the wake of Seasons 5 and 6 dropping I saw a lot of posts, particularly from Lotor stans, bashing the Paladins for the way they treated him in the first two episodes of Season 5, how cruel they were to just give him over to his father without a second thought. I even saw a few arguing over how humane his treatment was in S5E1. 
While I do believe that Lotor’s desire for peace was genuine (as we would have seen in Season 8 before the executive meddling cut the payoff), I think that it’s a little extreme to argue that the Paladins treatment of him in S5E1 The Prisoner was unethical, or that they were just throwing him to the wolves in S5E2.
To quote one of my favorite video game characters, “Let’s hit these plot points in order.”
What exactly were people expecting the Paladins to do after Lotor saved the day in “A New Defender”? Immediately welcome him into the fold with open arms and a fresh batch of cookies that Hunk made just for the occasion? They’re forgetting that just a few episodes ago, Lotor was still in charge of the Galra Empire. He wasn’t a fringe third party with a checkered past who showed up to help when the chips were down like Rolo and Nyma. For all of Season 3 and most of Season 4, he’s been an enemy combatant, and they treated him as such. While he may currently be at odds with his father after S4E3, the Paladins have no way to know whether he genuinely wants peace or is just telling them what they want to here so he can take advantage of them. Because he’s done it before.
In S3E2 Red Paladin, Lotor has Narti use her mind control powers to have the leader of Puig send a distress signal asking Voltron for help. When they arrive, he ambushes them and sends multiple waves of fighters to gauge their skill and whether they would be able to retrieve the trans reality comet. When he gets what he wants, he leaves.
Two episodes later, in S3E4 Hole in the Sky, Lotor attaches a distress beacon to the ship with the comet inside that mimics an Altean distress signal. When Voltron arrives, he waits for them to retrieve the comet, then attacks them, steals the comet for himself, and flies off.
That’s two times now that Lotor has faked a distress signal and then used Voltron’s desire to help to further his own agenda before flying off with the fruits of his labor. He may not have done anything to them since then, but they are understandably wary of being used like that a third time. You know how the old saying goes. “Fooled me once, shame on you. Fooled me twice, shame on me.”
So, when he slides up to the Coalition saying “hey, I know we’ve fought in the past but let’s see if we can come to an agreement”, he’s looked at with suspicion, and understandably so. The Paladins aren’t going to just give free reign of the Castle of Lions to someone they know very little about, who was an enemy combatant less than a month ago (by all indications S4E2-6 take place within a very short period of time), and who has a history of using their desire to help people to advance his own agenda. So, they put him in the cell as a probationary measure. If he proves trustworthy, they give him access to more of the castle. If it turns out that he’s using them for his own ends like they fear, well, they’ve already locked him up, and at least he wouldn’t have been able to access any sensitive information. We see that bear out in S5E3 Postmortem. The Paladins aren’t bothered that Lotor’s out of his cell. He’s proven his intentions by killing his father. Their main reaction is surprise that they’re giving him access to the bridge already.
[EDIT]: Some posts following the release of Season 5 pointed out that if the lights on Lotor’s prison deck were kept on 24/7, it would constitute a form of torture. While that is a valid point to make, I saw quite a few blogs that took that possibility and exaggerated it, not even considering the “if” part of the original discussion, declaring it as fact, and rushing to label the Paladins’ actions as war crimes because we never saw Lotor’s cell with the lights off. It should be noted that all of these scenes took place in the daytime, and while we never see that specific room at night, Season 2 already showed that the castle’s lights are turned off during the night cycle, and there’s nothing to suggest they didn’t do the same with Lotor’s cell. 
And there’s also another angle that isn’t really talked about – that not everyone we saw in the Coalition in previous seasons was willing to work alongside Galra like the Blade of Marmora. While the rebels we see in Begin the Blitz and A New Defender are just fine working with the Blades, it’s not out of the question that some Coalition members might resent the Coalition’s Galra allies. And if Lotor’s on the Castle of Lions, that would make him a target. The cell could also have been just as much to keep trigger happy Coalition members out as it was to keep him in.
Then I hear people arguing that they were just going to hand him over to Zarkon with no strings attached, that they were just going to give Lotor up and trust that Zarkon would stay true to his word. It sometimes sounded like some people want so badly for Lotor to be a bigger victim than he already is that they twisted canon to make the Paladins out to be thoughtless jerks. Because S5E2 Blood Duel shows us that everything that happened was all according to plan.
For those who are unfamiliar, the Unspoken Plan Guarantee trope refers to the pattern that the more the audience knows the details of the plan beforehand, the greater the chances the plan will fail, and the fewer details the audience knows in advance, the greater the chances the plan will succeed. Explaining the details of the plan after it’s been successfully carried out is optional.  
After Zarkon pulls the hologram trick, the phrase “Hold our position until the time is right.” Is repeated by both Shiro and Lance (albeit without the “until the time is right” part for Lance). And the show tells us that the moment when “the time is right” is when Lotor attacks Zarkon and leads him away from the shuttle.
When the Paladins are arguing with Shiro in S5E3 Postmortem, they don’t say anything to the effect of “why did you give Lotor a weapon?” They had no problem with him being armed. The issue they had was that Lotor was given the Black Bayard, his father’s signature weapon they had only just gotten back from Zarkon 14 episodes ago. One wrong move in Blood Duel, and that weapon would have been back in Zarkon’s hands. And for a moment in that episode, it was. Zarkon did get his hands on the Black Bayard and if Lotor had been a second too slow, Zarkon would have killed all five Paladins, plus Matt and Sam in a single strike.
I’ve mentioned before that VLD prefers to show things to the audience rather than explain them out loud. Sometimes it’s to the show’s detriment because the answer to viewers’ questions aren’t immediately obvious. But watching Blood Duel again, it’s clear that plan was always “make the hostage exchange. Wait for Zarkon to double cross us. Lotor attacks Zarkon and leads him on a chase across the desert. Shiro, Matt, and Pidge storm the shuttle to free Sam.” The Paladins were always going to ensure that Lotor was armed during the fight with his father. The only issue they had was Shiro’s choice of what weapon to give him.
So now that Lotor has proven they can trust him, they start to drop their guard and be more casual and friendly around him. And according to Matt during the flashbacks in S7E7 “The Last Stand: Part”, by the time Sam Holt has been on Earth for just over a year, Voltron had been missing for six months. That means that between S5E5 Bloodlines and S6E4 The Colony, Voltron and Lotor had been working together for just over six months. That’s six months of the Paladins slowly growing to trust and befriend the new Galra Emperor. But the little embers of doubt about his intentions were still there in the back of each of their minds.
That’s why it’s so easy for the Paladins to believe Keith and Romelle when they show up accusing him of murdering Alteans with no concrete evidence other than their own assumptions. Because given his behavior before Naxzela, an apparent reveal that he had been playing the long game manipulating them all along rekindled those embers of suspicion. It’s easy for them to conclude that Lotor was playing a long con since it would fit with his behavior towards them prior to Season 4. Because what non-nefarious reason could Lotor possibly have for not telling Allura and Coran that he had been sheltering the surviving Alteans after working together for six months?
We know why Lotor didn’t say anything. Because he refused to risk Haggar discovering the Colony’s existence and scouring the universe until she found it. But the Paladins have never experienced the level of privacy invasion and subsequently justified paranoia that Lotor has. So, they do not have the experience to understand that he refused to risk the security of the colony by revealing its existence where Haggar might have spies or listening devices or cloned sleeper agents to overhear.  
I agree with the theory that Lotor was telling the truth about the Altean Colony and that what was happening there was not what Keith and Romelle believed it was. I absolutely believe that the Paladins leaving Lotor in the rift was a mistake. But the attempts by certain Lotor stans to water this down to a black and white scenario of Paladins Evil, Lotor Good are not supported by canon. Canon shows us that the falling out between Lotor and the Paladins was a messy situation where everyone had understandable reasons for reacting to the reveal of the colony as they did. That doesn’t make any one person’s reactions right or justified, only that if you put the pieces together it’s understandable how they reached the conclusions they did.
TL;DR: There is no evidence in the show that suggests Lotor was treated inhumanely, the Paladins were never going to just hand him to Zarkon unarmed and hope for the best, and Lotor's paranoid refusal to tell them about the Colony gave Keith's accusations greater weight because it was in line with his behavior towards the Paladins in Season 3 enough for them to believe that he had been pulling a long con all along. 
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VLD S8 – The Purpose of Lance’s Altean Markings, Allura’s Canonically Inconsistent “Death,” and Voltron’s Mysterious Interstellar Road Trip in the End: Are Things Really As They Seem?
Hello dear ones, I received asks to follow up on my previous post about Allura’s capability to live a very long life if she hadn’t died in s8. I’d mentioned in this post that Alfor had connected Allura’s life force to the indestructible Voltron, and that this had significant implications for Lance’s strange Altean marks and Allura’s “death” in s8. So this is me, attempting to follow up on those requests! 
Let’s start with those strange marks. It seems like a lot of us who have watched Voltron: Legendary Defender season 8 scratched our heads over Lance receiving Altean marks at all:
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This event happens when Allura and the paladins are standing in the “connected consciousness of all existence”—which is this…Mother-Brain realm for every consciousness that ever existed ever. Allura is preparing to sacrifice herself alongside Honerva, because they both have to give of their energy to regenerate the fallen multiverse. Honerva is already accepting of this and already interacting with her dead family whose minds and forms are preserved within the Mother-Brain space. It seems, even so, Honerva is still alive because she hasn’t yet completed the foretold Wild Sacrifice Move of Ultimate Alchemy alongside Allura: 
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The Big Boom of Life happens after this point, so there’s something fascinatingly screwy about this realm. The typical separations between the Living and the Death are just…totally meaningless. We’re actively seeing a living Honerva physically interact with the minds and forms of her fallen son and husband. And if this Mother-Brain location truly preserves the consciousness of all existence, then I suppose it actually makes sense to me that Allura and Honerva could still be alive themselves while also being able to interact with the Dead who are preserved within this realm…
But Allura—she turns to the paladins and tells them that they’re all about to experience a massive fragmentation from her. It seems pretty heavily suggested that she’s going to die. In doing so, she kisses Lance and then gives him Altean marks: 
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And the first question I have is….whyyyy the marks? What the heck was that for? Because I think it’s really weird that she’d just give Lance the most visually identifying mark for her own species. At least, I think it’s weird on the surface. The more important question may lie within Allura’s motives...and that gets into some much larger implications for ways to view those marks and the show’s ending. Some of the theories I’ve seen about those marks:
Theory 1: Lance as Trans-Species to Preserve Allura’s Species and/or Allura Giving Lance Some Unknown Gift/Power
I want to bring this up because it appears to be a largely accepted theory that I’m now heavily questioning. I’m not sure who first vocalized this understanding of canon, but Neko Chicana offers the theory in their Youtube video “Why did Lance get Altean markings!?” The theory is that in Allura’s last-minute panic about dying, she was trying to ensure The Chosen Altean vibes got passed down. This would mean that Allura infused Lance with deep Altean powers to inherently change him from being human into being a trans-species human/Altean.
But I struggle with this interpretation, because…she already had an entire colony of Alteans, many of whom clearly were presenting with high quintessence sensitivity and would have been even potentially fit for Oriande. And it’s not like Lance was going to know how to apply alchemy without learning it anyway.
In terms of the transformation itself, it’s incredibly superficial. It’s a face-lift and that’s it, as Lance never exhibits any other features of a standard Altean. And not just from a visual perspective, but also from a physiological one. He definitely is not shown suddenly freaking out over having alchemy powers. He isn’t shown connecting with anything on the astral plane. I would even posit that he appears to be aging right alongside his fellow humans, given his more adult/less baby-face facial structure in the epilogue, just like everyone else:
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This article here seems to contain a similar level of skepticism about a genuinely trans-species Lance. 
And what would even be the point of converting Lance to have a token visage of Alteans, if Allura knows that his true heart and soul lies with his human family? Just by Allura’s reaction of disgust to his rounded ears in season 1, it seems pretty obvious that other Alteans would see him as “other.” If anything, a trans-species interpretation overly complicates the show here and generally can’t provide a self-contained, meaningful reason for its existence at all. 
Theory Two: The Markings as a Token of a Lost Lover/Remembrances
Another suggestion has been that Allura gives Lance such markings just as…a reminder? Of herself? But I don’t feel this at all makes sense with seven previous seasons of her character behavior.
Allura is shown consistently trying to sacrifice herself and her things at all costs, without anything in return or demanding that people remember her. She did it in season 1 to regenerate a Balmera, knowing full well she could die. But we don’t see her asking Coran to sing a pretty song for her. She sacrifices herself again for Shiro, by tossing him out of the way of Galran soldiers, without even begging that he come back for her. She sacrifices herself in Oriande to the White Lion. She sacrifices her crown in season 7 to stabilize Shiro. She even gives up her dresses and her station as a princess in order to better fit in with the humans in season 7. It’s not inherent in Allura’s character to demand anything in return for her sacrifices, much less that she be remembered for them. As a matter of fact, she’s very particular about ensuring that other people get recognized for their actions, and she’ll often place her own good work as part of a “whole” accomplished by the many. Here’s an example from season 6, episode 1:
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So here we see her raising up other people and their contributions rather than demanding some offering or worship for her actions.
Princess Allura doesn’t even hold a grudge for Keith being accepted as Black Paladin or Lance as Red Paladin in s3, despite the fact that she secretly cried over it.
So, Allura wanting anything in return for what she sacrifices, or trying to intentionally drag down someone’s spirit for her own comfort, is not inherent to her character. If anything in s8, Allura consistently seems to want the paladins to move on without her:
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In response to the emotional distress of the other paladins, she doesn’t give them an everlasting token to memorialize herself, but instead gives encouragement for the future:
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And even Shiro! He warns her that she’s about to become the multiverse’s most anonymous hero:
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And Allura’s response to this?
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So Princess Allura went into this s8 self-sacrifice, fully expecting that the paladins would keep her actions totally secret. She was completely and utterly prepared to accept the very reality that Lotor had threatened her with in season 6:
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So literally the only reason in s8 that anyone remembers Princess Allura…is because the paladins choose to honor her memory despite her stated sentiments against it:
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So…all of this is to say, I don’t think it makes sense to assume that suddenly, Allura would want to forever keep Lance from moving on. She’s literally handed them her blessing to move on, and suggested that they even hide what she’s done. It’s the paladins who choose to remember her. So I think there’s a lot of evidence to suggest against an interpretation where Allura was intentionally trying to mark Lance to be her forever-doomed lost love. It’s completely inconsistent with other surrounding details about who Allura is.
I think there’s instead evidence to suggest a new theory about these marks. And if anyone’s suggested this before, please feel free to jump in, lol. I’m like, 1.5 years behind the times here, although I did find this article that also would seem to support the theory: 
Theory Three: Lance’s Altean Marks as a Tactical Homing/Location Beacon, Strengthened by His and Allura’s Shared Bonds With Blue Lion
Before she casually walks off to her alleged death, Allura tells Lance, “I’ll always be with you.” And then she gives him the Altean marks:
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While I think this “I’ll always be with you” statement has some classic lessen the hurt of impending death vibes, Allura herself actually states she’ll always be with him. How certain are we that she’s not being actually serious? That this isn’t an intentional decision to ensure some kind of ongoing link?
So backing up here, we know from previous seasons that Altean markings can glow, unlike the rest of their body. They appear to glow in response to external stimuli. For example, in season 5, Allura and Lotor’s markings glow because they are within the vicinity of Oriande and have a deep well of quintessence within them. And this glowy activity is discriminatory, because Coran’s marks don’t glow:
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Lance’s own markings initially glow when activated by Allura:
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So for Lance’s markings to glow at all, that means something is happening. It means that an all-new, external stimulus is making those markings react, and that the magic of it is active. And that Lance is now housing enough magic to react.
That article I linked to earlier suggests that perhaps Allura intended to use the marks as….a communicative link with Lance. However, in a full year since Allura’s disappearance, we see no evidence that Lance has been talking to a mysterious spirit!Allura. He seems pretty depressed, and everyone seems largely accepting of the concept that Allura is dead and also is incapable of interaction.
In which case, if you did have a link to a supposedly dead person, even if you wanted to keep it secret, wouldn’t you at least look a little more…happy? That they’re not actually gone? So something’s a little screwy there too, that makes me think Lance wasn’t in some kind of interdimensional communication with Allura.
But I do think Lance’s markings, and how they glow in response to external power sources in the final episode, suggest something about Allura’s state of being.
So let’s jump in. We know that Allura’s life force is inherently tied to Voltron:
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As I’ve mentioned in a previous post of mine: Right in season 1, episode 1, Coran admits that Alfor has done some pretty wild alchemy. He physically connected Allura’s essence with the essence of Voltron—the single source of self-regenerating, infinite quintessence throughout the whole of the entire universe.
I don’t know if a person’s life force being personally connected to Voltron would confer physical immortality, but I do think there’s a lot of evidence to suggest that as long as Voltron exists, Allura’s essence would be preserved within it. And as we saw in season 6, Shiro was capable of interacting with other paladins despite his physical death, because Black Lion had preserved his essence….
All of this backstory and worldbuilding means at the very least that Allura was also capable of linking some part of her quintessence to Lance as well. And that, even if she hypothetically didn’t have a body on the material plane, that she would be very active on the astral one.
So why specifically Altean marks, then?
This isn’t the first time in the show that strangely powerful bonds have been made by the touching of faces and the transfer of energy around Altean marks. As a matter of fact, we might have even seen Alfor actively bind Allura’s life-force with Voltron, right here:
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In which case, Allura was simply mimicking the work of her father as she knew it, but on a much smaller scale. Because she knew from her father that it was possible to bond life-forces, and for some reason, that alchemy trick appears to involve the face or else something to do with Altean markings.
So therefore, the activation of this marking “link” and alchemical bond might help to explain why Lance actually appears to be smiling with tears in his eyes when the Voltron lions fly away:
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But why even Lance specifically?? What about all the other paladins she’s made connections? What makes Lance so totally special?
It might not be unintentional that, out of all the lions possible, the one to respond to some unknown activator one year later—with massive amounts of quintessence in the bond—is Blue Lion.
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Notice that while the other lions are in flight, none of them are glowing like Blue Lion. There’s something inherently special about Blue Lion right now, especially given that it’s not even the leader of the pack.
In this scene, we see the paladins rushing out per all the ruckus. Lance’s markings start to glow:
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And then the lions powerfully surge off on their merry, totally unexplained way:
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So…in looking back at this, it’s interesting that Lance’s marks are shown glowing in ONLY two instances: 1) When Allura first activates them, and 2) When the marks themselves mysterious activate again in response to Blue Lion glowing outrageously blue, and the lions soaring off into space as well…
Is it a mistake that Lance just so happens to be the only other living Blue Paladin in the universe?
Allura’s life force might have been connected to the full of Voltron, but season 3 shows that her communicative/mental connection to it is through Blue Lion alone. Because Black Lion certainly had nothing to say to her, at the very least.
So Allura’s life force is connected to Voltron…Blue Lion responds to an unknown source of massive, pure quintessence, and then Voltron follows…Lance’s markings start to glow....
Could it be that in order to even re-locate Voltron and the paladins again in the larger scheme of the multiverse, Allura needed Lance’s connection to Blue Lion as well? To keep Allura in spiritual/mental communion with Voltron and with that universe?
With Allura gone and the Atlas portion of Voltron totally missing from Voltron, there’s the hint that possibly the Lion Musical Chairs event has undone itself and reconfigured once more. Blue Lion has re-accepted Lance, with Keith and Shiro piloting Red and Black. The lineup in the screenshot below would suggest that Shiro’s the one in Red this time, resulting in an interesting addition to the Keith and Shiro relationship arc. It suggests that Shiro is now back on the team as an established paladin, as the right hand of the Black Paladin, and is actively supporting Keith’s ongoing growth as a leader:
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But if Blue Lion were Allura’s only true connection to “speak” with and interact with Voltron on a material plane, then it would make sense that she would intentionally connect her own life-force to the last Blue Paladin.
Lance, out of all of the paladins and with respect to this lineup shown here, is the only one who would be even remotely capable of ensuring this link in their universe (notwithstanding as well that canonically, Allura was in a romantic relationship with him, which might have something to do with this too, idk).
So what does this mean for Allura’s state of being? What’s exactly happening in this moment? Why do the lions leave their paladins? Is everything truly so pointless and nihilistic?
So Lance’s markings and the exit of the Voltron lions result in what I feel are two interpretations of the entire end of Voltron. And I think one is potentially more consistent with the overall show than the other:
Theory One: Allura Really Died/Shed Her Physical Body/Was Lost to the Material Plane After a Year of Hard Work
So, we do have evidence that the work to restore the full of the multiverse began pretty quickly, and that there was an explosive event to jumpstart it:
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We otherwise have no evidence to support that this image meant the work (to restore every thread and all things within the threads) was DONE. Yet. It may have taken an entire year to regenerate the multiverse, which would explain the Voltron lions suddenly reacting strangely after that span of time. If we assume that Allura really died, then this would suggest that—with the overarching multiverses finally totally restored—her energy is spent up. She’s physically dying. And per the extinguishing of her own life force, Voltron….somehow can’t exist on the material plane without her? Because let’s not forget, the whole mecha is connected to her life force. So this interpretation would suggest that in her dying/being unable to remain on the material plane, Voltron itself has to die as well. This could explain why at the end here, they activate to go be with Allura and team in the shiny afterlife party in the Mother-Brain dimension. Lance may be crying here because he feels or recognizes the last of Allura’s energy slipping away. And it’s possible I was misinterpreting his smile earlier, because it’s, idk, maybe a sob.
And there does seem to be some canon support for a potentially permanent break between Allura and the material plane, as well as for why Voltron would leave:
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But I’m really struggling to understand the deathy interpretation of these events at the end of s8, from SEVERAL angles, haha.
Strike One:
This scene would appear to blatantly and outrageously contradict previous show worldbuilding. To accept a “death” interpretation, one must also accept that s8 completely rewrites the inherent properties and behavior of quintessence, as well as show details that Alteans/Altean technologies more consistently function as conduits/capacitors of external energy sources rather than as massive batteries by themselves. The true batteries, even into season 7 with Shiro and Atlas, appear to be becoming from sources external to the power-wielder. This reality largely relieves the personal cost of any alchemical action/draining oneself, just so long as you have a powerful enough battery. In which case, given the resources and deep knowledge available to Allura and Honerva even in this apocalyptic moment, any action resulting in physical death feels...unearned.
If you’re interested in more specifically about this, I have a few other posts looking at these basic worldbuilding details:
Question on Quintessence and General Worldbuilding in     VLD S8
The Search for the “Bluest Quintessence” and S6 - The Most     Unnecessary Conspiracy In VLD?
It’s entirely possible I could be missing some information that would reconcile the s8 worldbuilding contradictions about quintessence and Altean energy back to the previous seven seasons. I suppose it’s possible that this s8 regeneration trick resulted in Allura and Honerva being physically unable to handle the amount of power they were conducting. But just after casually re-watching the show, I heavily question whether this is possible or consistent with everything else, haha.
Strike Two:
The concept of Voltron not being needed in a peaceful universe is nonsensical. So this show is telling me that a gigantic mecha capable of massive construction projects and space anomaly protection services couldn’t reorganize its paladins or get new ones, and transition to a new day job? Because Voltron has to exist in a combat theater only? This is wildly myopic, especially considering that Voltron already has a team of five who could pilot it again via a little game of musical chairs…and even the final lineup shown would suggest that Shiro had already taken over Red. I guess if the Galra aren’t attacking?? This must mean that there won’t be any civilizations in need of help or in need of being protected from imminent natural disasters?? At the very least, a new day job would be an incredibly meaningful way to convert Voltron from a war machine to a champion of the people. And it would still give the paladins a reason to come back together as a team and to exercise the bonds they’ve forged together as defenders of the universe.
Strike Three:
After this s8 scene, and even assuming Allura has physically died, Voltron existed before Allura got linked to it. And it existed as a largely infinite and indestructible source of energy. Even if Allura did die, the loss of her personal quintessence was of no account to its existence. The worldbuilding of Voltron as a mecha suggests it didn’t need her to continue existing on the material plane like it had existed before their alchemical link from Alfor. And even if she’d died, taking Voltron’s life-force with her away from the material plane, then why in the world wouldn’t Voltron just…totally power down? Become completely inert with the lights fading from its eyes? But then, oh wait, according to the last seven seasons, Voltron is supposed to be indestructible and constantly self-regenerating even when temporarily drained, so how could it power down forever? Even the concept that Voltron could physically destroy/remove itself from the material world to fully join Allura on the astral plane is an oxymoron.
And even if Allura’s life force was fading out and the Voltron lions are dying too, how in the world could Lance’s Altean markings suddenly even manage to glow in response to an active and powerful external stimulus? And why would the lions themselves suddenly be lighting up and capable of expending massive amounts of energy on a sudden, random interstellar space trip?
Even if the Lions themselves longed to reunite with its dead creator or its missing piece per their Allurian life-force link (despite them clearly not caring when Alfor died or when Allura got put in stasis 10k years ago), this show would have me believe that Voltron wanted to die or give up? And...for what? To lounge about in an afterlife Cabana for Retired Mechas, sipping quintessence drinks while the universe experiences ongoing natural physical disasters or anomalies that could endanger entire galaxies? What if more trans-reality comets fell from the sky? They appear to not be an isolated incident, and where there’s one, there’s usually more…What if that causes more rifts to open? And let’s just assume for a moment that those two comets are the only two trans-reality comets in the multiverse. I guess we can all sleep tight tonight because Voltron is unconcerned that the universe still has several weak stitches between it and the quintessence field, where dark entities and rift creatures roam? Lol, what?
Lotor even confirms these weaknesses in season 4:
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“Zarkon believed Alfor’s plan to blow up Daibazaal and destroy the rift between realities actually worked. No one comprehended that the experiments of my mother, Honerva, could never be undone.”
Lotor’s statement here would suggest that after everything that’s happened, it might be even easier to break open rifts. But okay cool, time for Voltron’s retirement/death, I guess. Just leave a peaceful universe to be one day swallowed up and destroyed by shadow rift creatures, dark entities, apocalyptic comets, and natural disasters…
Everything about the Allura/Voltron death theory doesn’t make sense to me and raises more questions than answers. So let’s look at another way of viewing this ending!
Theory Two: Allura Didn’t Die At All—She Just Finished Working for the Year And Needs a Ride Home
The fact that Voltron survives and is activated into movement by an external source of massive, pure quintessence suggests that Allura is likely NOT dead and is STILL ALIVE. In this case, the astronomical undertaking of regenerating a multiverse still took a full year to complete. We do know there’s no major time slippage between the paladin’s universe and the Universal Consciousness realm, because the paladins were seen right back in the heart of establishing/confirming peace when they returned to their universe. And again, s8 also shows people being able to interact on the border between the Living and the Dead, so Allura simply existing within this realm should not be enough to kill her. Because life and death are largely meaningless concepts in this space where all consciousnesses are preserved.
So, if Allura is alive and just finished her work, then oop, now she’s stuck in the middle of Space Nowhere without a certain ride home. So who ya gonna call? Ghostbusters. Voltron is the only ship that Allura has a deep psychical and life-force link to, so it would be within canonical bounds that if she just helped resurrect the multiverse, then surely one hard-working princess could use Lance’s markings (her own life force) to relocate her own universe, and then use that bond on the material plane to call Voltron from across the universe to come pick her up, lol.
I really like this re-interpretation of canon for several reasons:
One, it feels a lot more consistent with the world-building and the overall tone of the show.
Two, it suggests a much happier ending where canon confirms—sort of like the Iron Giant (1999) ending—that Allura would eventually reunite on the material plane with the paladins.
Three, it suggests that there’s been a full one-year span of time where Allura and Honerva were both working together to restore the universe…while in the presence of and even interacting with Alfor, Zarkon, and Lotor, and probably a billion other dead people they thought were gone forever, but who were preserved in form and mind within the Consciousness of the universe. I feel like there’s just LOADs of possible content someone could get out of this. Did Honerva and Zarkon reunite? Did Alfor get to hug his baby girl again? Did Allura and Lotor have a major heart-to-heart discussion about the Altean colony and his quintessence insanity, and positively reconcile? Which, regardless of however you interpret what Lotor’s accused of, Allura had already…exonerated his motives and turned him into, like, a Joan of Arc figure well before she saw him again. And she even wanted Honerva to honor his memory by doing the right thing:
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So there’s some clear signs that Allura and Lotor could have reconciled now that there’s no apparent quintessence insanity or witch shenanigans afoot... And it’s very likely that Allura might have even reconciled with the true, uncorrupted Emperor Zarkon himself:
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 And in the meantime, what would the paladins of old be like? Were there other victims of this war who would have found it meaningful to interact in some way to obtain justice for themselves…or to obtain something more??
And this gets into reason four of why I like this re-interpretation of the ending. So canonically, mechas created out of the trans-reality comet are infinitely regenerating and indestructible. So not just Voltron, but also the Honervian/Sincline mecha. This suggests that Allura already had a ride home.
So why would Allura need more ships?
This interpretation has the potential to reverse all the painful deaths that happened throughout the show. The original paladins, the Alteans and Galrans who perished for various reasons...Alfor, Bandor, Lotor, Kova…even deaths we didn’t see.
And in calling Voltron back to her, is Allura maybe…planning to bring some new friends with her too? If she already has the Honervian/Sincline mecha to fly home, why does she need all five lions, anyway? Who would pilot them? Who else is waiting patiently in the celestial mind/heart of the multiverse to return to reality with her?
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And reason five, on a simpler and maybe less galaxy-brain note, this interpretation provides a completely different context, however apparently sorrowful, for Allura’s canonical goodbyes:
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Allura’s path did end here...at least as a paladin of Voltron. Because that position was temporary anyway. Restoring the multiverse was going to be an ultimate act. And there’s probably nothing after this that Allura could perform to outdo herself in saving things, lol. This is the height of everything she is and has worked for. She intentionally identifies this as her purpose:
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“It is my purpose.”
Her action in s8 is the full and total culmination of everything she has learned and grown capable of doing since s1. Everything has been leading up to this. It’s her one chance to undo all the universal pain. And through restoring the multiverse, she’d be restoring balance in her own life too—to reconnect with her fragmented past, to give those from her past a chance to live in the new universe with her….
The other paladins, though—they were still needed in the meantime to confirm peace with the Galran empire, to convert it (however questionably) to a democracy, and to establish relations between Earth and other vast galaxies of people. Allura was not wrong that their paths as paladins had not ended. Because she needed them to ensure their universe would be truly at peace while she was up in the stars, working to restore and reconcile with all that had been lost in painful war.
And all of this would ultimately suggest that she would return to the universe, to the paladins, and probably take back the piece of her life force she’d given Lance that ensured a link with Blue Lion. Because…that homing beacon wouldn’t be needed anymore. Perhaps Allura would even consider decoupling the remainder of her life-force from Voltron, to fully reconcile herself to herself. To finally be whole and just Allura again, idk.
The only major problem with the “Allura is Alive and Bringing Some Friends/Family Home” interpretation is that...lol, the development team for the show doesn’t subscribe to it, at least not in any outward way I’ve heard. Based on their March 28, 2019 interview with Let’s Voltron, the executive producers talk about Allura like she’s dead. They say that they wanted to show sacrifice, the impact of death, and how important it is to honor the memory of the dead:
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And we definitely feel it. There is a massive weight of loss and memorial in the finale here. Coran looks just this side of totally broken as he remembers Allura, and he didn’t even get a chance to say goodbye. He reiterates just how much Allura means to the people still alive in this universe:
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“For some of us she was a diplomat, a teacher, a leader, and a friend. But to those of us around this table, she will always be family.”
The EPs have suggested that, like other shows, there may be ways to resurrect Allura, and there may have been happier endings possible. But again, please see the Theory 1 statements above regarding the massive worldbuilding contradictions when assuming that Allura had to die in the first place.
In which case, hilariously, the EPs have also expressed their interest in creative works that keep going, with plot tensions that require even supposedly dead heroes to return, as in this article here: 
“You can kill Captain America a million times and he’ll always show back up.”
So creator statements are just all over the place regarding the finality of “death” or even of “separation” in this universe. We definitely don’t get a body to prove that Allura is dead. And we also know that canonically, there is a place where the rift between the Dead and Living breaks down. And oh, by the way, Allura just regenerated entire multiverse strands that had been destroyed. So even if it’s not as simple as…holding someone’s hand as they step out of the consciousness realm, what canonical detail or limitation would keep her from resurrecting them herself? It is well within Allura’s canonical range to bring back all of these people without dying herself. 
Conclusion
Regardless of creator intention, the various contradictions in the worldbuilding itself make the angst of Allura’s death, the memorial statue, the lingering pain of the characters (oof, poor Coran and Lance especially), and all the interviews talking about Allura’s death feel excessively unnecessary. And at the same time, I’ve been very fascinated by what one can do with the details about the Consciousness Realm; the inherent properties of comet-based mechas, quintessence, and alchemy; Lance’s strange marks; and even the odd, last-minute Voltron interstellar space trip surging toward the Allura in the stars, with Blue Lion in the lead:
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It appears that Allura could be very much alive in the final screenshot of her in the stars. Through Lance and their shared connection via Blue Lion, she’s maintained a homing beacon for her own reality, activated Voltron to complete a massive interstellar trip to come get her and likely several others—and now, she’s faithfully waiting in the Consciousness Realm with everyone, preparing for a family trip back to their resurrected worlds, in their trusty mechas.
I watched s8 on the day it dropped. I was in a daze about all of its wild and painful messaging. I wrote some unhappy metas about the sheer nihilism of this show. It’s taken me, lol, 1.5 years to actually go back and re-watch several episodes at a time. And I don’t believe this interpretation of the ending would fix every problem in Voltron: Legendary Defender. Sometimes, trying to make sense of this show feels like trying to reconcile quantum theory with classical mechanics, haha. So I’m sure one could poke holes in this post. And to even arrive at these conclusions, I had to throw out or reinterpret some of the worldbuilding and scenes, in direct conflict with the stated perspective of the show’s development team.
But even so...I derived most everything for this interpretation from the show itself. And even if the development team didn’t intend this happy ending of resurrections and reconciliations as I’ve suggested…it seems that this finale—at least while I’m thinking about it right now—is canonically possible and an attempt at consistency with the material provided across multiple seasons. It offers resurrections, redemptions, reconciliations...
Its ultimate message even genuinely coincides with the last episode’s title.
The End Is the Beginning.
And I really like that.
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