#Usher u got it bad original video | Explore Tumblr Posts and Blogs

timehealsfanfictionbka · 4 years

Text

Time Heals.....Chapter Fifty-Four

“Let me see, let me see, let me see,” Joyce said in a rush as she ushered Robyn into the house. Robyn smiled as they sat down on the couch, “Mama, take a deep breath. You’re making me nervous.”

“I can’t. My babies are getting married. I’ve have been waiting for this day since I don’t know how long.”

Robyn laughed as she held out her hand and Joyce squealed, “Aww…Angel, it’s beautiful. My son did pretty good.”

“Thanks Mama.”

“So…how did he ask?”

“He didn’t.”

Joyce paused and gave Robyn a look, “what do you mean he didn’t ask?”

“He didn’t ask me.”

“So how are you engaged?”

“It’s complicated.”

“How complicated?”

“Complicated like she didn’t actually let me propose to her.”

Robyn turned towards the foyer where Chris was walking in, “where’d you come from? You were supposed to be taking the girls to dance practice.”

“Closed practice set and I didn’t want to sit in the parking lot. Talking about the ring.”

“Yes. Come sit.”

Chris moved to sit next to Robyn on the couch and kissed her temple.

“What do you mean she didn’t let you propose to her?” Joyce asked

“Exactly what I said.”

“I am so confused.”

Chris chuckled, “ok , the quick version is I originally tried to propose a few months ago and she wasn’t ready so she decided to put a hold on it.”

“And I told him that when I was ready to accept, I’d put the ring on,” Robyn added.

“So you put your own ring on your finger?” Joyce replied.

“Yes.”

“That is not a proper proposal.”

“Mama, it works for us. We’re engaged. Let’s just leave it at that.”

Joyce sighed, “somehow I should’ve expected y’all to do this all weird.”

Chris and Robyn laughed.

“So…wedding planning?”

Robyn looked at Chris and shrugged, “it’s up to him. I’m not picky.”

“You’re the bride, I would expect him to say that to you.”

Chris chuckled, “this is Robyn, I wouldn’t expect to say anything else. I haven’t thought about it really. It’s only been a few days since she put the ring on.”

“Are you nervous?”

“What’s there to be nervous about?”

“I don’t know, I’m just trying to read the room right now. I feel like I’m more excited than y’all are.”

“For us, it’s just another step in the direction we were already headed. I don’t want it to be a big deal before we even start planning for it.”

Joyce nodded her head, “so can y’all stay for lunch?”

“Of course, Mama.”

“Good.”

Robyn waited until Joyce left into the kitchen to turn to Chris, “she’s suspicious.”

“What?”

“Did you not see her face?”

“Yea but why would she be suspicious? Of what?”

“I don’t think she thinks we’re gonna get married.”

“Robyn, I doubt that.”

“Did you not see her face? It completely dropped when you said you haven’t thought about it. She already looking at me weird for putting my own ring on.”

“Why are you even concerned about that?”

“Because it is your mother. She’s important.”

“Robyn, she loves you. She knows that I love you. It’s nothing for you to be worried about. Whether she believes it or not doesn’t mean anything to me as long as it happens. Look, it took a long time to get you to this point, I am not ruining this by rushing.”

“Would you be upset if we didn’t have a wedding?”

“What do you mean?”

“Like if we skip the whole ceremony thing.”

“Is that what you want to do?”

“I just don’t have the patience for what a ceremony entails but I also don’t want to take that experience away from you.”

“Robyn, I’m divorced. You’re a widow. We’ve both been down the road of a wedding ceremony. My only concern is I don’t want you to regret not having one years down the road.”

“I don’t know. I just don’t see the point of one especially since we’ve both already done this before. It’s not like it’s either of ours first marriage.”

“True but its our first time being married to each other. Look, I know our parents will probably have a conniption about this but I will stand by whatever you decide to do. If you don’t want a ceremony then we don’t have to have one.”

“I don’t know. What are the girls going to say?”

“That’s the tricky part. I think they’ve been looking forward to being flower girls.”

“Ugh…this is so stressful already.”

“Baby, relax. Maybe if we sit down and talk this all the way through, we can come up with a compromise. We need to talk about the houses and stuff too.”

“Do we have to?”

“Yes, Robyn, we can’t live in separate houses. That kinda how this works.”

Robyn pouted and sighed, “See…stressful.”

Chris chuckled and hugged her to him, “we will figure it out and we will take as long as it is necessary to do so, ok?”

“Ok.”

“Let’s see if the food is ready then we’ll go get the girls.”

“I can’t believe you didn’t tell us he proposed before,” Melissa said over video chat. Leandra nodded in agreement as she took a sip of her drink.

“I hadn’t accepted so I didn’t see the point of saying anything,” Robyn replied.

“It doesn’t matter. You still could’ve say something. Besides why’d you not accept the first time?”

“Because I wasn’t ready and I wasn’t going to be pushed into it by anybody.”

“And you think that’s what we would’ve done?”

“Absolutely. Its bad enough my mother was giving me the side eye about me and Chris getting into a relationship and not discussing it with her. The moment I said anything about a proposal, she would’ve started planning the wedding herself.”

“Speaking of wedding planning-“

“Don’t. Me and Chris are not even going there right now. We just got engaged a few days ago.”

“So? You’re not supposed to be engaged forever.”

“Of course not but we aren’t focused on the wedding right now, if there is one.”

“If? Trouble already?”

“What? No. We’re trying to decide if we’re gonna have a ceremony or not. We’re definitely getting married. I did not put this ring on for nothing.”

“You mean he.”

“No, I mean me. He started to propose, I told him not to and took the ring from him.”

“You had your own engagement ring?”

“For months. And we made a deal that once I was ready to be engaged, I’d just put the ring on and that was that.”

“What the hell kind of proposal is that?’

“Ours.”

“Y’all are fucking weird. What about the getting on one knee and stuff?”

“I had all of that already and I didn’t want it again. We did it the way it worked for us and that’s that.”

“Y’all did it the way it worked for you, you mean?’

“Chris agreed. I didn’t force him. If he wanted a traditional proposal he could’ve easily said so.”

“Considering it took forever to get you to date him, I’m sure he wasn’t trying to rock the boat.”

“There was no boat to rock. He knew what the deal was and he knew why I was more comfortable doing it this way. I don’t want all this crazy hoopla. Why must a proposal be all exacting anyway? The importance is in the ring and what it signifies. All that other shit, the knee and flowers and stuff is for show. And I chose to skip the show.”

“I don’t know whether to be impressed or concerned,” Leandra interjected.

“Why?”

“It sounds so unromantic and boring.”

“On purpose. I did the flash. I did the show. And it changed nothing. I don’t want to go through it again.”

“Ok but you should really rethink this whole not having a ceremony thing.”

“We are still technically thinking about it and trying to find a way to compromise if we do end up having a ceremony.”

“Good, I would like to be a bridesmaid.”

“Even if we have a ceremony, I’m probably skipping that part too.”

“Ugh….you are taking all the fun out of the wedding.”

“You say that because you are the guest. You are not planning it, paying for it or having to star in it. I’m taking the stress out and making this as simple as it can possibly be. I’m marrying him, that should be enough.”

“And how does he feel?’

“He’s just worried about whether the girls will be disappointed or not, that’s the only reason we’re talking about a compromise. We’ve both been married already. We’ve been through all the motions, we just want what really works for us.”

“I guess.”

“You think I’m wrong.”

“I think there’s something wrong with you.”

“Why?”

“Most women would love to be dotted on and fawned over, you wanna be in the background of your own wedding process and I don’t get it.”

“I don’t want the attention. I don’t want the extra. I just want to get married, go home to my husband and kids and just live life normally.”

“Robyn, it’s only one day.”

“One long ass day that I don’t want to participate in. If I have any type of ceremony, it’s not gonna be for me.”

“Wow.”

“I didn’t call you guys to be judged.”

“We’re not judging you, Robs. We’re just really worried,” Melissa said softly, “it is you and Chris’s day and things should be done the way you see fit. We just want it to be done that way because you want it that way and not for any other reason.”

“What other reason could there be? We’re not hiding anything. There’s nothing new going on in our lives besides this. I’ve gotten past all the excitement stuff. I just want peace and simplicity. Why does that make me crazy?”

“It doesn’t.”

“But y’all making me feel like I am.”

“We’re not trying to, Sis. We swear.”

“Robs, we just don’t want you to regret anything, that’s all,” Leandra replied.

“Why does everybody- never mind can we talk about something else?”

“Sure. Let me tell about my new boyfriend,” Melissa said.

~~~~~~~~~~~~~~~~~~~~~~~

Chris found Robyn sitting on his back porch, “Hey Babe.”

Robyn looked over and smiled before turning her face back to the setting sun.

“When’d you get here?”

“An hour ago. You were still out with the girls.”

“I was looking for you once I noticed your car in the garage. You ok?’

“I’m good. You?”

“I’m great. Can I sit?”

Robyn scooted over to make room for him on the swing. The girls had pestered him into getting a porch swing, it came in handy for times he just wanted to relax. He sat down and turned to face her, “what’s going on?”

“Nothing, just thinking.”

“About?”

“Everything. Nothing.”

“Wanna talk about it?’

“Not right now. I’ll let you know.”

“No problem.”

Chris took her hand and twisted her engagement ring around her finger.

“Why do you keep doing that?’

“I’m still getting used to seeing it on your hand.”

“Still adjusting to it being there. I’m used to the weight of it, it’s just when I close my hand, I have to remember it’s there.”

“We’re still fairly new to this.”

“True. You ok?”

“I’m good. The girls are cleaning up and putting away their new clothes and I figured I’d come look for you since you were here.”

“That’s nice. Did you talk to them about the ceremony thing?”

“I thought we’d do it together, gives more a united front kind of thing.”

“True.”

“You give any thought about the houses?”

“I can sell mine. It’s smaller than yours.”

“You sure you wanna move back to Houston?”

“Yea, I lived here for years before I moved. I never had a problem with moving back here.”

“Ok cool. I mean we can get our own house and start over.”

“Why? You barely lived in this house before you got divorced and we already gutted and redid the master bedroom, unless you feel it’s necessary, I don’t have an issue living here.”

“I just wanted to make sure. I don’t have no problem selling it.”

“The girls are comfortable here. There’s no reason to start over.”

“Ok.”

“You talk to Mama?”

“Yea. She’s anxious.”

Robyn sighed, “that’s be expected.”

“You talk to Mama Fenty?”

“Yea, she just wants me to let her know the date so she can let the family know.”

“We’re still gonna do invitations even if we forgo a ceremony.”

“I know but with my family, you gotta give a lot of advance notice before you send out the invitations. They are hassle sometimes.”

Chris chuckled, “you sure you doing ok?”

“Yea, I’m great. Why do you keep asking me that?”

“I get this weird vibe coming from you and you’ve been at your house for the past few days so I don’t know if this is something recent or if you’ve been like this for a while.”

“Chris, you really do worry too much. I am fine.”

“If you weren’t, you’d tell me, right?”

“Yes, I’d tell you.”

Chris wrapped his arm around her shoulders and Robyn leaned into him. He kissed her forehead then placed a kiss in her hair, “it’ll be dark soon. You staying?”

“Yea, I’ll stay.”

“Good.”

#chrianna #timehealsfanfiction

9 notes · View notes

wtfdavidsvlogs · 5 years

Text

Not here...Not now (D.D)

Warnings: talks of naked bodies, nudes, swearing, dirty talk, sexting,

Requested: Anon said

You're supposed to meet with David after work at his place and he's been so busy with work lately you've been getting impatient. You show up, he's not there. You text to see where he is. He says he had to film with Jason driving around cause Jasons memory card broke. Annoyed but feeling flirty you step out of your comfort zone and start sending him pictures.

Gif by: @allthesepurplelights

I was finally on my way home. Thank the Lord. I seriously couldn’t have gotten out of that office quicker. I work in a tax office as a receptionist. I know worlds most boring fucking job ever. But it pays very well and money is not boring. Anyway, I was finally on my way to Davids place because we had previously agreed to stay in and just hang out. The two of us. We’ve both so busy with our work that we set aside tonight for us. I stop the car in the driveway after being let into the gate. I grab my bag, jacket, and my keys and make my way inside. I unlock the glass door and proceed to take off my glossy heather grey heels. I hang my keys on the hook and carry my bag to lay it down on the pool table.

“David! I’m home, baby!” I said excitedly. I waited a couple seconds for a response from him and nothing.

“David?!” I yell again while walking around the house. Confused, I decide to text him asking where he is.

You: Where are u?

It took him a while to text back with an excuse. I don’t want to sound petty and jealous but we set this day aside specifically.

David❤️: Holy shit, baby! I’m so sorry. I totally forgot. I had to film with Jason cause his memory card broke. I’m coming back right now.

“Aw man!” I yelled into the empty house. I knew he’d try and get here as soon as possible but it sucked that he wasn’t now. He does everything for me I should just be glad that he is trying. Some guys don’t but he does. As I start to trap myself in thinking about amazing my boyfriend is, an idea passed through my frustrated mind. Maybe he isn’t here, but I can sure as hell make him wish he was. I’ve been with this kid for 3 years, I know what it takes to ya know...get things started. I grab one of his shirts and my black lace panties. I throw my hair up and go to the mirror with my phone in hand. An outfit like this is sure to drive him nuts. I lift up the side of the shirt closest to the mirror and lean on my one leg to make my ass look big. I snap the picture and send it his way. This is revenge. He can never control himself when it comes to me no matter the time or the place.

Davids Pov

I felt awful. I know how long she’s been looking forward to our night and I ruined it. I told Jason the situation and he understood. He started to drive me back home which we were thirty minutes away from. When I suddenly get a picture sent to me from Y/N. I open my phone to see her in the big mirror with my shirt on and black underwear on.

“Jesus Christ.” I said quietly while choking on my tongue. She was gonna torture me in the car, over text message, with Jason in the car. She knows exactly how to fuck with me in that way and she knows I can’t control what happens down there when that time comes. I bite my lip and look to Jason who is too focused on the road to notice this. My fingers fly across the keyboard.

You: 1 image attachment

David❤️: Baby, not here...not now

Your Pov

It was working. I had this idea to start sending videos of me slowly taking off articles of clothing. I pressed record while doing different poses and stuff I then proceed to take off my panties and drop them on the floor. This was gonna kill him inside. But it wasn’t done there. I sent the video and felt absolutely no regret.

David pov

A video?! God this girl was trying to get me killed. I opened it while scooting a bit further back and raising my phone closer to my face. I press play and see her in the mirror still doing different poses amd she then uses one hand to remove her underwear and drop them on the ground. My jaw is practically on the floor. I watch the 9 second video over and over again to make sure what I’m seeing is real. I throw my head back whispering curse words to myself. I look back to my keyboard. This was starting and I couldn’t stop it.

David❤️: Stop. Now. I’m in a small car with Jason right now.

You: I bet this is killing you inside and you haven’t even seen me yet..

You: Dirty thoughts

She decided to send a video holding up the shirt passed her uncovered boobs. Exposing herself to me completely. I took a sip of water now sweat was running down places trying to keep myself contained. Oh my god this little bitch took it all off. She twirled around and shook her ass and ran off camera.

Your pov

I think I got my point across. In the last video I decided to shake my ass at the camera a little bit because David is and always has been, an ass man. That for sure drove him over the edge. I put my clothes back on because Davids guys friends would be arriving any second. I invited them over so that when David did get home he wouldn’t be able to get his hands on me. That would be the ultimate tease. A picture with these guys in mirror I was just naked in. I waited for them to arrive and literally in minutes they all did. I yelled hello and ushered them all inside. I greeted people and said hello to everyone. I suggested that we all take a picture in the mirror. I crouch down while the rest of them hold up peace signs or blessing positions. This was going to kill him.

Davids pov

One last picture I hoped. I open my phone to Y/N in the mirror with the guys. They had no idea what she was just doing. Now they are all going to be there when I get back so I will have to wait hours to get to her completely. She is the devil in an angels suit. She was the ultimate punisher. I inhale through my nose as we finally reached my house the driveway filled with cars. I walked in to all of the guys chilling and talking to one another some of them talking to Y/N. She gasped and got up slowly from her seat but came over to give me a kiss.

“Hi.” She said to me quietly. I looked at her up nd down. She looked like she had never done anything bad in her life. An innocent little snowflake but I was the only one that really knew how wrong that was. i touched her hip and pulled her a bit closer.

“I. Will deal with you later.” I growled in her ear. She shivered at the sound of me. Knowing I have that effect on her gives me such a power rush. She walks away from me swaying her hips back and forth in the process. God the things I was going to do to her. The night went on and we exchanged glances from time to time. When Zane was the last to leave Y/N shut the door behind him. I waited by sitting on the edge of the pool couch. She turned around and found me. She discarded her jacket.

“What now?” She said wrapping her arms around my neck. I stand up and I grab her ass so that she she can straddle me in the air. She wraps her little legs around me.

“Now, it’s my turn to tease you to death, and I won’t be going easy on you either.” I said into her ear. Her head leaned back as if she was gaining pleasure from me just talking to her like that.

“Is that a threat or a promise?” She said pecking my lips. I carry her into my room and throw her on the bed.

“You left me in a car trapped with Jason with all of these videos and pictures of you teasing me out of my mind which left me with the worst blue ball I’ve ever had and you have the audacity to ask me if I’m threatening you or promising this?” I said to her. She batted her thick lashes at me and looked up with her sparkling Y/E/C eyes. “Let’s just say...you’ll feel this tomorrow.”

Wow that took so much longer than I had originally thought. wow i hope you enjoyed anon!!

#david dobrik smut #david dobrik blurb #reader x david dobrik #david dobrik x reader #david dobrik fanfiction #david dobrik imagines #david dobrik imagine #davids vlogs #david dobrik #jason nash #zane hijazi

243 notes · View notes

benzbantz · 4 years

Text

Best 100 Songs of the decade!

As a new decade will be upon us shortly (the 20’s) I wanted to share some of my favourite tracks from the last 10 years. I’m a pop and rap guy mostly so that’s what you can mostly expect but hopefully a few surprises along the way. I’ll post 100 songs I really loved (in no particular order) then my top 25 absolute favourites at the end. Ok here we go

~Bad Romance - Lady Gaga

To limit myself to just one GaGa track is cruel and not easy, Edge of Glory and Born this Way are both anthems and technically this came out last moment 2009 ..but didn’t pop until 2010. A classic that makes it to most my playlists.

~Airplanes- B.O.B ft Hayley Williams (A classic no need to say more.)

~Love the Way you Lie - Eminem ft Rihanna

A absolutely brutal tune about a toxic relationship full of of lies and abuse, the powerful video really sells the tone of the song.

~Rescue Me - Skepta

Used to love Grime but gone off it for a while now. I wouldn’t call this an outright grime track but Skepta def brings the gritty uk rap scene on this one.

~Forget you ~ Ceeloo Green

Thou I prefer the Gnarls Barkley music style, this is still a awesome tune. Always fun to tell someone to do one in a sing song melody.

~Written in the Stars- Tinie Tempah ft Eric Turner

Used to love me some TT, this was a real catchy banger with great chorus by Eric Turner.

~Raise your glass - Pink (Not much to say, a pop classic)

~I need a Dr - Eminem, ft Dr Dre and Skylar Grey

This is such a underrated song. You have to really know your Dre and Em history to catch everything being said (which I won’t go into here) Brilliant tune and my fave they both worked on together that decade.

~Animal- Neon Trees

Really catchy little number that I enjoyed from first hearing.

~Look at me now - Chris Brown ft Lil Wayne and Busta Rhymes

Busta Rhymes rap, that is all!

~Moves like Jagger - Maroon 5, Christina Aguilera

A great sing a long featuring two artists I’m not mad about really so a surprise like from me.

~ In the heat of the moment - Noah Gallagher’s High Flying Birds

What a tune, completely missed this first time around heard on a tv show recently checked it was this decade and then added it right on the list. Banger.

~Summertime Sadness AND ~Love - Lana Del Ray

2 for 1. When Summertime Sadness came out I was mesmerised by Lana’s voice had never heard anything like it before. Safe to say she is my artist of the decade but haven’t raided this count down with all her music. A couple here and a couple of my absolute faves in my ultimate top 25. Love was very heard to keep out of my top 25.

~Stronger (What doesn’t kill you) - Kelly Clarkson

Come on now, if you haven’t belted this one out the top of your lungs at least once I don’t know what you’ve been doing the last ten years.

~Somebody that I used to know - Goyte ft Kimbra

Went thru moments of really liking this song then it really irritating me (played on radio A LOT), thankfully years later the hype has died so I can appreciate it once more.

Midnight City- M83

This is not really my sort of music at all ,so much so I’m not even sure how to describe it. Has a 80’s feel which I love. Just love the infusion of synths and instrumental. Plus the singer has a very calm melodic voice. Great track.

~T.H.E - Will.I.Am ft Mick Jagger and Jennifer Lopez

Absolutely love this song so catchy very Fergie era BEP sounding, with a great guest solo from Mick Jagger.

~212 - Azealia Banks (not much to add on this, banger!)

~Too Close - Alex Close

If you don’t recognise this song from title you will once you hear it, such a forgotten gem.

~Picking up the Pieces - Paloma Faith

Another unique voice that def makes my top ten newly discovered artists this decade is Paloma Faith, her cover of Mama Cass’s Make your own kind of music also deserves a strong mention. Also not related to the music but Paloma is mad as a box of frogs in real life which I love.

~Bangarang- Skrillex

Yeah you’re not leaving alive from this post without a Skrillex nod I’m afraid, not a big dubstep fan but jumped aboard the band wagon when it was big for five minutes, this songs only thing that made it back with me thou.

~Hall of Fame - The Script ft Will.I.Am

First let’s clear this up I’m not a massive Will.I.Am fan or anything, he was just in EVERYTHING for the first few years of the 10’s. It’s a great song regardless.

~Harder then You think - Public Enemy (What a track, can’t say much more, banger.)

~Locked out of Heaven- Bruno Mars

Bruno Mars had some amazing tracks his debut album Doo Wops and Hooligans featured some brilliant tunes which sadly I just didn’t have space for in this countdown, Grenade, lazy song , Just the way you are, but I’m showing some love to Unorthodox Jukebox here and it’s best track giving Bruno Mars a edgier new vibe.

~Chocolate- 1975

Not my sort of music usually but really enjoyed this laid back rock number,

~Get Lucky - Daft Punk ft Pharrell Williams

Disco is back! Or is was in 2013 when this tune came out, one of the biggest selling singles worldwide in the 2010’s so not much more detail needed on its inclusion.

~Let her Go- Passenger

Nice little number, always liked this one, never really got into there other stuff but had to give this a shout out.

~Can’t hold us - Macklemore ft Ryan Lewis

The Heist is one of my fave albums from the last decade features some great tracks, same love and Thrift Shop get a shout out but this track was my fave, uplifting and full of energy.

~La La La - Naughty Boy feat Sam Smith

This was Sam Smith’s big feature hit before they became the successful solo artist they are now. Great track very different to the music Sam does now.

~Work Bitch - Britney Spears

Don’t roll your eyes! This is a banger, now get to work bitch!

~Rap God - Eminem

For Eminem’s big solo feature on this countdown it was between this, The Ringer or Not afraid. You may of guessed I’m a Eminem fan and have tried to keep his entries down but one does not simply do a music countdown and not include Rap God.

~Of the Night - Bastille

Really like this band they have some great hits, Pompeii is another great song of theirs that I didn’t have space to include. I went for this eerie cover version of the Corona 90’s dance classic as my pick.

~Wrecking Ball - Miley Cyrus (Leave me alone it’s a good song ok 😂)

~Riptide- Vance Joy

A little hidden gem I’d forgotten about until I put this list together.

~Who did that to you? - John Legend

Was going to obviously include All of me in this spot but then I remembered this absolute hit from Django unchained which sneaks in and takes the spot. Both great songs thou.

~Nobody to Love - Sigma (Great little dance track not much to add)

~ When the Party’s Over - Billy Eilish

Yes I’m a 35 year old Billy Eilish fan ok leave me alone lol. Seriously thou this girl is super talented and she’s up there in my fave artists of the decade. There will be more of her in my top 25 but this haunting track deserves a mention.

~Turn down for What - DJ Snake ft Lil Jon

It’s Lil Jon yelling really load of course it’s a banger. Also worth mentioning Ice T did a awesome Rap rock version of this song and it’s amazing!

~Problem- Ariana Grane ft Iggy Azalea

Those saxophone’s thou! Groovy little number no explanation needed.

~Chandelier- Sia

Such a power anthem, I came out as trans in 2014 so this song holds a lot of personal meaning with me but regardless is a great song anyway.

~Thinking Out Load - Ed Sheeran

I’m not the biggest Ed Sheeran fan ,take him or most often leave him ,but did like this sweet ballad. Nothing against his voice it’s his songs that don’t often do it for me but this was great.

~Good Kisser- Usher

Never been huge Usher fan ,liked his earlier stuff, confessions and all that. This was a surprise jazzy bluesy type number thou that I really enjoyed.

~Rude- Magic (A catchy sing along tune)

~Zombie - Jamie T

This guy was one of my fave artists of the 00’s, and thou his newest stuff imo doesn’t compare to his older this was still a tune.

~I - Kendrick Lemar

This is actually best when played after the song ‘U’ , the latter being a self hating song ‘loving you Is complicated’ vs I’s ‘I love myself’ different ends of the spectrum I just included ‘I’as you can enjoy that one on its own but to get the best out of that track I highly recommend listening to U first.

~See you again- Wiz Khalifa ft Charlie Puth

A sad song given it’s a tribute to Paul Walker who died in a car accident. Was overplayed a lot at the time but stands strong several years later.

~Dark Times - The Weeked an Ed Sheeran

What a track, their voices mesh perfectly together in this somber number.

~ Trouble - Iggy Azalea ft Jennifer Hudson (Banger)

~Hotline Bling - Drake

So many Drake songs I could of included, (he will appear again in the top 25) gods plan, headlines, in my feelings, nice for what, all absolutely great tracks but I had to go for my personal fave out of the bunch.

~You don’t own me - Grace ft G-Easy

This may be an odd one to some but I’ve always loved the original by Lesley Gore and this is a amazing cover. Grace has a lovely voice (and there is a non rap version if you’re so inclined) Love a good cover version and this is a awesome cover version.

~Side to Side - Ariana Grande ft Nicki Minaj

Hmm guess I’m a Ariana Grande fan, who knew. A cheeky little number and the first appearance in this countdown of a certain fave rapper of mine.

~Panda - Desiigner (another one where there’s not much I need to add, great tune)

~Dancing on my own - Robyn OR Callum Scott

Take your pick the Robyn original or the Callum Scott cover version, both stand alone great tracks, the original more a melancholy dance track the cover a somber ballad. Both brilliant.

~Alarm - Anne-Marie

A nice little pop tune, really like her voice

~Rockabye- Clean Bandit ft Anne-Marie and Sean Paul

Speaking of Anne-Marie, another great pop track. Super catchy sing along. Sean Paul can be hit or miss for me but works well with this track.

~Human - Rag N Bone Man

This is another one there’s not much I can add this guy’s voice is amazing. Brilliant song particularly love the chains you can hear rattling throughout (reminds me of Johnny Cash’s ‘Ain’t no grave’)

~Black Beatles - Rae Stremmurd ft Gucci Mane

Yep that’s some mumble rap to add to the list (told you my music taste was varied) As a whole I don’t love mumble rap but there’s some stand out tracks including this one.

~Thunder- Imagine Dragons

One of my favourite bands from the last decade, like most there stuff. This song has a great song along chorus. Really catchy track.

~New Rules And IDGAF - Dua Lipa

Honestly couldn’t pick from the two really like them both equally. So you get a double. Catchy pop tracks.

~Sorry not Sorry - Demi Lovato

It was between this or Sober (another great Demi track) but ultimately went with the more upbeat pop number.

~Havana - Camila Cabelllo ft Young Thug (A nice chilled Latino style track.)

~Perfect - Ed Sheeran

A beautiful song by Ed Sheeran,other then ‘sing’ and the previous mentions I’m not really into his stuff but this is lovely track.

~Feel it Still - Portugal the Man

Really catchy song can’t help but tap your toes along to it.

~False Alarm- The Weekend

This was something different from the Weekend, really enjoy this song, Weekend is one of my other fave artists to come out the 2010’s.

~Sanctify — Years and years

Wasn’t keen on there earlier dance stuff but when they found there sound I really enjoyed them.

~This is America- Childish Gambino

Great as this song is you really need to watch the music video as well for the song to have its full impact. Love Childish Gambino could of put several of his songs in this list, excited for future music from this guy.

~Solo - Clean Bandit ft Demi Lovato

A cheeky little pop number you can’t help but sing along to.

~Shotgun - George Ezra

One of those artists I can’t decide if I’m into or not, like one song then not keen on the next, it’s strange, but no denying this is a great song.

~Lucid Dreams - Juice WRLD (RIP)

First off Rest in peace Juice, recently died at 21, very sad. The guy was super talented and was looking forward to his future stuff. Could of picked a few tracks but this was the first song I heard of his so that’s got to be my shout out.

~Only You - Cheat Codes ft Little Mix

Although I don’t mind Little Mix this is there only entry on my list. A nice catchy sing along with a dance beat.

~Lost Without You - Freya Ridings

This almost made it into my top 25, just couldn’t find a space for it. Haunting, melodic song with Freya’s stunning vocals. Don’t play this one after a break up or a death.

~Nothing Breaks like a heart- Mark Ronson ft Miley Cyrus

~Someone you loved - Lewis Capaldi

Think this guys going to be another Ed Sheeran for me, meh most the time with the occasional great song. This one no exception.

~Shut Down - Skepta

With lyrics like ‘Ring ring pussy, it’s shut down’ how can it not be a banger 😂 Not the best song in the world I admit but good fun.

~As we enter- Nas and Damian Marley

Words can’t express how much Iove this track, such a hidden gem. A reggae- rap blend of uplifting brilliance. Great gym playlist track.

~Better Now - Post Malone

Another artist I enjoy on occasion. This is my favourite of Malone’s songs so far.

~Bad at Love - Halsey (another great pop track)

~Bitch Don’t kill my vibe- Kendrick Lamar

Could of picked a number of Kendrick tracks King Kunta, DNA, M.a.a.a.d City, If these walls could talk, just to name a few but I’ll go with the first Kendrick track I heard and loved.

~Heartbeat - Childish Gambino

So gutted I couldn’t find a spot for this banger in my 25 but I had to include it on its own. Unless you’re a CG fan it’s unlikely you’ve heard it. Highly recommended a listen. I can’t even really describe it.

~No role Models- J. Cole

A anthem with a similar feel to Keep your head up by 2pac, a sad song somewhat but with a more upbeat tempo. My personal fave J. Cole song.

~Power - Kanye West

Wow our first Kanye track. I like Kanye ,prefer his older stuff. My dark twisted fantasy was the last album of his I really liked. This was a absolute monster of a tune. Also really liked the song Runaway from the same album. Both have great intros.

~Antidote- Travis Scott

~ No Sleep- Wiz Khalifa

Super catchy song, very anthem sounding.

~Young, Wild and Free - Snoop Dogg, Wiz Khalifa and Bruno Mars

Another catchy tune, powerhouse of a team up.

~Rack City - Tyga

~ Romans Revenge- Nicki Minaj ft Eminem

Absolute banger double up from the king and queen of rap. Also a version she did with Lil Wayne which was very good but the Eminem version wins for me. Also will take the opportunity to give the Lil Wayne and Nicki song ‘knockout’ a shoutout.

~Blazin’- Nicki Minaj ft Kanye west

Another great Nicki Minaj track of the brilliant Pink Friday album. I know some of her more recent stuff hasn’t been great but she came out the gates strong in 2010.

~Pound The Alarm - Nicki Minaj

Last Nicki Minaj track I promise, could of picked this or starships as love them both equally.

~Trap Queen- Fetty Wap

Can’t lie this is something I never thought I’d like but the more I heard it the more I liked it.

~Ultimate- Denzel Curry

Yes the Vine meme song. Banger.

~Bad and Boujee - Migos

Yes more mumble rap, I’m not even sorry

~I’m not racist - Joyner Lucas

Wow maybe the most powerful song on this whole list. Nothing I explain can do it justice you have to give it a listen yourself (with the video)

~Cry Little Sister - Marilyn Manson

Boom, rap to rock just like that. I love Marilyn Manson covers, in the 00’s it was Tainted Love but this time around its this classic from The Lost Boys soundtrack. Creepy song but kinda perfect for Manson.

~Faster- Within Temptation

~End of Time - Beyoncé

Have to include some Beyoncé before this ends it’s the law. This was my favourite of hers.

~ Rumour has it - Adele

Not the biggest Adele fan but she has a few songs I enjoy, set fire to the rain and someone like you also good songs.

~Ugly Boy - Die Anwoord

Yep he’s a Die Antwoord fan 😆 I have no excuses, DA are one of my fave bands. Zef to death.

- Surf - Tommy Cash

Absolutely stupid lyrics but hilarious (need to watch the video also) it’s actually a good song with a awesome beat.

~Bang Bang Bang - Big Bang

To close the top 100 greatest songs of the decade out , some J-pop, I’m not a expert on Jpop I like a couple of artists and a few songs but had to close out with this... bang bang banger!

So here we go top 25 of my absolute faves from the 2010’s. (in no particular order)

~Radioactive- Image Dragons

This song featured in a Assassins creed game trailer (I forget which game) and I searched for it straight away, found it, fell in love, the rest is history. Great beat and vocals.

~Game Over - Tinchy Stryder, Tinie Tempah, Professor Green, Giggs, Devlin, Example, Chip

Wow with that line up it was always going to be a banger. This might be my fave beat ever! Such a tune featuring Rap and grime mvp’s from the UK.

~Gods and Monsters- Lana Del Ray

I know I said in no order but this might be my very favourite song from the last ten years. It’s not even regarded as Lana’s best but I just love everything about it, lyrics, melody and vocals. Perfect song.

~Born to Die - Lana Del Ray

Another melodic masterpiece from Lana Del Ray.

~Bad Girls - M.I.A

Yeah I’m a dude it’s weird this song gets me pumped seriously thou such a catchy song.

~In Paris - Kanye West and Jay -Z

Not much needs to be said, absolute classic.

~Over - Drake

Drake at his best imo, great beat, delivery and lyrics. My fave Drake song.

~Black Skin Head - Kanye West

Powerful song with a amazing beat, powerful lyrics, great gym song to get you pumped.

~Sail - AWOL Nation

You might have guessed by now I like a catchy sing along song with a pumping beat and somber tone. Check.

~Only love can hurt like this - Paloma Faith

Her voice in this is something else. I said it before Paloma Faith is so underrated.

~Bang Bang - Jessie J, Ariana Grande, Nicki Minaj

Not to be mistaken for Bang bang bang by big bang featured earlier. Great pop hit.

~Take me to church- Hozier

Powerful song and video.

~Humble- Kendrick Lemar

Banger, not much else I can say.

~Uptown Funk — Bruno Mars

Can’t go wrong with this one, great hit.

~Can’t feel my face- The Weekend

Like most of the stuff this guy brings out, this awesome hit just tops that list.

~Redbone- Childish Gambino

Ok sorry Lana Del Ray but I retract your number one spot for this one. Thought it was Macy Grey or the Delfonics singing when I first heard it then discovered who it was. This has a 70’s soul feel. It’s hard to explain ,if you’ve never heard it give it a listen I’m sure you’ll love it.

~Bad Guy - Billy Eilish

Such a catchy tune, the song that introduced me to her music. Great little dance/pop hit. Fun and a bit freaky. Duh!

~Bury a Friend- Billy Eilish

The way Billy Eilish’s mind works amazes me, how she sees the lyrics, the music and video all as one package. She’s extremely talented and look forward to her taking up most the spots on my 2020’s best of list.

~I miss the misery- Halestorm

Great rock hit, has a very 80’s feel. Lead singer has a amazing voice.

~Sweet but Psycho - Ava Max

Maybe my favourite pure manufactured pop hit of the decade, any female pop star could churn this out and it would do well. Hate to love it.

~Homicide - Logic feat Eminem

If you don’t like rap you won’t get it, if you do, you know where I’m at.

~Stronger then Ever - Raleigh Ritchie

Otherwise known as Grey Worm in Game of Thrones, this guy can hold a tune. Great uplifting track.

~Speedom- Tech N9nne, Eminem

Another great Eminem feature hit. Absolute masterpiece of a record.

~I need - Maverick Sabre

Nice somber melodic song, this guys super talented.

~Cookie Thumper - Die Antwoord

The South African rap rave group strikes again, this one is pretty much a Yolande solo, the beat is insane and thou half of it is in said/sung in Africans it’s still my fave DA song.

~Monster- Kanye West, Jay Z, Nicki Minaj, Rick Ross, Bon Ivor

The title of this track doesn’t lie, beast of a track, arguably Nicki Minaj’s best guest verse ever (‘Where them girls at’ deserves a mention for sure) It’s in all my rap playlists, amazing song.

If you took the time to have a gander at my random countdown then I thank you, I fully expect you not to agree with everything, hopefully something you enjoy musically was mentioned I did my best to spread the genres as much as I enjoyed them. More music and other countdowns to come.

#music #billy eilish #lana del rey #the weekend #eminem #nicki minaj #childish gambino #kendrick lamar #kanye west #jay z

4 notes · View notes

kickmag · 5 years

Text

Throwback: Usher- U Don't Have To Call

youtube

Usher's "U Don't Have To Call" embraced the feelings of relationship disappointment with a pep that reclaimed freedom in being single. Pharrell and Chad Hugo wrote the song as The Neptunes for Michael Jackson but Usher recorded it after Jackson's management declined it. Usher had much success with "U Don't Have To Call" winning another Grammy for Best Male R&B Vocal Performance and it charted well in the United States and the UK.

It was ironic that Usher recorded the song despite the original intentions because he was considered Jackson's entertainment heir. Usher's 8701 album was another major achievement in asserting his place as the biggest male R&B star at the time only second to R.Kelly. He won several awards for 8701 including Soul Train, Billboard and BET distinctions. Some of his greatest singles ("U Got It Bad" "U Remind Me") were on 8701 and its triple platinum status within six months led to it becoming the 18th best-selling album of the year. The video is seen as a reflection of 2001 but also futuristic because Usher has a Facetime-like phonecall with Diddy long before the technology was available. "U Don't Have To Call" stands as one of Usher's best moments and it spread the influence of The Neptunes.

In 2019, Usher posted videos to his Instagram account indicating that he was working with Jermaine Dupri on Confessions 2.

View this post on Instagram

A post shared by Usher (@usher) on Mar 27, 2019 at 1:12am PDT

#usher #The Neptunes

2 notes · View notes

man-creates-dinosaurs · 6 years

Text

I was swamped with various obligations all throughout #JurassicJune. So while I did celebrate by re-reading both Michael Crichton novels and re-watching all the previous Jurassic films and attending the premier of Jurassic World: Fallen Kingdom - I wasn’t able to blog about it. Now #JurassicJune has come and gone and we are in #Kaijuly. But I have one post that I really wanted to make that I think appropriately touches on both month’s themes...

Jurassic Park as Monster Movie

“Steven Spielberg’s Jurassic Park is nothing more – and nothing less – than the world’s most extravagant Godzilla movie.”

So said film critic David Ansen in his 1993 Newsweek review of the first Jurassic movie. Today this may sound like a rather dismissive assessment of a film which has come to be regarded as one of greatest sci-fi movies ever made. But rather than the snarky opinion of a single critic I find Ansen’s appraisal to be a rather frank and refreshing summation of what Jurassic Park actually is. A high tech monster movie.

Today everyone who was of the right age in 1993 agrees that Jurassic Park is a great movie. But curiously when you ask them “Why?” many have trouble explaining exactly what it is that made the film so great. This goes for professional film critics as well as self-proclaimed fans. Usually people put in this corner tend to fall back on vague adjectives claiming that Jurassic Park was great because it invoked a sense of “awe and wonderment,” a somewhat ironic claim since back in ‘93 legendary film critic Roger Ebert argued that it was exactly these qualities which Jurassic Park lacked... along with decently realized human characters and an interesting story. Both of which further adds to the amusement since in recent years a number of videos have started to pop-up on YouTube (see: here, here & here) made by people attempting to elucidate Jurassic Park’s greatness by examining its themes and characters. Much of the content of these videos is simply a rehash of observations made about Jurassic Park by academics over the last 25-years and deals with how the movie touches upon ideas regarding the perils of scientific advancement while advocating an agenda of reproductive futurism via its characters. See paleontologist Stephen Jay Gould’s essay “Dinomania” and sociologist John O’Neill’s essay “Dinosaurs-R-Us” as well as W.J.T. Mitchell’s The Last Dinosaur Book (U. of Chicago Press, 1998) and Joshua Bellin’s Framing Monsters (S. IL U. Press, 2005) for an example of some of this scholarship. Furthermore, what these YouTube commentators seem to have missed, which the actual scholars did not, is that these elements – the themes of technophobia and the importance of marriage and children – are among the most hackneyed and clichéd aspects of Jurassic Park, not to mention utterly retrograde in their outlook. These elements are certainly not what made Jurassic Park great or what has allowed it to endure for 25-years.

So what does make Jurassic Park great? For critics like Ansen and Ebert the answer, back in 1993, was obvious. The special-effects of course! “You want great dinosaurs, you got great dinosaurs,” wrote Ebert, “[and] because the movie delivers on the bottom line, I'm giving it three stars.” Jurassic Park spent nearly three years in special-effects research and development and combined the artistic might of stop-motion maven Phil Tippett, animatronics maestro Stan Winston and the cutting edge CGI work of Dennis Murren and ILM studios to usher in nothing less than a revolution in special-effects technology. Back in 1993 everyone who saw Jurassic Park left the theater believing – despite their better judgment – that they had seen real dinosaurs. And because of its special-effects after Jurassic Park the world of cinema has, quite literally, never been the same.

Yet as sci-fi author John Scalzi notes in his surprisingly provocative book The Rough Guide to Sci-Fi Movies (Rough Guides, 2005), the fact that Jurassic Park – which Scalzi counts as being among the then 50 most important sci-fi films ever made – is great precisely because of its groundbreaking special-effects work has often led to the film being severely underappreciated. Again this may sound odd in 2018 when everyone is celebrating the 25th-Anniversary of Jurassic Park and the fifth film in the franchise – Jurassic World: Fallen Kingdom – just finished its second week as the Number 1 movie in America, but it’s important to remember that Scalzi was writing this in 2005 when the Jurassic Park brand was effectively dead in the water and Universal was seriously considering rebooting the franchise as something approaching a live-action adaptation of the cheesy 90s cartoon Extreme Dinosaurs.

Today Jurassic Park has regained its cultural capital in large part due to the phenomenal box office success of 2015’s Jurassic World - which as horror author and film critic Kim Newman observed succeeded in being the first film in the series to bring a definite “kaiju feel” to the franchise - but also because of the wave of 80s and 90s nostalgia currently surging through American popular-culture. But this same nostalgia has now caused Jurassic Park to be put on a pedestal, elevated far above its station to such an extent that many people now become nervous when you point out that they are venerating what is essentially a glitzy Godzilla flick. And make no mistake this is exactly what Jurassic Park is. In Don Shay and Jody Duncan’s highly recommended book The Making of Jurassic Park (Ballantine Books, 1993), Spielberg talks about what his seminal cinematic influences were when filming Jurassic Park. Among the foremost were a number of films which I have blogged about here including the original KING KONG (1933), THE BEAST FROM 20,000 FATHOMS (1954), GORGO (1961) and of course GODZILLA (1954) which Spielberg singles out as “the most masterful of all dinosaur movies because it made you believe it was really happening.” Other obvious influences, as noted by author Mark Berry in his The Dinosaur Filmography (McFarland, 2005), are the movies DINOSAURUS! (1960) and THE VALLEY OF GWANGI (1969). Jurassic Park – depending on your point of view – may have better special-effects than all of these films, but it is certainly not any better or more sophisticated than any of these films. In many ways, what Jurassic Park really is is a culmination of these films. The ultimate pop-culture dinosaur potpourri.

Currently there seems to be a great deal of monster-movie-denial going around with regards to Jurassic Park for a variety of different reasons. In fact, the only time people seem to want to mention the phrase “monster movie” in conjunction with Jurassic Park is when talking about the sequels and here the association is always negative. As in: ‘Jurassic Park was a great movie, but the sequels are just a bunch of dumb monster movies.’ I happen to like all of the Jurassic sequels to a greater or lesser extent, even the most recent film – Fallen Kingdom – which I nevertheless do acknowledge as being the most seriously flawed movie in the franchise to date. (If you want to hear my opinion of each film I suggest popping over to The Film Find podcast where I recently recorded an episode with regular host Adam Portrais on the entire Jurassic franchise.)

And while I would never insist that everyone who likes Jurassic Park also has to like the sequels I do expect that when someone is going to say a film is bad that they at least lay out a series of well thought out arguments about why they feel that way. And in this case saying that the Jurassic Park sequels are bad because they are “monster movies” when the original film wasn’t simply doesn’t count as a valid argument. I’m not sure how you prove to someone that Jurassic Park is a monster movie - really seems self-evident to me - but in the following series of posts I’m going to endeavor to demonstrate some of the ways that Spielberg used Jurassic Park to pay homage to the dino-monster movies of yesteryear and by doing so firmly seated his film as existing within that same tradition of fantastic film-making.

#jurassic park #jurassic world #jurassic park 3 #the lost world: jurassic park #jurassic world fallen kingdom #jurassicjune #kaijuly #kaiju #dinosaur movies #dinosaurs #godzilla #gorgo #the beast from 20000 fathoms #the valley of gwangi #dinosaurus!#steven spielberg #monster movie

78 notes · View notes

blackkudos · 6 years

Text

D'Angelo

Michael Eugene Archer (born February 11, 1974), better known by his stage name D'Angelo (pronounced dee-Angelo), is an American, Grammy Award winning R&B and Neo soul singer, songwriter, multi-instrumentalist and record producer. Born in Richmond, Virginia, the son of a Pentecostal minister, he began teaching himself piano as a very young child, and at age 18 he won the amateur talent competition at Harlem's Apollo Theater three weeks in a row. After briefly being a member of a hip-hop group called I.D.U., his first major success came in 1994 as the co-writer and co-producer of "U Will Know".

His debut solo album, Brown Sugar, released in July 1995, received rave reviews and sold over two million copies. Along with artists like Erykah Badu, Lauryn Hill, Maxwell, and collaborator Angie Stone, D'Angelo became part of the Neo soul movement. Following this D'Angelo went on a hiatus before releasing Voodoo in January 2000, which debuted at number one. Its lead single "Untitled (How Does It Feel)," was a smash on the R&B charts and won a Grammy for Best Male R&B Vocal; likewise, Voodoo won for Best R&B Album.

Following the release of "Untitled (How Does It Feel)," D'Angelo became more uncomfortable with his growing status as a sex symbol. This was followed by numerous personal struggles including alcoholism, and a fourteen-year musical hiatus. D'Angelo released his third studio album, Black Messiah, in December 2014, although it was originally set for release in 2015; the album was met with critical acclaim and fared well on music charts, peaking at number five on the US Billboard 200.

Early life

D'Angelo was born Michael Eugene Archer, in Richmond, Virginia on February 11, 1974, to a Pentecostal preacher father. He was raised in an entirely Pentecostal family. Archer's musical talents were discovered very early on. At 3, he was spotted by his 10-year-old brother Luther, playing the house piano. Following the formation of his native-Richmond, Virginia musical group, Michael Archer and Precise, and its success on the Amateur Night competition at Harlem, New York's Apollo Theater in 1991, the 18-year-old singer-songwriter and multi-instrumentalist dropped out of school and moved to New York City, as an attempt to develop his music career. The group previously enjoyed some notice in Richmond, evenly dividing their repertoire between soul covers and originals, while D'Angelo accumulated compositions of his own and developed his songwriting skills. The group's turnout on Amateur Night resulted in three consecutive wins and cash prize, after which, upon returning home to Richmond, D'Angelo was inspired to produce an album and began composing material, after a brief tenure as a member of the hip hop group I.D.U. (Intelligent, Deadly but Unique).

Career

1991–1995: Brown Sugar

D'Angelo signed a publishing deal with EMI Music in 1991 after catching the attention of record executives through a demo tape, which was originally by the group. After an impressive audition for EMI execs, a three-hour impromptu piano recital, D'Angelo was signed to a recording contract in 1993. A&R-man Gary Harris was primarily responsible for his signing, while manager Kedar Massenburg helped negotiate the contract as well. Massenburg became D'Angelo's manager after hearing of him through "the buzz on the streets". He had previously managed hip hop group Stetsasonic and formed the artist management-firm Kedar Entertainment in 1991, which he diversified into production, music publishing and publicity.

In 1994, his first significant success came in the form of the hit single "U Will Know". D'Angelo co-wrote and co-produced the song for the all-male R&B supergroup Black Men United, which featured R&B singers such as Brian McKnight, Usher, R. Kelly, Boyz II Men, Raphael Saadiq and Gerald Levert. D'Angelo composed the music for "U Will Know", while his brother, Luther Archer, wrote the lyrics. Originally featured on the soundtrack to the film Jason's Lyric (1994), the single peaked at number 5 on the Hot R&B/Hip-Hop Singles & Tracks and at number 28 on the Billboard Hot 100. The music video for "U Will Know" featured D'Angelo as the group's choir director; he reprised the role for the live performance of the song at the Soul Train Music Awards. That same year, he wrote and produced the song "Overjoyed" for the Boys Choir of Harlem, which appeared on their studio album The Sound of Hope (1994). The success of "U Will Know" helped build the buzz surrounding D'Angelo, which was followed by a number of highly promoted showcases, and added to the buzz among music industry insiders.

Brown Sugar was released in June 1995. Although sales were sluggish at first, the album was eventually a hit. The album debuted at number six on the US Billboard Top R&B Albums chart in the week of July 22, 1995. It ultimately peaked at number four in the week of February 24, 1996, and spent a total of 54 weeks on the chart. Brown Sugar also spent 65 weeks on the Billboard 200 and peaked at number 22 on the chart. It sold 300,000 copies within its two months of release. The album had been selling 35,000 to 40,000 copies a week through to November 1995, and by January 1996, it had sold 400,000 copies. With the help of its four singles, including the gold-selling Billboard Hot 100 hit "Lady" and R&B top-ten singles "Brown Sugar" and "Cruisin", the album reached sales of 500,000 copies in the United States by October 1995. On February 7, 1996, it was certified platinum by the Recording Industry Association of America, following shipments in excess of one million copies in the U.S. The album was certified gold in Canada on May 9, 2000. Its total sales have been estimated within the range of 1.5 million to over two million copies.

1996–2000: Sabbatical period and Voodoo

Following the success of his debut album Brown Sugar (1995), D'Angelo went into a four and a half year absence from the music scene and releasing solo work. After spending two years on tour promoting Brown Sugar, D'Angelo found himself stuck with writer's block. On the setback, D'Angelo later stated "The thing about writer's block is that you want to write so fucking bad, [but] the songs don't come out that way. They come from life. So you've got to live to write." During his sabbatical period, he generally released cover versions and remakes, including a cover-collaboration with Erykah Badu of the Marvin Gaye and Tammi Terrell duet song "Your Precious Love" for the soundtrack to High School High (1996). D'Angelo also covered Prince's "She's Always in My Hair" for the Scream 2 soundtrack (1997), as well as the Ohio Players' "Heaven Must Be Like This" for the Down in the Delta soundtrack (1998). He also appeared on a duet, "Nothing Even Matters", with Lauryn Hill for her debut solo album The Miseducation of Lauryn Hill (1998). He also spent the time lifting weights, smoking weed, and making music.

The much-delayed follow-up to Brown Sugar, Voodoo, was finally released in 2000 on Virgin Records after the EMI Records Group was absorbed by the former label. Voodoo received rave reviews from contemporary music critics. who dubbed it a "masterpiece" and D'Angelo's greatest work. The album debuted at number one on the US Billboard 200 chart, selling 320,000 copies in its first week. It entered the Billboard 200 on February 12, 2000 and remained on the chart for 33 consecutive weeks. As of 2005, the album has sold over 1.7 million copies in the US, according to Nielsen SoundScan. In 2001, Voodoo won a Grammy Award for Best R&B Album at the 43rd Grammy Awards, which was awarded to D'Angelo and recording engineer Russell Elevado.

Its first two singles, "Devil's Pie" and "Left & Right", peaked at number 69 and number 70 on the Billboard Hot 100 chart. The latter was commercially aimed at R&B and hip hop-oriented radio stations due to the prominence of rappers Redman and Method Man on the track. According to Rich Ford, Jr., producer of the "Left & Right" music video, both the single and the video went commercially unnoticed due to MTV's refusal to place the song's video in rotation, serving as punishment for missing the deadline for its initial premiere. The fifth single "Feel Like Makin' Love" was less successful, reaching number 109 on the Hot R&B/Hip-Hop Singles & Tracks. "Send It On", the album's fourth single, achieved moderate chart success, peaking at number 33 on Billboard's Pop Singles chart. The album's third single, "Untitled (How Does It Feel)", became its greatest chart success, peaking at number 25 on the Hot 100 Singles and at number two on the R&B Singles chart. Its infamous music video helped in boosting the song's appeal, as well as D'Angelo's. Billboard wrote of the video, "It's pure sexuality. D'Angelo, muscularly cut and glistening, is shot from the hips up, naked, with just enough shown to prompt a slow burning desire in most any woman who sees it. The video alone could make the song one of the biggest of the coming year". It earned three nominations for the 2000 MTV Video Music Awards, including Video of the Year, Best R&B Video, and Best Male Video.

2001–2013: Second sabbatical, struggles and delayed album

Towards the end of his worldwide tour in support of the album that same year, D'Angelo's personal issues had worsened, affecting performances. He became more conscious of and uncomfortable with his status as a sex symbol, and after the tour D'Angelo returned to his home in Richmond, Virginia, disappearing from the public eye. Several of D'Angelo's peers and affiliates have noted the commercial impact of the "Untitled (How Does It Feel)" music video and The Voodoo Tour as contributing factors to D'Angelo's period of absence from the music scene. His former music manager, Dominique Trenier, explained his disappointment in the music video's impact in a 2008 interview for Spin magazine. Trenier was quoted as saying that "to this day, in the general populace's memory, he's the naked dude".

According to tour manager Alan Leeds, the experience "took away his confidence, because he's not convinced why any given fan is supporting him." Following the suicide of his close friend, MTV-affiliate Fred Jordan, in April 2001, he started to develop a drinking problem. As his alcoholism escalated, plans for a live album and a Soultronics studio effort, both originally set for after the tour, were scrapped, and impatient Virgin executives cut off funding for the expected 2004 solo album.

By 2005, D'Angelo's girlfriend had left him, his attorney had become displeased with him, and most of his family was not in touch with him. He also parted ways with manager Dominique Trenier and tour manager Alan Leeds. After a car accident and an arrest on DUI and marijuana possession charges, D'Angelo left Virgin Records in 2005 and checked into the Crossroads Centre rehabilitation clinic in Antigua. In 2005, his recording contract was acquired by J Records, following rumors of D'Angelo signing to Bad Boy Records. Despite no solo output, D'Angelo collaborated with some R&B and hip hop artists during this period between albums, appearing on albums such as J Dilla's The Shining (2006), Snoop Dogg's Tha Blue Carpet Treatment (2006), Common's Finding Forever (2007), and Q-Tip's The Renaissance (2008).

D'Angelo's subsequent solo work was extensively delayed. Production for a full-length follow-up to Voodoo was stagnant, as he was working on and off mostly by himself during 2002. D'Angelo attempted to play every instrument for the project, striving for complete creative control similar to that of Prince. Russell Elevado described the resulting material as "Parliament/Funkadelic meets the Beatles meets Prince, and the whole time there's this Jimi Hendrix energy". However, those who previewed its songs found it to be unfinished. In the years that followed, D'Angelo's personal problems worsened, descending to drug and alcohol addiction. In January 2005 he was arrested and charged with possession of marijuana and cocaine. Various mugshots began circulating around the time, showing the singer looking overweight and unhealthy, in stark contrast to the muscular D'Angelo seen in promotion for Voodoo. In September 2005, a week after being sentenced on the drug charges, he was involved in a car accident, and was rumoured to be critically injured. However, a week after the crash a statement was issued by D'Angelo's attorney stating that he was fine continuing to say "He is anxious to finish the recording of his soul masterpiece that the world has patiently awaited.

No more was revealed on the new album until 2007, when Questlove leaked an unfinished track on Triple J Radio in Australia. Entitled "Really Love", the track was an acoustic flavored jam with a laid back swing feel. The leak apparently soured relations between the two. D'Angelo released a CD/DVD compilation album entitled The Best So Far…, first released on June 24, 2008 on Virgin Records. The compilation features songs from his two previous studio albums, Brown Sugar and Voodoo, as well as rarities and a second disc, a DVD of previously unreleased videos. Around the same time, the compilation was released digitally without the Erykah Badu and Raphael Saddiq featured songs, under the title Ultimate D'Angelo.

In late November 2011, D'Angelo announced a series of 2012 European tour dates. The tour kicked off January 26 in Stockholm, Sweden with its final show on February 10. The tour featured a selection of hits from his two previous albums and songs from his upcoming album, which was close to completion. He premièred 4 new songs: "Sugah Daddy", "Ain't That Easy", "Another Life" and "The Charade" which were well received. On June 9, 2012, he joined Roots drummer ?uestlove for the annual Bonnaroo Music and Arts Festival's Superjam. Although he didn't play any of his original material, this marked the first time in nearly 12 years that he performed on stage in the US. On September 1, 2012, D'Angelo performed at Jay-Z's Made In America festival where he again performed the new songs, "The Charade" and "Sugah Daddy". On October 7, RCA Music Group announced that it was disbanding J Records, Arista Records, and Jive Records. With the shutdown, D'Angelo (and all other artists previously signed to those labels) would release his future material on RCA Records.

2014–present: Black Messiah

D'Angelo released his third studio album, Black Messiah in December 2014, D'Angelo originally wanted to release Black Messiah in 2015, but the controversial decisions in the Ferguson and Eric Garner cases inspired him to release it earlier. On December 12, 2014, Kevin Liles, D'Angelo's manager, shared a 15-second teaser of the album on YouTube. Two days later, the track "Sugah Daddy", which had been part of D'Angelo's set list since 2012, premiered at 3am EST and 1,000 downloads were available on Red Bull's 20 Before 15 website. After an exclusive listening party in New York, Black Messiah was released digitally on December 15 through iTunes, Google Play Music, and Spotify. The album's unexpected release was compared to Beyoncé's self-titled release in 2013. On January 13, 2015, "Really Love" was released to urban adult contemporary radio in the US.

The album was met with universal acclaim from critics and it currently has a 95/100 mean score on review aggregator Metacritic. In its first week of release, Black Messiah debuted at number five on the Billboard 200 and sold 117,000 copies in the United States. In its second week, the album dropped to number twenty five on the chart and sold another 40,254 copies. In the United Kingdom, it debuted at number 47 on the UK Albums Chart with first-week sales of 7,423 copies. D'Angelo is supporting Black Messiah with a tour called The Second Coming. His band, The Vanguard, includes drummer Chris Dave, bassist Pino Palladino, guitarists Jesse Johnson and Isaiah Sharkey, vocalists Kendra Foster, Jermaine Holmes, and Charles "Redd" Middleton, and keyboardist Cleo "Pookie" Sample. The European leg commenced in Zurich on February 11, 2015, and concluded in Brussels on March 7.

In June 2015, D'Angelo confirmed to Rolling Stone that he was working on more material for a new album, calling it "a companion piece" to Black Messiah. In 2016 Black Messiah won Best R&B Album at the 58th Annual Grammy Awards as well as Best R&B Song for "Really Love" which also was nominated for Record of the Year. Black Messiah, Beyoncé's self-titled (2013), Run the Jewels' Run the Jewels 2 (2014) and Kendrick Lamar's, To Pimp a Butterfly (2015), were noted as laying the groundwork down for the political charged releases that happened in 2016, which included Anti, by Rihanna, Kanye West's The Life of Pablo, and Beyonce's "Formation".

D'Angelo performed Prince's "Sometimes it Snows in April" on The Tonight Show Starring Jimmy Fallon in April 2016 accompanied by Maya Rudolph and Gretchen Lieberum as a tribute to the late musician, appearing 'overcome with emotion' at the passing of a major influence.

Artistry

In a 1995 interview, he discussed the influence that musician Prince had on his approach to recording his debut album, stating "I was one of those guys who read the album credits and I realized that Prince was a true artist. He wrote, produced, and performed, and that's the way I wanted to do it." According to D'Angelo, the hip hop influence present on the album "came from the Native Tongues movement - Tribe Called Quest, Gangstarr and Main Source." In a February 1999 interview with music journalist Touré, D'Angelo discussed his original inspirations to produce music, stating "The sound and feel of my music are going to be affected by what motivates me to do it". On his visit to South Carolina, D'Angelo stated that he "went through this runnel, through gospel, blues, and a lot of old soul, old James Brown, early, early Sly and the Family Stone, and a lot of Jimi Hendrix", and "I learned a lot about music, myself, and where I want to go musically". In the same interview, he cited the deaths of rappers Tupac Shakur and The Notorious B.I.G. as having a great effect on him during the period. During the production of his second studio album D'Angelo recorded numerous hours of unreleased, original material, as well as covers of his influencers' material. Collectively referred to by D'Angelo as "yoda", these influencers included soul artist Al Green, funk artist George Clinton, and Afrobeat artist Fela Kuti.

Personal life

In the 1990s, he dated soul singer Angie Stone and helped produce her debut album Black Diamond in 1999. They have a son, also named Michael, born in 1998. Following the suicide of his close friend, MTV-affiliate Fred Jordan, in April 2001, he started to develop a drinking problem. By 2005, D'Angelo's girlfriend Cannelle Santos had left him, his attorney had become displeased with him, and most of his family was not in touch with him. He also parted ways with manager Dominique Trenier and tour manager Alan Leeds. After a car accident and an arrest on DUI and marijuana possession charges, D'Angelo left Virgin Records in 2005 and checked into the Crossroads Centre rehabilitation clinic in Antigua.

In the years that followed, D'Angelo's personal problems worsened, descending to drug and alcohol addiction. In January 2005 he was arrested and charged with possession of marijuana and cocaine. Various mugshots began circulating around the time, showing the singer looking overweight and unhealthy, in stark contrast to the muscular D'Angelo seen in promotion for Voodoo. In September 2005, a week after being sentenced on the drug charges, he was involved in a car accident, and was rumoured to be critically injured. However, a week after the crash a statement was issued by D'Angelo's attorney stating that he was fine.

Discography

Studio albums

Brown Sugar (1995)

Voodoo (2000)

Black Messiah (with The Vanguard) (2014)

Tours

Brown Sugah Tour (1996)

The Voodoo World Tour (2000)

Occupy Music Tour (2012)

The Liberation Tour (2012)

The Second Coming Tour (2015)

Wikipedia

3 notes · View notes

strmgrl-blog · 6 years

Text

my name’s saturn & this is my meme shop ! aaaaah no, really though bonjour angels ! for a lil introduction for myself let me just get this out of the way GIFJDKL uhhh i love aoa, day6 & sm artists ( like .. all of them Help ). a traumatized bitch who loves suffering so i project onto my muses to Cope ! GIAUDFJKL god gdfroijmkl sorry ummm i love star wars & video games ? catch me throwing an ow comp match & feeding in fortnite ! i love the moon, she’s the only thing that keeps me alive. i don’t have a mitochondria, i have lunar force. i have one (1) indoor cat who i birthed & LITERALLY 4 STRAY CATS who appeared from the mist. i run a ratchet vet service from my front porch & it’s free, i should be named human of the year honestly, truly. more on this mess of a muse, hyeon, who ( btw ) is literally my everything ? i’ve had her for quite a long time & lost motivation to write her so i’m changing some shit up to see how it goes & this is the product ! i hope you all enjoy reading this EXTREMELY long intro ( bc it will be very long im so sorry ) & befriend both myself as well as hyeon. & if you’re feelin’ a little extra, like this to plot ! i have a few ideas in mind but they’re all worth brainstorming over bc they’re SHIT. anyway, i love u all so much already ? genuinely a kind community i’m nut & WITHOUT FURTHER ADIEU, here’s hyeon ~ ♥（ﾉ´∀`）

warning ! trigger warnings ahead possibly including ꞉ child prostitution, drug abuse, child abuse, mental abuse, sexual assault, depression, suicidal thoughts + other mental illness, murder, & probably a fuckton more. read with caution, please.

⌠ BACKGROUND ⌡

so starting with her parents, where all stories begin, let’s just preface by saying these were awful people. they ran in similar circles during school, a very bad one at that, & fell in love after sharing a joint. in their high daze they saw what their mind was conjuring but not the truth about one another. but for them, it had been enough. thus, their story began. it was a very rocky road but they managed to stay together regardless. the bond they had created blossomed as they partook in illegal activities such as petty theft, vandalism, & it slowly evolved into larger problems.

after hyeon’s mother, named jung eunbi, stole from her parents for the last time she was kicked out into the street with her boyfriend ( who had also been kicked out ) with no place to go. both dropped out of high school as it wasn’t their “””scene””” & took to the dirty streets of busan trying to turn tricks. they’d do anything they could to get some money to feed their addictions. in the midst of their scrambling for what they deemed as important, they never thought to buy protection. so one fateful night after a good steal, they made love on a dingy couch high as a kite & eunbi got pregnant.

she hid the pregnancy for as long as she could from her boyfriend, he only noticed when there was a rather apparent bump under her baggy clothing. with the weight of the realization they might have to force themselves to become a real family, the couple got hitched & attempted to find real jobs. in some miracle, they managed to find a house to live in & eventually “raise” their child in.

hyeon was born on the 8th of june, on a dark morning with clouds hanging ove the sky & rain starting to pour. she was premature as her mother did drugs during the pregnancy ( which was really no shocker ) & almost was pronounced a still born before they heard the tiny being crying & gasping for air. her parents had assumed that once she was born, they’d feel that parental love that everyone claimed to have but it never came. they stayed in the hospital a total of two days & hardly let their newborn get the help she needed before they hauled ass out of there.

the first 3 years of hyeon’s life were better than expected, her parents at least tried to take care of her but once she was able to do everything on her own they left her be to pursue their own happiness. honestly think of matilda but a lot more severe ok

she would often get locked in a closet while there were parties held & her parents were too strung out to remember their child. she could spend days in there before she was released. this was only the beginning.

at 8 years old, her father lost his job ( her mother stayed at home ) due to a random drug test & he of course failed. this triggered her parents to panic as they no longer could supply themselves with their so desired highs. so after a night of scheming, they came up with a plan so sinister not even the devil himself would agree.

random men & women began to arrive to their dingy home as hyeon would be ushered into quiet rooms with them where they would pay to do whatever they pleased with the young girl. this went on for 2 years before hyeon was pulled into the principals office at school with questions about where those bruises on her came from. her mom was picked up for possession & this prompted the police to raid their home to find many illegal substances throughout the place as well as evidence of abuse towards the child.

soon after her parents were placed in prison, hyeon was shipped off to seoul to the biggest orphanage in the country. there she stayed for 4 more years. the time there was quiet, nobody asked her about where she came from & she never spoke about it. in truth, she never knew how to as she was a blank mind essentially.

luckily when she was 15, after a long & strenuous search, hyeon’s grandparents found her & adopted her into their home in daegu. they were absolutely appalled at this shell of a girl, but could only blame her trauma on their own children. it was here that hyeon was loved for the first time in her life ( & possibly the only time ) & taught how to feel something besids fear. she was still horribly inept at processing emotions or showing them.

two years spent with them & one night as hyeon & her grandfather were sat at the family piano, playing & singing a song as her grandmother recorded them in secret. that same video was sent to an entertainment company without hyeon’s knowledge but was thoroughly surprised & equally as excited when she was recruited. only a measly year in training with her 2 group members before they debuted & they were suddenly the biggest gg in sk.

the group debuted under the name of PTL, hyeon’s stagename was now Tink as she accompanied her members in the ride of a lifetime. they were extremely popular with their girl crush yet enticing vocals with miss tink as the main vocalist & maknae. even so successful as to have a world tour ! the group had their differences, hyeon being the medium for them as the other girls were rather opposing forces. often she was put in the middle of their arguing only to run away when conflict came up. during this time she would write & compose her own songs, bringing a heavy soul feeling to the group with her powerhouse vocals.

with all this being said ( which was a LOT ), there is still more. a year after debut while the group was climbing in popularity, hyeon began receiving texts from an unknown number. she soon found out that the people behind the mask were her parents, somehow having managed to be released from prison & found their new mission in life was to harass their daughter. on an october night, after an argument went down within the dorms between hyeon’s two members, the youngest set out by herself to meet those who hurt her for dinner.

as expected, it went horribly. at this point in her life, she was extremely impressionable, & witnessed how her eonnie handled things which was with a liquor bottle in hand. so, like an idiot, she went to a club by herself to get fucked up. while sitting at the bar, a random man drugged her drink & took hyeon home with him. the night was a blur but when the young woman woke up she felt familiar bruises & a blanket of rage took over. the man was still passed out next to her.

so as she slipped out of his bed & found the nearest blunt object, hyeon managed to bash his skull in. she blacked out after that only to come to with clean hands & far away from the corpse. this was the reactant to lead her to go blind in rage & come to with blood on her hands. soon enough, she took a liking to the feeling & became two people within one while somehow managing to remain anonymous as a killer ran rampant.

earlier this year, after too much shit going on within the group, ptl disbanded & all went their own ways. which hyeon appreciated. the people she had once called her sisters had become like strangers & only cared about themselves, didn’t have the time to look after their maknae.

to say that her already pre - existing depression & anxiety sky rocketed would be an understatement. she left music for a while, deciding to stream on twitch & youtube as a gamer. it made her happy for a short time but has been planning on returning to music with hints of a solo debut soon that has fans excited.

edit: i forgot to put this in here originally IGJFDKL but she moved to jeju after her group disbanded for a new start. plus, her address somehow got leaked so she uprooted all her shit & left for the secluded island.

⌠ OTHER TIDBITS ⌡

stands at 5′7″, 168 pounds ( considered plus size tbh. one day i’ll put picture references LMAO ), with curly, thick hair & freckles from hell.

can speak english, japanese, chinese, & italian. has a slight british accent from who she learned english from was from the UK.

has a rottweiler puppy named chewie, a hedgehog named leia, & two cats named opal & hazel.

voice claim is a mixture of lee haeri, kim taeyeon, park sunyoung, & ailee.

her favorite color is blue, loves the rain, & will 100% be caught standing in the middle of a storm.

is a practicing wiccan ! very much so considers herself a witch.

her favorite drink is strawberry milk, & will eat anything that has strawberries !

#islandintro #THIS IS LITERALLY SO FUCKINGGGG LONGGGOHj #i ghosted over smth rly important but ... I CAN touch on it more later i supposed BUT YEAH IM SORRY IF THIS IS FKNNNN AWFUGLLL #this is a mess n im sorryt plsssjoidkl love me !#like dis if u'd like to plot uwu

7 notes · View notes

thesinglesjukebox · 4 years

Video

youtube

JUSTIN BIEBER - YUMMY

[2.68]

Well, we thought about the Yummy, we said “Biebs, you’re fucking high...”

Alex Clifton: Why are straight boys like this? [2]

Leah Isobel: Justin Bieber's greatest strength as a vocalist is - was - playing very dumb phrases extremely straight, investing them with almost overflowing, doe-eyed emotion. This quality could turn a one-word chorus into poetry, or he could U-turn into knowing comedy when the phrases and ideas got dumb enough. On "Yummy," though, Bieber meets his match in a title phrase that's too winkingly juvenile even for his reformed child-star tenor. More than that, he sounds tired, like he doesn't even want to be playing this game anymore - his high notes have turned nasal and yelpy, his low register more empty air than resonance. I can imagine the Bieber of "Boyfriend" or "Beauty and a Beat" really feasting on this track, but 2020 Bieber needs more than vapid concepts to regurgitate on a semi-trendy beat. Those doe eyes have turned dead. [2]

Joshua Minsoo Kim: This would be a generous [6] if it were 2013 and this was one of the lesser tracks on Journals. More than six years later, and "Yummy" just sounds like... nothing? People complained that Ciara singing "yummy" was a mistake, but Bieber does something infinitely worse: he makes it devoid of any and all feeling. [3]

Ashley Bardhan: What can I say when Justin already said it all himself -- "you got the yum, yum-yum"? This song sounds like it would be Noah Centineo's ringtone. [1]

Thomas Inskeep: "Yeah, you got that yummy-yum" -- is Bieber trying to sound like an idiot? Because guess what, he succeeds. The production's generic pop-trap, and the lyrics are moronic beyond measure. About as yummy as food left in a dumpster at the height of summer for a week. [1]

Brad Shoup: Yummy is a fine word, acceptable even: couples are (or usually are) goofy. Things like yummy tend to slip out. It's the shiver he puts into the line "never runnin' low on supplies" that truly haunts. Wild how a couple years ago, the vocal manipulation would be front and center. Now, the up- and down-pitched yummies are practically invisible. Maybe by 2021 they'll be gone. [3]

Wayne Weizhen Zhang: Justin Bieber choruses work best when framed around a question: "What do you mean?" "Is it too late now to say sorry?" "Can we still be friends?" "Can we keep each other company?" "Where are yoü now?" See, Justin has never been the sexiest or suavest pop star in the world, but these big, pontificating questions sound nice. Fill in the blank answer with whatever you want; Justin is just the handsome chauffeur taking you to your destination. It becomes a problem, then, when he's asked to sell something more direct; he just sounds silly and unconvincing. "Yeah, you got that yummy-yum, that yummy-yum, that yummy-yummy" is already a weak chorus to begin with, something even a Bruno Mars, Childish Gambino or Drake would have difficulty pulling off. Here, we have Bieber: selling this positive statement with the enthusiasm of someone politely pretending to like something they don't. [3]

Jacob Sujin Kuppermann: The beat of "Yummy" sounds like a horny remix of the Wii Shop theme. It is by a wide margin the best part of the song. [2]

Alfred Soto: As abstracted a signifier of post-adolescent yearning as Bryan Ferry is a holy spirit of divine melancholy, Justin Bieber could be Swae Lee or Arthur Lee. He chirps over this here trap beat because he can't chew on it -- where are the yums? I smiled only at the line about walking in house slippers. [3]

Nortey Dowuona: The problem with Justin Bieber is that he's not interesting enough to really write about, musically, gossipcally or at all. The smooth, loping bass with sweeping, swallago synths and dispassionate synth progressions or the dull, flat drums are too interesting for Bieber to dully fumble over while not being able to play around with his limited range in the slightest the way a Frank Ocean or a Dappy or even a YBN Cordae could. At least it's short. [5]

Ian Mathers: Every day Popstar: Never Stop Never Stopping inches closer to being a documentary. [4]

Katherine St Asaph: OK, but I can go listen to Usher's "Lemme See," Chromatics' "Lady" and Ciara's "Dance Like We're Making Love" and get the same nocturnal streetlights-on-rain mood without also hearing Justin Bieber sing "yummy." [3]

Scott Mildenhall: Whether or not this is a song whose authors think is commercially astute, it is fantastically stupid in a way that seems too witless to have been so engineered. It was awkward enough when Harry Styles pressed the "belly" button, but to hang a whole song on the word "yummy" is both comical and, to extend the juvenilia further, icky. Though perhaps this is a path to follow. Bieber will already have fans who weren't born before "One Time" (or were babies as of "Baby"), so why not go an eenie meenie bit further and make the video a toy unboxing? Children are the future! [4]

Will Adams: Somehow less convincing and more juvenile/slightly creepy than when Bieber called his girl an "eenie meenie miney mo lover" ten years ago. [3]

Oliver Maier: Justin Bieber spent his teens trying to sound grown-up, then spent his early 20s trying to sound like a teenager. Purpose's singles posited him as a golden-hearted hottie grappling with adolescent naivety, who hurts your feelings or doesn't quite get it but is still trying, dangit. There was naturally a manipulative subtext to that cluelessness, but for whatever reason -- maybe that tension is interesting, maybe the songs were just catchy -- he remained compelling, and still felt out of our league. These days, I guess he's content to sound like nothing whatsoever. "Yummy" surrenders a few too many brain cells both in composition (this doesn't sound like a song anybody cared about writing) and execution (Justin Bieber sounds like the most tediously simpering man on the planet). There are shadows of good melodies here and there, if you're feeling generous, but it is simply too half-formed, and so cutesy and content that it nukes Bieber's sensuality altogether. I can't decide whether to cringe or take a nap. [3]

Will Rivitz: Three points to this as a conceptual exercise -- I didn't think it possible to sanitize "Hotline Bling" even more than the original. That's all it gets. [3]

Kylo Nocom: Awful metaphors and unsexy sex talk as bait for detractors to publicly (and correctly) declare awful. It's the same strategy as "Earth" and as the bizarre lead singles of other stars' comebacks: get the fans liking it, and the haters furious at how stupid it is. What "Yummy" does have is plenty of melodic tricks, and a beat like this would've popped off in 2016. Yet giving this any credit feels like rewarding a transparent cash-in when he's had far more attractive come-ons. [4]

Kayla Beardslee: Obviously "Yummy" isn't good. Obviously I was never personally going to like it. Obviously we as a collective are going to hate it. But what am I actually supposed to do with it? The Justin Bieber hate train has whirred back into full force -- the video is 15% disliked, and articles (plus offhand internet comments) criticizing him, the rollout, and the music are already being pumped out. He took over four years to come back after Purpose, but has been dropping a steady stream of features in the interim: Bieber has simultaneously faded from the public eye as a solo artist and overexposed himself as an inconsistent, practically anonymous guest feature. There's no hype for his return, except among diehard fans who would assemble no matter the timing or quality. It feels like being force fed. And yet, although "Yummy" is a joyless combination of beige and sleaze, I'm still hesitant to gleefully condemn it. As a song, sure, it's unpleasant and Purpose-less and not what he needed to kick off a successful era. But, let's be real, "Yummy" is such a nothing that trashing of the music can easily transfer onto Bieber himself, and so much of the hate is not (for lack of a better term) in good faith. If you're going to criticize Bieber, call him out for things like idolizing Chris Brown and patronizing Hillsong (deciding whether the latter is actually bad is complicated, but it's certainly been a topic of conversation around him). But how many people in a social media crowd are going to provide balanced criticisms of difficult topics like these? Bieber's music has been marketed toward teen girls, he has a pretty voice that some might judge as feminine, he just dyed his hair pink, he's making trendy pop and chasing traditional masculine and commercial markers of success: these are all fodder for cheap shots and knee-jerk hate across a variety of communities. I've seen people (a friend, a relative) react to mentions of Justin Bieber with mild disgust -- literally just his name is a repellent. Of course, Bieber carries himself with a cocky attitude that's easy to hate (probably what happens when you're forced into the ridiculous freedom and unique restrictions of celebrity when you're a naive teenager). Of course, he's built a reputation for acting like a terrible person many times in the past. Of course, Bieber is a straight white man who has a layer of security against harassment that artists like, for example, Lizzo don't have. And yet I constantly remember that Bieber has spoken out about battling depression, and I feel uncomfortable joining the pile-on. And really, what is there to enjoy about trashing him or "Yummy"? The track is bland and unambitious, except for when it's actively repelling ("get litty, babe"; the entire fucking premise of "yummy"). Bieber doesn't even sound like he cares. At first, I thought his team must have chosen a song named "Yummy" as a lead single for the same reason scammers still send Nigerian prince emails: immediately weed out the people who have no patience for it, and focus instead on reaching the sympathetic (his fanbase) and the oblivious (the general public bogeyman that passively consumes hits through playlists). And then I learned that the bridge namedrops Bieber's own house slipper brand, in a dumb, out of touch move that only a rich celebrity would approve of. That single moment makes me think his team is, in fact, desperate enough to coast on soulless music and hope to profit off Bieber's previous reputation and work alone. We're all just tired, aren't we? [1]

Jibril Yassin: Justin Bieber, a generational vocal talent, is trying to channel Post Malone here and all that comes to mind is a xerox of the Spider-Man pointing at Spider-Man meme. Can we get Usher to come back and fix this? [1]

[Read, comment and vote on The Singles Jukebox]

#Justin Bieber #pop #music #music review

0 notes

africasiaeuro · 4 years

Text

Liam Payne Sings Justin Bieber, Usher, and More Lyric Challenge

Date: 2019-10-02 13:00:12

[aoa id=’0′][dn_wp_yt_youtube_source type=”101″ id=”gEgjm1TT_YY”][/aoa]

Directioners, try not to freak out: We got the one and only Liam Payne to take our lyric challenge! The former One Direction singer was super psyched to guess the lyrics to tons of throwback pop songs. We threw everything from Beyoncé to Justin Bieber at him and he didn’t even flinch! Honestly I need…

View On WordPress

0 notes

blackkudos · 7 years

Text

D’Angelo