Summary: Written under an Anonymous pseudonym ~M~ to fill the following prompt ~ Historical Katniss and Peeta hate each other. They attend a masquerade ball and for some reason end up kissing each other. Sparks fly everywhere. Katniss tries to find the man behind the mask but Peeta knows it was Katniss though he doesnt say anything. They end up bethrothed even if they 'despise' each other. How they fall in love is up to u and how katniss figured out it was peeta is up to u
Rating: E for explicit sexual content, explicit language, implied/referenced rape/nonconsensual (not everlark), implied/referenced child abuse, implied/referenced suicide, implied/referenced miscarriage, discussions of illness, war, and injury in a historical setting, ptsd, minor character death. They worst of these tags happens offscreen and is merely discussed and dealt with rather than shown here.
A/N: ~Unmasked~ is my longest fic in terms of word count (around 234k), although Outside Chance and Spellbound are not too far behind and are both incomplete. Unmasked started as something meant to be fun and cathartic, then turned into a ridiculously long and self indulgent fic that I still, to this day, have no idea if the anonymous person who submitted the prompt to @everlarkficexchange even read, let alone whether or not they liked it. But I love what I produced for this fic.
Why write it anonymously and only reveal myself later? A couple reasons. 1) Historical is not my wheel house. At least not writing it. I am a shameless consumer of historical romances. I did some research for this fic but not nearly the level I would've liked to have done. Eventually, I said screw it, it's about the vibes not the accuracy. 2) I had a pile of unfinished wips when I started this, to include Outside Chance and Spellbound (both of which are still unfinished hmmmmm) and I really didn't want a lot of questions about when I was going to get back to those while I was working on this because 3) I'd just gone through a small slice of writerly hell to the point that I seriously considered deleting my entire tumblr and all of my fanfic. Details are not important right now, the result is. That's probably the closest I've ever come to calling myself done with fandom.
Then this prompt posted to EFE and wouldn't leave me alone. Eventually, I decided that if I was going to write it, I wanted to write it with as little pressure as possible. So I chose to write and post it as ~M~ until it was finished. Plus, I thought it might make it fun for people other than me if there was a bit of mystery behind it. And I don't regret doing that.
Writing behind a mask allowed me to be as long winded and self-indulgent as I wanted to without worrying about how tight the storyline was or how accurate the historical details were, or wondering if I'd be walking into my tumblr and a barrage of the kind of messages I'd come to dread receiving. The only thing I worried about, really was if the amount and kind of smut I included gave me away prematurely lmao.
While this was my first real foray into the realm of historical fics, I am hoping it's not the last. I've got too many ideas and half started pieces to back out of it now. But those, like this one, will probably remain untethered to a specific real place, and a specific time, mainly because I just don't have that kind of time for research if I'm not getting paid to do it lol. They will be works of love if not works of accuracy.
Eric Carr's live debut with KIϟϟ wearing the first version of his "Fox" makeup. While heavily featuring the 1979 and 1980 studio albums, it is somewhat strange to consider that the set included three covers: "2,000 Man," originally recorded by the Rolling Stones; "New York Groove," originally recorded by Hello; and "King of the Night Time World," originally performed by the Hollywood Stars (though never commercially released). "Is That You?" while not written by the band had also not been commercially released by the writer or other artists. The only United States "Unmasked" era concert and contemporary performance of material from that album. This show marked the live debut of three songs from "Unmasked" including "Is That You?," "Talk To Me," and "You're All That I Want." The Palladium was the renamed Academy of Music, where KIϟϟ had made their industry debut in December 1973. KIϟϟ spun their appearance at a smaller venue: "It was a night of nostalgia for Ace, Paul and Gene. And a dream come true for Eric Carr. KIϟϟ planned a special performance at the Palladium in New York to introduce Eric to its staunchest home town fans. There was very little publicity. The one-night-only show was mostly a word of mouth affair. Although small for KIϟϟ today, the hall was chosen for sentimental reasons. Most of the fans, as well as the band, were remembering the historic night KIϟϟ played its first important New York performance on that very stage... the show was a resounding success".
From local press: "KIϟϟ performed at the Palladium on Friday night, which was unusual; the group usually plays venues the size of Madison Square Garden. Slipping popularity may account for the Palladium date to some extent, but KIϟϟ could certainly have filled the theater several nights running and chose not to do so. The show's primary purpose seems to have been the introduction of Eric Carr, the new drummer, to the band's hard-core fans. A few diehards yelled for the departed Peter Criss, but not for long. This listener kept trying to remember what Mr. Criss used to sound like, but the effort proved fruitless. Before long, he became accustomed to Mr. Carr, who played a somewhat elaborate drum kit and was sometimes a little floppy but kicked the music along nicely. The band had installed its flashy stage set and resorted to a number of its tried and true visual gimmicks, but with the scale of the event reduced, one tended to focus more on the music. It wasn't bad. It was heavy-handed, macho to an almost comical degree, rife with bombast and excess, everything one expects heavy metal to be, but the playing was tight -- much tighter than the last time the reviewer heard KIϟϟ, at the Garden -- and most of the songs weren't padded with unnecessary solo noodling. Whether KIϟϟ fans will take to Mr. Carr remains to be seen; one would think they'd be satisfied with Gene Simmons's tongue-wagging and fire-breathing and Ace Frehley's flaming guitar. In any event, and for what it's worth, Mr. Carr's addition to the band seems to have been a positive step, though it isn't likely to make KIϟϟ' music 'genuinely important to life'" (New York Times, 7/27/80).
Another: "Carr proved to be a capable drummer but no Peter Criss. The show wasn't quite the visual extravaganza I'd anticipated, nor was it the Sodom and Gomorrah meets 'The Night of the Living Dead' I'd feared. Instead, it seemed like the 'Wizard of Oz' gone awry" (Aquarian).
From a mainstream review: "It was apparent from the appearance and playing of Carr that KIϟϟ one of the most successful rock acts of all times, was not taking any chances with the music or the formula now that original drummer Peter Criss has departed for a solo career... So it was almost the typical KIϟϟ show. But with the new drummer now more in the background, the focus was more on the front three... And although performing on a smaller stage than usual, the show was basically the same" (Billboard, 8/9/80).
From a regional review: "KIϟϟ concerts are a little like Christmas. The anticipation is half the fun, and everyone was up for this one... KIϟϟ crashed through their 20-song set with the delicacy of a chain gang" (London, CT, The Day, 8/1/80).