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#The Very Pulse Of The Machine
machinegrl · 10 months
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[transcript]
"if you're a machine, what is your function?"
"to know you."
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pedroam-bang · 1 year
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Love, Death & Robots: The Very Pulse Of The Machine (2022)
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itsmelissadj · 3 months
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Love Death + Robots: The Very Pulse of the Machine
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cherrydott · 1 year
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"WAKE UP"
Randomass stylized realism pulled out the ass of your local cartoonist
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calvinbeemanart · 1 year
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I don't know why I never posted this. Love, Death and Robots fanart I made right when season three came out. Specifically, this si based on the episode The Very Pulse of the Machine.
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gebo4482 · 2 years
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Love, Death + Robots - The Very Pulse of the Machine by Wardenlight Studio #1
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schwarzfee · 1 year
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starry-kattz · 4 months
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The homoerotic tension between a moon and an astronaut.
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cen-iza · 2 years
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Love, Death & Robots (TV Series 2019 —  ) S3, Ep3: The Very Pulse of the Machine (2022)
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yourbelgianthings · 7 months
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In the same way your heart feels and your mind thinks, you, mortal beings, are the instrument by which the universe cares. If you choose to care, then the universe cares. If you don't, then it doesn't.
(quote from fantasy high prompocalypse pt. 2, text fill image from the love death and robots episode the very pulse of the machine)
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starrdio · 11 months
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Man a lot of Love Death and Robots is gratuitous violence and unfunny humor but sometimes. SOMETIMES they make the most beautiful heartwrenching works of art. Several of my favorite art pieces ever are LDR episodes and I couldnt care less for 80% of the series.
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thefiresontheheight · 2 years
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Waifus in Love, Death and Robots:
The kaiju in Sonnie’s Edge (just the kaiju)
The eldritch spider thing from Beyond the Aquila Rift
Io (the Jovian moon)
Lucky 13
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scenesandscreens · 2 years
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Love, Death & Robots, Season Three: The Very Pulse of the Machine (2022)
Director - Emily Dean
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yuriskies · 9 months
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I would like to float Michael Swanwick's 1999 Hugo Award winning short story "The Very Pulse of the Machine" as an ur-example of Miyazawan yuri. For me it has a very similar vibe to the sci-fi/landscape elements of Otherside Picnic, and I think fans of that might be interested in reading it. More below the break in case you want to go in without spoilers. Read it! It's good!
So like, brief summary in case you didn't read it, Martha and Juliet are the first humans to land on Io, and the story picks up immediately after a catastrophic rover crash that has killed Juliet and left Martha in an extreme survival situation. With a limited amount of air, Martha has to trudge across the hostile landscape of Io's surface. As she uses on methamphetamine to make the trip, Martha begins seeing ethereal visions and Juliet's corpse quotes poetry and hints at a vast machine-like intelligence inhabiting the moon's sulfur deposits.
The Very Pulse of the Machine is strange and defies any easy story categorization. I definitely wouldn't call it a "true" yuri SF, but there are aspects that I twigged on that resonate with Iori Miyazawa's aesthetic. There isn't a romantic relationship between Martha and Juliet, but little aspects of the narration hint at something complex and ill-defined between them.
The story plays around with a sense of finality between the two - how much of Juliet's speech is Martha's drug-addled memories of Juliet quoting poetry verses, the reanimated thoughts of the dead, or the machine-like intelligence attempting to communicate through Juliet's knowledge is kept intentionally vague. It becomes the springboard for Swanwick to explore Martha's sense of loss, feelings of social inadequacy, and her desperate struggle to keep self-serving dreams and reality separate really resonate with what Miyazawa was calling "yuri of absence".
I think there are also aspects to this story that also illustrate what Miyazawa meant when he said landscapes are inherently yuri. The version of Io in The Very Pulse of the Machine is ethereal as hell - volcanic plumes and twisting magnetic fields illuminate its sky, while sulfur dioxide flowers bloom from its surface in between stygian lakes of molten sulfur and sulfur dioxide vent blizzards. There's this wonderful moment where Martha sees triboelectric discharges illuminating Juliet's body and tapping at her feet, and for a moment the text leaves you to wonder if it's an ancient, lonely machine yearning for contact reaching out to connect with them both.
Also just gotta say that until I go to the grave I will consider the end high-class yuri, no matter what anyone tells me.
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LOVE, DEATH + ROBOTS: VOLUME 3 (2022)
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