Mehan Lake/Bob Quinn Lake, BC

Bob Quinn Lake is an unincorporated community in northwestern British Columbia, Canada. It is located along the Stewart-Cassiar Highway (Highway 37) along Bob Quinn Lake, about 292 kilometres (181 mi) north of Kitwanga and 192 kilometres (119 mi) south of Dease Lake. Both the locality and the lake are named after Robert Quinn, an area old timer and one-time lineman on the Yukon Telegraph Line.

Source: Wikipedia

Heli Skiing Packages & Tours In Canada Build Your Trip

Heli skiing Tours with phenomenal experiences, that will even offer something new to essentially the most completed travelers. Heli skiing is an thrilling approach to expertise one of the best of the winter season. When planning for a heli skiing adventure, it’s important to pack the right gear and clothing to make essentially the most of your experience. The following suggestions will assist you to pack in your ski trip. Deciding whether or not to try heli skiing or traditional skiing finally comes down to private choice and talent degree. If you're an experienced skier on the lookout for a new and challenging adventure, heli skiing may be right for you. Exactly when the busy seasons and the off-seasons are is determined by the country in question. However, the easy truth is that issues at all times price more during the well-liked instances of the 12 months in comparison with the low season. At the tip of the day, retire to the lodge for a gourmet meal and Jacuzzi. All costs are $CAD ($USD prices shown are based on forex rates available from and are topic to change). It was really an distinctive trip and expertise – perfect for our household. The Purcell Mountains fea- ture dramatic, smooth-sided stone towers punching up from extensive alpine bowls. With an abundance of dry snow and over 2,000 square-kilometres of mountainous terrain for their exclusive use, a 10- to 15-minute flight transports skiers to an vast, empty, pristine winter panorama. Purcell has over 250 named runs overlaying each conceivable type of terrain—wide-open glaciers, high-alpine bowls, gladed subalpine, open cutblocks and steep trees. Scattered throughout Purcell’s tenure are hand-built cabins used for lunch stops.You can get pleasure from soup and sandwiches on a porch going through some of the runs you’ve just skied. Nestled within the Skeena Mountains of northern British Columbia, Last Frontier offers two completely different lodge-based heli-ski experiences – the main one being the purpose-built heli-ski lodge, Bell 2 Lodge. Our Daily Powder Adventure packages enable the intermediate, advanced and expert skier/boarder to enjoy a at some point Heli-ski journey. With over 20 years of expertise guiding ski touring groups in the space, we extended our packages in 2008 to heli skiing, becoming the first heli ski operation in Iceland. Our huge terrain covers greater than 4000 sq. kilometers, or 1500 sq. miles of breathtaking Arctic mountains with terrain that fits every skiers capacity be it excessive couloirs or wide-open glaciers. With the following tips, you’re ready to pack on your heli skiing adventure. Make heli skiing packages canada to double-check your packing listing before heading out to ensure a safe and pleasant trip. By following the following tips, you probably can prepare in your first heli skiing trip and have a protected and unforgettable experience in the mountains. Cat Skiing – CPG has offered cat skiing in Girdwood since 1998. Cat skiing is available during seasons with sufficient low-elevation snow cowl, which has turn into much less dependable lately. Cat skiing is primarily offered as a backup to our semi-private package visitors.

Northern Escape Heli Skiing Mountain Lodge

They had spent Sunday night in Northern Escape’s luxury fly in/fly out Mountain Lodge, reserved for “elite package guests” with a fire hearth, gourmet meals and an out of doors sizzling tub. Sitting in the co-pilot seat, Giacum “Jake” Frei, head information and founder of Skeena Heliskiing, pulls a rusty spike from his pocket, loops a tail of fluorescent flagging tape around it, then tosses it out the window. Roy circles back and this time, utilizing solely the nail for orientation in an in any other case complete whiteout, manages to touch one skid down, just long sufficient for Frei to hop out. We use B2 helicopters as they permit us to entry one of the best of our terrain and better cater to our smaller teams. We suggest a conditioning program that can help you elevate your energy and endurance. If you’re unable to keep up with your group, you might be requested to sit out and gained't be reimbursed for any missed heliski time. We recognize that you've come an extended method to enjoy your heli skiing vacation and we want to make certain that you get what you came for – and what you're paying for. We assume that you are here to really get your money’s worth and do as a lot skiing as you can presumably slot in. While helicopters had been first used in the Alps and the Chugach of Alaska, mountaineering legend Hans Gmoser began Canadian Mountain Holidays (CMH) in the Sixties and created the heliskiing industry we all know at present. If you’re in search of a true home-away-from-home experience, where non-skiers are welcome too, we have a couple of incredible properties for you. Bighorn Lodge in Revelstoke is nestled at the base of the ski run of Revelstoke Mountain Resort in the interior of BC – totally catered, with 15,000 sq ft of space for up to 16 friends. Expect Michelin star-worthy food, a personal helipad able to take you heli-skiing right out of your door, as nicely as an enormous outside hot tub, sauna, pool, cinema and video games room. Both Bell 2 Lodge and Ripley Creek supply superior and challenging heli skiing terrain both in and out of the trees. Ripley Creek does not have as much quick access to mellow terrain as Bell 2. If you might be then you’ll be rewarded a scorching tub underneath the celebs to appease your muscles on the finish of each day and full gourmet meals to gasoline you for the next one. The helicopter, considered one of three running a heli-skiing operation in the mountainous area, had seven individuals on board, the Royal Canadian Mounted Police (RCMP) mentioned in an announcement on Tuesday. Place the word ‘heli’ before any outside pursuit, and it immediately becomes extra enjoyable. I as soon as took a heli-yoga class on a mountain in the Rockies, however breathing in every pose was difficult as a result of the view was breathtaking. I’ve heli-swum in alpine lakes you’d need days to hike to, and now in Northern B.C., we are ready to add heli-fishing to the listing. Ainsworth was amongst these taken to hospital, but household and pals in his residence country of New Zealand say he has since died of his accidents. Heli skiing Tours is situated removed from odd, however near to a small, quiet airport within the Northern BC town of Smithers, just a 1.5 hours flight from Vancouver, B.C., Canada. Alpine Ski/Snowboard Boot Binding SystemsThe ski boot/binding system for wilderness skiing might not launch during each fall or may release unexpectedly. The ski boot/binding system isn't any assure that the skier will not be injured. Heli skiing safety – It’s essential that you learn the below data. Once you arrive in Terrace, BC it’s a brief drive to the lodge. Small boutique environment where the workers is more like pals, the food is superb and the skiing / boarding is the ultimate word lifetime expertise. It’s a distant area in northern Quebec that gives some of the finest heli-skiing in this part of the country, and the tours are considerably affordable too.

Heli Skiing In Canada Is Best With Skeena Discover Out Why

The submit and beam construction is built from local supplies around a three-story river stone fire, with not one nail in the whole lodge. The design is inspired by the First Nation people and the pioneering tradition of the region. Skeena Heliskiing is grateful to operate on the unceded territory of the Gitxsan Nation. © 2024 Great Canadian Heliskiing, All Rights Reserved. Boundless, untouched terrain, all yours to discover. Feel the adrenaline rush and embrace your surroundings as you ski through untracked powder – it’s not on a daily basis you have a backdrop of towering mountain ranges, valleys and alpine forests. Take benefit of your relaxation occasions to recharge while enjoying food and drink in essentially the most breathtaking panoramic scenery in the world. three to 7 day packagesAll trips embrace bookends of two half days. The Bugaboos Lodge includes thirty-five rooms, bar, sauna, steam, and video games room. There can be a tribute to the flip of the century gold hoax that made the Bugaboos Canada well-known, including maps, footage and other cool stuff. Fantastic iconic mountains that are seen from the lodge. Social gatherings come alive in our primary lodge where après, meals and an excellent bottle of vino are shared. Here you’ll discover the bar and eating room, plus a gift store and front desk. Also in the main lodge, a dedicated gear room where we tune skis and snowboards. It’s designed that will assist you get ready each morning and dry out your gear overnight. In the heart of our little heli skiing village, deal with yourself to a soak in the hot tub or sweat it out within the sauna. You’ll even have use of an on-site health centre and games room. In addition, the ski stage of “bucket list” friends isn't as excessive. Powderbird’s skilled ski guides group riders in accordance with ability. Terrain ranges from basic advanced intermediate runs to aggressive expert slopes. Northern British Columbia is all about serious mountains and large snow. It would possibly look like you are about to journey to the sting of the Earth — but is not that the point? Guests arrive in Vancouver, from there, a 1.5-hour flight brings you to Terrace. A 4-hour floor transfer leads you deep into the Coast and Skeena Mountains — residence to Last Frontier’s Bell 2 Lodge and Ripley Creek Inn. BC heliskiing is an exhilarating winter exercise that entails skiing or snowboarding on remote and untouched mountains in British Columbia, Canada. Helicopters are used to move skiers and snowboarders to the highest of the mountains, providing entry to untracked powder snow in a few of the most breathtaking terrain on the earth. BC heliskiing is a well-liked activity for each superior and intermediate skiers and snowboarders, and is a good way to explore the great thing about the Canadian Rockies. In reality, a few operators offer limitless vertical on every package! Our rigorously curated areas showcase the most effective of the Canadian backcountry, with vast expanses of powder-covered slopes accessible only by helicopter. Soar to new heights and carve your own path through the pristine snowscapes, guided by skilled professionals dedicated to creating an unforgettable skiing expertise. Meanwhile, in the South Chilcotin just north of Whistler, Tyax Lodge & Heliskiing supplies high-country adventure, small-groups, and limitless vertical for the final word heli-skiing experience. I even have been to Skeena heli skiing 6 instances now since 2013, and it's the greatest place on earth. The terrain may be very varied so you can get all of it. The guides appear to me to be the best guides in the entire world, they're very skilled and have nice concentrate on security, and they adjust the tempo to all levels on the groups. This means lighter, drier snow and many skiing above tree line. RK Heli Ski Canada can be positioned in the far Eastern corner of British Columbia, Canada. This is another reason that the snow that falls is likely to be gentle powder. From its head workplace in Banff, Alberta, CMH operates eleven destinations in the Bugaboo, Cariboo, Monashee, Purcell, and Selkirk ranges of British Columbia. So we’ve put collectively a listing of some of the best heliskiing adventures in North America, from one-run heliskiing adventures for less than $200 to week-long luxury experiences. The recent mountain air, sweeping views, and untouched remote terrain all combine for a day of fresh tracks that you just can’t simply have anyplace. Heliskiing is the ultimate winter expertise for a lot of skiers and riders. Our tenure is the meeting level of chilly temps of interior BC from the Chilcotin plateau and the legendary snowfall amounts of coastal BC.

Discover the Thrill of Heli Skiing in Canada: A Comprehensive Guide

Heli skiing, a term that sparks images of untouched snow, breathtaking landscapes, and exhilarating descents, is a dream for many skiers and snowboarders around the world. But what is helicopter skiing? Simply put, it's a type of backcountry skiing where a helicopter transports you to remote, pristine slopes instead of using traditional ski lifts. This adventure offers access to some of the most spectacular terrains that are otherwise inaccessible, providing an unparalleled skiing experience. Among the various destinations for this thrilling sport, Canada stands out, particularly for its vast, diverse, and snow-packed landscapes. This article explores heli skiing Canada, highlighting the best heli skiing in Canada, deals, and what makes this northern country a premier destination for heli skiing enthusiasts.

Heli Skiing Canada: An Unmatched Adventure

Canada's vast wilderness, combined with its heavy annual snowfall, makes it a paradise for heli skiing. The country boasts several top-tier heli skiing destinations, but British Columbia (BC) takes the crown. Heli skiing Canada British Columbia is renowned worldwide, thanks to its vast expanses of glacial terrain and powder snow that cater to all levels of skiers and snowboarders.

Best Heli Skiing in Canada: Where to Find Your Perfect Run

When it comes to identifying the best heli skiing in Canada, several factors come into play, including snow quality, terrain diversity, and the overall experience. British Columbia, with its legendary powder and immense terrain, hosts some of the most acclaimed heli skiing operations in the world. Places like the Skeena Mountains and the Coast Range offer some of the most spectacular settings for heli skiing in Canada. These areas are not only famous for their snow quality but also for their breathtaking scenery, providing a backdrop that makes every descent memorable.

Canada Heli Skiing: Tailoring Your Experience

Canada heli skiing offers a variety of packages to suit different preferences and skill levels. Whether you're a seasoned off-piste skier or a first-timer eager to experience the thrill of heli skiing, Canadian operators provide tailored experiences that ensure safety, fun, and adventure. From single-day excursions to multi-day packages with luxurious lodge accommodations, there's something for everyone.

Helicopter skiing: Maximizing Your Adventure

For those looking to maximize their adventure while keeping an eye on the budget, helicopter skiing deals Canada are worth exploring. Early booking discounts, group rates, and last-minute offers can make this once-in-a-lifetime experience more accessible. Keep an eye out for seasonal promotions and package deals that include lodging, meals, and additional amenities alongside your heli skiing adventure.

The Ultimate Skiing Adventure Awaits

Heli skiing Canada offers an unmatched adventure for those seeking the ultimate skiing experience. With its world-renowned terrain, exceptional snow quality, and breathtaking landscapes, Canada remains a top destination for heli skiing enthusiasts from around the globe. Whether you're drawn to the pristine slopes of British Columbia or seeking the best deals for an unforgettable trip, Canadian heli skiing promises an adventure like no other. So, pack your skis, and prepare to explore the boundless beauty and thrilling slopes that await in Canada's backcountry.

Where is the best heli-skiing in Canada?

When it comes to the world of heli-skiing, Canada stands as a beacon for adventure enthusiasts seeking the ultimate powder experience. The country's vast and pristine landscapes offer a treasure trove of opportunities for those daring enough to chase untouched slopes. But amidst the vast options, there's one name that consistently emerges as the epitome of excellence in the world of heli-skiing—Northern Escape Heli Skiing.

Heli Skiing in Canada: A Snow Lover's Paradise

Canada is renowned for its breathtaking natural beauty, and it's also home to some of the world's most coveted heli-skiing destinations. The concept of heli skiing, or helicopter skiing, is synonymous with exhilaration and awe-inspiring adventures. It's a sport that allows skiers and snowboarders to access untouched, backcountry terrain that's simply inaccessible by any other means. But when it comes to choosing the best heli-skiing experience in Canada, Northern Escape Heli Skiing undoubtedly tops the list.

The Northern Escape Difference

Founded in 2004 by a group of four friends with a shared passion for skiing and a dream to craft the ultimate heli-skiing adventure, Northern Escape Heli Skiing has become synonymous with luxury, expertise, and unforgettable experiences. The quartet of founders—John, Benny, Teddy, and Dave—have not only transformed their passion into a thriving business but have also created a haven for those seeking the very best in heli-skiing.

Why Northern Escape Heli Skiing Stands Out:

Unrivaled Terrain: Nestled in Northern BC's Skeena Range, Northern Escape Heli Skiing boasts a location that's a snow lover's dream come true. Its proximity to powerful Pacific storms and far north latitude ensure that you'll be skiing on one of the planet's deepest, driest, and most reliable snowpacks.

Variety of Terrain: The terrain here is nothing short of spectacular—alpine bowls, massive glaciers, steep couloirs, and epic tree skiing. It's a paradise for big-mountain enthusiasts, offering backcountry skiing and snowboarding at its finest.

Snowcat Skiing Backup: Stormy weather? No problem. Northern Escape Heli Skiing has snowcats ready to ensure you can ride even when helicopters can't take to the skies. Your adventure is never compromised.

Award-Winning Excellence: Northern Escape Heli Skiing has been recognized as the 'World's Best Heli-Ski Operator' at the prestigious World Ski Awards of 2022. This accolade underscores the exceptional quality and service they offer.

The Cost of Heli Skiing

Heli skiing is undoubtedly a premium experience, but the memories forged amid these pristine landscapes are priceless. Northern Escape Heli Skiing offers a range of packages to suit various preferences, ensuring that the dream of heli skiing in Canada is within reach for passionate powder seekers.

In conclusion, when you're on the hunt for the best heli-skiing experience in Canada, look no further than Northern Escape Heli Skiing. It's where the mountains, the adventure, and the memories all come together to create an unparalleled experience that will leave you yearning for more.

To embark on your heli-skiing adventure with Northern Escape Heli Skiing, visit their website at www.neheliskiing.com and get ready to elevate your powder skiing to new heights.

Heli-skiing The Good Snow Journey In Canada

Heli-skiing is if you take a helicopter to access backcountry ski runs which are in any other case very difficult to achieve. It is doubtless certainly Heliski one of the most exhilarating, and unique, ski actions that you can do. All of Kingfisher Heliskiing’s multi-day visitors will stay at Sparkling Hill Resort.

Hours later, our alpine journey wrapped up with a hearty lunch right on the mountain, which I devoured while flopped into the side of a snowbank, exhaustion lastly setting in. I’d conquered my first day of heli-skiing—and couldn’t wait to do it once more. The setting for this bucket list-worthy journey was the towering Purcell Mountains in British Columbia, Canada. The vary is certainly one of the finest locations in the world for such excursions, as it’s the birthplace of heli-skiing, has a number of the highest elevations and may see chest-deep snow drifts. Whistler Heli Skiing’s Ultimate Excursion is proscribed to simply five skiers a day of superior ability who want to ski at a quick pace.

It permits us to move shortly in isolated regions, to fly over all obstacles and finally to drop skiers at the high of the mountains to let them take pleasure in virgin spaces and powder snow as far as the eye can see. Bear Claw Lodge also provides x-country skiing, ice-fishing, snow shoeing, dog mushing and snowmobile tours.. The Skeena Mountain range has a huge variety of terrain, from the high vertical slopes with steeps to powder bowls with pillows and shoots. Skeena’s geographical location and diversity of terrain allows us to persistently take pleasure in one of the lowest variety of down days in the business. The heli-ski season runs five months yearly from mid-December to the tip of April and employs three,000 workers. According to HeliCat Canada, round 44,000 heli-skiers hit B.C.'s distant mountain slopes yearly.

To guarantee the safety of your self and the other group members you must refrain from alcohol and drug use while on a heli trip. Anyone breaking this rule may Heliski be instantly barred from snowboarding or boarding throughout the day. Smokers should not smoke anyplace close to the plane or fueling methods.

When beginning out on your first turns in powder, start out slowly and push or bounce on both ft together to feel the springy nature of the snow beneath your ft. Try to search out your new steadiness while floating in the delicate snow. Make a couple of large to medium radius turns to get used to the powder snow and your new fats skis.

Our guides are absolutely licensed instructors who might help you with ideas and pointers all through the day. Untracked snow is nice for learning to ski or ride in powder. They fly A-Star helicopters which carry one pilot, one fully licensed professional heliski guide, and Heliski 4 guests to a few of the most superb and easily accessible terrain wherever. Sliding down the deep snowpack and breathing within the crisp air whereas enjoying beautiful views of pow-covered mountains counts as an “A+” day.

A group of heli-skiers will get into the helicopter to be taken to a different spectacular place in the Purcells. The ladies's mannequin of Hestra's traditional Heli Ski glove has a narrower cut and fit for girls's arms. A long, sensible 3-finger ski glove for those looking for powder snow who need a dependable companion on the mountain. Its detachable liner makes it simple to adapt to different temperatures and activity levels. You must also put money into heat, waterproof gloves, high-quality goggles, and a good helmet to protect you in case of harm. Depending on the terrain you’re exploring, you may want other security gear — so speak to your heli-ski tour operator for his or her recommendations.

Lately, some heli-skiing operators have began to minimize their influence on the setting and provide their companies in a extra climate-conscious means, starting a new era of carbon-neutral heli-skiing. Imagine countless miles of big-mountain terrain so far as the eye can see, and a perfect slope of untracked powder under your skis just waiting to be ripped. You drop in together with your buddies, activate the Go-Pros and make your individual ski porn. This and rather more comes with the ultra-adventure expertise of heli-skiing.

The first time Ian Tomm, president of Eagle Pass Heliskiing, realized the real threat COVID-19 posed to his firm was throughout a cocktail party in January this 12 months. The interior features wood, stone, and leather-based in a wealthy, pure color palate, whereas stone and cedar accent the building’s exterior. Unique to the project was using cross-laminated timber and glulam for the floor construction and roof which eradicated the need for joists and simplified the building process. When this realization hits there are lots of completely different choices in the Whistler area. Instead of opting to shut down this winter, they pivoted within the face of the pandemic to market to Canadian travellers at a 50% discount. This worked better than expected as they've practically offered out their whole season!

WFS 370 - Skeena River Spey Lodge with Brian Niska - Steelhead, Salmon, Skagit

Show Notes: https://wetflyswing.com/370

Presented By: Togens Fly Shop, Country Financial, Zoe Angling Group, FishHound Expeditions

Sponsors: https://wetflyswing.com/sponsors

Brian Niska takes us to the Skeena River and basin with a focus on swinging flies for main-stem steelhead. We find out how he targets migrating versus holder fish, when you should be fishing the shallow water, and how to get your swing to slow down.

This one is jam-packed with tips and takes on exact time, location, position.. it's all here! Brian is very articulate in elaborating techniques that you can already imagine how it works. Check it out right now!

Skeena River Show Notes with Brian Niska

12:00 - Brian and Jeff Pieroway designed some Spey rods called Metal Detector

13:00 - Brian tells the story of how they bought a guiding lodge business at Skeena riverside which was previously owned by a German family

20:00 - Fishing season starts in mid-March at Skeena

26:00 - He explains how slowing down the cast is the key to effective Spey casting

32:00 - Tip: If you're using running mono line, you don't have access to both sides of the river, and you're often fishing on the same side of your body, you need to find a way to incorporate some rotation to the other direction to keep your line going nice and straight.

32:55 - Tip: The older the mono line is, the better it fishes because it's got a stretch. Don't wait, put that stretch in as soon as you get it. A good way to get it stretched is to get it warm. Put it in a bowl of warm water and give it a good hard stretch.

36:00 - The busiest time of the year at Skeena Lodge is the end of August since most of the salmon species are available in August

38:10 - When people say they are going to fish the Skeena, what they really mean is that they're going to fish the Bulkley

39:45 - He talks about a picture of a 40-pound dead steelhead back in the 80s

48:45 - Brian mentioned the episode with Jeff Liskay and pointed out the tip about the importance of having a high rod tip. WFS 362 was the latest one with Jeff.

55:50 - "The anglers that are consistently successful are the ones that believe that every single bump is a fish and are willing to repeat the cast, and willing to let the fly fish its way out, they're not rushing to the next cast."

57:20 - They fish Skagit line most of the time and a little bit Scandi in the Winter

58:45 - Brian was on the River Rambler podcast

1:04:10 - The number one most common life history of a Skeena steelhead is 4 years in fresh water and 2 years in salt

1:04:30 - The Pacific Decadal Oscillation (PDO) is a long-term ocean fluctuation of the Pacific Ocean. The PDO waxes and wanes approximately every 20 to 30 years.

1:13:00 - Early September to October is a great time to fish the Skeena

1:17:00 - Malcolm Wood is a big advocate of climate change - he makes movies about climate change awareness. His latest movie is called, The Last Glaciers

1:18:50 - Brian mentioned Bob Hooton from SteelheadVoices.com

1:25:50 - Advice: When you're fishing the Skeena for the first time is plan to be mobile. Plan to fish 3 or 4 different rivers and come for as longest period that your schedule allows. And don't fish with people in the same spot - spread the pressure out, that's the best move.

1:27:25 - For flies, Brian uses Stewart's Steel Pig. He recommends bringing a small and large version of the fly you're using.

1:30:20 - Brian recommends Bob Hooton's book about the Skeena

Show Notes: https://wetflyswing.com/370

Check out this episode!

Gitksan totem of a cougar or mountain lion, Kitwanga, British Columbia, 1910

Wood carving of a large cat; possibly cougar or mountain lion. Displayed on wooden platform in clearing; man sits on platform next to pedestal. Totem pole in background. Totem also seen in NA3446 Note from unidentified source: Figure how-how of a mythical animal which is believed to have been a mountain lion or cougar that wandered north to the Skeena country and killed people; later it was killed and taken by the clan [at Kitwanga] as a crest. Here it stands as a family totem.

[NA3436]

American Indians of the Pacific Northwest -- Image Portion

University of Washington Libraries

A new study that suggests sockeye returns have dropped by three-quarters in the Skeena River over the last century should serve as a "wake-up call" for B.C., the lead researcher says.

The paper, published in the journal Conservation Letters, used genetic tools to trace the historical trends in sockeye populations in the country's second largest watershed for salmon.

It pushes estimates of sockeye abundance all the way back to 1913 — previously used data only began in the 1960s — suggesting a much more dramatic decline.

The research indicates annual sockeye returns to the Skeena have dropped from about 1.8 million to 469,000 in the last 100 years, an overall decline of about 74 per cent.

Continue Reading.

Tagging: @pnwpol @ontarionewsnow @abpoli @politicsofcanada @torontopoli

As if we all didn’t have enough to read, here are the books we’re looking forward to most in November!

November 2

Voices from the Skeena - Roy Henry Vickers

November 5

The Bromance Book Club - Lyssa Kay Adams

Call Down the Hawk - Maggie Stiefvater

Finding Chika - Mitch Albom

The Flame - Leonard Cohen

The Dinky Donkey - Craig Smith

The Dreamers - Karen Thompson Walker

The Family Upstairs - Lisa Jewell

The Fowl Twins - Eoin Colfer

Girls of Storm and Shadow - Natasha Ngan

In the Dream House - Carmen Maria Machado

The Langoliers - Stephen King

Legacy - Shannon Messenger

The Midwinter Witch - Molly Knox Ostertag

North Korea Journal - Michael Palin

The Ocean at the End of the Lane (Illustrated Edition) - Neil Gaiman

Once Upon a River - Diane Setterfield

Reinvention - Arlene Dickinson

Sofia Valdez, Future Prez - Andrea Beaty

The Starless Sea - Erin Morgenstern

Supernova - Marissa Meyer

Winterwood - Shea Ernshaw

The Witches Are Coming - Lindy West

Wrecking Ball - Jeff Kinney

You Are Awesome - Neil Pasricha

November 12

The Andromeda Evolution - Michael Crichton

Carrie Fisher - Sheila Weller

An Irish Country Family - Patrick Taylor

The Langoliers - Stephen King

Man's 4th Best Hospital - Samuel Shem

Run Away - Harlan Coben

Twisted Twenty-Six - Janet Evanovich

November 14

Here We Are - Oliver Jeffers

November 19

The Captain and the Glory - Dave Eggers

Cold Falling White - G S Prendergast

Magical Beings of Haida Gwaii - Terri-Lynn Williams-Davidson

A Minute to Midnight - David Baldacci

My Book with No Pictures - B J Novak

The Plant Paradox Family Cookbook - Steven R Gundry, MD

The Queen of Nothing - Holly Black

The Science of Why, Volume 4 - Jay Ingram

A Warning - Anonymous

November 26

The Gentleman's Guide to Getting Lucky - Mackenzi Lee

Ian McKellen - Garry O'Connor

The Penguin Book Quiz - James Walton

The Princess in Black and the Bathtime Battle - Shannon Hale

The Rise of Magicks - Nora Roberts

Starsight - Brandon Sanderson

Under Occupation - Alan Furst

November 28

The Hero - Lee Child

Halfway There

What do you think about my pic?

Swing Season - Digging For Steel from Sage Fly Fish on Vimeo.

Jeroen Wohe was born in the Netherlands and got his start guiding Atlantic Salmon fisherman on Russia’s Kola Peninsula. When a trip to fish the famous steelhead rivers of British Columbia changed his life. It’s often said that change is the only constant, and not many places on earth is this more apparent than the rivers of BC. Check out what Jeroen is up to in Steelhead country and how he’s “mixing things up” at the Skeena River Lodge.

Creative Creatures: Anne Isabelle Leonard

“Portraits of Absence” Photo by Maude Plante Husaruk

Co-founder of initiatives Danser Dans l'Noir and Backcountry Artist Residency, Canadian artist Anne Isabelle Leonard is an exemplar of what interdisciplinary and multidisciplinary mean. Exploring human fragility and its impact and consequences on its environments; the tensions between instinct and rationality, intention and reaction, Leonard uses sculpture, performance, drawing, painting as well as video and photography in her works. Candy talked to Anne Isabelle Leonard about her practice.

Candy: Hello, Isabelle, it has been a while. How are you? You have just been back from a break away, haven’t you? The photos look amazing - beautiful snowy Canadian nature.

AIL: Hey Candy! It has… but time seems to just have flown by since last time we saw each other! I’ve just come back from Northern British Columbia, I was spending time in the Skeena Valley which is a truly inspiring place filled with some of Canada’s most spectacular landscapes. It wasn’t supposed to be a break, but this new reality forced me to take more time for myself (laughs)! I recently opened my first solo exhibition at the local art gallery of Terrace in March, which was an ode to avalanches and the fragile balance of mountainscapes, inspired by the snowy Canadian landscapes captured in the photos you’re probably referring to.

Part of the “Residual Landscape” series by Anne Isabelle Leonard Photo courtesy of the artist

Candy: How are you adapting to this new ‘normal’ as an artist? Many of us artists and curators are at a crossroad right now to evolve and adapt. Did you do any online performances or focus on creating visual works? Or do you have another way around this situation? AIL: Mmm.. I think that the first thing for me is that I don’t believe this is the new normal quite yet. I feel like we’ve yet to reach a point where we are not waiting anymore for things to go back to 'normal', a transition which could lead to refocusing energy on reimagining our world instead of mourning it. I’m interested in this shift of perspective and seeing this new 'normal' as an opportunity to reimagine our relationship to art and culture. What purpose can and should we uphold art in this context? Creativity is definitely needed in these times, but how to consume it if not in our usual ways? Outside of a gallery, without a captive public, without our usual deadlines and objectives, how would an artist and art consumer want to define oneself? There’s a definite need to evolve and adapt, in thinking about the role of art in a specific context of time and place. I didn’t feel the urge to run to technology for my own practice since the beginning of the pandemic — or maybe I still quite haven’t grasped how I want to reimagine my work in a digital context. These uncertain times automatically led me to be drawn towards the outdoor space. It was a very natural reflex. Nature has always held a deep place in my heart as a comforting and inspiring space.  

Candy: You have been busy since you went back to Canada a few years ago: exhibitions, performances, your Back Country Residency Programme, Danser Dans l’Noir... Active in a few creative disciplines! It reminds me of where we met and worked together - Mediamatic, exactly a multi-disciplinary platform. Do you think that being involved in different creative processes, whether it be curating, performing, drawing, making, is important for you as an artist? AIL: Art (creativity) has always been ingrained into the way I think, the way I communicate and interact with the world. 

In my opinion, art is an alternative/complementary source of education, a way in which to translate and experience different ideas, perspectives and concepts. 

I was never able to choose one way of going about this, never able to settle for one medium. And oh how hard I’ve tried! But it never felt right, as if it never felt complete : it was like trying to tell a story using only words, without any sayings, intonations or hand gestures. I just wasn’t doing justice to any of my ideas and felt absolutely limited. When I stumbled upon the word 'interdisciplinary' for the first time, I remember feeling such a sense of release, as if I had finally found the box in which to settle my practice. I was still separating my work as an artist, a curator and an art educator (since grants and art councils ask you to). I strongly believe that all our actions feed one another ; my art practice is actively influenced by my curatorial practice and vice versa. Therefore it is impossible for me to distinguish them. I’ve decided to exit my 'inter/multi/transdisciplinary' box  (or whatever people want to call it these days) to build one big castle with all my boxes, thus consolidating them into one complete transcendental practice.

Photo by Juan Felipe Hedmont

Candy: For you, would you think that it is giving you more possibilities and freedom in developing and expressing different concepts? AIL: Definitely. I always say that I work by concepts, adapting my practice and mediums to properly communicate the message I’m trying to convey. Art is a mean of communication which has the intent to share a concept, a message or an emotion. Interdisciplinarity, in my book, meant that I could blaze poetic and absurd paths leading a viewer into the inner depths of my thoughts and perspectives. I think there is an importance in considering how to shape a concept while bearing in mind your/an audience, which should be a more considered subject in the field of arts. Finding a balance between one’s artistic integrity and communal value is an arduous task, but ultimately allows observers an outlook into your artistic process. 

I believe the world is a richer place when art is considered as a science; as a way to view and explain one’s life experience which can be used to teach philosophy, physics, mathematics, languages, and more. We are easily drawn to the mystery and mystical aspect of art and of the artist, but I truly believe that artists’ perspectives, if properly recognised and contextualised, enrich social conversations, structures and/or “progress” on a very tangible level.

Candy: I notice it is especially the case with your performances and fashion, or more accurately, wearable art. Those wearable objects seem to play an important role in your performances. They are part of the pieces as much as your movement. They are one of the primary elements. Like in “An Open War with Id”, for example? I am curious to hear your creative process behind and how the visual and movement came together in the piece. Does fashion inspire the piece or the other way round?

AIL: Projects tend to accompany me over the years, one iteration at a time. Moment of War with Id is definitely one of them. The first performance made in 2014 with these accessories was done at dusk, in a dark and empty shearing shed of the Australian bush. In 2018, the character was brought back to perform in a pristine white gallery space in the metropolis of Montreal. My wearable pieces definitely inspire my presence and movement, channeling characters and personalities, transmuting my body into an emotion, tapping into an entity within myself. Though wearable art pieces are important, another crucial element which affects my performances is context. Context automatically sets an intention in one’s movement. In this case, I didn’t want to perform at first as I felt uncomfortable with social codes of viewers interaction with live art within a designated art space, uneasy with the performance of art consumption -- of being watched in a motionless silence, a resigned acceptance from beginning to end. This way of interacting with art creates a segregation between public and artist, placing one party as creator and maker and the other as a consumer. I seek a connection with the public to enable an experience of art in which resides (for me at least) the true purpose of a work of art. This social etiquette is an imposing aspect which I felt in the obligation to consider in the execution of my piece. 

That’s when it all clicked: I saw my performance as an animal in a zoo, out of his natural context and there to be curiously observed by a rather confused audience solely seeking entertainment. I entered the room, dressed in black from head to toe, with my arm extensions and my burnt plastic mask, letting my Id take over. Nothing was rehearsed. I was channeling the energy that was fed to me, observing the observer, reacting to the absurdity of the context.

“An Open War with Id” Photo courtesy of the artist

Candy: How/ when did dance and movement come into the picture, in your artistic practice? I am sure it came very naturally for you, as somebody creative and expressive. AIL: Dance and movement played many roles in my life over the years. I started as a hip hop dancer and then coach, which brought confidence to the shy little girl I was. But it’s when I started university that I started to experiment with performance art, without really understanding what I was doing. I was instinctively drawn to this intimate proximity of my body to my practice. The connection between my dance background and my art performance practice was made by encountering the world of Butoh - a japanese theatrical dance movement born in the 50s. This artistic movement is all about setting intention in actions, in finding and fostering the vitality which drives you in the present. Intention over form, process over resolution. 

There’s a performative side to life which attracts me ; all that we do can be interpreted, danced, acted (whether consciously or unconsciously) but nothing can truly be codified. Butoh embodies that, channeling the beauty in the mundane mourning rooted in the cycle of life and death. Moving did always come naturally to me, but moving in this way is raw and deeply instinctive, which I had learned to tame through social constructs and almost chose to ignore in order to make space for a more rational and constructed interpretation of beauty. 

Hip hop taught me freedom; Butoh taught me intention in presence; together, they drove me to the meditative habitat in which actually rests my artistic performance practice.

Candy: I first heard of Danser dans l’Noir which you co-founded a couple of years ago. It is a brilliant concept! Ultimately we move and dance to express ourselves, but somehow, most of the time, it became the equivalent of a performance. Even if we are dancing in a club, I am certain most of us are conscious that we are being looked at, which affects how we move and how much we are expressing the emotions deep down. It’s no wonder that it became a success in Montreal since 2017! Are you still actively organising it? How often does it go? And how did it go financing it? I would love to hear your success story. Are you planning to expand it to other cities or countries?

AIL: Ah yes, Danser dans l’Noir is still ongoing! Even during COVID, we kept it going by posting playlists for people to get crazy in their living room. We did start the project in 2017, but it has been an idea I had in my head since 2013. You see, the concept is based on an Australian event called No Lights No Lycra. I was a participant back then and fell in love with the concept. I felt liberated. I love dancing as it brings me back to the moment, to my physicality. No need to explain why I have issues dancing in a club as a woman, but as a dancer, I realized I was always performing for others (and even for myself) and felt a pressure to constantly entertain people around me. That pressure evaporates when dancing in complete darkness. I met the cofounder of Danser Dans l’Noir, Steve Day, in 2016 when coming back from my time in Argentina. He too had experienced NLNL but in Sweden. We found this tiny room which could accommodate only 15 people… but after only two sessions, people were lining up outside the door to attend our event and journalists from CBC and local newspapers were wanting to interview us. 'Timing is key' is definitely true in this story: our event launched at the same time as the #metoo movement started and we were advertising a safe and sober space to dance and express yourself freely. We hadn’t realised how therapeutic our event was for people. We knew it was and had been for us personally, but for some reason we thought we would host only five or six people a week, when in the end we are now fully booked weeks in advance for every dance session. We managed to build a strong inclusive community, which has been following us for years now : people of all backgrounds, ages, genders, identities and cultures all reunited once every two weeks for their love of dance.

Art is to be experienced and lived, it is to accompany us through our experience of life. I’ve always seen this importance as it is what art has been for me all my life. Of course it is beautiful to see a well rehearsed choreography, but the goal here is not to learn how to dance and place your body in a codified manner, but simply to move.

Candy: You mentioned that your body of work explores human fragility and in ‘'Entity’', it is about truly surrendering, accepting the limits within us as humans. It was a very meditative process. I can imagine it being a rather challenging, or even painful, performance being elevated for 10 mins or so! What makes human fragility a subject for your continued exploration? Was it physically challenging for you to perform this piece? AIL: I’ve always felt fragile and vulnerable in a world which appeared to request constant strength, fierceness and perfection. I’ve always felt deeply connected to the small moments, to these fleeting emotions and these grand questions, which appeared to be a waste of time. After trying to follow this path of strength and perfection, which ultimately led to unhealthy practices such as substance abuse and cyclical stages of depression, I realised that the fragility I was so desperately trying to push down was my connection to the world ; that the ephemerality of our existence, the vulnerability of our physical, emotional and psychological being, is what ultimately ties us to one another. There’s a saying I love which says that the costumes and stages may vary, but the script remains the same. There is so much beauty in endings, falls and cycles, and many important teachings in sharing how we chose to live our own vulnerability. In my piece “Entity”, I was interested in exploring the limits of the body and the mind. The shape may be imposing and strong, but the body itself being suspended in the structure slowly breathes its way down in the harness through mental and physical fatigue. It was my first artistic performance ever shown in front of a public. I remember the challenge it was to accept and execute my will for a piece that was subtle and anchored in the moment : no dance moves, no choreography, just live action directed by reactions. Hanging by small woollen threads; surrendering to the fatigue; letting myself lower into the metal harness where taking a breath becomes harder and harder; observing the public calmly watch my struggle. There is something strange about art performance in an art specific space, in the way the public stands still, watching you with so much attention and ready to accept most of what is going to come out of the piece… but  in the end it all comes back to my desire to fully embrace my art, to live and be lived by my practice. And for that, vulnerability becomes the objective, human fragility my life’s work.

“Entity” filmed by Jordan Davidson

Candy: The relationship between human and nature is another one of your ongoing investigations through art. You explored their coexistence in “Conversational”, didn’t you? Being there, having a conversation with the log of wood.

AIL: My practice has been led by a question I’ve been asking myself since the age of seven - why are humans so horrible to their environment? I find myself often shocked by the illogical and destructive results of human existence in our own home. After years of research, an answer led me to the core of our being - fear. I believe that fear, as well as fear of fear, drives many of our decisions and actions on a daily basis, either consciously or unconsciously. As this fear originates naturally from our fragility as vulnerable and ephemeral animal beings (even more evident now with this pandemic), I’m interested in the blurred line and tensions between intention and reaction, between rationality and instinct. 

An ethological observation of humanity, as ethologist Desmond Morris achieved in his documentary The Human Animal, allowed me to grasp my own idea of where this separation between humanity and nature may originate from. For example, realising that light was conceived by the fear of the many dangers associated with darkness, that an economy based in consumerism thrives by playing on basic survival needs, that cities are controlled environments built in reaction to the fear of the uncontrollable chaos that is Nature. Humans passed a very interesting step in their evolution: the achievement of adapting the environment to the species and not the species to the environment. Understanding that it comes from pure survival issues is primordial for our growth; we are now recognising the inhaling power of our structural progress, how minorities, cultures, animals, plants are being absorbed by our definition of success and evolution. Richness lies in diversity, which allows access to various understandings of the world, and therefore of ourselves. In “Conversational”, I was improvising a butoh inspired performance in an abandoned house in the leftovers of a Yukon gold rush village. Inaccessible by road, the village is maintained to serve as a museum of that era; grass is cut, trees are pushed back, houses repaired. All around thrives a deep forest wanting to take back over. This scenery made me question our determination in preserving relentlessly. Looking to my left, I could see our obsession for conserving physical traces of our past, keeping time from making memories fade away into the abyss of collective memory. To my right, I saw the recycling process of natural elements, how death is necessary to the renewal of life. I thus went walking in this forest, picking dead branches and plants along the way, with which I fabricated the head piece used in the performance. I was using the log as a stand to build the mask, and when I took it off to try it on, the log was there, staring at me on his stool. I am touched by the ephemerality of natural elements, it speaks to me. I want to grasp this fleeting beauty with a light hand with no intent of possession over it.

“Conversational” Photo by Jason Kofke

Candy: Speaking of nature, I am sure many of our nature-loving artist readers would be curious about your residency programme Backcountry Artist Residency in Northern British-Columbia in Canada - merging the outdoors, nature, art and community into one. Art making, skiing, camping and workshops together seem like a dream. It is one of your recent projects, right? What was the beginning like? Is it ongoing? Are you there to guide the programme yourself?

AIL: A couple years ago now, I’ve decided to start a project with a good friend of mine, Taylor Dilley. We are both practicing artists and outdoor fanatics and recognise the immense impact our outdoor practices has on our art making process. We wanted to offer our experience and the tools to access such spaces to many other artists. We’ve thus started the Backcountry Artist Residency with the idea of emerging six artists a year in the natural, social and cultural landscape of the wild winters of northern British-Columbia, Canada. We wish to equip artists with the skills to navigate the outdoors in winter conditions in order to foster an independent, long lasting and loving bond with the environment. 

By enabling access to natural sources of inspiration, our program highlights the fragile beauty of the rapidly changing winter season. We believe bridging art, community and nature is a catalyst towards redefining our relationship to nature. The residency will alternate between meetings with local artists and community members, workshops, art making as well as backcountry winter activities and expeditions. Though this experience will offer the residents the time and space to reflect on their own practice while surrounded in some of Nature’s finest landscapes, the objective of this project is to build a community of artists inspired by Nature and engaged within the communities defending it. Taylor and I unite our own personal strengths as mediators to run this program to local leaders to offer an immersive experience to participating artists. The objective is to have a positive long-term impact on artistic practice, local communities as well as environment. Of course, starting such a program is quite complex. We are still in the process of building the residency, which won’t launch before another year or two because of the pandemic. In the meantime, we are focusing on building the Outdoor Artist Collective, a community of passionate artists wanting to use their artistic voice for social and environmental change, through locally held artistic incubators. This is all still very embryonic, but we are already quite excited. More details will be made available by the end of the summer on the facebook page of B.A.R. . Candy: Why, do you think, is there the need to bridge art, community and nature? Usually when we need to do something is when we believe that it’s not sufficient. Do you think that the links are broken and need to be reconnected again?

AIL: Over the past years as a skier, I’ve seen drastic seasonal changes: less snow every year, rain in January, millilitres of ice rain, etc. It really affected my skiing practice and ability to go out safely in mountains (unstable terrains for avalanches, etc.), and therefore my personal relationship to my environment. To witness such dramatic changes within such a short span of time is worrying. These changes shouldn’t be observable, or at least, not this quickly. The insight my love for the outdoors has offered me is significant: I feel a deep intimacy and fondness for nature, especially winter landscapes. This pristine, ephemeral and fragile beauty can seem far removed from our realities, often perceived as frigid, hostile and even for some, deadly. What I see though, is a disappearing season, a vital piece of the cycle of yearly renewal fading slowly into the warming atmosphere of our memories. I do not think that the links are fully broken per say, but we’ve definitely managed to detach our identity from nature in many ways. As living beings, we need to remember that we will not only never be able to fully disconnect our existence from our environment, but that we depend on it. Our economy, based on exponential growth, cannot remain built on the consumption of depleting resources. It makes no sense. I never understood the economic 'logic' of instant profit and how little long-term environmental impact is considered in the equation. It’s not about finding a 'sustainable way' to keep consuming as much as we are now, but to redefine how much we can (or actually need to) appropriate for the sake of humanity’s consumption. I’m confused and scared by this obsession over power and control.

Art holds a power which transcends words and logic. It sparks curiosity, animates imagination, shapes hope and inspires desire. Art holds a power to recognise the intricacy of individuality within collectivity by not only establishing deep connections with many individuals no matter the sociocultural or economical background or the education level, but also by allowing us all to express and share moments of our brief existence. 

I am convinced that life has to be simpler than what we are told it should be. That it’s truth lies in witnessing its omnipresent illogical beauty in small moments like walking in the forest and noticing the complex grace of a knot in a dead tree, feeling the collapse of the cold wind on your cheek bones while walking on a mountain ridge, taking the time to contemplate the intricate line work of an old woman’s skin, or deeply connecting with the colour palette of an artist’s artwork. These may seem like banal moments in a lifetime, but they are most tangible in describing my existence as a living being.

Part of the “Residual Landscape” series Photo courtesy of the artist

Candy: Who are the artists that inspired you to be the artist you are today?

AIL: What a tough question. I am inspired by artists of course, but also by a multitude of individuals from various backgrounds which have crossed my path over the years. I take my inspiration from literature, psychoanalysis, entrepreneurship, science, philosophy… My inspiration also comes in a quite transdisciplinary portfolio. As a young artist, I was highly influenced by my past life in the fashion world, obsessed with the ingeniosity and extreme creativity of designer Alexander McQueen and his successor Iris Van Herpen. They’ve inspired me to constantly push the limits of my practice and to continually renew viewers’ expectations. My love for the medium of fashion was an awe to being able to create wearable art ; to have it move and be embodied, to see it circulate in the world freely living a life of its own. The fashion shows McQueen and Van Herpen delivered introduced me to the idea of performance and storytelling, pushing fashion as more than an industry by bearing a critical perspective through the medium. I’ve always enjoyed artists that were able to convey a strong and cohesive message while having a striking sense of aesthetics. 

I delight over a direct 'no bullshit' approach to art. I want to understand, discover and feel. Make me cry, make me gasp, make me laugh, make me (re)think. I think that’s why I fell in love with the bodywork of the “king of the no bullshit”, mister Ed Atkins. Atkin’s approach to art, but also his presence and talks outside of his art practice, was the first time I was exposed to the idea of the artist as a whole : what you express through your presence in and outside of art making influences your direction as a creator. I was struck by his multidisciplinary approach which also included his own person within his practice. Of course, many other artists with a Live Art approach such as Rebecca Horn, Levi Van Levuw and Valérie Blass were great influences to my work. Recently, I’ve been greatly inspired by some of the rural artists I’ve been in touch with while building my residency program in the landscapes of Northern Canada. Artists that do not identify themselves as artists, but simply witness art as being part of their lives. Contemplative artists observing and speaking about what would seem like the 'banal' or 'simple ideas' to the contemporary art world, artists involved in their communities and taking part in a contextualised slow art movement. Candy: Seeing the number of projects you have created, I wonder if you have new ones brewing? What are they?

AIL: I am presently working on a participatory performance piece which seeks to initiate a safe space within the public sphere to enable a discussion on loss and mourning. A few weeks ago, I lost my dear grandmother as well as a friend who passed away too young. While sharing my experience of going through these losses to friends around me, I’ve quickly realised that many were also dealing with mourning, trying to keep their head up high through this grieving period while being isolated in confinement. Grief is seen as an individual act, but this pandemic is a period of mourning for all of us, whether it be grieving the loss of an individual or of the passing of our past reality. It is a time when we need to open ourselves collectively to our vulnerability, share and accept our pain and our fears to one another in order to feel support through it all. Using blind contour drawing techniques, I invite people to draw a loss loved one from memories spent with this individual. Spending time with them by looking in their glance, hearing their laugh, taking a moment to relive these memories through the action of tracing lines. Another project I am working on is “Aveux de Faiblesse”, a collection of documentary electroacoustic sound composition exploring the reality of intergenerational disconnection linked to a fear of ageing.

A preview of the project here

Candy: Whether it be your new projects or new art pieces, I am looking forward to seeing them! Thank you for joining me for the conversation, Isabelle :)

Anne Isabelle Leonard https://cargocollective.com/anneisabelleleonard/ Backcountry Artist Residency https://backcountryartistresidency.org/

Danser Dans l'Noir https://www.facebook.com/DDLNMTL/

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