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alfvaen · 2 months

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Novel Madness

Still reading, and apparently still blogging about it.

So this is what I read in March. Possible spoilers for the Vorkosigan Saga, and the Mercy Thompson and Peter Grant series, among others.

Jeffrey Cranor & Janina Matthewson: You Feel It Just Below The Ribs, completed March 2

So as you may recall, back in February, I had given up on Ruth Ozeki's A Tale From The Time Being, wasn't fond of Kristen Painter's Flesh And Blood, and was also not really liking the nonfiction book on Reddit I was reading.

I was somewhat tempted to just skip ahead to my reread of Memory, my favourite book in the Vorkosigan series. I mean, when I had started doing more frequent rereads, it had been after just such a string of subpar books, and I wanted to retrench and remind myself why I loved reading. Looking back in my records, I can't actually find that string of subpar books, but I can find about when I started doing the rereads--the fall of 2007, when I started doing a Wheel of Time reread, where every second book was a reread; it was the first time I reread the entire series (up to that point, which was Knife of Dreams). After that, my rereads went back to their more sporadic pace, until the spring of 2008 when I did an every-second-book reread of the Vorkosigan saga (the first of three such rereads in the next few years). And I kept doing every-second-book-a-reread for two years, at which point I slowed down to mostly every third book. By 2012 this was down to every fourth book, and there it seemed to stabilize. So it wouldn't be unprecedented for me to do my rereads more frequently, but the cycle has been stable for a while--I added in the alternation of author gender, the diversity slot, the trying-out slot…it would throw my cycle off now if I did the rereads more frequently. But don't think I wasn't tempted.

Anyway… I was looking for a male author, something that wasn't urban fantasy (because of the Kristen Painter), probably something that wasn't space opera (because Memory was still coming up)… I toyed with the idea of selecting something that might be "fun" (like John Scalzi's Agent To The Stars or the Doctor Who And The Krikkitmen book), but there were also books that I had been thinking "maybe" on for some time and hadn't yet picked up. And You Feel It Just Below The Ribs was one of them.

Many of you are likely familiar with Joseph Fink and Jeffrey Cranor's "Welcome To Night Vale" podcast, which I discovered relatively early (by current standards--maybe around the "Sandstorm" episodes?). I've see the show a couple of times when it came through (or near) Edmonton, I try to keep up on the podcast (though mostly I fail because I can't keep up with a bimonthly podcast schedule any more), and I have read all of the tie-in novels and the script books. The novels are decent, not great, but okay. And I have also tried out a lot of the other related podcasts--"Alice Isn't Dead" and "Within The Wires" are the ones I stuck with.

"Within The Wires" was always weird, and not every season was great, but it was an interesting combination of two conceits--one, that every season was done through "found audio", which included relaxation tapes with hidden messages, dictaphone recordings, answering machine messages, and museum audio guide recordings, among others. And two, that this all took place in an alternate history where, due to an early-20th-century upheaval called The Reckoning, the new regime had taken the drastic step of abolishing the family: breaking the emotional links between parent and child by altering their memories and raising the children in communal creches. (There's also a distinct shortage of male characters in the podcast, which is fine--at some point I'd even thought that men had been wiped out entirely, but there are occasional male characters mentioned now and then. And the new season features a male voice actor for the first time.) But we've never really gotten much detail about the Reckoning, because it was too far in the past, and nobody needed to talk about it much because it was just part of their common world. (Maybe in the season where we were following a woman who was part of a secret rebel group that did raise their own children, but even then we didn't get much.) So I was very interested in the novel that they came out with, in hopes that we would find out more about what the Reckoning actually was and how the change in society came about.

It's a bit of an odd novel--it has a sort of framing story of it being a found document, and has frequent footnotes. But I'm not clear why it was done like this. The document is the memoirs of a woman who was orphaned during the Reckoning--which seems here to have been a worst-case version of World War I that lasted until 1941 and did literally engulf the entire world, possibly with a worse flu pandemic as well. (This was published during Covid so that may have affected things a little.) The author, Miriam Gregory, ended up being influential to the whole post-Reckoning New Society practice of editing memories to remove parent-child bonds. She later got involved with the mysterious Institute from the first season, and there were some hints of the plot from the third (the political thriller told through dictaphone recordings). The footnotes mostly seem to be there to try to point out places where the editors of the document found stuff they were pretty sure was inaccurate. They quoted information from the official record and mentioned when there was no evidence of something existing or having happened at all. Which, okay, maybe this was people parroting the official history even with all its inaccuracies, as a method of showing how the truth had been hidden. But supposedly the publication of this document was being done by a group which was already not following the New Society party line, so why would they be so certain that this was wrong whenever it contradicted the accepted source of truth? It's not clear, and so it seems like they're just there to undermine the story whenever it gets too dramatic. It doesn't feel like an effective technique.

Overall it was a decent book, but flawed, and I felt like it could have covered more of the world than it did.

Lois McMaster Bujold: Memory, completed March 5

I have probably mentioned before that Memory is my flat-out favourite Bujold book. It's not an easy one to recommend to other people, though, because it may only work (and certainly works much better) if you've read all the previous books first. Jo Walton has talked about the "spearpoint theory", where a tiny sharp point can be made much more effective if you've had a lot of buildup to it. This book has a shaft consisting of all the Miles books and stories that came before. Obviously Mirror Dance, of course, the immediate prequel, but it has an especially poignant revisiting of "The Mountains of Mourning", as well as the reappearance of Duv Galeni from Brothers In Arms, and robust roles for Emperor Gregor Vorbarra, Delia Koudelka, Ivan Vorpatril, and Simon Illyan, who is central to the plot. It also has one of the dullest titles in the series, though it is relevant, not least because of the reference to Simon Illyan's eidetic memory chip.

The first part is the most painful, as Miles manages to lose most of what's important to himself through an attempt to keep it from slipping away. But I love almost every scene that takes place on Barrayar. It's such a treat just to see Miles coping with day-to-day life there (my favourite bit is still the convenience-store "Reddi-Meals!"), plunged back into a life he's been neglecting for years, that it doesn't even feel disappointing when it's over a third of a way into the book before the "real" plot really gets going. Because the shaft of that spear is still building up.

In later rereads, there are some bits I find fascinating. Like the worldbuilding details about the existence of Imperial Auditors, special investigators answerable only to the Emperor himself, that actually were never mentioned before in the series. But the way the native Barrayarans explain it to one Komarran feels completely organic, and they've known it all along, so surely these Auditors have been mentioned before? Nope, they're probably something that the author pulled out of her hat for this book (there were "auditors" mentioned in the framing story of Borders of Infinity, but I think they were just regular auditors, not Imperial ones). But if feels like they've always been in the background. (Maybe, if they were, they should have been mentioned in Barrayar somewhere? Well, whatever. Good enough.) Also, there was one relationship that blindsided me first time through, but now I can spot all the groundwork being laid for it all the way through. Very deft.

Steven Barnes: Zulu Heart, completed March 12

Next, according to my cycle, it was time for a book by a "diverse" male author. As I may have mentioned before, I seem to be much shorter on those than I am on female diversity, particularly on the black authors.

I first read Steven Barnes many years ago, at least in collaboration. His book with Larry Niven, Dream Park, has long been a favourite; I recall one day, after a stressful move between cities, that I spent just rereading the book from cover to cover. The sequels never hit quite the same spot, though, which may be why, although I did occasionally buy a Barnes solo book in a second-hand store, I had never actually gotten around to reading any of them. But they were there when I needed to draw from them for this slot. A couple of years ago I read his Lion's Blood, an alternate history novel about a world where African (and mostly Muslim) nations colonized the New World (which I believe they called Bilalistan), and they enslaved Europeans. (I don't recall if there was an in-universe explanation for the change in dominance--maybe the ever-popular Hyper-Virulent Black Death--or if it just turned out that way. There was something about Alexander The Great maybe going to Egypt…) One of the main characters was an Irish man named Aidan who was enslaved as a child near the beginning of the book, and separated from his sister; the other one was a black Muslim named Kai, son of a Wakil in Bilalistan. It probably covers a lot of slave-story tropes, but race-swapped, plus there's also drama an intrigue centered around Kai's family. It was an okay book, but I wasn't particularly planning on searching out the sequel; however, last summer at the When Words Collide convention in Calgary, I saw it on a table of "free to a good home" books, and decided to pick it up. And having basically exhausted pretty much all the other possibilities, I was perforce reading it next.

Once of the principles I mostly stick to with the diversity books is that I don't give up on them. (Maybe I should have done this with the Ruth Ozeki book last month, but I guess I didn't.) It's supposed to be about broadening my horizons, approaching different kinds of stories, etc. I've always been a little hit-or-miss with alternate histories; my perception, at least, is that a lot of them tend to focus on the same things--the American Civil War, the American Revolutionary War, World War II--all American stuff. This one is, at least, a little more creative, and is very black culture focused in a way that, frankly, Barnes's other books I read really weren't.

Plotwise, though, it's only okay; some threads are interesting, some I'm less interested in, and some seem to be a little rushed, as if he was trying to squeeze in plots from a third book the publisher had nixed. The back cover blurb seems to imply that the book is going to cover this world's version of the Civil War, but given that they're still colonies of overseas nations (Egypt and Abyssinia) it's really more like a Revolutionary War. And, spoilers, what there is of it is not a major part of the story. In that sense it's almost more like Diana Gabaldon's later books where the (American) Revolutionary War is going on, and it affects our characters, but it's not primarily about the war itself. And maybe this book would have benefited from being even longer to have that increased scope.

I do worry a bit about the reversed slavery idea--on the one hand, maybe it'll give some of us white people a better feeling for what the Africans suffered under slavery if we replace them with Europeans. The concepts that stuck with me were things like having white slaves given Arabic or African names rather than names from their own culture, and also all the African cultures being treated as distinct things while all the European cultures get jumbled together. But I also picture some people pointing at this and saying, "See? They'd do just the same as us if they were in charge!" Which may be true, but of course it doesn't say that, in our world, the slaves in America didn't suffer, and we're not living in that alternate world. It means that one group may not be inherently nobler than another, but that doesn't mean that they're not deserving of justice, or equity, or reparations. (I can also picture frothing white supremacists screaming that this the what the blacks want, and turning it into a story of white victimhood. Well, I guess we can't control what white supremacists are going to froth about.) It's not a bad thing, but it seems like it can be mischaracterized. (One novel I was working on, I have a setting with an area's native inhabitants being oppressed by intrusive colonials, and I was toying with the idea of having the natives be white, but I'm afraid it'd get read as anti-immigrant rather than anti-colonial, so I probably won't.)

Natalie Zina Walschots: Hench, completed March 16

After the long and somewhat topically heavy slavery book, I decided I was in the mood for something maybe a little lighter, and it was time to get back to a female author. My wife had recommended this Hench book to me, and nudged me about it a couple of times, and I decided to give it a go. I know that technically I do have my special slots for new authors (with the "try but feel free to give up if it does not spark joy" parameters), but if I never tried a new author outside of those slots, then it would take forever me to try all the ones I'm interested in, so I decided to let myself read this one.

The book is clearly set in a world with superheroes, and of course supervillains. I've read a lot of comics--mainly Marvel comics from the 60s through to the 90s (my attempt at a comprehensive read-through on Marvel Unlimited has just inched its way to the end of 1993, so I may be a little behind on the current state of the superhero genre, apart from the MCU stuff) but fewer actual prose novels. I suspect that the modern superhero novel, with its narrower focus, is more prone to examining superheroes in more depth, and frankly most of them tend to come out on the anti-superhero side of things, and at the very least turns them into more complex, flawed characters. The Annihilation Score tended to treat them as problematic; Brandon Sanderson's "Reckoners" series treats them as existential threats (admittedly, in that setting their powers literally drive them insane); and at best, they are severely flawed people who just happen to have powers, as in James Alan Gardner's "Sparks Vs. The Dark" series. Maybe it's a generational thing--in an age where the status quo is far from kind to the vast majority of those who are Millennials or younger, who are your sympathies with--heroes who fight to uphold the status quo, or the villains who subvert it? (Which is not too far off from the logic from that gets people to vote for Trump…)

Hench shows us mostly the villain side of the story, with superheroes mostly shown as overpowered thugs and walking disasters. We're mostly concerned with Supercollider, an example of the former, whose every brush with our protagonist leaves her damaged, and his longtime nemesis Leviathan, who lifts her up and makes her feel valued. I keep wanting to draw analogues with the heroes I'm familiar with--is Supercollider basically Superman? Leviathan seems more like Doctor Doom than anybody. Supercollider's partner Quantum Entanglement (a bit of an awkward name) seems more like a combination of Invisible Woman and Shadowcat than anything else. (I'm always low-key amused at superhero naming where they just silently have to avoid the names of real Marvel or DC characters, without seeming to. In my superhero stories I mostly tend to think that the real heroes are afraid of getting sued by the corporate juggernauts who own the trademarks on the fictional ones…) It got a lot darker than I was expecting, actually, but it was absorbing and I liked it a lot.

Patricia Briggs: Silver Borne, completed March 19

I had originally been thinking of something like Ann Leckie's The Raven Tower for my next book, but after Hench I wasn't feeling like it; instead I thought it might be time for another urban fantasy. I have started so many, and finished (or even caught up with) so few--the Dresden Files, for sure, and the Kelly Meding might be the only one. I find a lot of them appealing in the abstract, but it seems like they appeal to my wife more, so she's the one who reads then, gets hooked on the series, stays caught up, buys them in hardcover, etc. She has always been more of a fan of romance, and a lot of the female-authored urban fantasy seems like it's on a spectrum to paranormal romance. (The main difference, of course, is probably whether there's a single continuing protagonist, or a different romantic pairing every book.) Anyway, I'm in the middle of a lot of series, and it seems to take a lot to get me to the state where I get hooked and have to start reading them faster, so it can be years between books for me.

Patricia Briggs has, like many, split off a side series--her main series follows Mercedes "Mercy" Thompson, but there's also a "Charles & Anna" series which crosses over, and after the last Mercy Thompson book (Bone Crossed) left me a little underwhelmed, I had started those books, so the last Briggs I read was actually side series novel Cry Wolf. Apparently reading them in alternation is not a bad idea anyway, so I went back to Mercy for this one. I even remembered most of the characters, or at least was satisfied with the author's descriptions of them (a lot of minor werewolf pack members showed up, and I couldn't tell you for sure which ones we'd seen before or had character traits before this book).

The pacing was a little weird--there's basically three plot threads which show up at different times, which aren't really connected causally but do interact with each other, and the balance doesn't always work (like pack politics dominating everything else for a few chapters until we get back to our other plots), but it was better than Bone Crossed, at least. It's unfortunate, given how much urban fantasy I read, how little I enjoy the dominance politics of werewolf packs, and particularly the touchiness of Alphas. (Oh, no, we can't meet their gaze or undermine their authority or it's a challenge and they'll have to kill us. And they can't show any weakness or others will try to kill them.)

Next book in the series will be back to Charles & Anna, anyway. I am not yet really hooked on the series, but I'll keep going for now.

Lois McMaster Bujold: Komarr, completed March 22

Back to the Vorkosigans again, for Komarr. Like her other planet-named books, it takes place entirely on the planet in question (if we allow space stations in the same system to be close enough, anyway), the troubled vassal of Barrayar. Because the only current access to Barrayar comes through a wormhole in the Komarr system, and the earlier Cetagandan invasion of the planet was abetted by the Komarrans, Barrayar ended up conquering Komarr to secure its interface to the rest of the world. (I always wondered if it was only upon conquest of a second planet that Barrayar became a true empire, but I think they had emperors before that so probably not.) They've tried to be benevolent rulers since then, but we already saw in Brothers In Arms that there are those, like Ser Galen, that want to get rid of the Barrayaran yoke. And Aral Vorkosigan acquired the sobriquet of "The Butcher of Komarr" when a group of prisoners in his custody were executed--supposedly on his orders, but in fact it was an overzealous subordinate who Aral later killed.

Miles comes along to investigate a bizarre act of destruction--accident or sabotage, we don't yet know--where the "soletta array", a group of orbiting mirrors reflecting additional sunlight onto the cold, still-being-terraformed world (the world's population still lives in domed cities), has been damaged through collision with an off-course ship. He's mostly just shadowing older Lord Auditor Vorthys, the engineering professor who's analyzing the debris, and they end up staying over with Vorthys's niece Ekaterin Vorsoisson, who is our other viewpoint character in the book. Ekaterin has a highly unsympathetic husband, Tien, who has a secret shame, a hidden genetic disease called Vorzohn's Dystrophy. He also happens to be in charge of a small department of the terraforming effort.

I guess my biggest problem with this book is just that Tien and his department turn out to be directly related to the soletta disaster. I mean, think of it--the disaster happens, and an auditor is sent to investigate it. If it hadn't happened to be someone connected to Tien, the investigation might have gone nowhere, or taken a lot longer, because they wouldn't have had that extremely gratuitous link. It bugs me every time.

So the best part of the book is probably the introduction of Ekaterin, and her growth as a character through to the end of the book, where she strikes a decisive blow. And without it, we wouldn't have A Civil Campaign (or would, at least, have a much different book). But it is a dip in what would otherwise be a five-star run from Mirror Dance.

Shaun Barger: Mage Against The Machine, completed March 27

Catchy title, eh? That's probably part of why I picked it up in the first place, though I don't remember for sure. This is in my actual "trying a new author" slot, generally with permission to give up if the book doesn't grab me.

Essentially, it seems that the world ended at some point (2020?) when the machines/AIs rose up against the humans. The mages, who had been living in secret veiled communities for centuries, were hidden and thus not affected by this, though they're pretty sure that the humans were all wiped out. At least, that's what Nikolai, a young magically-talented officer (with a traumatic past) in the year 2120, has always been told.

Meanwhile, outside the veil, a young human cybernetically-enhanced woman named Jem, who remembers the machine uprising ten years earlier (she has her own tramatic past), and who mostly escaped because they were on the way to a colony on Venus at the time, is working as a courier, escorting a rare pregnant woman (unaffected by the fertility plagues the machines spread) through the fringes of Philadelphia.

The two stories go back and forth for several chapters in what seems like an attempt to sow confusion in the reader about the inconsistencies between the two versions of the timeline, which mostly led me to conclude that either these are literally parallel worlds, or that the mages are severely misinformed about the last century of history outside the veils. Or, presumably, most of them are misinformed but the ones at the top are all in on it and keeping the secret for their own reasons.

It seems like a bit of a hodgepodge. Part The Matrix, part Harry Potter (the mages have a sport named "flyball" that seems a lot of like Quidditch without broomsticks), part Brandon Sanderson/Brent Weeks (the flavour of the actual magic system), part Children of Men, part Wool (for the sheltered society ignorant of the world outside)… But I guess that means it's not too derivative, because of the variety of sources?

The biggest problem with it, really, is that the story clearly is not finished…but, in the five years since its release, no further books have come out. The author still seems to be actively posting on Instagram, and I found a Reddit post which said that as of two years ago the sequel was finished (and apparently there are supposed to be four books total), so I hazard a guess that the roadblocks are publishing-related. Like, his editor, Navah Wolfe, bought the first book for Saga Press, but moved on, so he might be editorially orphaned, leading to Saga passing on later books, so he'd have to be looking for a new publisher, or giving up and self-publishing (or just giving up). Always awkward--ask my wife who has two self-published sequels to the books that Scholastic published twenty-some years ago, because no other publisher would take them without rights to the first two. (Diana Rowland managed it somehow, but mostly it just doesn't work.) So I may hang on to this one and await further news (which presumably he'd post on Instagram or something…)

Ben Aaronovitch: Whispers Under Ground, completed March 31

Most of the urban fantasy series out there had female authors and female protagonists; I tend to call this the "post-Buffy" wave--before that, it felt like "urban fantasy" was more like Charles de Lint, with people in and around cities coming into contact with fairies and the like. Although stuff like Tanya Huff's "Blood Ties" series was also around back then, and that's clearly very close to what we call urban fantasy these days. Anyway. There are a few male authors as well, Jim Butcher the most famous, and Kevin Hearne, but they have a different flavour to them. And then there's Ben Aaronovitch, which is different again, being very British. Which is all just a way of saying that, while I normally try not to read too-similar books too close together, this doesn't really feel very much like the Patricia Briggs book I read a couple of weeks ago.

I'm a bit behind on this series--I read Midnight Riot (the North American retitled version of Rivers of London) some time ago, and Moon Over Soho more recently but still a while ago. But my wife was just reading the latest, Amongst Our Weapons, from the library, and apparently it's full of Monty Python references (in the chapter titles, if nothing else), and my eldest son was just reading Midnight Riot (apparently he'd heard that this series's magic system is vaguely similar to the system from the Ars Magica RPG we've been playing recently), so it felt like time to revisit it. My memory is of course a little fuzzy, but my overall impression is that this book is a little more police-procedural murder mystery than the previous two. Definitely there is a murder to solve, and there is a lot of interaction with other police (and an American FBI agent). Definitely a certain amount of underground (including sewers), as the title implies (so it's not just the London Underground). I enjoyed it and will have to try to revisit the series a little more frequently.

And that's it for the prose fiction books for March. For completeness I can also add in a graphic novel I squeezed in (literally just finished it before midnight on the 31st). See, one of the podcasts I've been listening to for a while is the "Endless" podcast, about the Sandman, cohosted by Lani Diane Rich and Alisa Kwitney. Kwitney, who was a former DC editor, particularly on Sandman itself, also apparently did a series for Ahoy Comics called "G.I.L.T.", which they were shilling on the podcast, so I thought I'd give it a try. I got my library to order what turned out to be a collection of the first five issues (I guess I'm not sure if there are more, but I wouldn't be surprised). "G.I.L.T." apparently stands for something like "Guild of Independent Lady Temporalists", though I'm not sure such a guild actually turned up… Anyway, two women, 70ish Hildy and 50ish Trista, get sent back in time to 1973, though Trista wasn't supposed to come along; they try to deal with their respective pasts, linked by a creepy cult-leader type that Hildy was engaged to and Trista's mother was a follower of. They're not supposed to be able to change anything, but they're also not supposed to both go back at once, so things get a little screwy. I wasn't 100% sold on it, but it was interesting.

And now I am actually reading The Raven Tower, but that'll be for next month's post.

#Lois McMaster Bujold #Vorkosigan #Ben Aaronovich #Patricia Briggs #Steven Barnes #Shaun Barger #Natalie Zina Walchots #Jeffrey Cranor #Janina Matthewson #Within The Wires #books #reading #Alisa Kwitney

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thinggolf77-blog · 5 years

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Creative Arts Emmys: Winners List & Live Blog Night 2 (Updated Live)

The second night of the two-night Creative Arts Emmy Awards is underway at the Microsoft Theater in Los Angeles. Tonight wraps up the creative portion of the annual TV kudos-fest, honoring 26 categories in animation, documentary, reality and variety programming. Already, Anthony Bourdain, NBC’s Jesus Christ Superstar and its late producer Craig Zadan, and Saturday Night are among the early multiple winners.

On Saturday, HBO’s Game of Thrones continued its dominance with seven wins already out of 22 total nominations including at September 17’s Primetime Emmys.

Follow along as we update tonight’s winners live below: ___________________

OUTSTANDING NARRATOR

Blue Planet II • One Ocean • BBC America BBC Studios and The Natural History Unit in co-production with BBC America, Tencent, WDR, France Télévisions, CCTV9 Sir David Attenborough, Narrator

OUTSTANDING ORIGINAL MUSIC AND LYRICS

Saturday Night Live • Host: Chance The Rapper / Song Title: Come Back Barack • NBC SNL Studios in association with Universal Television and Broadway Video Eli Brueggemann, Music by

5:15 PM: Standing ovation for presenter Carol Burnett.

OUTSTANDING PICTURE EDITING FOR A STRUCTURED OR COMPETITION REALITY PROGRAM

Queer Eye • Series Body Of Work • Netflix Scout Productions, Inc. and ITV Entertainment, LLC Thomas Scott Reuther, Supervising Editor Joe DeShano, Editor A.M. Peters, Editor Ryan Taylor, Editor Matthew D. Miller, Editor Brian Ray, Editor

OUTSTANDING PICTURE EDITING FOR AN UNSTRUCTURED REALITY PROGRAM

United Shades Of America With W. Kamau Bell • Sikhs In America • CNN CNN Original Series, All3Media America, Main Event Media Bryan Eber, Supervising Editor

5:10 PM: A shoutout to fellow CNNer Bourdain from senior show producer Geraldine Porras: “This award is dedicated to the memory of Anthony Bourdain, who continues to inspire us every day.”

OUTSTANDING UNSTRUCTURED REALITY PROGRAM

United Shades Of America With W. Kamau Bell • CNN CNN Original Series, All3Media America, Main Event Media Jimmy Fox, Executive Producer W. Kamau Bell, Executive Producer Donny Jackson, Executive Producer Greg Lipstone, Executive Producer Layla Smith, Executive Producer Amy Entelis, Executive Producer Lizzie Fox, Executive Producer Justin Yungfleisch, Co-Executive Producer David E.J. Berger, Supervising Producer Geraldine Porras, Senior Show Producer

5:05 PM: Score one for a revival. The Queer Eye team, earlier presenters tonight, return for the hardware. EP David Collins speaks for the huge team onstage: “This show is so important, thank you for what this fab five are doing to help the LGBT movement.”

OUTSTANDING STRUCTURED REALITY PROGRAM

Queer Eye • Netflix Scout Productions, Inc. and ITV Entertainment, LLC David Collins, Executive Producer Michael Williams, Executive Producer Rob Eric, Executive Producer Jennifer Lane, Executive Producer Adam Sher, Executive Producer David George, Executive Producer David Eilenberg, Executive Producer Jordana Hochman, Executive Producer Mark Bracero, Co-Executive Producer Rachelle Mendez, Co-Executive Producer

OUTSTANDING EXCEPTIONAL MERIT IN DOCUMENTARY FILMMAKING

Strong Island • Netflix Yanceville Films, LLC and Louverture Films, LLC Joslyn Barnes, Produced by Yance Ford, Produced by

OUTSTANDING DOCUMENTARY OR NONFICTION SERIES

Wild Wild Country • Netflix A Duplass Brothers Production in association with Stardust Frames Productions and Submarine Entertainment Mark Duplass, Executive Producer Jay Duplass, Executive Producer Josh Braun, Executive Producer Dan Braun, Executive Producer Juliana Lembi, Produced by Chapman Way, Producer Maclain Way, Producer

4:56 PM: “You’re all in my dream right now,” says director Morgen, winning with his eighth nomination. “I have nothing prepared.” He says his team went two months over in their sound mix and other aspects of production, and Nat Geo “never called me, saying he was grateful they let him get on with his work uninterrupted.”

OUTSTANDING DIRECTING FOR A DOCUMENTARY/NONFICTION PROGRAM

Jane • National Geographic National Geographic Studios in association with Public Road Productions Brett Morgen, Directed by

4:54 PM: This is turning into a night of tributes with the victory for the documentary on the late and great Garry Shandling. “I’d like to thank my wife Leslie,” director Judd Apatow says. “I’d like to not thank my two children Maude and Iris,” he added, after chiding them earlier in the show for not coming with him tonight. “I won — it would have been fun to be here. Never again.”

OUTSTANDING DOCUMENTARY OR NONFICTION SPECIAL

The Zen Diaries Of Garry Shandling • HBO HBO Documentary Films in association with Apatow Productions Judd Apatow, Executive Producer Sheila Nevins, Executive Producer Joe Beshenkovsky, Co-Executive Producer Michael Bonfiglio, Co-Executive Producer Sara Bernstein, Supervising Producer Josh Church, Supervising Producer Sam Fishell, Producer Amanda Glaze, Producer

4:50 PM: That’s No. 4 tonight for JCS, sweeping away the likes of the Oscars and the Super Bowl halftime show in this category.

OUTSTANDING TECHNICAL DIRECTION, CAMERAWORK, VIDEO CONTROL FOR A LIMITED SERIES, MOVIE OR SPECIAL

Jesus Christ Superstar Live In Concert • NBC Universal Television, The Really Useful Group, Marc Platt Productions, Zadan/Meron Productions Eric Becker, Technical Director Emelie Scaminaci, Senior Video Control Ka-Lai Wong, Senior Video Control Shaun Harkins, Camera Raymond Hoover, Camera Jay Kulick, Camera Ron Lehman, Camera Tore Livia, Camera Adam Margolis, Camera Lyn Noland, Camera Jimmy O’Donnell, Camera Mark S. Renaudin, Camera Andrew Waruszewski, Camera

OUTSTANDING SOUND MIXING FOR A VARIETY SERIES OR SPECIAL

Jesus Christ Superstar Live In Concert • NBC Universal Television, The Really Useful Group, Marc Platt Productions, Zadan/Meron Productions Thomas Holmes, Production Mixer Ellen Fitton, Production Mixer John Harris, Production Music Mixer Brian Flanzbaum, Music Mixer Mark Weglinski, Music Playback Mixer David Crawford, FOH Mixer Dan Gerhard, FOH Mixer Mike Bove, Monitor Mixer Jason Sears, Monitor Mixer Christian Schrader, Sweetening Mixer

4:45 PM: That’s gotta be a first Emmy for an Apple show after it jumped into the content game this year. A known brand like Carpool Karaoke doesn’t hurt. “To try and do a Carpool Karaoke series without James Corden was a tricky thing,” EP Ben Winston says onstage. “I think this might be Apple’s first Emmy!”

OUTSTANDING SHORT FORM VARIETY SERIES

Carpool Karaoke: The Series • Apple Music CBS Television Studios / Fulwell 73 Ben Winston, Executive Producer James Corden, Executive Producer/Host Eric Pankowski, Executive Producer Sheila Rogers, Supervising Producer

OUTSTANDING CHOREOGRAPHY

So You Think You Can Dance • Routines: Brand New, To Make You Feel My Love • FOX dick clark productions, inc. and 19 Entertainment Mandy Moore, Choreographer

4:39 PM: Chalk up another one for Zadan Inc. Very cool.

OUTSTANDING PRODUCTION DESIGN FOR VARIETY SPECIAL

Jesus Christ Superstar Live In Concert • NBC Universal Television, The Really Useful Group, Marc Platt Productions, Zadan/Meron Productions Jason Ardizzone-West, Production Designer Melissa Shakun, Art Director

OUTSTANDING PRODUCTION DESIGN FOR VARIETY, REALITY OR REALITY-COMPETITION SERIES

Saturday Night Live • Host Bill Hader • NBC SNL Studios in association with Universal Television and Broadway Video Eugene Lee, Production Designer Akira Yoshimura, Production Designer Keith Ian Raywood, Production Designer N. Joseph DeTullio, Production Designer

OUTSTANDING PICTURE EDITING FOR VARIETY PROGRAMMING

Last Week Tonight With John Oliver • Border Patrol (segment) • HBO HBO Entertainment in association with Sixteen String Jack Productions and Avalon Television Ryan Barger, Editor

4:34 PM: That win is the first in 13 total noms this year for the live event musical, produced by Craig Zadan who just passed away. “I want to dedicate this award to Craig Zadan,” Gurdon says onstage. “He will be sadly missed by all of us. I only got to work with him once, but it was a privilege.”

OUTSTANDING LIGHTING DESIGN/LIGHTING DIRECTION FOR A VARIETY SPECIAL

Jesus Christ Superstar Live In Concert • NBC Universal Television, The Really Useful Group, Marc Platt Productions, Zadan/Meron Productions Al Gurdon, Lighting Designer Travis Hagenbuch, Lighting Director Ben Green, Lighting Director Kirk J. Miller, Lighting Director Eric Christian, Lighting Director

4:30 PM: Second win in three tries for Goco. “Ru I love you, thank you so much for all the love and inspiration,” he says, his voice shaking a little.

OUTSTANDING COSTUMES FOR VARIETY, NONFICTION OR REALITY PROGRAMMING

RuPaul’s Drag Race • 10s Across The Board / Costumes: RuPaul’s gowns • VH1 World of Wonder Productions Zaldy Goco, Costume Designer Saturday Night Live • Host: Natalie Portman • NBC SNL Studios in association with Universal Television and Broadway Video Tom Broecker, Costume Designer Eric Justian, Costume Designer

OUTSTANDING CINEMATOGRAPHY FOR A NONFICTION PROGRAM

Jane • National Geographic National Geographic Studios in association with Public Road Productions Ellen Kuras, Director of Photography Hugo van Lawick, Archival Photography

OUTSTANDING PICTURE EDITING FOR A NONFICTION PROGRAM

Anthony Bourdain: Parts Unknown • Lagos • CNN CNN Original Series and Zero Point Zero Production, Inc. Hunter Gross, ACE, Editor

4:24 PM: This is the first of a run of awards that Anthony Bourdain’s show is up for tonight – the first awards show for his CNN series since his suicide in Juny. “Tony was nominated for this Emmy many times,” producer Lydia Tenaglia says in accepting. “But it had always eluded him, the one he had always coveted so it is with tremendous bittersweetness that I accept it on his behalf….his writing was always fiercely intelligent — very real no bullshit…If he were here, he would thank his longtime literary agent and friend Kim Witherspoon for giving his words life through the medium of books..actually he wouldn’t have done that at all. He wouldn’t have thanked anybody he would have been …..but he’s really off on a journey to parts unknowns she says, her voice breaking. “We wish we were there to shoot it with him and he really would have written the hell out of that episode.”

OUTSTANDING WRITING FOR A NONFICTION PROGRAM

Anthony Bourdain: Parts Unknown • Southern Italy • CNN CNN Original Series and Zero Point Zero Production, Inc. Anthony Bourdain, Written by

4:17 PM: The first wins for Amoral and McGuinness. “This is a giant surprise after 12 times,” says McGuinness. “Phil was just telling me his last Emmy he won was in 1967.”

OUTSTANDING LIGHTING DESIGN/LIGHTING DIRECTION FOR A VARIETY SERIES Saturday Night Live • Host: Kevin Hart • NBC SNL Studios in association with Universal Television and Broadway Video Phil Hymes, Lighting Designer Geoff Amoral, Lighting Director Rick McGuinness, Lighting Director

4:15 PM: Winner Don Roy King takes the stage. The first time I came to this event I brought my daughter with me and she was 9 years old, and now she just turned 21.”

OUTSTANDING DIRECTING FOR A VARIETY SERIES

Saturday Night Live • Host: Donald Glover • NBC SNL Studios in association with Universal Television and Broadway Video Don Roy King, Directed by

4:13 PM: Charlie Redd from Last Week Tonight’s web team is here to read a message because the writers are too busy working in New York. “Currently we’re being held captive in a windowless writers room,” they write, “but rest assured we are drunk.”

OUTSTANDING WRITING FOR A VARIETY SERIES

Last Week Tonight With John Oliver • HBO HBO Entertainment in association with Sixteen String Jack Productions and Avalon Television John Oliver, Written by Tim Carvell, Written by Raquel D’Apice, Written by Josh Gondelman, Written by Dan Gurewitch, Written by Geoff Haggerty, Written by Jeff Maurer, Written by Brian Parise, Written by Scott Sherman, Written by Ben Silva, Written by Will Tracy, Written by Jill Twiss, Written by Seena Vali, Written by Juli Weiner, Written by

4 PM PT: “Welcome to the short night of the 2018 Creative Arts Emmys,” exec producer Bob Bain says to plenty of laughs. Not sure if that’s for the quip or at him for wishful thinking. Either way the show is underway, with the 30-second rule for speeches still in play (they didn’t listen much last night, if you’re scoring at home).

Source: https://deadline.com/2018/09/emmy-awards-2108-winners-creative-arts-live-blog-list-1202460382/

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