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#SHE SLAYS SO FUCKING HARD BEAT HIS ASS BITCH ITS WHAT HE DESERVES
imissjensi · 2 years
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the juline is squall reveal is my fave reveal of the series i don’t care that it’s not dramatic or super relevant but it is my favorite part of lodestar and so fun to reread.
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wetalkinboutbooks · 5 years
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Dread Nation by Justina Ireland
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Summary: Jane McKeene was born two days before the dead began to walk the battlefields of Gettysburg and Chancellorsville—derailing the War Between the States and changing America forever. In this new nation, safety for all depends on the work of a few, and laws like the Native and Negro Reeducation Act require certain children attend combat schools to learn to put down the dead. But there are also opportunities—and Jane is studying to become an Attendant, trained in both weaponry and etiquette to protect the well-to-do. It’s a chance for a better life for Negro girls like Jane. After all, not even being the daughter of a wealthy white Southern woman could save her from society’s expectations.
But that’s not a life Jane wants. Almost finished with her education at Miss Preston’s School of Combat in Baltimore, Jane is set on returning to her Kentucky home and doesn’t pay much mind to the politics of the eastern cities, with their talk of returning America to the glory of its days before the dead rose. But when families around Baltimore County begin to go missing, Jane is caught in the middle of a conspiracy, one that finds her in a desperate fight for her life against some powerful enemies. And the restless dead, it would seem, are the least of her problems. (Taken from Goodreads)
Our Ratings:  
 → Geena:  ⭐️⭐️⭐️⭐️⭐️
 → Kae: ⭐️⭐️⭐️⭐️⭐️
Overall: This is one of the first suggestions we got and HOO BOY IT WAS A GOOD ONE. The perfect mix of action, comedy, murder, and beating up racists.... exactly what we need in a book. 
~Spoiler-full discussion below~ 
The Good:
→ Jane
Geena: I don’t think I’ve read a book where the protagonist just has so much raw power like… at the risk of sounding like I’m from 2012.. But like… my mind was totally blown. We meet Jane during a training exercise at Miss Preston’s zombie slaughtering school where we learn about all the nasty details that lead to the school’s creation. SO ESSENTIALLY, following the civil war (which ended prematurely bc u kno…. zombies) slavery is “abolished” and instead the whites decided it’d be better to set up schools to train black and native people to kill zombies for them 🙄 AND that’s where we meet Jane, in the middle of a training exercise. We also learn that she’s the daughter of one of the more wealthy white women in the area which was very scandalous given the u kno.. R a c i s m… and that even her mother’s status couldn’t keep her from being sent to the school. Jane also recounts moments from her childhood such as almost being killed when she was born… and she does it so nonchalantly that I fucking died dude. 
Kae: Nobody: …..
Jane: Yeah my momma tried to drown me. She doesn’t think I remember but I do… ANYWAY. 
Geena: LMAOOOOOOO YEA I FUCKING LOST IT LIKE DO YOU SEE WHAT I MEAN LIKE SHE IS SO RAW… BUT YEA, also Justina Ireland does this cool thing where she has excerpts from the letters Jane sends her mother which outline events that are VERY different from what actually happens in the chapter, and fuck I loved that sm. Jane is I think one of the girls that can read at the school and she’s got a liking for the science behind the biology of zombies but she gets in trouble cONSTANTLY because she’s too cool for Miss Preston’s school… ok jk no she gets into trouble because she always manages to piss off that one racist ass bitch, Miss Anderson. In the first few chapters we learn that Jane is smart, strong, and a total babe even though she doesn’t think so :(. 
I loved how Jane was written to be slightly hot-headed but not like bullheaded, like she would get angry real quick but she’d know when to act on her urges to beat the shit out of people. And I guess this stems from her childhood like…. SHE MURDERS HER DAD IN COLD BLOOD BC HE TRIED TO CHOKE THE LIFE OUTTA HER and also to preserve her mom’s secret which was that she was a white-passing black woman. And bc her dad was a racist white man Jane knew that wouldn’t bode well for anyone…. She did all this when she was like eight so like…. WILD (It’s what he deserved tho) but yea ever since then Jane’s been playing the game like a pro. She’s a pro zombie slayer that doesn’t take shit from ANYONE even when it lands her in trouble, and she cares a lot for the people around her even though she might pretend that she’s only out to get back to her mom. AND I LOVE HER for everything she does, but FUCK SHE WENT THROUGH SO MUCH SHIT IN THIS BOOK THAT IT HURT TO READ. ALSO WE FIND OUT THAT SHE’S BI…. WE STAN A BISEXUAL BADASS
→ Katherine
Kae:  Geena summed up, Jane very well! Jane is smart (and could read so her teachers were pissed), strong, and just an all around badass. I really love her. She deserves the world. 
Well, moving on to Katherine. Katherine is another student at Miss. Prestons school and she and Jane don’t get along well. Kate, as Jane calls her, which Katherine HATES, because she likes to be called by her full name. She is white passing with very light skin and blue eyes. She has blonde, loose curly hair and is described as absolutely gorgeous. Jane is a little jealous of her and hates admitting it. But she’s like “She’s gorgeous, it is what it is… But she’s from Virgina so ugh.” Katherine is right up to par with Jane’s zombie slaying skills and is the top of her class. Katherine is dainty, bougie, and a total rule follower. She’s into fashion and trying to find a good job protecting white folks from zombies when she graduates Miss. Prestons. She thinks of Jane as a little unruly and wild. But she tries her damndest to be respectful to Jane, even if they can’t stand each other.  
So, moving forward a bit. Kate is kind of nosey so she’s always catching Jane doing some shit she isn’t supposed to be doing… like having books smuggled to her by a boy named Red Jack. She also overhears Jane and Jack discussing how his sister went missing and he needs help to find her. So, she self invites and tags along later that night. In the mean time,  Jane and Kate have a lecture they need to attend to. When they get there, they realize that there is going to be a demonstration of proof that a “Shambler Cure” actually works. Shamblers are zombies. So this professor has a cage of three zombies and has some poor, black man risk himself and get bit. He has supposedly already been injected with the cure. Jane was like “this shit fake… He boutta die.” And Jane tries to interrupt, but she is quickly hushed. The antidote or cure or whatever DOESN’T work and the dude turns into a zombie. Jane shoots him down, then the other zombies get loose and now everyone is in a panic. Jane and Katherine take them down and save the day. A few weeks later, that are invited to the mayors house to “protect” it. (They really were only asked just so they could show up and be seen…) Someone turns into a Shambler, Jane takes them down, then that’s settled. So now they’ve saved the day TWICE. 
Red Jack has somehow SNUCK IN to the damn mayors house, so him and Jane do some snooping. They get caught. Then by default, Katherine gets in trouble. Well, Katherine gets in trouble because she is too pretty and none of the white women want her around because they think their husbands or whoever will start to be like👀  and the women get jealous. Katherine was out of a job before it even started because she’s just too damn gorgeous. So Kate, Jane, and Red Jack get sent off to the WILD WILD WEST BAYBEEE. But it actually sucks.  Let’s talk about Red Jack before we get into that though.
Geena: NGL KATE’S THE TYPE OF GIRL I WOULD’VE ABSOLUTELY HATED TOO IF I WAS JANE BUT!!!!! I love how we get to see the friendship develop between the two as they both learn about each other’s past and that maybe they CAN be friends. Also, Kate is ace and wants to travel the world which I RESPECT… but oh yea I was gonna say Jane and Kate are the true enemies to best friends trope. ALSO HER BACKSTORY IS SAD BRUH LIKE everyone looking down on her bc she’s from virginia smh……… okay but seriously the fact that Kate was constantly trying so hard to compensate for the fact that she came from a brothel that she became Miss Perfect (OR AT LEAST that’s what we learn from Jane’s perspective and as @zemenipearls pointed out Jane isn’t a reliable narrator so Kate’s backstory is kinda shady at this point but that’s what we think it is) 
→ Red Jack 
Kae: Let’s talk about Red Jack! Jackson Keats, aka Red Jack is Jane's ex boyfriend. He got the name “Red Jack” because he’s a redbone. He’s described with light brown skin and blue eyes. He also has a gold tooth and short curly hair with hints of auburn. He’s smart and can scheme his ass off and is known for taking big risks.  He also smuggles Jane books when she ask and send letters out to her mother for her. It’s also noted that he cannot read. He deals in dirty business, mostly scamming people out of money. But the kid has to make a living! I like him. Jack has a little sister named Lilly who is white passing. So he sent her with a nice white family who would let her blend in with them so she could avoid being sent off to a school like Miss. Prestons. Jack and Jane, despite them being exes, are decent friends I think. Jane hates to admit it, but she still likes Jack (even though he gets on her nerves). 
At a certain point, Jack’s little sister, along with the family she is staying with, completely disappear. Their house in still in tact, but they aren’t there. He’s worried because his sister would’ve sent word if she knew they were leaving. But he hadn’t heard a thing from her, and went to Jane. So Jane, Jack, and Kate end up at the Spencers’ house to look for clues. They can’t find anything, but they DO overhear Miss. Anderson and two other men say that they needed to clean the house out and remove all of their belongings. 
Later, when we get to the mayor’s dinner party that was previously mentioned, Jack and Jane run into each other and go snooping around the governor's office. There, Miss. Anderson is waiting for them and they are CAUGHT. She drags them to the Mayor’s basement where he is ready to send them off to a town called, Summerland, that is way out west. It’s a town where he is trying to uphold white supremecy and slavery.There, he will make sure that anyone who is black, is treated as if they are still slaves.  A man named Mr. Redfern, a Native man, escorts them out West. They are given dulled down weapons to protect the town from Shamblers, and well, this is just no good. When Jack and the crew arrive in Summerland, he punches the shit out of Redfern and tries to make a run for it. He is then tackled, jailed, and that’s the last we see of him… for a while. 
Geena: holy shit Kae litcherally outlined everything about Red Jack PERFECTLY. He’s how you would say a rascal… a cute rascal (Jane would agree). 
Kae: Lmao Jane’s got taste. I gotta give her that. BAD BOYZ are my thing lowkey
Geena: oKAY but SEE RED JACK IS A BAD BOI WITH A GOOD HEART. I mean yeh he and Jane had a “messy breakup” but they were still friends and he smuggled out letters for her mom and brought her books, and she helped him around with his ~business~ however shady it was. But I also liked how he was an idiot, I mean in the sense that UNLIKE JANE who knows how to control her anger and use it in the future, Jack just pops off like how Kae mentioned him decking Mr. Redfern. Jane thought about it but also thought ahead and realized she wouldn’t get far doing that. Red Jack tho… Boy thought he could outrun like 3 grown men 😭 AND WHEN THE READER AND JANE WERE LED TO BELIEVE THAT HE’D DIED?? BRO??? I WAS LIKE…. HOW U GONNA MAKE THIS CHARACTER A CHARMING LIL SHIT AND THEN KILL HIM ALMOST RIGHT AWAY…. BUT then when he came back I WAS THROWN.
Time to project BUT I love characters like Red Jack you know they’re shady and like to play everything off as a joke but when they get serious… they get serious. And I wonder what role he’s going to play in the second book, because all he cares about in his life is his family aka Lily right… Would he accompany Kate and Jane to save her momma when it would mean leaving Lily with people he probably can’t fully trust? Also, how did Jane and Red Jack even meet? I think it’d be cool to see where he came from, and what happened to the rest of his family and that’s another reason why I can’t wait till book 2!  
The Bad:
→ Miss. Preston and Miss Anderson
Geena: Man, we don’t even meet Miss Preston that long in the book like she has a few scenes here and there but god she is the fucking worst! Who runs a school and houses young black women and gives them a refined education with training with specialized weapons.. Only to ship them to a town where slavery is making a comeback??  And pretending like you care about them?? Disgusting… We all assume that Miss Preston is innocent and is busy running her school until the dinner that Kae has mentioned above where we find out that she’s in cahoots with the Mayor and has been supplying him girls from her school for as long as he has needed them… how “white allies” be sometimes… I really hope… from the bottom of my heart that she was devoured by a shambler bc it’s the only fate that she deserves you know… And then we have the hoe ass Miss Anderson who didn’t even try to hide her contempt of Jane and doted on Katherine → This we realize later into the book is solely because of how white-passing Katherine was and because Miss Anderson is a big ol’ racist who uses slurs like it’s nobody's business. 
Now, I realize that Ireland was trying to outline the different types of racists you come across in life. There’s those that pretend to be your friend and support you up front but behind your back they won’t hesitate to fuck you over (aka Miss Preston), like Miss Preston does help out Jane initially when she’s unfairly tested by Miss Anderson, but Preston also is the one to support sending Jane to Summerland so like….. and also we have your standard brand of racist aka Miss Anderson that doesn’t even try to hide how antiblack and dehumanizing she is because she straight up doesn’t care and knows that Jane or anybody else can do shit about it. 
→ Mr. Redfern
Kae: Okay, so now we’ve got Mr. Redfern. Mr. Redfern is a tall,  handsome, Native American man who is always scowling at Jane. He doesn’t like her and she isn’t sure why… That is, until our girl asks him. He thinks she is wasting her talents when she sneaks out and kills shamblers in the night. 
Geena: OKAY WAIT WAIT WAIT THIS BRINGS UP THE QUESTION.. HOW LONG HAS HE BEEN SPYING ON HER
Kae: OHHHH SHIT YOOOOOOOOOOOOOOOOOOOOOOO WHAT THE FUCK. YOOO. HE HAD TO HAVE BEEN WATCHING HER FOR MONTHS. 
Geena: I FEEL LIKE…. THERE’S SOMETHING WE’RE MISSING BUT IDK WHAT
Kae: THIS IS WHAT I GET FOR BEING A SPEED READER. I BE MISSIN’ SHIT. Whew. Okay, so as you can see, we’ve just come to a sudden realization! Mr. Redfern is a sneaky son of a gun. 
But uhh, he mentions that he was taken from his tribe and sent off to one of the “Indian Shambler Schools” where he was given a new identity, etc. This is also basically what happened to Native Children back in those days, in order to erase their heritage and their entire selves. This was how they forced people to assimilate. They were sent to Indian Industrial Schools. 
Mr. Redfern is in cahoots with the Mayor (by force) and is the one to basically help kidnap Jackson, Jane, and Katherine. He stuffs them on a train for a week and at the end of their trip, they are out west. We don’t see him again after this. But later, we find out that he made Jackson a deal and sent him to a town not too far from Summerland to do “business”. Thus, when Jack returns to Summerland to steal ammunition for said town, he runs into Jane and Katherine and tells them Red Jack helped him out. 
ALTHOUGHHHH, REDFERN HELPED JACKSON, I DON’T LIKE HIM. HE WAS UNNECESSARILY MEAN TO JANE AND KIDNAPPED THE CREW AND THAT IS NOT ACCEPTABLE. 
Geena: Yess Mr. Redfern, the man we thought would be an ally but turned out to be the opposite. Once again this mimics history I suppose because there were instances of indigenous people aiding the whites when it came to slavery and I suppose Ireland was trying to write that but she also makes it writes that while he is helping them he doesn’t seem too proud of it. But the matter of the fact is, he’s still helping enforce the white man’s rules. Though I do hope with the turn of the second book Mr. Redfern leaves that shit behind and decides to fully switch sides, aka let the whites to their own dirty work and help the people with a real cause.
ALSO, I keep talking about the second book but I really hope we meet more indigenous characters that aren’t Mr. Redfern you know, but those that aren’t under the thumb of a white person :( ALTHOUGH, I love how Ireland has the excerpt at the end where it mentions the residential schools in-depth and she encourages readers to research more of it which leads me to believe that we’ll be hearing more of them coming the next book as well. 
Kae: Just one more small part. I was like, completely convinced that those looks Redfern were shooting at Jane was because he thought she was cute. That is until Jane was like “alright, he CLEARLY doesn’t like me” and I was like oh… I totally misread those signals and I’m an idiot. BUT WHATEVER IT’s FINE. I do, however, think he will turn around. I don’t think he’s like, inherently bad. He’s just forced to do bad shit. Everyone is trying to survive in this world and I’m NOT giving him an excuse, but like, I get it. Ya feel me?
Geena: oKAY BUT KAE I TOO THOUGHT HE WAS INTO HER SO THAT MAKES US BOTH BOOBOO THE FOOL. AND YEA, it comes down to survival in a world where you’re not even considered human BUT that doesn’t excuse any actions. 
Kae: .jpg “we irritating” meme 
Geena: Is it even our review if we don’t have at least one (1) meme reference
The Ugly:  
→ Every single white person (minus Mr. Gideon) 
Geena: So I really enjoyed this book but Justina Ireland didn’t pull any punches when it came down to the true and dark details of the time period she was writing. She captures the essence of white folks, even during an apocalypse they find the time to push their white supremacy and tread on the backs of the black and indigenous people. I was grinding my teeth for a majority of the book, the way people would talk down to all the black characters and simply refer to them as though they weren’t human.
Mayor Carr, the Sheriff, and the Priest are the faces of white supremacy that think it’s in their destiny to put down bipoc and use them as slaves (though they won’t call it that) and fuck dude… Mayor Carr is like Miss Preston, pretends to be an ally and is using the people he pretends to support as fodder for his white supremacist wasteland. Even Jane mentions that he’s no better than other white men but people pretend he’s the best politician they have.
The Sheriff doesn’t even disguise his racism, he’s your typical ‘slavery wasn’t that bad’ assfuck and the way he treats Katherine bc he has an ugly crush on her thinking she’s white is disgusting bc you know if he knew that she’s simply white-passing he’d probably murder her in cold blood… and when he finds out, the exact thing Jane was afraid would happen to her mother almost happens to Katherine (she almost dies at the hand of the Sheriff’s fugly ass)....and fuck Katherine handled it so well even though she was very much uncomfortable the whole time. And the way Jane murdered him?? With no remorse… I fucking loved that, IDK if Justina Ireland was trying to go for a Jane is unhinged vibe (bc that’s how Katherine reacted to it) but I was like fuck yea girl shoot him a few times more for good measure.
The Priest is the biggest shit of them all like I cannot even begin to…… Every time I think of his wrinkly ass my blood pressure rises three levels because holy fuck. He preaches that he’s a holy man and that he’s only carrying out the orders of God and so on, and it’s DIGOSTENG the way he uses the bible as a weapon to put down the black and indigenous folk around Summerland. He blames them for how they look and says it’s their duty to “serve their white superiors” as redemption so that they may get a place in heaven 🙄🙄🙄🙄 This reminds me of what Kae had mentioned before about the story of Nate Turner who knew how to read so the plantation owners would make him read a fucked-up version of the bible to the others and like….. White people really took a faith founded by a brown man and turned it into a weapon for their white supremacy it’s disgusting. But what was really sad was that there are still people to this day like the Priest that have pretty hefty roles in churches and so on… spewing their racist rhetoric and god I can’t even fucking deal, every time he and Jane interacted I just wanted her to snap his neck in half and call it a day…. Like what was his old ass gonna do? Fart? 
Kae: Sweet! So Geena pretty much covered everything. The Sheriff is a whole ass bitch and he has a bunch of lackeys doing his dirty work while he parades around Summerland and berates anyone who is of colour. Basically, he has black people shipped out to the West so they can sacrifice themselves to defend Summerlands inhabitants with faulty weaponry and experiments. When Jane brings up that she needs better weapons so she can do her job, she’s slapped for it and told to deal with it. The black people and everyone else who is considered of low status, are treated horribly. They’re all shoved in a hot attic with thin, dirty blankets to sleep on the floor. They are locked in their rooms at night and forbidden to leave until it is time for them to work again. They all also barely have enough to eat, so essentially, they are starving. Jane and her new companions are overworked, underfed, and are only able to bathe once a week. It’s truly barbaric. The Sheriff wants to make sure they know they are “below” white people and were only created to serve them. It’s disgusting and I wanted to kill the man myself. It was infuriating reading how horrible they were treated and all of the slurs they were called. Slurs I forgot even existed. 
The Sheriff catches Jane one night after she had snuck out, and beats her in front of the whole town. He ties her to a pole, strips her shirt off, and whips her. I actually had to skip that part because I couldn’t bare to read it. It was too much and I just couldn’t do it. I’ve seen enough of it. Jane, even though she is inches away from death, is saved by Katherine speaking out against it. Since the Sheriff has a crush on her, he stops, and allows Jane to join her in the safe part of Summerland to be her servant. I usually don’t like reading books about my people being so poorly treated, but Jane shot his ass point blank when she had the opportunity and I reveled in that. I love to see us fight back! 
As for the Priest, he is the Sheriff’s father so he helps influence the bullshit that goes on in town. It is also heavily implied that underestimating the Priest is not the best decision. He apparently beat someone to death so that’s fuckin wild, considering how much of an old racist fuck he is. ANYWAY, he gives sermons every night on how “the Negro” was meant to serve and how they are to “stay in their place” and I cringed through the whole thing. It was horrible. Almost no one in the town likes the Sheriff or the Priest. The whore’s, the “slaves”, and Mr. Gideon (the Mayor's son), were all forced to be in Summerland and they hate it and the two bastards in charge. This drives them to conduct a plan to kill them both so they can escape. The plan was to have Katherine pretend to be white, have the Sherif fall in love with her, then Jane takes him out of the picture. But things didn’t go as planned so it took a few extra steps of danger BUT they made it and scarcely avoided a big zombie horde, and made it out. 
Geena: OH YEA MR. GIDEON….. He’s supposed to be this scientist guy with a limp which we find out he does on purpose, and he KNOWS that Katherine is white-passing but he doesn’t say shit bc unlike the rest of the white men there he isn’t racist and he’s trying to figure out a way out of the town… Also, this man-made an electricity grid run off of zombies and that was so fucking funny to me for no reason other than it reminded me of a scene from a sitcom when Jane walked in on the contraption. ALSO, JANE MAY OR MAY NOT HAVE A THING FOR MR. GIDEON AND IT MAY OR MAY NOT BE RECIPROCATED? LIKE It’s funny reading Jane’s attraction to him like “he’s nerdy lookin… but in a cute way” but am I here for it?? Undecided...
Conclusion
Kae: So in conclusion, this book was really good. I enjoyed reading this AU of a zombfied civil war. It was interesting to see how things played out. I thought the world-building was pretty cool and I like how the South was called “The lost states” because they’d been lost to zombies. They also LOST THE WAR LMAOOO BITCHASSES. Anywaaaaay, I think Jane is such a strong, beautifully written character. She’s hotheaded, but she isn’t impulsive. She’s brave and she knows when to strike. She is smart, cunning, and a joy to be around. If she were real, I’d absolutely be her friend. She’s my kind of person. She keeps it real and I like that. Katherine is kind of complex and I can’t wait to find out more about her. She hides behind this proper, boujie demeanor, but I think a lot of it is a facade. I like how though Katherine is white-passing, she NEVER forgets or dismisses that she is black. She knows who she is and she hated pretending to be white. As for Jackson! He's impulsive, suave motherfucker and I hope we see more of him too! I think he’s going to have a bigger role to play in the next book and I’m ready to see what it’ll be. I can’t wait to find out what is in store for these characters because they are all beautifully written and their friendships are puuuure baybeeee.
Geena: GIRL YOU SUMMED UP ALL THE CHARACTERS REALLY WELL!!! You got everything that I loved about Jane, she’d be my idol irl… and Katherine is a really complex character and I’m excited to see how her story unfolds in the next book. SPEAKING OF WHICH…. THE COVER FOR THAT DROPPED AND O MY GOD…….. KATE AND JANE LOOK LIKE ABSOLUTE BABES and I cAN’T WAIT TO SEE THEM FUCK SHIT UP!
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borisbubbles · 5 years
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Eurovision 2010s: 45 - 41
45.  Rasmussen - “Higher ground” Denmark 2018
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[2018 Review here]
FRIZ DEE YERRO, WINDY YERRRRR
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But I’m getting ahead of myself. Remember when Christer rejected “Higher ground” from Melfest and it was the fucking WORST Melfest ever? Remember how Denmark recycled it and let it win DMGP? Well...
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OOOOOOOOOOOOOWNED SO HARD!! and not just Sweden to be honest, because “Higher ground” slaps, even a full year after the fact. It’s a paragon of righteous scandi energy, conceived in a mancave over a keg of mead, inspired by a tale of medival pacifism (which actually makes it non-toxicly masculine), imprinted on by Game of Thrones (a wonderful tv series that ended when the White Walkers melted down the ice wall and murdered everybody in Westeros ^__^)
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In a nutshell, an absolutely kick ass entry.
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Truth be told, it is IMPOSSIBLE to not get up from my chair, pound my chest and march along with the Old Norse (😍) post-chorus chanting. Rasmussen DELIVERS a performance so intense it rips the space/time continuum and creates a portal to the good old Viking days. 100% deserving of being 2018′s KEiiNO and the highest Danish entry on this ranking!
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44. Pasha Parfeny - “Lăutar” Moldova 2012
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THIS DRAMPET MAKES U MIME GIRL
Pasha Parfeny looks like this now:
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😬 
Years of being awesome clearly took their toll on poor Pasha, but I will cherish him for the fountain of fun he has always been.  “Lăutar”  is such an uninhibited display for Moldovan FOLK, bringing out the dulcimers, horns and “drampets” to bring a much-needed ethic palate cleanser after the musical genocide committed on the Baku Stage. It also features some of the best dance choreography found in this decade, in which Pasha and dancers hop around the stage like overexcited gerbils <3
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(btw: the pink dancer SLAYS me every single time.)
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Such a frivolous, playful, adorable act that radiates mirth from every pore. 😍 But wait, we aren’t done, because “ Lăutar” also features some of the more memorable, hilarious, iconic butcherings of the English language found in this decade (”You haven’t seen before the looks like drampet. 😍 Butter sound go straight to ur soul”😍). It certainly helps that Pasha is like a male Ruslana, struggling to express himself and resulting some hilarious awkward interview gold (Eurovision.tv: “Pasha, what is your secret for happiness” Pasha: “Make good sex ^__^”  Eurovision.tv: “. . .” 😍)
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Naturally, a Pasha write-up cannot be finished without noting how central he is to ‘Moldova in Eurovision’, almost as much as Moldova’s staging is. This little man’s (literally. He’s like 1.65m lol) musical legacy includes:
- writing and performing Lăutar in 2012 - being a former vocalist for Sunstroke Project - being the mentor of Aliona Moon and writing her 2013 song - being the original songwriter for DoReDoS before Kirkorov took over   In other words, he is ~CONNECTED~ to every epic, high-tier Moldovan entry. WHAT AN ICON. Stay Safe Pavel!!
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43. Dino Merlin - “Love in rewind” Bosnia - Herzegovina 2011
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Finishing 6th place from the death slot when will ur faves...x Man I do love my narrative entries, and it doesn’t get much better than an old man reflecting back on his life’s had, satisfied with its outcome. It’s such a c00t premise and Dino Merlin plays the part of the adorable grandfather with conviction. 😍 Even manages to transform Maja Sar into a fun hume for once:
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“Love in rewind” really is all about the group effort. Dino himself is of course fantastic and makes this performance, but his troupe of ragtag troubadours carry a lot of weight as well, providing a wackadoodle wonderland for Dino to project his nostalgia onto.  
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And then there’s the question of “Love in rewind” itself. It is easy to lump it in with all the other frivolous folk, but in reality it’s an experimental avant garde song disguised as folk 😈 (exactly like “Putnici”, in fact!). The song is made into an artform by a few unorthodox, sudden key changes. Key changes hated by the millennial wannabe pitchfork crew, but here at BorisBubbles we don’t support weakness so let’s wave them all goodbye in celebration of what is easily Bosnia’s best Eurovision entry:
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42. JOWST ft. Aleksander Wallman - “Grab the moment”  Norway 2017
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[2017 Review here]
As a shameless EDM Hound, I have to admit that I am totally smitten by this piece of electronic undergroundness. A wonderful epileptic seizure of pitch black and lavender, executed to perfection by Aleksander Wallman. “Grab the moment” offers show-stopping visual effects, great vocal execution and an additctive beat. THE TRIPLE THREAT OF LIVE MUSIC!
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Fortunately, there’s also a great underlying message. I haven’t really talked about the Mental Health Anthem all that much in this ranking, but that’s mostly because I haven’t ranked most of them yet. Any song that inspires people to believe in themselves, that it is okay to be imperfect and that tackles social issues such as procrastination and neurosis HEAD ON and WITH RESPECT, deserves praise.
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Which is exactly what JOWST & Aleksander do, specifically by addressing young heterosexual men. 😍 (ie: the demograph that is the least likely to reach out for a support when they need it). They do this very cleverly, by using teenspeak to discuss the ever-relatable theme crippling anxiety and how to lay it aside and get shit done. 🤜🤛 so let us all 
KILL k177 K!££
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~ThEvOiCeInMyHeAd~
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41.  Ruth Lorenzo - “Dancing in the Rain Spain 2014
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THE RAIIIIIN THE RAIIIIN THE RAIIIIIN
Ruth. Yo quiero ser Ruth. Because Ruth is emblematic of Spain’s biggest (only) strength in Eurovision: the LOUD OVERDRAMATIC SCREECHING POWERBALLAD 😍 There are so many precedents to Ruth, from “Él” to “Vuelve Conmigo” to “Bailar pegados” to “Quedate conmigo” but “Dancing in the rain” may be my favourite of the lot. In part because Ruth is a GODDESS and I was *invested* in her success the second she won the NF:
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Which she then followed up by forming a backstage bitch coven with Conchita and Suzy. 😍 Excuse me for a moment, I have to lay myself down and blow myself with a fan because that alliance contains so much awesomeness it gives me palpitations. 
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But I mostly love “Dancing in the rain” because of the performance. It’s a great composition in its own right, providing intense screaminess, well-executed language changes and of course, literal stage rain. 😍 However, Ruth is SO intense in her delivery it becomes a moment of contemplation, of exaltation, and of stupefication as Ruth’s SONIC ENERGY washes over us like a tsunami of sound. DEJA CAER, DEJA LA LLUVIA CAER, THE RAIN THE RAIN THE RAIN
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and since this is the last update for Spain, Bosnia, Moldova and Denmark, I’ll include my overall thoughts below. 
DENMARK
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The only people who like Denmark in this decade are those with negative taste and no self-respect and those desperately wanting to be Swedes but never will be Swedes (ie: Danes)
MOLDOVA
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Not a ‘perfect’ track record, but still an excellent showing for a country with so few resources. Moldova is one of my favourite countries in ESC and this chart should show you why. 
BOSNIA - HERZEGOVINA
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Bosnia - Herzegovina participated four times in this decade and were epic exactly once. Thank you for that... now I normally would add that I miss them but, nah. Bye. 
SPAIN
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I am honestly shocked Spain didn’t do worse on my ranking?? I don’t think they’re like.. a ‘TERRIBLE’ esc country the way Ireland and Montenegro are, but jesus fuck out of the cavalcade of incompetent countries that have no idea what the fuck they’re doing, Spain is the giantslewofincompetentcountriesthathavenoideawhatthefuckthey’redoingest. Which is puzzling given that all of their high results come from kickass female-fronted powerballads, ie: the easiest trope to nail. (case in point: Macedonia scored a top 10 with one. Macedonia.) JUST STICK TO THOSE and ditch the wannabe reggaetons. 
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100lbsofsalt · 7 years
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Hello yes I literally cannot sleep right now because I’m upset as hell, why am I upset? Because Erik fucking deserved better.
“Ah but he’s a serial killer that lied to and manipulated a young girl” yes, this is technically true, but sit the fuck down, buckle up, and let me rant.
Now, of course all of this varies from movie to play to book but for the sake of my argument we’re gonna go with my unpopular opinion fave i.e. the 2004 adaptation of the movie (which will likely be where a lot of people will have seen it so SHUSH).
Now, the movie boops around in time a lot but for arguments sake we’re gonna follow Erik’s life chronologically.
Let’s start off with we little bb Erik, shall we? Now, a lot of his history is only hinted at, and I’m going to try to keep my own headcanons out of this as much as I can manage, but how about how his own mother couldn’t bear to look at him. 
“A face which earned a mother’s fear and loathing, a Mask, my first unfeeling scrap of clothing”
Would it be wrong to assume that that means that even before momma Destler changes her infant son’s diaper she has to cover his face because she’s too disgusted to look at him. Or how about the fact it’s likely he came from an impoverished family (let’s be real those weren’t the best of times okay it’s a safe assumption he wasn’t a one percenter), and he likely didn’t have any real clothes (ahem, his burlap sack pants in the Gypsy scene?) but his mother hated his face so much she was willing to buy him a mask just to cover it? And how did he wind up with the gypsies in the first place, hmmmmm???
The movie really doesn’t say that so we’re gonna leave you to figure that out, NO HEADCANONS FROM ME TODAY FRIEND (I have so many. About this whole movie. Please come talk to me I’m very lonely.)
Now, onto the gypsy’s themselves. Can we just. Erik was what, seven? Eight? In that scene? Maybe younger? And they were brutally beating him while hundreds (Thousands, it’s not like this is the only show he’s been used as an attraction at) of people laughed at his pain. I mean. Is it hard to see why he has such a fucked up sense of morality when he spent his childhood seeing all those people laugh at his agony. And the MONKEY TOY I WANNA DIE. Okay okay. Anyway. They appear to be using a long tail bull whip which HURT okay? Those are not for people (or anything but this isn’t the post for that). Those will rip you to shreds. Now, I’m not a whip expert so I DON’T WANT ANYONE COMIN’ UP IN HERE LIKE NO ITS ___ WHIP AND ITS ____ BITCH THEY’RE W H I P P I N G A YOUNG C H I L D I DON’T CARE IF IT’S MADE OF COTTON CANDY AND RAINBOWS. Like honestly are we gonna blame him for murdering that piece of shit? For real I would have killed him for the creepy tongue thing alone and Erik suffered years of abuse at his hand, keep in mind, we only saw ONE part of ONE show, WHERE HE WASN’T EVEN STRUGGLING REALLY, we have no idea what they did to that poor boy at other shows, behind the scenes, etc. And again. That monkey toy. I wanna die.
Now, on to his living situation (here’s where we’re gonna boop around a little, we’re gonna ignore Christine’s existence a little longer). He lived, by himself, in the sewers (call them catacombs if you want they’re fucking sad gross places either way I don’t care). He was a kid, locked away from anyone else. So let’s think about this. He learned that he’s so terrible even his mother can’t love him just because of his face, he was beaten to shit and laughed at to make money because he’s so terrible, just because of his face, he watched a shit load of people laugh at his pain without trying to help (until Giry and even she only helped after he did the hard part), and then he’s locked away, alone, in a creepyass, wet, dongeon. I mean. Would you be holding it together? I sure as fuck wouldn’t. And yeah I’m sure Giry visited him and whatever but how often do you really think she went down there? She was studying to be a ballerina at a world famous opera house, she didn’t have free time, and still that’s only one person making face to face contact with him for what? 15 years? A long ass time regardless.
And now we boop to Christine. Again this part isn’t really shown, but with “whenever I’d come down here alone, to light a candle for my father”, are you willing to agree that when young Erik saw her, by herself, having little to no experience of kindness out of other people, really reached out to be malicious? He was probably scared out of his fucking mind, but he saw this little girl grieving as he’d grieved his own life, and he decided to try to comfort her. She was probably the one that came up with the Angel Of Music thing (I say probably because it’s never explicitly said, but come on, there’s no way he would have randomly come up with that, you can also listen to Emmy talk about her “latching on” because she wanted so desperately for it to be a Thing and that they really were good friends etc but I’m just gonna stick to stuff you can get directly from the movie) and he went with it. Now, there are a ton of reasons he could have gone with it (“Learn to see to find the man behind the monster this repulsive carcass who seems a beast but secretly yearns for heaven secretly, secretly dreams of beauty”..........) but none are directly stated so I’ll fuck off and let you decide.
Now, he taught her to sing. Ask any artist ever and they’ll tell you if they’re sharing their work with you they’re sharing a very intimate part of themselves with you. It doesn’t matter the style, art is personal, and he cared enough about this girl to not only show her his art but to teach it to her.* I cannot fathom that love okay and all of this from a creature who was born into a world of hate and darkness and here he is creating beauty and sharing his work I love him okay. And yes, he falls in love with her. I’m not gonna share my thoughts on that love (She was the first person to treat him like a human, to be his friend and never once did she judge him for his looks, just keep that in mind.) but he falls in love with her, more on that in a little bit.
* No One Would Listen isn’t technically in the movie so I’m not saying anything about it, but a lot of my opinions are solidified in it, so if you Haven’t heard it you need to it’s a beautiful song sung to the tune of Learn to be Lonely which Minnie SLAYS jesus shit *aggressively heart eyes* but it directly says that he wanted to share his art and teach the wold but she was the only one who listened
As for torturing Carlotta……………. I mean, me too, I can’t fault him for that……
THEIR MEETING. TIME OUT. THE MIRROR SCENE. THE CHOREOGRAPHY. THE SMOKE. THE CHANGE FROM ANGEL TO PHANTOM. THIS SCENE IS ENTIRELY MY AESTHETIC. Okay I’m good sorry. So. They go down to his home. He takes this girl. Into his HOME. He’s been mistreated his whole life and he willingly leads this girl down into his sanctuary. Think about that for a minute. 
Okay. Anyway, yes the wedding dress is hella creepy but LISTEN. He wasn’t raised with people. He’s stuck in the opera house, he doesn’t see real relationships and even if he does he only sees bits and pieces of them out of the people WHILE THEY’RE THERE he’s never seen or heard about or learned about a real proposal, he’s only seen countless operas, and you know what the fuck happens in romantic plays/operas/movies/musicals/books/stories/literally anything? They move fast, they skip time, they’re over the top. People don’t watch shit that’s real life, no one would want to see that, but that’S ALL HE KNOWS. I’ll let you think of it what you will, but I think he was genuinely trying to woo her as best he knew how.
Mask off scene. Okay. Now. Aside from the fact Gerard grabs the wrong side of his face at one point, (seriously, go rewatch it) Erik does shove Christine, which is not okay buuuuut he’s fucking terrified, and I’m not convinced he meant to shove her, more get her away from him before she saw his face. (we also get some insight on his view of himself and I. Want. To. Die.) but I’ll leave you to take what you will from that scene.
*sigh* killing Joseph is the next thing I want to touch on and this is the one where I want to boop his deformed little nose a little but… I mean… I have a couple points still. 
One: the dude was a creep
two: he went looking for him
three: ERIK WARNED THEM IN NO UNCERTAIN TERMS “A disaster beyond your imagination will occur” (can we talk about the dolls. Erik. Fucking nerd.)
Four: Joseph openly mocked and taunted Erik (you think he didn’t hear that no nose comment *sassy finger snap*)
Five: He grew up only knowing violence. People laughed at his pain. Again his only real knowledge is opera and again people kill in those to get what they want? He’s just a wee potato trying his best.
Now let me bash my son for a moment, he was getting what he wanted, Christine was gonna play the countess, but instead we got All I Ask of You and I died inside (There may be another rant on my utter hatred of Raoul to come but this is already 1.5k words and I’m only like halfway through the movie so MOVING ON)
Alright, so All I Ask of You Reprise is technically the next place where Erik says/does anything but let’s talk about what’s happening right in front of him right now. He’s in love with this woman. He has tried his fucking hardest, he’s made her famous, he’s tried to woo her, he’s been there for YEARS, then this rich boy with a pretty face comes in and she’s falling into his arms in no time? Like yes it’s a bit fuckboi of him but also take into account what she said about him before the actual song. (“His eyes will find us there those eyes that burn” “I can’t escape from him I never will” “his world of unending night to the world where the daylight dissolves into darkness” “Can I ever escape from that face so distorted deformed it was hardly a face”) I mean… I’d be fucking hurt and pissed… So yeah the “you will curse the day you did not do all that the phantom asked of you” is a bit much but… HE’S PISSED and hurt and heartbroken.
Why So Silent and the ring I’m going to leave at he’s fucking hurt but yes I want to boop his nose for that one too… like Erik stop being a creep no one’s chains are yours.
As well as Journey to the Cemetery and Wandering Child like here he’s wrong and I have no argument against him being wrong, my only comment is that he could have killed the taxi driver but he just knocked him out so like… Yay?
Don Juan… Okay come on he knew it was a trap so he had to have just trusted she wouldn’t go through with it but… *Sigh* SON STOP KILLING PEOPLE. AND NO KIDNAPPING TEENAGE GIRLS.
Okay but Down Once More we get to see a lot of the stuff I’ve already mentioned (his mom, how he feels about himself, etc) and he’s furious and scared and hurt and embarrassed and he’s a cornered animal at this point. His home is gone, he knows that, he has to leave and this is his last chance to get the only person who’s ever heard him, who’s ever been a friend to him and shared his love of music, to come with him. Point of No Return Reprise is another thing I want to boop him for, but he does let them go, and he does give up and let her choose what she wants to be happy with one last ditch effort of just being honest (“Christine I love you”) and then he watches them go. The only person he has in the world, leaving him back in his world of darkness.
So, in conclusion, ERIK IS A SMOL PRECIOUS BEAN WHO DESERVED SO MUCH BETTER AND YES HE MADE MISTAKES BUT HE’S DOING HIS BEST AND PEOPLE ARE FAR TOO MEAN TO HIM I HOPE HE KNOWS HOW MUCH I LOVE HIM
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daphenomenal-1 · 5 years
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Avengers Endgame vs Game of Thrones: How to Pay-Off Storytelling
Well, Game of Thrones is over. And as per usual, nobody is happy with how this story ended. Even the die-hard fans admit that this season was the worst season by a country mile for a myriad of reasons. Along with Game of Thrones, another franchise met its end in Avengers: Endgame. And judging by the response and how much money it made, people really like Endgame. So, as Thrones’ last episode aired, I thought it would be cool to analyze some of the arcs from both Endgame and Game of Thrones (and their biggest moment in each) and begin to piece together how to do a big pay-off for long term storytelling. (WARNING: SPOILERS FOR AVENGERS: ENDGAME)
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Iron Man/Captain America vs Jon Snow/Daenerys Targaryen
I decided to lump these four into one category because, despite the response from people on social media, these pairs are the main heroes of their respective shows. Jon and Daenerys are the main heroes of Game of Thrones, while Tony Stark and Steve Rogers were the focal points of the MCU. And these characters had their stories wrap up in their respective final outings. However, only one of them was met with praise, while the other was met with scorn. Why?
In Game of Thrones, the show had basically set up for 7 seasons that Daenerys Stormborn of House Targaryen, First of her Name - blah, blah, blah, you get the picture - was going to be the one to sit on the Iron Throne and rule over Westeros. And the showrunners, up until this point, did a decent job both setting up that and also alluding to her becoming the Mad Queen. However, due to the speed of this season, the pay off failed because there wasn’t really any build to her snap in episode 5, and her subsequent actions didn’t make her look any better. Nobody would want to support a person who would willing burn innocent people who are in her path. And her death, while feeling like it wasn’t earned, was really the only way this show was going to end. Jon, on the other hand, the guy who was supposed to be the most virtuous living person, who didn’t care about thrones and only cared about fighting the dead and defeating the Night King, came off as a bit of a ass that didn’t care about anyone except for himself and really nobody else. And his banishment to the North to be with the Wildlings was just not the ending that really paid off the character of the orphan Targaryen. Now, let’s look at Avengers: Endgame.
Tony Stark and Captain America have been set up to both give up and gain something towards the end of their respective runs. The giving up of one life and the gaining of a new one. And the reason that Endgame was so fulfilling in its pay off is because it called back to its roots from The Avengers. That argument between Tony and Cap from The Avengers served as the pay off for these two iconic heroes. Captain America - that one kid from Brooklyn that was only special thanks to the Super Soldier Serum - ended up being the only other one worthy to hold Mjolnir, the hammer of Thor. And at the end, he got to go back and have a life with the love of his life. And Tony Stark - the man who survived in a cave and built himself out, the man that wasn’t a hero and wasn’t pegged to make the sacrifice play to save other - ended up giving his life to save the universe. That’s why this worked and Thrones didn’t: the Russo brothers gave Tony and Steve the endings that these characters deserved. 
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Thor vs Jamie Lannister
Both of these characters have one thing in common. A common theme: redemption. Redemption for their failings and an attempt to make things right. However, only one of them really fulfills that redemption arc. Thor, after the events of Avengers: Infinity War, is in a state of disarray. He couldn’t stop Thanos from wiping out half the universe, but now with one more chance to turn back what happened, he failed again. In his rage, he kills the Mad Titan. He goes through a state of depression, gaining a lot of weight and drinking his pain away. But in one of the most empowering scenes in Endgame, while conversing with Lady Frigga, Thor once again was able to call upon his trusty hammer. He was still worthy, even after failing over and over again. His redemption arc has reached its peak. 
Jamie’s story just...just fucking sucked. Jamie, someone who was so loyal to Cersei Lannister, opted to leave her and go to the North to face off against the dead. His story was setting up for what was going to be a good ending for his character: Jamie becoming the Queenslayer and kill Cersei Lannister. But no, he goes back to her and dies with her in his arms. He gets buried with Cersei, just like everyone didn’t want. It seemed like the character regressed so far back that it was nowhere near salvageable. 
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Thanos vs Cersei Lannister
Every hero has his or her villain. Someone for the heroes to overcome, despite the challenge they present. The MCU’s version of this character get is the Mad Titan Thanos. And with Thrones, it’s the Queen Bitch of Westeros - Cersei Lannister. Their degrees of villainy are comparable in that these are villains that were both consistent in their intentions and are fairly consistent in ther convictions. I think there’s not much for me to complain about Cersei Lannister and Thanos.
Throughout the entire span of Game of Thrones, if there is one way to describe Cersei Lannister, it is this: she was a bad bitch. Like she was a real one. However, this show didn’t really give her the shine that she deserves. Yeah, she ordered the execution of Missandei. But there was still some untapped potential with how to take her character and how much of a good villain Cersei was. She was just evil. I don’t like that Cersei died in the arms of Jamie and was buried with him. I would have liked to see her get paid what she owed, but she was still a solid villain in her own right. 
Same with Thanos. I know people call him a “Mary Sue”, in that he’s overpowered for the sake of the plot and wins because plot reasons. But Mary Sue characters don’t get killed 15 minutes into their next appearance. What made Thanos interesting in Infinity War was that he was so indoctrinated by his conviction adn saw it through. For the first time in the MCU, the villain won. In Endgame, 2014 Thanos saw that he won. That his goal was complete and that his destiny is also to die after he balances the universe. But what makes him different here is that there is a level of pettiness to Thanos in Endgame that raises the stakes just a bit higher. Yes, future him balanced the universe. But those that survived - i.e.: the Avengers - became ungrateful. They did not see the good that his universal level balancing act did for this planet, so instead he will destroy this universe with the Infinity Stone collected from throughout the years and then restart the universe. And despite having victory in his grasp, he still falls to the Avengers. 
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The Battle of Winterfell vs Avengers Assemble
To wrap this up, I could go on and on about other characters, but it is only right that I compare the two big battles of these franchises: the Long Night and the Battle on the Avengers Compound.
I remember watching the Battle at Winterfell and immediately, something felt off. Something wasn’t right. The battle started and it was barely lit, the action sequences were very shaky, so I could barely see the fighting. Even the cool moments like Lady Lyanna Mormont slaying the giant with her dying breath felt less impactful than her “King in the North” speech from season 6. The battle just felt lackluster. The end didn’t feel deserved and the White Walkers - what was being built up to be the biggest threat that the show has ever faced - ended up being nothing more than just another zombie horde like in The Walking Dead. And don’t get me started on the Night King.
The Battle on the Avengers Compound, on the other hand, had so much going on. There was the beginning, where the heroes are scattered as Hawkeye is trying to run away with the gauntlet. There was Thor, Captain America and Iron Man going toe-to-toe with Thanos. There was Captain America wielding Mjolnir and beating Thanos’s ass with it. All of it was culminating in a moment that can never be forgotten. When after standing in front of Thanos’s army, every single hero that was dusted in Infinity War came back and stood alongside Captain America. And then, after 22 movies and 11 years, Captain America - with the entire Marvel Cinematic Universe behind him - finally said one of the most iconic battle cries in comic book history:
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That is how you pay-off long term storytelling. That is how you give your fans that have been following your franchise for over a decade pay off. Moments like this. Any genre franchise from here on out should learn from what the MCU did. And the battle was a visual marvel. It was lit in the best way, you could see the action, it was crisp, every hero got some form of spotlight throughout the entire battle and the way it ends feels right and perfectly encapsulates what this saga was about, or rather who this saga was about. At the end of the day, though, it needs to be said that this moment has been said to be one of the best fight scenes in movie history. 
Conclusion
This post was really long. Probably the longest post I’ve made and I probably did leave some things out about certain characters. Was this written because I really wanted to talk about Avengers Endgame again? Yes. Will people actually look at this? Probably not. Ultimately though, the moral of this is that Avengers Endgame did in 3 hours what Game of Thrones couldn’t do in 1 season. And it says a lot when a film that features a giant purple alien with 27 chins and heroes ranging from an old steroid ridden soldier from the 40s to an actual talking, gun-wielding raccoon told a more satisfying story than one of the most sound and cohesive shows on TV today. This year feels like the year of passing the torch for entertainment: the original 6 Avengers pass their torch to the new heroes, and Game of Thrones passed the torch for other shows to capture audiences like they did. However, one did it really well and the other didn’t.
Two great franchises. Two great sagas. And only one worked. That’s a damn shame.
(Also feel free to add anything I didn’t say, because there is a lot)
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