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#Russell & Bromley
kitsunetsuki · 30 days
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Andre Carrara - Shoes from Russell & Bromley, by Roger Vivier & from Charles Jourdan (Vogue UK 1971)
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page-28 · 1 month
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charlotte-of-wales · 9 months
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An endless list of my favorite outfits worn by the Princess of Wales (76/∞):
Visiting Trench Town, Kingston during the Royal Tour of the Caribbean, on March 23rd 2022, wearing:
Vintage 1950s striped sundress in teal blue, yellow and red
Russell and Bromley ‘Impulse’ slingback court shoes
Maria Black ‘Cha-Cha’ pearl drop and gold hoop earrings
Lashawndla Bailey-Miller ‘She’s Royal’ stainless steel, gold-plated cuff
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world-of-wales · 7 months
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CATHERINE'S STYLE FILES - 2023
10 OCTOBER 2023 || The Princess of Wales and Prince William hosted 'Exploring our Emotional Worlds' Mental Health Forum in Birmingham.
Catherine opted for -
↬ 'Mya' Tailored Jacket in Bright Yellow by L.K. Bennett
↬ Cashmere Crew Neck Knit Jumper in 'Black' from Boden
↬ 'Axon' Wide-Leg Trousers in 'Black' by Roland Mouret
↬ 'Issy' Star Earrings for the Brave Mind Charity by Earsass
↬ Black Croc-Effect Leather Belt from Anderson's
↬ '100Point' Blade Heel Court Shoe in 'Black' by Russell & Bromley
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teenagedirtstache · 1 year
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aprincesadegales · 8 months
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Catálogo de Looks da Princesa de Gales
Casaco: Reiss Camisa: Equipment Jeans: Zara Botas: Russell & Bromley Brincos: Daniella Draper Visita ao Jigsaw, Centro Nacional para Saúde Mental da Juventude, e à Savannah House, administrada pela organização de caridade Extern | 2º dia da Viagem Oficial à Irlanda | 04.03.2020 Fonte: Kate's Closet
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sesiondemadrugada · 1 year
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Outrageous! (Richard Benner, 1977).
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dolcestilenova · 1 year
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Princess of Wales's shoes in....... brown
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charlieschoice · 1 month
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#all we need is somebody to lean on
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https://www.modaonlinemagazalari.com/moda-markas/russell-bromley/
Russell & Bromley
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WALK, WALK FASHION BABY | The Princess of Wales wore yellow in honour of Young Minds on World Mental Health Day. She repeated her LK Bennett Mya Yellow Tailored Jacket, previously seen during an engagement for Mental Health Awareness Week, in May. She also wore her Boden Cashmere Crewneck and what appear to ber her Roland Mouret Axon trousers. Catherine also wore her Russell & Bromley 100 Point Blade heels and her Anderson Croc-Effect leather belt. Notably, Catherine wore a pair of earrings given to her by Maidenhead Rugby Club coach Sarah Renton; Sarah's daughter, Issy, took her life earlier this year. Issy's cousin, Sophie, has designed the earrings and is selling them through Sophie's Etsy page (Earsass is donating £5 to mental health charity Brave Mind for every pair sold)
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kitsunetsuki · 7 months
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Barry Lategan - Boots from Russell & Bromley (Vogue UK 1969)
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Dread by the Decade: Torture Ship
👻 You can support or commission me on Ko-Fi! ❤️
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Source Material: "A Thousand Deaths" by Jack London Year: 1939 Genre: Psychological Horror, Sci-Fi Horror Rating: UR (Recommended: PG-13) Country: United States Language: English Runtime: 57 minutes
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Director: Victor Halperin Cinematographer: Jack Greenhalgh Editor: Holbrook N. Todd Writers: George Sayre, Harvey Huntley Cast: Irving Pichel, Lyle Talbor, Julie Bishop, Sheila Bromley, Anthony Averill, Russell Hopton, Julian Madison
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Plot: A scientist traps criminals on a boat in order to experiment upon them.
Review: Despite its short runtime, this film feels like an overlong slog, with terrible writing, bland performances, and little of technical value.
Overall Rating: 0.5/5
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Story: 0.5/5 - A series of tenuously connected scenes that feel like they were written by someone who has never read a story before.
Performances: 1/5 - Pichel's portrayal of a morally dubious scientist is generic. Everyone else ranges from unmemorable to downright horrible. Baffling accents abound.
Cinematography: 2/5 - Flat.
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Editing: 1.5/5 - Very little flow between scenes. Lots of extremely abrupt transitions.
Sets: 1/5 - Wildly cheap. Many rooms do not look like they're on a boat at all.
Costumes, Hair, & Make-Up: 2.5/5
youtube
Trigger Warnings:
Mild violence
Human experimentation
Medical scenes
Ableism
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charlotte-of-wales · 9 months
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An endless list of my favorite outfits worn by the Princess of Wales (75/∞):
Visiting the Hornsey Road Children’s Centre in London, on November 14th November 2017, wearing:
Goat ‘Redgrave Coat’
Topshop ‘Contrast Collar Dress’
Stuart Weitzman for Russell & Bromley ‘Half N Half’ boots
Annoushka ‘Classic Baroque Pearl Drops’ x Kiki McDonough ‘18ct gold rings’
Mulberry Bayswater Wallet in black suede
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world-of-wales · 5 months
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CATHERINE'S STYLE FILES - 2017
22 NOVEMBER 2017 || The Duchess of Cambridge along with Prince William visited Jaguar Land Rover's Manufacturing Plant and Acme Whistles in Birmingham.
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littlequeenies · 1 year
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BEDSITTER GIRL JANE ASHER [1966]
I'm sure that many of you are already quite familiar with this photograph of Jane Asher, it has been reproduced several times in various fashion books over the years, but it was originally published in a magazine editorial called The Time, The Place, The Dress, and (if you still need it) The Food, by Molly Parkin for Nova in 1966, and printed poster-sized over a double-page layout, measuring 51.5 cm x 34cm for full visual impact! Molly commissioned Ossie Clark and Celia Birtwell to design the dress especially for the feature, she specifically wanted something which represented not only the fast-paced, disposable, transient nature of the current youthful attitude towards fashion trends but also something with enough decorative value to end up on the wall in a bedsitter as pop paraphernalia after it had been worn at the weekend, rather than thrown out with the trash!
So what better candidate for potential 'wall art' than a printed paper dress! Celia painted her initial ideas in gouache, inspired by the work of Paul Poiret and illustrations from La Gazzete du Bon Ton. The finished designs were then printed onto a suitable Johnson & Johnson manufactured paper by the 'Art to Wear' company of Zika Ascher, and the dresses were made to order for the sum of 17s 6d each. I love the fact that Celia also took it upon herself to paint the vinyl floor tiles in the mock-up bedsit, mirroring the design detail from the border of the garment to complete the overall look. And that Molly (a woman after my own heart), attributed just about every single item on display in the magazine feature to its original source, from the Biba beads right down to the Woolworth lollipops and sticks of rock!
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On the floor: Jane Asher in a dress designed by Ossie Clark made of printed paper fabric designed by Celia Birtwell; made to order in small, medium and large sizes, approximately 17s 6d. Bangle at Woolworths, 2s 9d. Vinyl floor tiles painted by Celia Birtwell. Lilac patent shoe by Russell & Bromley, 7½ gns. Amber patent shoe by Elliot, 8 gns. Coloured cigarette by Sobraine, 7s 2d for twenty. Coloured crepe stockings by Russell & Bromley, 6s 11d. Pop tin tray by Goods & Chattels. 9s 6d.
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Close-up of the design detail from the border of the dress. 
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Above: One of Celia's initial designs for the paper dress rendered in gouache, inspired by the work produced at the Martine School of Decorative Arts in Paris. The school was set up by designer Paul Poiret in 1911 at 'La Maison Poiret' in an endeavour to realise his dream of creating a decorative arts movement in France which would be on par with the new developments in the arts taking place in Vienna and Germany at this time. The students mainly consisted of young working class girls between the ages of 12-15 years old, Poiret encouraged them to work freely from nature, organising trips to the countryside and conservatories whenever possible, but apart from this input they were otherwise without artistic supervision. His role was merely to stimulate their artistic taste without influencing or criticising them, in order to maintain the purity of the original source of inspiration in the work. He would then select a range from the finished designs which were suitable for reproduction and have them applied to fabrics, wallpapers, carpets, cushions and ceramics.
The work received an excellent response amongst art circles, and following an exhibition at the Salon d'Automne in 1912 the demand was such that Poiret opened a retail outlet called 'Atelier Martine' on Rue du Faubourg St Honoré. With a very favourable review in Vogue, the Martines went from strength to strength, also using their designs to create magnificent large scale murals, transforming hotels, shops, offices, private houses and the studio of dancer Isadora Duncan into exotic oriental palaces in the process. An international reputation was quickly established, however, the gathering momentum of the Martines success was  stopped in its tracks by the outbreak of WW1 in 1914. The school closed for the duration of the war, with many of the students relocated to a safer environment. Business eventually resumed as normal in the aftermath, but although Poiret tried several times to re-establish his career and the Martine style, most notably in the mid 1920s with an extravagant display at the International Art Deco Fair in Paris, both failed to ever regain the immense popularity of their glory days. 
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Three designs for round carpets, typical of the Martine style, from the workbooks of the School of Decorative Arts.  
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The Table: green paper drum table by Hull Traders Ltd, £3 13s. On the table: Large glass jar, £2, full of Smarties, Liquorice Allsorts and Barratt's assorted sweets; glass-topped storage jar, 6s 6d, containing dolls' eyes from Pedigree Dolls; spice jars, 2s 9d; glass dish, 7s 6d a pair, contain bath oils at Boots, 6s 6d. All the glassware from The Scientific Glassblowing Co Ltd. Hexagonal coloured boxes by Goods & Chattels, £1 17s 6d a set.
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On the wall: wooden beads at Biba's, 11s. Striped shoes at Fifth Avenue, £3 19s 11d. Red and green shoe by Walter Steiger for Bally, 9½ gns. Bead bracelet at Biba's, 5s 6d. Dress designed by Ossie Clark of printed paper fabric designed by Celia Birtwell, made to order, 17s 6d. Plastic earrings by Paco Rabanne, £1 10s. Bangle at Woolworth, 2s 9d. Pink patent shoe by Russell & Bromley, £3 19s 11d. Woolworth lollipops. Paper roses from Portobello Road market. Dried flowers at Natural Fern Display Ltd, from 3s 6d each. Large wooden beads at Biba's, £1 2s 6d. Pearly Queen dress from Hector Binney stall, Bermondsey market.
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The Bed: emerald green wooden bed by Gary Griffiths at Vasa, approximately £30. Green sheets at John Lewis, £5 19s 6d a set. Orange and red shoe by Walter Steiger at Bally, 9½ gns. Leather and suede shoe by Salvatore Ferragamo, 14 gns. Woolworth's rock, 1s a stick.
IMAGE CREDITS
All content scanned and transcribed by Sweet Jane from an original article by Molly Parkin for NOVA, September 1966. Model; Jane Asher. All Photographs by Duffy. Celia Birtwell design in gouache scanned from Celia Birtwell by Celia Birtwell.  *The Close-up of border design detail on the printed dress courtesy of the V&A collection. Carpet designs from the Martine School of Decorative Arts were scanned from A Fashion For Extravagance by Sara Bowman.
LINKS
Visit the Celia Birtwell website here. Listen to Molly Parkin on Desert Island Discs here. Watch Great Lives: The Molly Parkin Documentary here. Read about the life and times of of Zika Ascher here. View an issue of La Gazette du Bon Ton from 1914 here. And finally, read more about the career of designer Paul Poiret  and view examples of his work here.
From @sweetjanespopboutique blogspot
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