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hockeynascarfan91258 · 3 years

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Chapter 8

Eden and Chase headed back to Dawsonville after Chase did his media and such. It was almost Chase's 25th birthday and Eden was planning a huge surprise for him. Chase loved backyard barbecues at home so that's what they were doing. She knew how much he loved Eric Church so she was having him perform there. She invited his family and close friends.

Finally the day was here it was Chase's birthday. Eden woke up before he did. She put on his shirt and headed down to make him breakfast. A little bit later she takes it upstairs.

"Something smells so good." Chase says sitting up.

"Breakfast in bed for the birthday boy." Eden says.

"Hmm can I have what's under my shirt?" Chase asks.

"Hmm maybe if your a good boy and eat all of your breakfast." Eden says kissing him.

"Okay." Chase says.

Eden had made all of his favorites including Honey Nut Cheerios. They ate together and then Chase set the trays aside. He pulls her into his lap.

"Chase." Eden moans feeling the tip of his hard on rubbing her entrance.

"No underwear baby and so wet for me?" Chase says.

"Always wet for you." Eden moans.

"Good ." Chase says as he pushes up into her.

Every inch of skin was touching as they moved together.

"God baby." Eden moans as Chase kisses her neck sucking on it.

"Mmm." Chase moans deep in his throat.

They move together kissing and touching any skin they could.

"Chase oh god." Eden calls out as she cums hard.

Her orgasm rushes through her.

"Eden baby." Chase moans as he cums inside her.

They ride it out. They end up going at it a few more times before laying in the bed wrapped around each other.

"Happy birthday baby." Eden says kissing his chest.

"Thank you baby. Best way to celebrate wrapped up with you." Chase says.

"You would think as much sex we have been having these babies would come." Eden says.

"I know but I guess they are just stubborn like their daddy and their mama." Chase says.

"True fact." Eden says laughing.

"We better get up. I have to head out with my dad and Ryan." Chase says.

"Yes to do boy things. Why I head to your moms to help plan your birthday dinner." Eden says.

"Yeah I know. I am so happy you will finally get to meet Brittany and Starr." Chase says.

"I have met them before." Eden says.

"Yes but as my best friend princess not as my wife and mother of my unborn kids." Chase says.

"True." Eden says.

They both get up and get dressed. Chase heads out with his dad, Ryan and a few other guy friends. Eden got dressed and headed to his parents house. Eden walks in.

"Surprise!" Cindy says.

Brittany, Starr, Amy Earnhardt, Abigail Kahne, Samantha Busch, Chandra Johnson, Ingrid Gordon, Emily Johnson, Shannon Gustafson and a lot of other wives in the racing circle were there.

"What is this?" Eden asks.

"A little baby shower for you lil Chase and Casey. Then we will clean up and turn it into a backyard barbecue for Chase's birthday." Starr says.

"Yes welcome to the family Eden. I always knew that you and my brother would end up together." Brittany says.

"Thanks guys." Eden says hugging them both.

"Yes welcome to the family." Cindy replies joining the hug.

They they usher Eden to her chair. They make her a plate of food and then everyone gets a plate as well.

They chat as they eat. They then play a few games before opening gifts. They really spoiled the heck out of the twins. They then clean up from the baby shower and decorate and get ready for Chases party. Eric would he there soon as would Chase and the boys. They were in the kitchen helping the caterers get set up.

"Oh god." Eden says clutching her stomach.

"What's wrong?" Cindy asks.

"My water just broke." Eden says.

"Oh no." Starr says.

"It's okay guys I'm going to get Abigail she is an OB doctor and can help." Brittany says.

"Okay we will take Eden into the living room and get her comfortable." Cindy says.

With the help of Starr and Cindy Eden made it into the living room and they got her laying down on the couch. A few minutes later Brittany returns with Abigail.

"Guys can you go get blankets and some other things." Abigail says.

She gave them each a list of things to get.

"Eden I am going to slide off your under wear and do an exam to see how far along you are okay?" Abigail says.

"Okay." Eden says.

She then screams out as a contraction hits her. Abigail quickly takes the underwear off and does the exam.

"Okay Eden looks like it's show time you are 10 cm's." Abigail says.

"Oh god." Eden says as another contraction hits her.

Cindy, Starr and Brittany come back with the stuff. They then each take their spot beside Eden. They coach her through birth. A few minutes later Eden brings a healthy baby Boy into the world. They didn't have much time before she then delivered her little girl followed by the placenta. Brittany and Starr get her cleaned up. Abigail and Cindy got the babies cleaned up and Eden was able to hold them.

"I can't believe they are here." Eden says kissing their heads.

"They both look just like Chase when he was born." Cindy says.

"So precious." Brittany and Starr says.

Eden was relieved to hear Cindy say that but she knew without a doubt they were Chases but now it was confirmed. They got the babies laying in their little number 9 race car carrier.

"I need help getting dressed." Eden says.

"For?" Cindy says.

"Chases birthday party." Eden says.

"We are still having it? Aren't you tired?" Starr asks.

"Yeah shouldn't you go to the hospital?" Brittany asks.

"The babies are fine no need for a hospital. Just take them to see their pediatrician soon for follow up." Abigail says.

"In that case let's get ready to celebrate the birthday boy." Eden says.

Cindy and Brittany help her get into her dress and her shoes. They then take her down and she attempts to feed the twins for the first time. She does well and they both latch on. Once they finish eating she changed them and out then into their new outfits. She then takes them out into the backyard. The rest of the guests pass the twins around. Finally it was almost time for Chase to come. Eden took the twins back. Chase walks through the gate with the rest of the guys.

"Surprise!" Everyone says.

"For me?" Chase asks.

"Of course for you! Happy birthday son!" Cindy says hugging him.

"Thanks mom." Chase says returning the hug.

"Happy birthday ace." Bill says.

"Thanks dad." Chase says.

He goes through the line until he reaches Eden who was holding the twins.

"Happy birthday daddy." Eden says.

"Oh my god you had them?" Chase asks shocked.

He sits down beside her.

"I did baby. With the help of your sisters, your mom and Abigail." Eden replies.

She hands him their daughter. She looked just like he did when he was a baby so there was no doubt he was their father as his son was also a spitting image of him when he was a baby.

"She's beautiful just like her mama." Chase says kissing her head.

He then leans over and then kisses his son followed by Eden.

"I love you Clyde. Meet your daughter Casey Leeann Elliott." Eden says.

"Oh baby you named her after Casey." Chase says.

"Figured you would like to honor him and I did too." Eden says.

"I love it, and I love you so much." Chase says.

"And this is your son William Clyde Elliott the third." Eden says.

Chase just smiled.

"Best birthday gifts I will ever receive." Chase says.

They mingle around the crowd. The had pulled pork barbecue, ribs, barbecue chicken, baked beans, macaroni and cheese, chili and cornbread. Chase opened his gifts from Eden and friends and family and then they had watermelon and cake. It was awesome.

Finally the night wound down. Cindy was holding the twins getting all the snuggles she could. Eden leads Chase over to the make shift stage.

"I have a huge surprise for you Baby." Eden says.

"Even bigger then you having the twins?" Chase asks.

"Well no but it is still a huge surprise." Eden says.

That was when Eric Church walked out onto the stage.

"Oh my god." Chase says.

"Happy birthday Clyde." Eden says.

Eric starts to play. He played his biggest hits including Talladega, hell of a view, Srpingsteen, Smoke a lil Smoke, drink in my hand and many more. Everyone was having a hell of a time. The alcohol was provided by Dale Jr and whiskey river. To end the show he had a special dedication.

"Okay Chase and Eden I want you to take the center of the dance floor." Eric says.

Chase and Eden come front and center. Chase pulls her close to him and Eden wraps her arms around him laying her head on his chest.

"Okay now this song is for you from Eden with lots of love. Happy birthday." Eric says.

He then starts to play Love your love the most.

"I love sleeping in on Saturdays

And I love college football games

I love not acting my age

And good barbecue

Yeah I'm a fan of Faulkner books

And anything my mama cooks

Small mouth bass have got me hooked

On Sunday afternoon

Yes I love good cold beer

And mustard on my fries

I love a good loud honky tonk

That rocks on Friday night

And hell yes I love my truck

But I want you to know

Honey I love your love the most

Man I love how Redman tastes

And damn I love my Nascar race

Any song sung by George Strait

Is country at it's best

Yes I love good cold beer

And mustard on my fries

I love a good loud honky tonk

That rocks on Friday nights

And hell yes I love my truck

But I want you to know

Honey I love your love the most

I love

Yeah I love scuffed up cowboy boots

And broken tore up jeans

A four wheel drive, eight point bucks

And rocky road ice cream

And hell yes I love my dog

And Jack D in my coke

But honey I love your love

Yeah I love your love

I love your love the most

I love your love the most" Chase sings with Eric as they sway back and forth.

Finally everyone starts to leave. Eden and Chase head home with Fletch and the twins and everything they had from the baby shower and his birthday.

"I will get it in the house later." Chase says.

"Okay baby. I am tired too." Eden says.

"I bet you are baby." Chase says.

They then take the babies into the house and get them fed, changed and settled into their nursery. Fletch made himself at home in the center.

"Guess he's going to protect his siblings." Eden says.

"Yup big brother on duty." Chase says.

He flips on the baby monitor and him and Eden head into their room. They get changed for bed and then climb in. Eden snuggled against Chase and he held her tight.

"Good night baby I love you." Eden says.

"Goodnight baby I love you too. Thanks for the best birthday ever baby. Lil Chase and Casey are the best gifts ever." Chase says kissing her head.

They snuggle together falling asleep.

******************************

Chase and Eden were up off and on throughout the night taken care of the twins. Chase had taken the last wake up since they just needed to be changed.

Eden woke up a little bit later finding Chase laying beside her with Casey snuggled up on his chest. It warmed her heart. Eden got up without waking either of them. She slips on her bedroom slippers and her robe and heads down to the kitchen. It was Thanksgiving day and they would be going to Bill and Cindys later for dinner. Eden was making a few dishes to take with them. She makes her corn casserole, green bean casserole and her famous pecan pie. She ended up making three one she could leave home because she knew Chase loved it. Once everything was in the oven she started to make breakfast. That was when she felt arms snake around her waist.

"I love seeing you barefoot in my kitchen." Chase says kissing her neck.

He was still wet from the shower.

"Only thing is I'm not pregnant anymore." Eden says.

"For now baby." Chase says.

"You are going to knock me up again once the six weeks are up aren't you?" Eden asks.

"Damn I have to wait six weeks?" Chase says.

"Well six weeks before we can have vaginal intercourse but there are other ways." Eden says.

"Yes there are thank god. And to answer your question, yes I plan on knocking you up as soon as I can." Chase says.

"Figured as much." Eden says turning to face him.

She runs her hands on the sides of his face. Chase leans into the touch. He was wearing just a towel.

"I love you Eden so much. I am so thankful for you. You are my best friend and my soul mate, mother to my babies and love of my life." Chase says kissing her.

"I am thankful for you too Chase my real life Superman, my hero, soulmate, best friend and father to my babies and most importantly love of my life." Eden says before kissing back.

"Come back to bed baby." Chase says.

"I have to make sure the food is out of the oven. Not trying to burn down your house." Eden says.

"Our house baby. Everything I own is yours baby including my heart." Chase says.

"Aww." Eden replies planting a soft kiss on his lips.

Chase pulls her closer to him. He was unbelievably hard. Eden rubs her thigh against him.

"God don't tease baby." Chase moans.

That was when the timers went off.

"Let me grab the stuff out of the oven and I will take care of you." Eden says.

Chase nods his head and then helps her get the stuff out of the oven. They put the two casseroles in the fridge. And they cover the three pies and put them off to the side. Eden shut the oven down. Chase comes up behind her picking her up throwing her over his shoulder.

"Back to bed we go." Chase says patting her butt.

"Clyyddeee!" Eden squeals.

Chase grabs the ice bin out of the freezer and then heads up to their room. He sits Eden down on the bed. Eden kneels up in front of Chase. She kisses his stomach.

"Eden baby." Chase moans.

She takes the towel off throwing it. She flicks her tongue out licking the tip of his cock. She then sucks the tip sucking away the pre cum.

"God baby please." Chase begs.

Eden licks a circle around the tip then down the under side of his cock before taking him totally in her mouth. She slowly works him in and out little by little.

"God baby that's it suck my cock baby." Chase moans grabbing her hair.

He runs his fingers through it as he pushes her head further on him. He starts to thrust a little fucking her mouth. Eden hallows her cheeks. She switched it up between her mouth and her hands. But the whole time her smile never left her face and her eyes never left Chase's.

"God Eden do you know how hot it is to watch you suck my cock." Chase moans.

"Mm hmm." Eden moans against him sending vibrations through him.

"God baby gonna cum." Chase says.

Eden gently plays with his balls as she nods her head. She takes him all the way into her mouth running her tongue up and down his shaft.

"Oh fuck Eden." Chase groans as he cums hard right down her throat.

Eden swallows down every drop. She then slowly works him out of her mouth licking him clean. She then kisses up his stomach and chest to his neck. She sucks leaving marks. Finally she kisses his jaw to his lips. She drops a bit of cum into his mouth letting him taste himself as she explored his mouth with her tongue.

Chase breaks away.

"Whats wrong!?" Eden asks worried.

"Nothing baby. That was amazing baby." Chase says kissing her head.

He then lays her back on the bed.

"Remember baby no vaginal intercourse." Eden says.

"I know baby. But I'm going to worship your body and make you cum using my mouth." Chase says.

"God please baby, I am so turned on and need release." Eden begs.

"Do you trust me?" Chase asks.

"With my life." Eden says.

"Good." Chase says.

He picks up a piece of ice putting it in his mouth. He then kisses her lips letting her suck it out. He gets another piece and moves along her jaw , down her jawline to her neck down to her chest. He gets another piece running it across one breast and around one nipple before heading to the other one repeating the process.

"Chase." Eden moans.

Chase grabbed another piece of ice. He then kisses down her stomach the hip line. He continued down to her slit.

"Oh god baby." Eden moans putting her fingers in his hair pushing him down onto her further.

"Mmhmm." Chase moans against her.

He pushes his tongue inside her and starts to lick and suck and twist it around. He was eating her like a man starved. They never broke eye contact and he had a huge smile on his face. It was such a turn on.

"God Clyde baby that's right eat my pussy so good baby." Eden purrs out.

Chase added a finger inside her stretching her gently. He bends his finger inside her hitting her g spot as he sucks on her clit. That was it.

"Clyde oh god Clyde." Eden calls out as she cums hard orgasm rushing trough her.

Chase kept going letting her ride it out. He licks her clean. He then kisses her body following his ice in reverse. He finally reached her mouth. He drops a little of her cum onto her mouth letting her taste herself off his tongue as he devoured her mouth.

"God that was amazing." Chase says.

"It was baby. It's always good with you." Eden says.

"I am glad." Chase says kissing her head.

"Now we should get up and get ready." Chase says.

"Can we go get the twins and snuggle and watch the parade first?" Eden asks.

"Yeah baby that would be perfect baby." Chase says kissing her head.

Chase goes and gets the twins carrying them into the room. He hands Lil Chase to Eden. He then sits down with Casey. They were both still sleeping.

"They are so precious and beautiful and I can't believe they are here." Eden says as she lays back with Baby Chase on her chest.

"I know right Daytona was a great night, won the biggest race of the season, got to make love to my princess for the first time and these two were conceived." Chase says snuggling closer to Eden with Casey laying on his chest.

"Best decision I ever made. I don't know why it took me so long." Eden says.

"I don't know either but you were worth the wait. I would wait as long as it took." Chase says kissing her.

"I love you Clyde." Eden says.

"I love you more." Chase says.

Chase turns the parade on and they lay there watching it. It was a little different without the people in attendance but it was still amazing to watch. It finally got to Santa Claus.

"Wow Christmas will be here so soon. I haven't done any shopping." Eden says.

"We can shop this weekend catch the deals from Black Friday and Cyber Monday." Chase says.

"True." Eden says.

"I have a little surprise for you baby." Chase says.

"Okay?" Eden says.

"After Thanksgiving is over we are going to pack and head to Aspen." Chase says.

"Really baby?" Eden says getting excited.

"Yes I bought us a log cabin cottage out there." Chase says.

"I love it. Will the family come out there for Christmas?" Eden asks.

"Yes and New Years. When I will marry you in front of family and a few close friends." Chase replies.

"A New Years wedding. I love it." Eden says.

"Yes when I kiss you at midnight it will be as my wife." Chase says.

"I'm your wife now." Eden says laughing.

"I know but you know what I mean." Chase says.

"I do." Eden says.

They finish watching the parade. Then then get up and take care of the babies. They then get ready to go to Cindy and Bills.

"Pack a bag baby cus we are staying over tonight. I will probably be to drunk to drive a and you will have wine." Chase says.

"Okay baby." Eden says.

She grabs a overnight bag and packs a change of clothes for her and Chase. She then packs the diaper bag for the twins with a few outfits and diapers. She made sure she had her pumping machine and the pack and play.

She then gets dressed it a black red and white plaid dress. She comes out and sees Chase had put on a red white and black plaid shirt a jeans.

"We are twinning baby." Eden says.

"Yes we are and didn't even plan it." Chade says kissing her head.

Chase takes the stuff out to the truck. Eden takes the babies downstairs in their carrier. She then grabs the food having it ready. Chase takes the babies out and buckled them in. Eden puts the food in the back and then goes and gets Fletcher. Chase gets in with them.

"We will be able to take the two puppies home with us." Chase says.

"Aww okay." Eden says.

"Ready to go?" Chase asks.

"Yes baby." Eden says.

Chase pulls out to the drive and heads towards his parents house. A little bit later they arrive and he pulls into the drive. Eden gets out with Fletch. Chase gets out and grabs the twins.

"I'll come back as grab the food and the bags." Chase says.

"Okay baby." Eden replies.

They head into the house. Eden gets the twins settled into their swing. Chase went and got the bags and food. He comes in and hands the food to Eden before taking their bags down to his childhood room. Eden heads into the kitchen. Cindy, Starr and Brittany were already in there.

"Hey guys." Eden says.

"Yay you are here." Starr says

"I will take the casseroles and pies and put them aside." Brittany says.

"Okay where do you need me?" Eden asks.

They work together and get all the food made and set the table so they could eat. Everyone gathered in the dinning room.

"Man this food looks so good. You girls out did yourselves." Bill says.

"Yes it looks so good." Chase replies locking eyes with Eden.

"Well let's sit down and eat." Cindy says.

"Yes I am hungry." Starr replies.

"I am too." Brittany says.

Everyone sits down. Eden was sitting across from Chase.

"Before we dig into this amazing food. We always sing we gather together." Bill says.

"Eden honey you always had a pretty voice, why don't you lead us off." Cindy says.

"We gather together to ask the Lord's blessing; He chastens and hastens His will to make known; The wicked oppressing now cease from distressing; Sing praises to His Name; He forgets not His own." Eden sings.

Everyone sang with her. They then dig in. Eden takes her foot and starts to run it up Chase's leg going up to his thigh. Chase starts to cough.

"Chase honey are you okay?" Cindy asks.

"Yeah just something stuck in my throat." Chase says.

He glares at Eden as he took a sip of his beer. Eden flashes him a smirk. She knew what she was doing. She hand her foot wedged between his legs rubbing his cock. She felt him growing harder. She was loving it. Somehow Chase made it through dinner and desert. He got roped into dishes and clean up. Eden went and took care of the babies before laying them down in their play pen in Chase's room in the basement. She heads up stairs finding Chase in the kitchen drying. She grabs a dish towel.

"Need some help there stud?" Eden asks smacking his butt with the towel.

"Yes the faster we get done the faster we can go to bed." Chase replies looking at her with love and a whole lot of lust in his eyes.

"I am not tired Clyde." Eden says.

"Who said anything about sleep." Chase replies kissing her.

"Oh would you too get a dang room." Bill says.

"Sorry dad." Eden says.

Bill smiled hearing her call him that. With the help of Eden they got the dishes down pretty fast. They head to the living room. Chase and his dad share a few more beers and Eden and the girls had wine.

"Okay it is getting late so Eden and I are going to turn in." Chase says.

"Are you guys both sleeping down in your old room in the basement?" Cindy asks.

"Yes Mom I mean we are married and have twins together so its a known fact we sleep together." Chase replies.

"None of that in our house." Bill says.

"None I promise besides I can't I just had twins remember." Eden says.

They laugh and bid each other goodnight. Chase takes Eden's hand and leads her down the basement. He had a key to lock the door and keep everyone out. Fletcher and Daisy were down there with the puppies but that was okay.

"God I have never been in your room before." Eden says.

"I know baby." Chase says pulling her to him.

"God it sucks we can't have sex, sex." Eden says.

"I know because I want nothing better then to fuck the hell out of you in my bed like I dreamt about so many nights as a teenager." Chase says.

"Hmm William Clyde Elliot Jr did you jerk off thinking of me?" Eden asks.

"God yes many many times. Wishing it was your mouth or god your pussy around my cock making me cum." Chase groans.

"And here I thought you were a Georgia Peach." Eden says shocked.

But in reality it was such a turn on hearing him talking about how he masturbated to the thought of her.

"I am but damn I wanted you for so long." Chase says.

"Well I will let you in on a little secret there Clyde. My first dildo was just as big as you are and I used it pretending it was you. I called it my Battery Operated Chase. I never acted on it because I didn't want to loose our friendship. But then in Daytona I just realized that." Eden says.

"God baby." Chase moans kissing her.

Eden pushes him back onto his bed to where he was sitting. She climbs into his lap kissing him.

"God baby I have an idea. Do you trust me?" Eden asks.

"With all I am baby." Chase says.

"Good." Eden says.

She unbuttons his shirt in a hurry. She then takes it off throwing it. She then runs her fingers down his chest to his jeans. She undoes them and frees his rock hard cock.

"God baby please." Chase begs.

"I am getting there baby. " Eden says kissing him.

He Chase kisses back. His hands roam down Eden's body slipping up under her dress. Eden runs her fingers down his chest playing with his nipples.

"Oh god Eden." Chase moans.

Eden takes his mouth with hers so he didn't let everyone know what was going on down there. Chase rips her panties running his finger along her slit feeling how wet she was. They were in a serious make out session. Eden starts to grind her hips against his thigh.

"Oh Clyde damn I wish it was your cock inside me. But this will have to do." Eden moans.

"God baby." Chase groans.

"Go head baby touch yourself. Let me see how you would make yourself cum." Eden says.

"God really?" Chase says.

"Yes really baby. I wanna watch you get yourself off as I ride your thigh." Eden says kissing his neck.

"God okay." Chase groans.

She looks down watching as Chase wraps his hand around his cock and starts to pump it.

"God that's it baby. Pretend it is my mouth baby." Eden purrs in his ear never taking her eyes off him.

Chase closes his eyes breath hitching as he starts to stroke himself. Eden moved harder against his thigh.

"God Eden your mouth, I love fucking it." Chase moans stroking harder.

"That's it baby." Eden says.

"God baby that's it suck my dick. Just like that. God I just want to bottom out balls deep inside your sweet pussy baby." Chase moans.

"God Chase I want that too." Eden moans.

"Oh fuck Eden." Chase calls out as he cums hard splattering it against his stomach.

"Clyde baby. "Eden moans as she cums all over his thigh.

They sit there breatheless riding the high from their orgasm.

"God that was just wow." Chase says.

"Better then your fantasies?" Eden asks.

"Yes baby much better." Chase says.

Eden gets up and drops to her knees.

"Can't let all that cum go to waist now can we." Eden says looking up locking eyes with Chase as she licks the cum off his stomach.

Chase kisses her as he picks her up off the ground. He leads her towards the bathroom shredding the remainder of their clothes as they did. They end up in the shower Eden gave Chase a blow job and then Chase returned the favor by eating her out. Finally they showered and headed to bed after cleaning up. The babies woke up and they take care of them. They then climb into bed and snuggle under the covers until they fall asleep.

#chase elliott #fanfiction

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tmtica · 3 years

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A LONG LIST OF ROLES JORDAN HAS PLAYED IN THEATRE OVER THE YEARS including high school, college and multiple community theatre groups

sherlock holmes: alice faulkner ( high school )

the crucible: abigail williams ( high school )

annie: agatha hannigan ( high school )

newsies: katherine plumber ( community theatre )

phantom of the opera: ballet company ( understudy: christine daae / summer community theatre camp ); la sorelli ( community theatre ); christine daae ( college )

cinderella: ensemble ( understudy: cinderella / high school ); cinderella ( community theatre )

hairspray: penny pingleton ( high school )

little shop of horrors: audrey ( high school ); audrey ( community theatre )

the rocky horror show: janet weiss ( college )

les miserables: eponine ( college )

west side story: anita ( college ); maria ( community theatre )

twelfth night: viola ( community theatre )

legally blonde: vivian kensington ( college )

#* 🔪 JORDAN RILEY‚ about .#probably gonna add to this bc this is just running off the top of my head but yeah #look at all that attention seeking

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timeless-hollywood-classics · 4 years

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Errol Leslie Thomson Flynn (20 June 1909 – 14 October 1959) was an Australian-born American actor during the Golden Age of Hollywood. Considered the natural successor to Douglas Fairbanks, he achieved worldwide fame for his romantic swashbuckler roles in Hollywood films, as well as frequent partnerships with Olivia de Havilland. He was best known for his role as Robin Hood in The Adventures of Robin Hood (1938); his portrayal of the character was named by the American Film Institute as the 18th-greatest hero in American film history. His other famous roles included the eponymous lead in Captain Blood (1935), Major Geoffrey Vickers in The Charge of the Light Brigade (1936), as well as the hero in a number of Westerns, such as Dodge City (1939), Santa Fe Trail (1940) and San Antonio (1945). Flynn also stirred controversy for his reputation as a womaniser and hedonistic personal life.

Errol Leslie Flynn was born on 20 June 1909 in Battery Point, a suburb of Hobart, Tasmania, Australia. His father, Theodore Thomson Flynn, was a lecturer (1909) and later professor (1911) of biology at the University of Tasmania. His mother was born Lily Mary Young, but shortly after marrying Theodore at St John's Church of England, Birchgrove, Sydney, on 23 January 1909, she changed her first name to Marelle. Flynn described his mother's family as "seafaring folk" and this appears to be where his lifelong interest in boats and the sea originated. Both of his parents were Australian-born of Irish, English and Scottish descent. Despite Flynn's claims, the evidence indicates that he was not descended from any of the Bounty mutineers.

Flynn received his early schooling in Hobart. He made one of his first appearances as a performer in 1918, aged nine, when he served as a page boy to Enid Lyons in a queen carnival. In her memoirs, Lyons recalled Flynn as "a dashing figure—a handsome boy of nine with a fearless, somewhat haughty expression, already showing that sang-froid for which he was later to become famous throughout the civilized world". She further noted: "Unfortunately Errol at the age of nine did not yet possess that magic for extracting money from the public which so distinguished his career as an actor. Our cause gained no apparent advantage from his presence in my entourage; we gained only third place in a field of seven."

From 1923 to 1925, Flynn attended the South West London College, a private boarding school in Barnes, London.

In 1926, he returned to Australia to attend Sydney Church of England Grammar School (known as "Shore"), where he was the classmate of a future Australian prime minister, John Gorton. His formal education ended with his expulsion from Shore for theft, although he later claimed it was for a sexual encounter with the school's laundress.

After being dismissed from a job as a junior clerk with a Sydney shipping company for pilfering petty cash, he went to Papua New Guinea at the age of eighteen, seeking his fortune in tobacco planting and metals mining. He spent the next five years oscillating between New Guinea and Sydney.

In January 1931, Flynn became engaged to Naomi Campbell-Dibbs, the youngest daughter of Robert and Emily Hamlyn (Brown) Campbell-Dibbs of Temora and Bowral, New South Wales. They did not marry.

Australian filmmaker Charles Chauvel was making a film about the mutiny on the Bounty, In the Wake of the Bounty (1933), a combination of dramatic re-enactments of the mutiny and a documentary on present-day Pitcairn Island. Chauvel was looking for someone to play the role of Fletcher Christian. There are different stories about the way Flynn was cast. According to one, Chauvel saw his picture in an article about a yacht wreck involving Flynn. The most popular account is that he was discovered by cast member John Warwick. The film was not a strong success at the box office, but Flynn’s was the lead role, and his fate was decided. In late 1933 he went to Britain to pursue a career in acting.

Flynn got work as an extra in a film, I Adore You (1933), produced by Irving Asher for Warner Bros. He soon secured a job with the Northampton Repertory Company at the town's Royal Theatre (now part of Royal & Derngate), where he worked and received his training as a professional actor for seven months. Northampton is home to an art-house cinema named after him, the Errol Flynn Filmhouse. He performed at the 1934 Malvern Festival and in Glasgow, and briefly in London's West End.

In 1934 Flynn was dismissed from Northampton Rep. after he threw a female stage manager down a stairwell. He returned to London. Asher cast him as the lead in Murder at Monte Carlo, a "quota quickie" made by Warner Brothers at their Teddington Studios in Middlesex. The movie was not widely seen (it is currently a lost film, but Asher was enthusiastic about Flynn's performance and cabled Warner Bros. in Hollywood, recommending him for a contract. Executives agreed, and Flynn was sent to Los Angeles.

On the ship from London, Flynn met (and eventually married) Lili Damita, an actress five years his senior whose contacts proved valuable when Flynn arrived in Los Angeles. Warner Bros. publicity described him as an "Irish leading man of the London stage."

His first appearance was a small role in The Case of the Curious Bride (1935). Flynn had two scenes, one as a corpse and one in flashback. His next part was slightly bigger, in Don't Bet on Blondes (1935), a B-picture screwball comedy.

Warner Bros. was preparing a big budget swashbuckler, Captain Blood (1935), based on the 1922 novel by Rafael Sabatini and directed by Michael Curtiz.

The studio originally intended to cast Robert Donat, but he turned down the part, afraid that his chronic asthma would make it impossible for him to perform the strenuous role.[19] Warners considered a number of other actors, including Leslie Howard and James Cagney, and also conducted screen tests of those they had under contract, like Flynn. The tests were impressive and Warners finally cast Flynn in the lead, opposite 19-year-old Olivia de Havilland. The resulting film was a magnificent success for the studio and gave birth to two new Hollywood stars and an on-screen partnership that would encompass eight films over six years. The budget for Captain Blood was $1.242 million, and it made $1.357 million in the U.S. and $1.733 million overseas, making a huge profit for Warner Bros.

Flynn had been selected to support Fredric March in Anthony Adverse (1936), but public response to Captain Blood was so enthusiastic that Warners instead reunited him with de Havilland and Curtiz in another adventure tale, this time set during the Crimean War, The Charge of the Light Brigade (1936). The film was given a slightly larger budget than Captain Blood, at $1.33 million, and it had a much higher box-office gross, earning $1.454 million in the US and $1.928 million overseas, making it Warner Bros.' No. 1 hit of 1936.

Flynn asked for a different kind of role and so when ill health made Leslie Howard drop out of the screen adaptation of Lloyd C. Douglas' inspirational novel, Flynn got the lead role in Green Light (1937), playing a doctor searching for a cure for Rocky Mountain Spotted Fever.[22] The studio then put him back into another swashbuckler, replacing Patric Knowles as Miles Hendon in The Prince and the Pauper (1937). He appeared opposite Kay Francis in Another Dawn (1937), a melodrama set in a mythical British desert colony. Warners then gave Flynn his first starring role in a modern comedy, The Perfect Specimen (1937), with Joan Blondell, under the direction of Curtiz. Meanwhile, Flynn published his first book, Beam Ends (1937), an autobiographical account of his experiences sailing around Australia as a youth. He also travelled to Spain, in 1937, as a war correspondent during the Spanish Civil War.

Flynn followed this with his most famous movie, The Adventures of Robin Hood (1938), playing the title role, opposite de Havilland's Marian. This movie was a global success. It was the 6th-top movie grosser of 1938.[25] It was also the studio's first large-budget color film utilizing the three-strip Technicolor process. The budget for Robin Hood was the highest ever for a Warner Bros. production up to that point—$2.47 million—but it more than made back its costs and turned a huge profit as it grossed $2.343 million in the U.S. and $2.495 million overseas.

It also received lavish praise from critics and became a worldwide favorite that has endured for generations. In 2019, Rotten Tomatoes summarizes the critical consensus: "Errol Flynn thrills as the legendary title character, and the film embodies the type of imaginative family adventure tailor-made for the silver screen." In 1995, the film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation by the National Film Registry.

The scene in which Robin climbs to Marian's window to steal a few words and a kiss has become as familiar to audiences as the balcony scene in Romeo and Juliet.[citation needed] Years later, in a 2005 interview, de Havilland described how, during the filming, she decided to tease Flynn, whose wife was on set and watching closely. De Havilland said, "And so we had one kissing scene, which I looked forward to with great delight. I remember I blew every take, at least six in a row, maybe seven, maybe eight, and we had to kiss all over again. And Errol Flynn got really rather uncomfortable, and he had, if I may say so, a little trouble with his tights."[30]

The final duel between Robin and Sir Guy of Gisbourne is a classic, echoing the battle on the beach in Captain Blood where Flynn also kills Rathbone's character after a long demonstration of fine swordplay, in that case choreographed by Ralph Faulkner. According to Faulkner's student, Tex Allen, “Faulkner had good material to work with. Veteran Basil Rathbone was a good fencer already, and Flynn, though new to the school of fence, was athletic and a quick learner. Under Faulkner's choreography Rathbone and Flynn made the swordplay look good. For the next two decades Faulkner's movie list as fencing double and choreographer reads as a history of Hollywood's golden years of adventure yarns [including Flynn's] The Sea Hawk (1940),[31]

The success of The Adventures of Robin Hood did little to convince the studio that their prize swashbuckler should be allowed to do other things, but Warners allowed Flynn to try a screwball comedy, Four's a Crowd (1938). Despite the presence of de Havilland and direction of Curtiz, it was not a success. The Sisters (1938) a drama showing the lives of three sisters in the years from 1904 to 1908, including a dramatic rendering of the 1906 San Francisco earthquake, was more popular. Flynn played alcoholic sports reporter Frank Medlin, who sweeps Louise Elliott ( Bette Davis) off her feet on a visit to Silver Bow, Montana. Their married life in San Francisco is difficult, an Frank sails to Singapore just hours before the catastrophe. The original ending of the film was the same as the book: Louise married a character named William Benson. But preview audiences disliked that ending, and a new one was filmed in which Frank comes to Silver Bow to find her and they reconcile. Apparently audiences wanted Errol Flynn to get the girl, or vice versa. (Bette Davis preferred the original ending.)

Flynn had a powerful dramatic role in The Dawn Patrol (1938), a remake of a pre-code 1930 drama of the same name about Royal Flying Corps fighter pilots in World War I and the devastating burden carried by officers who must send men out to die every morning. Flynn and co-stars Basil Rathbone and David Niven led a cast that was all male and predominantly British. Director Edmund Goulding's biographer Matthew Kennedy wrote: “Everyone remembered a set filled with fraternal good cheer.... The filming of Dawn Patrol was an unusual experience for everyone connected with it, and dissipated for all time the legend that Britishers are lacking in a sense of humor.... The picture was made to the accompaniment of more ribbing than Hollywood has ever witnessed. The setting for all this horseplay was the beautiful English manners of the cutterups. The expressions of polite and pained shock on the faces of Niven, Flynn, Rathbone et al., when (women) visitors were embarrassed was the best part of the nonsense.”

In 1939, Flynn and de Havilland teamed up with Curtiz for Dodge City (1939), the first Western for both of them, set after the American Civil War.[34] Flynn was worried that audiences would not accept him in Westerns, but the film was a big hit, Warner Bros.' most popular film of 1939, and he went on to make a number of movies in that genre.

Flynn was reunited with Davis, Curtiz and de Havilland in The Private Lives of Elizabeth and Essex (1939), playing Robert Devereux, 2nd Earl of Essex. Flynn's relationship with Davis during filming was quarrelsome; Davis allegedly slapped him across the face far harder than necessary during one scene. Flynn attributed her anger to unrequited romantic interest, but according to others, Davis resented sharing equal billing with a man she considered incapable of playing any role beyond a dashing adventurer. "He himself openly said, 'I don't know really anything about acting,'" she told an interviewer, "and I admire his honesty, because he's absolutely right." Years later, however, de Havilland said that, during a private screening of Elizabeth and Essex, an astounded Davis had exclaimed, "Damn it! The man could act!"

Warners put Flynn in another Western, Virginia City (1940), set near the end of the Civil War. Flynn played Union officer Kerry Bradford.

In an article for TCM, Jeremy Arnold wrote: "Ironically, the Randolph Scott role [as Captain Vance Irby, commandant of the prison camp where Bradford was a prisoner of war] was originally conceived for Flynn.... In fact, Virginia City was plagued with script, production and personnel problems all along. Shooting began without a finished script, angering Flynn, who complained unsuccessfully to the studio about it. Flynn disliked the temperamental Curtiz and tried to have him removed from the film. Curtiz didn't like Flynn (or costar Miriam Hopkins) either. And Humphrey Bogart apparently didn't care for Flynn or Randolph Scott! Making matters worse was the steady rain that fell for two of the three weeks of location shooting near Flagstaff, AZ. Flynn detested rain, and was physically unwell for quite some time because of it. As Peter Valenti has written, 'Errol's frustration at the role can be easily understood: he changed from antagonist to protagonist, from Southern to Northern officer, almost as the film was being shot. [This] intensified Errol's feelings of inadequacy as a performer and his contempt for studio operation.'" Despite the troubles behind the scenes, the film was a huge success, making a profit of just under $1 million.

Flynn’s next film had been planned since 1936: another swashbuckler taken from a Sabatini novel, The Sea Hawk (1940). However, in the end, only the title was used, and a completely different story was created.

A reviewer observed in Time Aug. 19, 1940, "The Sea Hawk (Warner) is 1940's lustiest assault on the double feature. It cost $1,700,000, exhibits Errol Flynn and 3,000 other cinemactors performing every imaginable feat of spectacular derring-do, and lasts two hours and seven minutes.... Produced by Warner's Hal Wallis with a splendor that would set parsimonious Queen Bess's teeth on edge, constructed of the most tried-&-true cinema materials available, The Sea Hawk is a handsome, shipshape picture. To Irish Cinemactor Errol Flynn, it gives the best swashbuckling role he has had since Captain Blood. For Hungarian Director Michael Curtiz, who took Flynn from bit-player ranks to make Captain Blood and has made nine pictures with him since, it should prove a high point in their profitable relationship." It was indeed: The Sea Hawk made a profit of $977,000 on that budget of $1.7 million.

Another financial success was the Western Santa Fe Trail (1940), with de Havilland and Ronald Reagan, and directed by Curtiz, which grossed $2,147,663 in the US, making it Warner Brothers' second-biggest hit of 1940.

In 1940, at the zenith of his career, Flynn was voted the fourteenth most popular star in the U.S. and the seventh most popular in Britain, according to Motion Picture Daily. According to Variety, he was the fourth-biggest star in the U.S. and the fourth-biggest box-office attraction overseas as well.

Flynn consistently ranked among Warner Bros.' top stars. In 1937, he was the studio's No. 1 star, ahead of Paul Muni and Bette Davis.[43] In 1938, he was No. 3, just behind Davis and Muni.[44] In 1939, he was No. 3 again, this time behind Davis and James Cagney.[45] In 1940 and 1941, he was Warner Bros.' No. 1 top box-office draw. In 1942, he was No. 2, behind Cagney. In 1943, he was No. 2, behind Humphrey Bogart.

Warners allowed Flynn a change of pace from a long string of period pieces in a lighthearted mystery, Footsteps in the Dark (1941). Los Angeles Times' Edwin Schallert wrote: "Errol Flynn becomes a modern for a change in a whodunit film and the excursion proves eminently worth-while... an exceptionally clever and amusing exhibit …" However, the film was not a big success. Far more popular was the military drama Dive Bomber (1941), his last film with Curtiz.

In later years, Footsteps in the Dark co-star Ralph Bellamy recalled Flynn at this time as "a darling. Couldn't or wouldn't take himself seriously. And he drank like there was no tomorrow. Had a bum ticker from the malaria he'd picked up in Australia. Also a spot of TB. Tried to enlist but flunked his medical, so he drank some more. Knew he wouldn't live into old age. He really had a ball in Footsteps in the Dark. He was so glad to be out of swashbucklers."

Flynn became a naturalized American citizen on 14 August 1942. With the United States fully involved in the Second World War, he attempted to enlist in the armed services but failed the physical exam due to recurrent malaria (contracted in New Guinea), a heart murmur, various venereal diseases and latent pulmonary tuberculosis.

Flynn was mocked by reporters and critics as a "draft dodger,” but the studio refused to admit that their star, promoted for his physical beauty and athleticism, had been disqualified due to health problems.

Flynn started a new long-term relationship with a director when he teamed with Raoul Walsh in They Died with Their Boots On (1942), a biopic of George Armstrong Custer. De Havilland was his co-star in this, the last of 12 films they made together. The movie grossed $2.55 million in the U.S. alone, making it Warner Bros.' second-biggest hit of 1942.

Flynn's first World War II film was Desperate Journey (1942), directed by Walsh, in which he played an Australian for the first time. It was another big hit.

The role of Gentleman Jim Corbett in Walsh's Gentleman Jim (1942) was one of Flynn’s favorites.[54] Warner Bros. purchased the rights to make a film of Corbett's life from his widow, Vera, specifically for their handsome, athletic and charming leading man.

The movie bears little resemblance to the boxer’s life, but the story was a crowd pleaser. Despite—or perhaps because of—its departure from reality, “Gentleman Jim” packed the theaters. According to Variety, it was the third Errol Flynn movie to gross at least $2 million for Warner Bros. in 1942.

Flynn eagerly undertook extensive boxing training for this film, working with Buster Wiles and Mushy Callahan. Callahan's remembrances were documented in Charles Higham's Errol Flynn: The Untold Story. "Errol tended to use his right fist. I had to teach him to use his left and to move very fast on his feet...Luckily he had excellent footwork, he was dodgy, he could duck faster then anybody I saw. And by the time I was through with him, he'd jab, jab, jab with his left like a veteran."

Flynn took the role seriously, and was rarely doubled during the boxing sequences. In The Two Lives of Errol Flynn by Michael Freedland, Alexis Smith told of taking the star aside: "'It's so silly, working all day and then playing all night and dissipating yourself. Don't you want to live a long life?' Errol was his usually apparently unconcerned self: 'I'm only interested in this half,' he told her. 'I don't care for the future.'"

In fact, Flynn collapsed on set on July 15, 1942, while filming a boxing scene with Ward Bond. Filming was shut down while he recovered; he returned a week later. In his autobiography, My Wicked, Wicked Ways, Flynn describes the episode as a mild heart attack.

In September 1942, Warners announced that Flynn had signed a new contract with the studio for four films a year, one of which he would also produce.

In Edge of Darkness (1943), set in Nazi-occupied Norway, Flynn played a Norwegian resistance fighter, a role originally intended for Edward G. Robinson. Director Lewis Milestone later recalled, "Flynn kept underrating himself. If you wanted to embarrass him, all you had to do was to tell him how great he was in a scene he'd just finished playing: He'd blush like a young girl and muttering 'I'm no actor' would go away somewhere and sit down."[63] With a box office gross of $2.3 million in the U.S, it was Warner Bros.' eighth biggest movie of the year.

In Warners' all-star musical comedy fund-raiser for the Stage Door Canteen, Thank Your Lucky Stars (1943), Flynn sings and dances as a cockney seaman boasting to his pub mates of how he's won the war in "That's What You Jolly Well Get," the only musical number that was ever performed by Flynn on screen.

In late 1942, two 17-year-old girls, Betty Hansen and Peggy Satterlee, separately accused Flynn of statutory rape at the Bel Air home of Flynn's friend Frederick McEvoy, and on board Flynn's yacht Sirocco, respectively. The scandal received immense press attention. Many of Flynn's fans founded organizations to publicly protest the accusation. One such group, the American Boys' Club for the Defense of Errol Flynn—ABCDEF—accumulated a substantial membership that included William F. Buckley Jr.

The trial took place in late January and early February 1943. Flynn's attorney, Jerry Giesler, impugned the accusers' character and morals, and accused them of numerous indiscretions, including affairs with married men and, in Satterlee's case, an abortion (which was illegal at the time). He noted that the two girls, who said they did not know each other, filed their complaints within days of each other, although the episodes allegedly took place more than a year apart. He implied that the girls had cooperated with prosecutors in hopes of avoiding prosecution themselves. Flynn was acquitted, but the trial's widespread coverage and lurid overtones permanently damaged his carefully cultivated screen image as an idealized romantic leading player.

Northern Pursuit (1943), also with Walsh as director, was a war film set in Canada. He then made a film for his own production company, Thomson Productions, where he had a say in the choice of vehicle, director and cast, plus a portion of the profits. This picture had a modest gross of $1.5 million. Uncertain Glory (1944) was a war-time drama set in France with Flynn as a criminal who redeems himself. However, it was not a success and Thomson Productions made no more movies. In 1943, Flynn earned $175,000.

With Walsh he made Objective, Burma! in 1944, released in 1945, a war film set during the Burma Campaign. Although popular, it was withdrawn in Britain after protests that the role played by British troops was not given sufficient credit. A Western, San Antonio (1945), was also very popular, grossing $3.553 million in the U.S. and was Warner Bros.' third-biggest hit of the year.

Flynn tried comedy again with Never Say Goodbye (1946), a comedy of remarriage opposite Eleanor Parker, but it was not a success, grossing $1.77 million in the U.S. In 1946, Flynn published an adventure novel, Showdown, and earned a reported $184,000 (equivalent to $2,410,000 in 2019).

Cry Wolf (1947) was a thriller with Flynn in a seemingly more villainous role. It was a moderate success at the box office. He was in a melodrama, Escape Me Never (1947), filmed in early 1946 but not released until late 1947, which lost money. More popular was a Western with Walsh and Ann Sheridan, Silver River (1948). This was a hit, although its high cost meant it was not very profitable. Flynn drank so heavily on the set that he was effectively disabled after noon, and a disgusted Walsh terminated their business relationship.

Warners tried returning Flynn to swashbucklers and the result was Adventures of Don Juan (1948). The film was very successful in Europe, grossing $3.1 million, but less so in the U.S., with $1.9, and struggled to recoup its large budget. Still, it was Warner Bros.' 4th-biggest hit of the year. From this point on, Warner Bros. reduced the budgets of Flynn's films. In November 1947 Flynn signed a 15-year contract with Warner Bros. for $225,000 per film. His income totaled $214,000 that year, and $200,000 in 1948.

After a cameo in Warner Bros.' It's a Great Feeling (1949), Flynn was borrowed by Metro-Goldwyn-Mayer to appear in That Forsyte Woman (1949) which made $1.855 million in the U.S. and $1.842 million abroad which was the 11th-biggest hit of the year for MGM. He went on a three-month holiday then made two medium budget Westerns for Warners, Montana (1950), which made $2.1 million and was Warner Bros.' 5th-biggest movie of the year, and Rocky Mountain (1950), which made $1.7 million in the U.S. and was Warner Bros.' 9th-biggest movie of the year. He returned to MGM for Kim (1950), one of Flynn's most popular movies from this period, grossing $5.348 million ($2.896 million in the U.S. plus $2.452 million abroad) making it MGM's 5th-biggest movie of the year and 11th biggest overall for Hollywood. It was shot partly in India. On his way home he shot some scenes for a film he produced, Hello God (1951), directed by William Marshall; it was never released. For many years this was considered a lost film, but in 2013 a copy was discovered in the basement of the surrogate court of New York City. Two of seven cans of the movie had deteriorated beyond hope, but five survived and are at the George Eastman House film archive for restoration.

Flynn wrote and co-produced his next film, the low-budget Adventures of Captain Fabian (1951), directed by Marshall and shot in France. (Flynn wrote articles, novels and scripts but never had the discipline to turn it into a full time career. Flynn wound up suing Marshall in court over both movies.

For Warners he appeared in an adventure tale set in the Philippines, Mara Maru (1952). That studio released a documentary of a 1946 voyage he had taken on his yacht, Cruise of the Zaca (1952). In August 1951 he signed a one-picture deal to make a movie for Universal, in exchange for a percentage of the profits: this was Against All Flags (1952), a popular swashbuckler. As early as 1952 he had been seriously ill with hepatitis resulting in liver damage.[80] In England, he made another swashbuckler for Warners, The Master of Ballantrae (1953). After that Warners ended their contract with him and their association that had lasted for 18 years and 35 films.

Flynn relocated his career to Europe. He made a swashbuckler in Italy, Crossed Swords (1954). This inspired him to produce a similar movie in that country, The Story of William Tell (1954), directed by Jack Cardiff with Flynn in the title role. The movie fell apart during production and ruined Flynn financially. Desperate for money, he accepted an offer from Herbert Wilcox to support Anna Neagle in a British musical, Lilacs in the Spring (1954). Also shot in Britain was The Dark Avenger (1955), for Allied Artists, in which Flynn played Edward, the Black Prince. Wilcox used him with Neagle again, in King's Rhapsody (1955), but it was not a success, ending plans for further Wilcox-Flynn collaborations. In 1956 he presented and sometimes performed in the television anthology series The Errol Flynn Theatre that was filmed in Britain.

Flynn received an offer to make his first Hollywood film in five years: Istanbul (1957), for Universal. He made a thriller shot in Cuba, The Big Boodle (1957), then had his best role in a long time in the blockbuster The Sun Also Rises (1957) for producer Darryl F. Zanuck which made $3 million in the U.S.

Flynn's performance in the latter was well received and led to a series of roles where he played drunks. Warner Bros. cast him as John Barrymore in Too Much, Too Soon (1958), and Zanuck used him again in The Roots of Heaven which made $3 million (1958). He met with Stanley Kubrick to discuss a role in Lolita, but nothing came of it.

Flynn went to Cuba in late 1958 to film the self-produced B film Cuban Rebel Girls, where he met Fidel Castro and was initially an enthusiastic supporter of the Cuban Revolution. He wrote a series of newspaper and magazine articles for the New York Journal American and other publications documenting his time in Cuba with Castro. Flynn was the only journalist who happened to be with Castro the night Batista fled the country and Castro learned of his victory in the revolution. Many of these pieces were lost until 2009, when they were rediscovered in a collection at the University of Texas at Austin's Center for American History. He narrated a short film titled Cuban Story: The Truth About Fidel Castro Revolution (1959), his last-known work as an actor.

Flynn developed a reputation for womanising, hard drinking, chain smoking and, for a time in the 1940s, narcotics abuse. He was linked romantically with Lupe Vélez, Marlene Dietrich and Dolores del Río, among many others. Carole Lombard is said to have resisted his advances, but invited him to her extravagant parties. He was a regular attendee of William Randolph Hearst's equally lavish affairs at Hearst Castle, though he was once asked to leave after becoming excessively intoxicated.

The expression "in like Flynn" is said to have been coined to refer to the supreme ease with which he reputedly seduced women, but its origin is disputed. Flynn was reportedly fond of the expression and later claimed that he wanted to call his memoir In Like Me. (The publisher insisted on a more tasteful title, My Wicked, Wicked Ways.

Flynn had various mirrors and hiding places constructed inside his mansion, including an overhead trapdoor above a guest bedroom for surreptitious viewing. Rolling Stones guitarist Ron Wood toured the house as a prospective buyer in the 1970s, and reported, "Errol had two-way mirrors... speaker systems in the ladies' room. Not for security. Just that he was an A-1 voyeur." In March 1955, the popular Hollywood gossip magazine Confidential ran a salacious article titled "The Greatest Show in Town... Errol Flynn and His Two-Way Mirror!" In her 1966 biography, actress Hedy Lamarr wrote, "Many of the bathrooms have peepholes or ceilings with squares of opaque glass through which you can't see out but someone can see in."

He had a Schnauzer dog, named Arno, which was specially trained to protect Flynn. They went together to premieres, parties, restaurants and clubs, until the dog's death in 1941. On 15 June 1938 Arno badly bit Bette Davis on the ankle in a scene where she struck Flynn.

Flynn was married three times: to actress Lili Damita from 1935 until 1942 (one son, Sean Flynn, 1941 – c. June 1971); to Nora Eddington from 1943 to 1949 (two daughters, Deirdre, born 1945, and Rory, born 1947); and to actress Patrice Wymore from 1950 until his death (one daughter, Arnella Roma, 1953–1998). Errol is the grandfather to actor Sean Flynn (via Rory), who starred in Zoey 101.

While Flynn acknowledged his personal attraction to Olivia de Havilland, assertions by film historians that they were romantically involved during the filming of Robin Hood[97] were denied by de Havilland. "Yes, we did fall in love and I believe that this is evident in the screen chemistry between us," she told an interviewer in 2009. "But his circumstances [Flynn's marriage to Damita] at the time prevented the relationship going further. I have not talked about it a great deal but the relationship was not consummated. Chemistry was there though. It was there."

After quitting Hollywood, Flynn lived with Wymore in Port Antonio, Jamaica in the early 1950s. He was largely responsible for developing tourism to this area and for a while owned the Titchfield Hotel which was decorated by the artist Olga Lehmann. He popularised trips down rivers on bamboo rafts.

His only son, Sean (born 31 May 1941), was an actor and war correspondent. He and his colleague Dana Stone disappeared in Cambodia in April 1970 during the Vietnam War, while both were working as freelance photojournalists for Time magazine. Neither man's body has ever been found; it is generally assumed that they were killed by Khmer Rouge guerrillas in 1970 or 1971.

After a decade-long search financed by his mother, Sean was officially declared dead in 1984. Sean's life is recounted in the book Inherited Risk: Errol and Sean Flynn in Hollywood and Vietnam.

By 1959, Flynn's financial difficulties had become so serious that he flew to Vancouver, British Columbia on 9 October to negotiate the lease of his yacht Zaca to the businessman George Caldough. As Caldough was driving Flynn and the 17-year-old actress Beverly Aadland, who had accompanied him on the trip, to the airport on 14 October for a Los Angeles-bound flight, Flynn began complaining of severe pain in his back and legs. Caldough transported him to the residence of a doctor, Grant Gould, who noted that Flynn had considerable difficulty navigating the building's stairway. Gould, assuming that the pain was due to degenerative disc disease and spinal osteoarthritis, administered 50 milligrams of demerol intravenously. As Flynn's discomfort diminished, he "reminisced at great length about his past experiences" to those present. He refused a drink when offered it.

Gould then performed a leg massage in the apartment's bedroom and advised Flynn to rest there before resuming his journey. Flynn responded that he felt "ever so much better." After 20 minutes Aadland checked on Flynn and discovered him unresponsive. Despite immediate emergency medical treatment from Gould and a swift transferral by ambulance to Vancouver General Hospital, he did not regain consciousness and was pronounced dead that evening. The coroner's report and the death certificate noted the cause of death as myocardial infarction due to coronary thrombosis and coronary atherosclerosis, with fatty degeneration of liver and portal cirrhosis of the liver significant enough to be listed as contributing factors. Flynn was survived by both his parents.

Flynn was buried at Forest Lawn Memorial Park Cemetery in Glendale, California, a place he once remarked that he hated.

#errol flynn #golden age of hollywood #classic hollywood #classic movie stars

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actordougjones · 5 years

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So proud of our Star Trek: Discovery season 2 prosthetic make-up team for their Emmy win over the weekend!!! Look at those precious, happy faces!! L-R: Glenn Hetrick, James Mackinnon, Hugo Villasenor, Rocky Faulkner, Chris Bridges, Nicola Bendrey, Michael O'Brien, Neville Page

#Doug Jones #Emmys #prosthetic makeup #special effects makeup #star trek discovery

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traumantic-a · 4 years

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JORDAN RILEY + ACTING RESUME

AT WEST HENRY HIGH SCHOOL

sherlock holmes: alice faulkner

the crucible: abigail williams

AT MARYSVILLE HIGH SCHOOL

annie: agatha hannigan

cinderella: ensemble ( understudy: cinderella )

hairspray: penny pingleton

little shop of horrors: audrey

AT ROTHFIELD UNIVERSITY

the rocky horror show: janet weiss

west side story: anita

twelfth night: viola

legally blonde: vivian kensington

#* CHARACTER STUDY. / ABOUT.#because i wanted to dangit #yes rocky horror is an homage to victoria doing rocky horror live what of it

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rottenappleheart · 5 years

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My current bookshelves, more or less in the actual order they appear! Deets below the cut. ( I really want to know what people believe about me based on what’s on these shelves...)

Top Left:

Richard Adams: Watership Down

Katherine Addison: The Goblin Emperor x2 (1 copy is signed)

Elizabeth Alder: The King’s Shadow

Svetlana Alexievich: The Unwomanly Face Of War

Hans Christian Andersen: Fairy Tales

Laurie Halse Anderson: Speak

K.A. Applegate: Animorphs: The Hork-Bajir Chronicles, Animorphs: The Andalite Chronicles

Kang Chol-hwan: The Aquariums Of Pyongyang

Margaret Atwood: Cat’s Eye

Lundy Bancroft: Why Does He Do That? Inside The Minds Of Angry And Controlling Men

Brooke Barker: Sad Animal Facts

J.M. Barrie: Peter Pan (illustrated by Trina Schart Hyman)

Peter S. Beagle: Giant Bones, The Last Unicorn x2 (1 copy illustrated by Peter B. Gillis)

Robert Jackson Bennet: City Of Stairs, City Of Blades, City Of Miracles

Allan Bérubé : Coming Out Under Fire: The History Of Gay Men And Women In World War II

Carol Birch: Jamrach’s Menagerie

Isabella Bird: A Lady’s Life In The Rocky Mountains

Pierre Boulle: The Bridge Over The River Kwai

Ray Bradbury: The Martian Chronicles

Paul Brickhill: The Great Escape

Bonus: my grandpa’s mug from the FBI, a picture book of sloth wisdom

Second Left:

Gillian Bradshaw: The Beacon At Alexandria, The Wolf Hunt

Assorted Brontës: The Tenant Of Wildfell Hall, Agnes Grey, Villette, Jane Eyre, Wuthering Heights, Shirley, The Professor

Lily Brooks-Dalton: Good Morning, Midnight

Allie Brosch: Hyperbole And A Half

Carol Rifka Brunt: Tell The Wolves I’m Home

Bill Buford: Heat

Lois McMaster Bujold: The Curse Of Chalion, Cordelia’s Honor

Joseph Campbell: The Hero With A Thousand Faces

Novella Carpenter: Farm City

Susanna Clarke: Jonathan Strange And Mr. Norrell

Susann Cokal: Breath And Bones

C.J. Cherryh: Rider At The Gate, Cloud’s Rider, Rusalka, Chernovog

Bonus: two Willow Tree figures and my ABRA-CA-FUCK-YOU cross-stitch

Third Left:

C.J. Cherryh: Alternate Realities, Foreigner, Invader, Inheritor, Precursor, Defender, Explorer

Henry Chancellor: Colditz: The Definitive Story

Evan Dahm: Rice Boy

Ellen Datlow & Terri Windling: The Year’s Best Fantasy And Horror (#16)

Tiffany DeBartolo: How To Kill A Rock Star

Gavin DeBecker: The Gift Of Fear

Tom DeHaven: Sunburn Lake

Charles DeLint: Dreams Underfoot

Seth Dickinson: The Traitor Baru Cormorant

Carole Nelson Douglas: Exiles Of The Rynth

Arthur Conan Doyle: The Lost World

Brendan Duffy: House Of Echoes

William Faulkner: The Sound And The Fury, Flags In The Dust, Selected Short Stories

Elizabeth Warnock Fernea: Guests Of The Sheik

M.K. Fisher: How To Cook A Wolf

Fannie Flagg: Fried Green Tomatoes At The Whistle Stop Cafe

Fourth Left:

James Gurney: Dinotopia

Gillian Flynn: Sharp Objects

Anker Frankoni: Mexican Eskimo

Charles Frazier: Cold Mountain

Nancy Garden: Annie On My Mind

Maeve Gilmore: A World Away

William Goldman: The Princess Bride

Nicola Griffith: Ammonite

Marie Haskell: The Princess Curse

Frank Herbert: Dune

Victor Hugo: Les Miserables

Shirley Jackson: We Have Always Lived In The Castle

Mira Jacob: The Sleepwalker’s Guide To Dancing

Paulette Jiles: Enemy Woman

Susan Kay: Phantom

Brian Jacques: Martin The Warrior, Mossflower, The Outcast Of Redwall, Mariel Of Redwall, Pearls Of Lutra, Salamandastron

Stephen King: Duma Key, Rose Madder, Hearts In Atlantis

Bottom Left:

Stephen King: The Girl Who Loved Tom Gordon, The Gunslinger x2, The Drawing Of The Three, The Waste Lands, Wizard And Glass, Wolves Of The Calla, Song Of Susannah, The Dark Tower, Lisey’s Story

Andrew Lang: The Green-, Olive-, Yellow-, Orange-, Red-, Pink-, and Grey Fairy Books

Rudyard Kipling: The Jungle Books

Jon Krakauer: Into Thin Air

Ursula K. LeGuin: The Left Hand Of Darkness

Madeline L’Engle: A Wind In The Door, A Swiftly Tilting Planet

Gail Carson Levine: Ella Enchanted

C.S. Lewis: Til We Have Faces, Out Of The Silent Planet

Lois Lowry: The Giver

James W. Loewen: Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong

George MacDonald: The Light Princess & Other Stories, The Princess And The Goblin, At The Back Of The North Wind

Helen MacDonald: H Is For Hawk

Top Right:

Marie Manilla: The Patron Saint Of Ugly

Yann Martel: Life Of Pi

Gavin Maxwell: Ring Of Bright Water

Bernadette McCaughrean: Peter Pan In Scarlet

Patricia McKillip: The Forgotten Beasts Of Eld

Robin McKinley: The Hero And The Crown, The Blue Sword, Spindle’s End, Rose Daughter

Water M. Miller Jr.: A Canticle For Leibowitz

Herman Melville: Moby Dick x2 (1 copy is abridged and illustrated for children)

China Miéville: The Scar

Rand Miller: Myst: The Book Of Ti’Ana, Myst: The Book Of Atrus, Myst: The Book Of D’Ni

Hayao Miyazaki: Nausicaa Of The Valley Of The Wind, The Art Of Nausicaa, The Art Of Castle In The Sky

Elizabeth Moon: Remnant Population

Lady Murasaki: The Tale Of Genji

Audrey Nieffenegger: The Time-Traveler’s Wife

Bonus: “but you are not weak” embroidery, hand-painted page from H Is For Hawk

Second Right:

Sena Jeter Naslund: Ahab’s Wife: Or, The Star-Gazer

Patrick Ness: The Knife Of Never Letting Go, The Ask And The Answer, Monsters Of Men

Garth Nix: Sabriel

Naomi Novik: Temeraire, Throne Of Jade, Black Powder War, Empire Of Ivory

Ann Patchett: Bel Canto

Mervyn Peake: Gormenghast

Julie Ann Peters: Far From Xanadu

Patrick O’Brian: Master And Commander, Post Captain, HMS Surprise, The Mauritius Command, Desolation Island, The Fortune Of War, The Far Side Of The World

Bonus: pottery my dead friend made, pottery I made, slab of picture jasper, my “Fun Things To Believe In” cross-stitch

Third Right:

Edgar Allen Poe: Stories

Phillip Pullman: The Golden Compass

Lawrence Raab: The Collector Of Cold Weather

Erich Marie Remarque: All Quiet On The Western Front

Mary Renault: The Charioteer x2 (1 first edition)

Alistair Reynolds: Revelation Space, Redemption Ark, Diamond Dogs, Turquoise Days

David L. Robbins: War Of The Rats, The End Of War, Last Citadel

Mary Doria Russell: The Sparrow, Doc

Karen Russell: Swamplandia!

Alexander Afanasyev: Russian Fairy Tales

Louis Sachar: Holes

J.D. Salinger: The Catcher In The Rye

Sarah N.B.: It Begins In A Garden

William Shakespeare: Hamlet, Othello, King Lear, Macbeth

Mary Shelley: Frankenstein

Gene Stratton Porter: A Girl Of The Limberlost

Alexander Solzhenitsyn: One Day In The Life Of Ivan Denisovich

Caitlin Starling: The Luminous Dead

Noelle Stevenson: Nimona

Fourth Right:

Bram Stoker: Dracula x2 (1 illustrated by Becky Cloonan)

Elizabeth Kostova: The Historian

J.R.R. Tolkien: The Hobbit, The Fellowship Of The Ring, The Two Towers (x2), The Return Of The King, The Silmarillion, Unfinished Tales

Elizabeth Whalen Turner: The Thief, The Queen Of Attolia

Catherynne M. Valente: Deathless, The Orphan’s Tales: In the Night Garden, The Orphan’s Tales: In The Cities Of Coin And Spice

Sheldon Vanauken: A Severe Mercy

Brian K. Vaughn: Saga (#1)

Tillie Walden: On A Sunbeam

Jen Wang: The Prince And The Dressmaker

Helene Wecker: The Golem And The Jinni

Elizabeth Wein: Code Name Verity

T.H. White: The Once And Future King

Simon Winchester: The Professor And The Madman

Bottom Right:

Gary Trudeau: The Doonesbury Chronicles

Adam Edgerton: Rediscovering Adak

Walt Whitman: Leaves Of Grass

Jane Yolen: Twelve Impossible Things Before Breakfast

Daniel Woodrell: Winter’s Bone

Patricia C. Wrede: Dealing With Dragons, Calling On Dragons, Searching For Dragons

Malcolm York: Mervyn Peake: My Eyes Mint Gold

Bonus: assorted DVDs and 1 lonely VHS tape, any manga I didn’t purge, plus some children’s books and self-published comics by high school friends

#books books books #the misc bits used to be more evenly distributed across all shelves but story has started to go mountain climbing #so the lower shelves are 'faced' to the edge of the shelf now #it's... not helping that much

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