Raoul Ubac. Nu, Agui, circa 1933.
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"LE TRIOMPHE DE LA STÉRILITÉ OU PENTHÉSILÉE"
RAOUL UBAC // 1937
[gelatin silver print | 40 x 24.8 cm.]
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Victor Brauner, Jacques Hérold, Violette Hérold, Yves Tanguy and Raoul Ubac
Untitled "Cadavre exquis" (Exquisite Corpse)
Graphite and collage on paper
1938
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Raoul Ubac, tracé sur la plage, 1972
Photographie: Clovis Prévost
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Raoul Ubac
Portrait dans un miroir 1938
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Raoul Ubac
Empreinte d’Ardoise II, 1978
Engraving, 71 x 51 cm
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"Photo Eye (Foto-Auge)," 1927, printed 1938-40. © Anton Stankowski
Unsettling the Everyday
Surrealism, the art movement once described as finding beauty in “the chance encounter of a sewing machine and an umbrella on an ironing board,” came of age in the 1920s, as photography was moving in new and artistic directions. Many proponents of surrealism embraced photography as an art form that could elevate and decontextualize the odd or mundane.
"The Battle of the Penthesilea (Le Combat des Penthésiliées)," 1937. © Raoul Ubac
"Double Portrait with Hat," c. 1936-1937. © Dora Maar
"The Architect of Magus," 1935. © Georges Hugnet
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Untitled, Raoul Ubac, 1967. Gouache and print on onionskin paper.
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Raoul Ubac. Reclining female nude, circa 1933.
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RAOUL UBAC / “PENTHÉSILÉE” / 1937
[gelatin silver print | 15 1/2 in. × 11 1/4″]
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Victor Brauner, Jacques Hérold, Violette Hérold, Yves Tanguy and Raoul Ubac
Untitled "Cadavre exquis" ("Exquisite Corpse”)
1938
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raoul ubac in surreal objects: 3-dimensional works from dalí to man ray - ingrid pfeiffer + max hollein
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