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Binh Danh – Holding #2
From the Immortality: The Remnants of the Vietnam and American War series
Chlorophyll print and resin
15 5/8 x 13 1/2 inches 2009
The chlorophyll process
The chlorophyll process is an organic alternative photography process akin to the anthotype process. However, instead of printing on the crushed extract of fruit or plant matter, the prints are bleached by sunlight directly onto the surface of leaves using a positive. Tiffany Pereira shares her experience with this process.
Binh Danh – US soldier
From the Immortality: The Remnants of the Vietnam and American War series
Chlorophyll print and resin
14 5/8 x 12 1/4 inch 2008
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Monumental Paper Installations by Marianne Eriksen Scott-Hansen Bring Vibrant Flora Indoors
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Chris Wolston’s Wicker Chairs Weave Bodily Exuberance with Functionality
American artist and designer Chris Wolston conceptualizes the possibilities of melding the human body with the form of a chair. Emerging from his second studio in Medellín, Colombia, Wolston’s Nalgona series highlights the South American country’s tradition and abundance of mimbre, or wicker.
All images © Chris Wolston
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10' Frankenstein's Hay Monster- Double Stacked 5' Bales
Hay Bales That Jean Marie Smith Sculpted To Look Like Pop-Culture Characters For Last Year’s Halloween
Pikachu
Homage To Andy Warhol's Campbell's Soup Can
Optimus Prime
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Tina Kraus Details Ocean Life’s Beauty and Plight Through Realistic Paper Sculptures
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“Deva Realms” (2023), 90 hanging forms of Bristol paper and string, approx. 1,500 components, dimensions variable
By Michael Velliquette
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“All in Good Time” (2023), hand-cut paper, dimensions variable.
By Jaq Belcher
Courtesy of Jayne H. Baum/JHB Gallery
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“Écran plat” (1999), driftwood and linen twine, 60 x 50 x 7 centimeters.
Countless Astonished Faces Emerge from Driftwood in Expressive Sculptures by Marc Bourlier
All images © Marc Bourlier
“L’arbre Voyageur” (2023), driftwood, wallpaper, and drawing, 50 x 40 x 6 centimeters
“L’arbre Sous le Lune” (2023), driftwood, linen twine, wallpaper, and drawing, 40 x 30 x 5 centimeters
“Nuages” (2017), driftwood, 80 x 70 x 7 centimeters
“Tous Dehors” (2015), driftwood, linen twine, and wooden box, 35 x 15 x 12 centimeters
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In Fantastical Laser-Cut Plywood Reliefs, Gabriel Schama Revels in Elaborate Details
All images © Gabriel Schama
“Potion of Dreams”
“Prince of Thunder”
Left: “Chapel of the Lilies.” Right: “Thorn and Fang”
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Maria Mariposa Face by Karla, 2019.
Mexico City’s queer, creative community
Photographer Mayan Toledano explores the interior lives of LGBTQ artists, designers and creatives in Mexico City. Her empathetic portraits revolve around access to their private spaces
No Mames by Mayan Toledano is published by Damiani.
Seb and Sebastian, 2022
Andrea, Jovana, Karla and Sheila, Lomas de Chapultepec, 2019
Uma and Ada, Wearing Sentimiento by Maria Isas, Polanco, 2022
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Aine at my AirBnB, Condesa, 2020
Mexico City’s queer, creative community
Photographer Mayan Toledano explores the interior lives of LGBTQ artists, designers and creatives in Mexico City. Her empathetic portraits revolve around access to their private spaces
No Mames by Mayan Toledano is published by Damiani.
Ditzy Girls, 2019
Ano, Centro, 2019
Bluerojo in His Room, Wearing Sentimiento, Guerrero, 2022
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