#Professor Ostwald | Explore Tumblr Posts and Blogs

motivosdascores · 1 year

Text

4. DICA DE LIVE PARA INICIAR SEUS ESTUDOS SOBRE COR

Sexta-feira, 12 de maio de 2023, 02h da manhã.

Estava aqui pensando e vejo ser muito difícil achar conteúdo coerente sobre estudo de cores em português, mas lembrei que um dia, pesquisando no YouTube, encontrei uma live de um professor da escola de arte “Cozinha da Pintura”.

No vídeo ele mostra ter um contato direto com o conhecimento científico do assunto através da Unicamp, o que faz ele apresentar o conhecimento dele de uma maneira justa, sem duvidar da capacidade intelectual do espectador ou do seu próprio aluno, algo que não vejo muito em conteúdos produzidos atualmente, pois dizem que a explicação científica é complicada e o público não teria a capacidade ou o interesse de entender.

Sinceramente? E aproveitando pra desabafar. Se falam “não é magia, é colorimetria, é ciência” e não usam dela para ensinar, isso e a justificativa me mostram que a pessoa não entende do que está ensinando de fato e não quer perder credibilidade. Pra mim, seria mais interessante a pessoa construir um ambiente seguro de aprendizagem mútua do que ensinar equívocos que os próprios autores que citam, em determinados aspectos, refutam. E acredito até que seria muito frustrante para pessoa interessada em se aprofundar no assunto acabar percebendo que terá que começar do zero.

Uma vez fui questionar quem seria esse Oswald a quem atribuem a criação da famosa “Estrela de Oswald”, usada por cabeleireiros, algo que pesquisei bastante tempo e não encontrei, ainda, e, não, não é do Wilhelm Ostwald e seria impossível que fosse, e me disseram que minha pergunta complicava as coisas (imagem abaixo).

Figura 4.1 - Imagem de resposta ao meu comentário ao questionar a autoria da “Estrela de Oswald”, feita no Instagram.

Se você se dispõe a ser alguém que ensina, falar que a dúvida de alguém complica vai na direção contrária desse propósito, é querer criar uma doutrina e não estimular estudo e desenvolvimento crítico. Aliás, entender a cronologia dos círculos cromáticos associado ao contexto histórico, faz a gente entender melhor a linha de raciocínio do autor, as associações feitas, as inovações, os equívocos e até como ou porquê cada nicho aceitou ou negou tudo isso.

Enfim, voltando. Deixarei o link do vídeo aqui: https://youtu.be/GapKvOq7-7o

youtube

Algumas observações sobre o vídeo: nem sempre as cores opostas são complementares de fato, a definição de complementar estaria em duas cores que formam luz acromática (branca) e pode variar a percepção dependendo da luz ambiente [1]. O círculo cromático colorido associado, intencionalmente ou não, ao Newton, na verdade, não se sabe ao certo a autoria [2]. Também o Croma seria o quanto de matiz você percebe pela variação de tons (quantidade de cinza) dessa, ou seja, o quão perto ou longe do ponto neutro cinza a matiz está, não tendo variação de valor, e Saturação, por mais que seja traduzido como equivalente ao croma, é explicado pelo David Briggs [3] como coisa diferente, pois nela sim tem variação de valor.

Eu não vou falar que verifiquei todos os dados trazidos por ele no vídeo, pois muita coisa ainda estou em processo de aprendizagem, mas no geral é um excelente vídeo pra quem quer iniciar nos estudos, mesmo que use sistemas tradicionais, já que dependendo do objetivo, como o que ele fala de simular como os artistas antigos pintavam, pode ser útil.

E acredito que a escolha de qual sistema usar deva ser por opção/preferência e não por apenas conhecer e acreditar nos ensinamentos tradicionais. Inclusive, o conhecimento moderno irá ajudar muito mais a entendê-los e a usá-los da melhor maneira.

Bom, espero que esse vídeo seja interessante para você que quer iniciar seus estudos e que consiga, por meio dele, ir atrás das informações apresentadas!

LF.

[1] Em vídeo recente no TikTok, o Peter Donahue (Color Nerd) explica sobre esse assunto. Link: https://vm.tiktok.com/ZM2JaenDH/

[2] O círculo apresentado pode ser encontrado no livro “Traite de la Peinture en Mignature” (nunca li, pois não falo francês, mas o livro está em domínio público e pode ser encontrado no Google livros) ou pode ser encontrado menção no site HueValueChroma do David Briggs.

[3] Pode ser encontrado a explicação tanto no site dele, HueValueChroma, quanto no site Munsell. Link: https://munsell.com/color-blog/difference-chroma-saturation/

#Youtube #teoria das cores #colorimetria #ciência #estudo #aprendizagem #live #cozinhada pintura

1 note · View note

ieisia · 1 year

Text

Paul Walden

was a Russian, Latvian and German chemist known for his work in stereochemistry and history of chemistry. In particular he invented the stereochemical reaction known as Walden inversion and synthesized the first room-temperature ionic liquid, ethyl ammonium nitrate.

In 1888, Walden graduated from the university with a degree in chemical engineering and continued working at the Chemistry Department as an assistant to professor C. Bischof.

Under his guidance, Walden began compiling "Handbook of Stereochemistry" which was published in 1894. In preparation of this handbook, Walden had to perform numerous chemical syntheses and characterizations which resulted in 57 journal papers on stereochemistry alone, published between 1889 and 1900 in Russian and foreign journals 57 articles on the stereochemistry. He also continued his research in the field of physical chemistry, establishing in 1889 that the ionizing power of non-aqueous solvent is directly proportional to the dielectric constant.

During the summer vacations of 1890 and 1891, Walden was visiting Ostwald at the University of Leipzig and in September 1891 defended there a master thesis on the affinity values of certain organic acids. Ostwald suggested that he stay in Leipzig as a private lecturer, but Walden declined, hoping for a better career in Riga.

In the summer of 1892 he was appointed assistant professor of physical chemistry. A year later he defended his doctorate on osmotic phenomena in sedimentary layers and in September 1894 became professor of analytical and physical chemistry at the Riga Technical University. He worked there until 1911 and during 1902–1905 was rector of the university. In 1895, Walden made his most remarkable discovery which was later named Walden inversion, namely that various stereoisomers can be obtained from the same compound via certain exchange reactions involving hydrogen. This topic became the basis for his habilitation thesis defended in March 1899 at St. Petersburg University.

After that, Walden became interested in electrochemistry of nonaqueous solutions. In 1902, he proposed a theory of autodissociation of inorganic and organic solvents. In 1905, he found a relationship between the maximum molecular conductivity and viscosity of the medium and in 1906, coined the term "solvation". Together with his work on stereochemistry, these results brought him to prominence; in particular, he was considered a candidate for the Nobel Prize in Chemistry in 1913 and 1914.

Walden was also credited as a talented chemistry lecturer. In his memoirs, he wrote: "My audience usually was crowded and the feedback of sympathetic listeners gave me strength ... my lectures I was giving spontaneously, to bring freshness to the subject ... I never considered teaching as a burden"

1896 brought reforms to the Riga Technical University. Whereas previously, all teaching was conducted in German and Walden was the only professor giving some courses in Russian, from then on, Russian became the official language. This change allowed receiving subsidies from the Russian government and helped the alumni in obtaining positions in Russia. These reforms resulted in another and rather unusual collaboration of Walden with Ostwald: Walden was rebuilding the Chemistry Department and Ostwald sent him the blueprints of the chemical laboratories in Leipzig as an example. In May 1910, Walden was elected a member of the St. Petersburg Academy of Sciences and in 1911 was invited to Saint Petersburg to lead the Chemical Laboratories of the academy founded in 1748, by Mikhail Lomonosov. He remained in that position till 1919. As an exception, he was allowed to stay in Riga where he had better research possibilities, but he was traveling, almost every week, by train, to St. Petersburg for the academy meetings and guidance of research. In the period 1911–1915, Walden published 14 articles in the "Proceedings of the Academy of Sciences" on electrochemistry of nonaqueous solutions. In particular, in 1914 he synthesized the first room-temperature ionic liquid, namely ethylammonium nitrate (C 2H 5)NH+ 3·NO− 3 with the melting point of 12 °C.

After 1915, due to the difficulties caused by the World War I, political unrest in Russia and then October Revolution, Walden had reduced his research activity and focused on teaching and administrative work, taking numerous leading positions in science. Due to the political unrest in Latvia, Walden had immigrated to Germany together. He was appointed as professor of inorganic chemistry at the University of Rostock where he worked until retirement in 1934. In 1924 he was invited back to Riga, where he gave a series of lectures. He was offered leading positions in chemistry in Riga and in St. Petersburg but declined. Despite his emigration, Walden retained his popularity in Russia, and in 1927 he was appointed as a foreign member of the Russian Academy of Sciences. Later, he also became a member of the Swedish 1928 and Finnish 1932 Academies.

0 notes

materialsscienceandengineering · 3 years

Photo

Enhancing crystal growth using polyelectrolyte solutions and shear flow

The process of examining characteristics of drug candidates thoroughly is essential for obtaining institutional approvals of new drugs for which high-quality crystallographic data are required. Indeed, growing large crystals of good quality from various substances serves a particular purpose for such processes and analyses. A recent study, affiliated with UNIST has introduced a novel crystal growth method, which enhances crystal growth 10 times faster than the average.

An international joint research team led by Distinguished Professor Bartosz Grzybowski (Schoool of Natural Science) has demonstrated that in the presence of polymers (preferably, polyionic liquids), crystals of various types grow in common solvents, at constant temperature, much bigger and much faster when stirred, rather than kept still. This overturns the idea that mechanical disturbances, such as bumping, swirling, or vibrations, interfere with the production of large and good-quality crystals.

Crystallization method typically begins with the formation of high-quality seed crystals that will be used to grow large single crystals. Thus, producing good-quality crystals of a suitable size is the most important step in the whole crystal structure process. To obtain properly-sized and good-quality crystals more rapidly, it is important to facilitate Ostwald ripening, the process of dissolution of smaller particles and the growth of larger particles at the expense of the smaller particles. It is common knowledge that mechanical disturbance of the crystal growing vessel can result in a large number of very small crystals, instead of a small number of large ones. This, then, hinders the growth of large single crystals.

REad more about Walther Nernst

0 notes

askmagicscoobydooblog · 7 years

Note

So what are each of your favorite and least favorite cases so far?

Fred: “Well I have to admit I really enjoyed the one at theWWE Road Race. Custom cars and wrestlers how cool can you get? Also getting tohelp design two new cars out of the food cart and Mystery Machine was awesome. The worst case would probably have to be the one at Daphne’s Uncle’s hotel whenthe gang was trying to get me to take a brake from nets. That didn’t work outtoo well, and me not being able to catch the monster with a net at first onlymade things worse. Just glad I was able to make a net out of those old VHStapes that actually worked in catching the monster.”

Daphne: “Hmm lets see there were a lot of fun mysterieswe’ve had, but I guess maybe the one during my martial arts competition inJapan would be my favorite. Uncovering an ancient secret sword and seeingMiyumi running off with the sword to stop Miss Mirimoto plan was great. Huhstrange I feel like there was something else after that but I don’t rememberanything. Any way my least favorite mystery was probably the one at the vampirefestival in Chauve Sourie Ville. I mean it wasn’t much different than any othercase I got kidnapped but at that point it had gotten kinda old. Also I don’treally want to know what Vincent was going to do if his plan had succeeded. Hehad to have known he couldn’t just let me go after that without me tellingpeople it was fake.”

Velma: “The virtual one Professor Ostwald made up for me atthe video game convention was pretty cool. It really was so life like that ittook quite a few clues for me to realize I was actually in the game. Alsogetting to help improve it was fun too. My most hated mystery is the one we hadat my great uncle’s castle. I really shouldn’t have to say why I hate that onethe most and I really don’t want to.”

Shaggy: “Like you want me to pick a case I liked? Um I likeguess when Scoob and I were camp counselors, and not the actual case itself,that was probably one of the scariest mysteries ever, it was like what happenedafter that made it kinda fun. It was kinda fun being the one to like dress upas the monster and having the monster scare the greedy land developer away fora change. As for the worst one, like man that’s tough. Well what happened onHalloween wasn’t really a mystery so um… oh… like the one where we went toTokyo and Professor Promfit made me think I was the monster. I really thought Iwas destroying stuff and hurting people every night. It was like really awful.”

Scooby: Rum ra rone rat ra Rooby Rack Ractory recause ri rotro reat rots rof Rooby Racks rand ra rone rat ra rog row (dog show) recause Readow rut Raggy, re ralso ridnappedruppys, rho roes rat (also kidnapped puppies, who does that)?

#ask the gang #scooby doo #Fred Jones #Daphne Blake #Velma Dinkley #Shaggy Rogers

14 notes · View notes

wwwnewunificationchurchcom · 6 years

Photo

(via The Prophetic Context of the Trumpist Policy: National Racism at the Level of an Institutionalized Agenda: a Review of White Supremacy; and a Vision of What Will Now Come to Pass)

==============================================

========================================

BOBBY AZARIAN, RAW STORY

– COMMENTARY

27 AUG 2018 AT 13:34 ET

“While the exaggerator-in-chief is well known for his habitual lying, the most common psychological diagnosis he’s been given by experts in the field is narcissistic personality disorder.

While any diagnosis should require a full mental examination before accepted as clinical truth, the mountains of behavioral evidence for Trump’s narcissism arguably provides more justification for the label than any standard clinical test. At this point, the claim can hardly be debated, and even staunch supporters would admit that Trump thinks he’s the greatest thing since sliced bread. It takes a special kind of narcissist to shamelessly compare their book to The Bible in front an audience full of conservatives. His narcissism knows few limits, and it’s hard to imagine even the man himself denying such an obvious fact,,”

A National Policy of Institutionalized Racism:

First Written of in Sacred Literature, Began in Ancient Egypt, paralleled in Caste Structure of India

Many medically trained race hygienists argued that the surest way to improve the general level of national health was to

upgrade the bodily constitution of all individuals in society – a task to be accomplished by means of an energetic eugenics program.

In addition to the ‘social question’, and the German medical tradition, there was a third influence that greatly shaped the early development of the movement: the “selectionist” variety of social Darwinism, popularized by Germany’s most outspoken biologist, Ernst Haeckel (1834-1919), and later legitimated by the scientific writings of the Freiburg embryologist August Weismann (1834-1914).

Charles Darwin ………………………………………………………………………………………………………………………………………………………………………………………………………………………………..

Ernst Heinrich Philipp August Haeckel (16 February 1834 – 9 August 1919) was a German biologist, naturalist, philosopher, physician, professor, marine biologist, and artist who discovered, described and named thousands of new species, mapped a genealogical tree relating all life forms, and coined many terms in biology, including anthropogeny, ecology, phylum, phylogeny, stem cell, and Protista. Haeckel promoted and popularised Charles Darwin’s work in Germany, and developed the influential recapitulation theory (“ontogeny recapitulates phylogeny”) claiming that an individual organism’s biological development, or ontogeny, parallels and summarises its species’ evolutionary development, or phylogeny. The published artwork of Haeckel includes over 100 detailed, multi-colour illustrations of animals and sea creatures (‘Kunstformen der Natur’). As a philosopher, Ernst Haeckel wrote ‘Die Welträtsel’ (1895–1899), the genesis for the term “world riddle” (Welträtsel). Haeckel’s political beliefs were influenced by his affinity for the German Romantic movement, coupled with his acceptance of a form of Lamarckism. Rather than being a strict Darwinian, Haeckel believed that the characteristics of an organism were acquired through interactions with the environment and that ontogeny reflected phylogeny. He believed the social sciences to be instances of “applied biology”, and that phrase was picked up and used in Volkisch philosophy. In 1905, Haeckel founded a group called the Deutscher Monistenbund to promote his religious and political beliefs. This group lasted until 1933 and included such notable members as Wilhelm Ostwald, Georg von Arco, Helene Stöcker and Walter Arthur Berendsohn. Haeckel believed that human races evolved independently, and in parallel with each other. Haeckel divided human beings into ten races, of which the Caucasian (Aryan) was the highest and the primitives were doomed to extinction.

August Weismann August Friedrich Leopold Weismann (17 January 1834 – 5 November 1914) was a German evolutionary biologist. Ernst Mayr ranked him the second most notable evolutionary theorist of the 19th century, after Charles Darwin. Weismann became the Director of the Zoological Institute and the first Professor of Zoology at Freiburg. His main contribution was the germ plasm theory, at one time also known as ‘Weismannism’, according to which (in a multicellular organism) inheritance only takes place by means of the germ cells – the gametes such as egg cells and sperm cells. Other cells of the body – somatic cells – do not function as agents of heredity.

Haeckel went far beyond Darwin in his attempt to flesh out the larger philosophical and social meaning of the evolutionary theory.Although, like Darwin, he believed in the

inheritance

acquired characteristics

, Haeckel always stressed Darwin’s

selection principle

as the most important engine of forward directed organic change; indeed, for Haeckel, Darwinism was

synonymous

with

selection

.Weismann, who came to reject the possibility of the inheritance of acquired characteristics through his work on heredity, afforded Darwin’s principle of natural selection an even greater role in organic and social evolution than did the author of the ‘Origin of Species’ himself.His famous mechanism of heredity, ‘

the continuity of the germ plasm

‘, first articulated in 1883, challenged the basic tenets of the more optimistic first-generation social Darwinists who assumed that new characteristics acquired by an organism as a result of environmental change would be transmitted to future generations.As one German social Darwinist and eugenicist expressed it,

‘It was Weismann’s teaching regarding the separation of the germ plasm from the soma, the hereditary stuff from the body of the individual, that first allowed us to recognize the importance of Darwin’s principle of selection. Only then did we comprehend that it is impossible to improve our progeny’s condition by means of physical and mental training. Apart from the direct manipulation of the nucleus, only selection can preserve and improve the race.‘

Indeed, for those who accepted Weismann’s views with respect to both heredity and the ‘all-supremacy’ of

selection

, eugenics was the only practical strategy to ensure

racial progress

and avert

racial decline

.If the ideas of Haeckel and Weismann encouraged many contemporaries to view

natural selection

as the sole agent of all organic and social progress, the writings of the two biologists also emphasized that progress was not inevitable.Under certain conditions the ‘

unfit

‘ might prosper, thereby posing a challenge to further evolutionary development.This ‘selectionist’ perspective and language provided Germany’s future

eugenicists

with novel tools of analysis that enabled them to come to grips with the ‘social question’ by transforming it into a scientific problem: the

asocial

individuals created by industrialization became for them the biologically and medically

unfit

.The only way to

eliminate

this group from the population was through a policy of “

‘rational selection,’

race hygiene

The Untouchables and The Land of Goshen.

“….When a narcissist’s self-esteem or self-worth is badly injured, their whole identity begins to fall apart, and they often respond with what is referred to as “

narcissistic rage

.”

When this happens, the lashing out, bullying, threats, and erratic behaviors rise to new levels. Rather than accepting the blame one deserves for their own actions, narcissists tell themselves that others are responsible, and that they deserve to be punished. They often become obsessed with revenge, which comes in many forms, such as verbal or even physical abuse.

Modern technology like social media provides the narcissist with the perfect medium for attacking perceived enemies, and Donald Trump has certainly taken advantage of it.

But his threats have gone beyond personal enemies. When the possibility of impeachment became a reality for the president, his instinct was to tell the world on national television that if such a thing were to happen, it would cause the economy to crash.

“I think everybody would be poor,” he

told Fox News

last Wednesday, trying to strike fear into the hearts of all Americans.

0 notes

davidisen · 7 years

Text

NYC Music I Like Mar 22-28

...trad jazz, Gypsy, swing, bluegrass, choro etc. w/ folk roots & virtuoso ensemble playing... Explanation/disclaimer.

[Caution! Please verify with musician, venue, etc., before going. Send updata here.]

Allied music listings with overlapping tastes: Jim's Roots and Blues Calendar. Eileen's Lindy Blog - This Week in Swing.

This Week

Wednesday, March 22, 5:30 PM: David Ostwald's Louis Armstrong Eternity Band, Birdland (Most Wednesdays.) 6:30 PM: Sweet Megg & The Wayfarers w/ Megg (vocals), Jon Weber (piano), Nick Meyers (sax), Rob Adkins (bass). Top of the Standard. 7 PM: Jeanne Gies (vocals) w/ Sandro Albert (guitar). Andanada. 7:30 PM: Cole Porter’s “The New Yorkers” (a story of the 1930s & prohibition) w/ Cyrille Aimée & many others. City Center, 130 W. 56th Street. Info/tix. 7:45 PM: Chris Eldridge & Julian Lage plus Aoife O'Donovan. Fairfield Theatre Company, Fairfield CT. Info/tix. 9 PM: Emily Asher's Garden Party. Radegast. 10 PM: Alex Hargreaves (violin), Dominick Leslie (mandolin), Wes Corbett (5-string banjo). Rockwood Three. 11 PM: Avalon Jazz Band hosts Hot Jazz & Gypsy Jam. The Keep. (Most Wednesdays.)

Thursday, March 23, 7:30 PM: Michael Daves (guitar), in a movie & concert situation w/ Tony Trischka (5-string banjo), Alex Hargreaves (fiddle), Tatiana Hargreaves (fiddle, vocals), Dominick Leslie (mandolin), Larry Cook (bass), others. National Sawdust. Info/tix. 7:30 PM: Cole Porter’s “The New Yorkers” (a story of the 1930s & prohibition) w/ Cyrille Aimée & many others. City Center, 130 W. 56th Street. Info/tix. 8 PM: The Blacktail Songbirds, frequently w/ Molly Ryan (vocals), Dan Levinson (reeds), Mike Davis (cornet), Terry Waldo (piano). Blacktail. (Most Thursdays.) 8:30 PM: Henry Butler (piano). Bar LunAtico. 8:30 PM: Gene Bertoncini (guitar) and Josh Marcum (bass). Ryan's Daughter, upstairs, 350 E. 85th Street between 1st and 2nd Avenues. (Most Thursdays.) 9 PM: Jon-Erik Kellso (cornet), Evan Arntzen (reeds), Ehud Asherie (piano), Marion Felder, (drums). Luca's Jazz Corner @Cavatappo Grill. 9 PM: Gypsy jazz jam, Fada. (Most Thursdays.)

Friday, March 24, 6:30 PM: Margi Gianquinto (vocals) w/ the Aaron Johnson Quartet, Aaron (clarinet, flute, sax), Ilya Lushtak (guitar), and Kyle Colina (bass). Vaucluse. 7:30 PM: Cole Porter’s “The New Yorkers” (a story of the 1930s & prohibition) w/ Cyrille Aimée & many others. City Center, 130 W. 56th Street. Info/tix. 8 PM: Regional de NY, Brazilian choro w a slight NYC accent. Barbes. 8 & 10 PM: Bucky Pizzarelli (7-string guitar), Ed Laub (guitar, vocals), Larry Fuller (piano), Martin Pizzarelli (bass). Kitano. 9 PM: Noam Pikelny. The Bowery Ballroom. Info/tix. 10:30 PM: Fridays at Mona's, this week Regional de NY, Brazilian choro w a slight NYC accent. Mona’s, 14th & Avenue B.

Saturday, March 25, 11:30 AM: Tara O'Grady Quartet w/ Tara (vocals), Michael Howell (guitar), Trifon Dimitrov (bass), Michael Hashim (sax). Tanner Smiths Tipsy Tea Jazz Brunch. (Most Saturdays.) Noon: Glenn Crytzer Quintette. Brunch at Minton’s. 1 PM: Garden Party Quartet frequently with Emily Asher (trombone). (Most Saturdays.) Fraunces Tavern. 2 PM: Cole Porter’s “The New Yorkers” (a story of the 1930s & prohibition) w/ Cyrille Aimée & many others. City Center, 130 W. 56th Street. Info/tix. 2 PM: Lisa Liu's Gypsy Jazz Experience w/Lisa Liu (guitar), Dario Napoli (guitar). Rosamunde Sausage Grill. 4 PM: Roy Williams & Friends. The Shanty. (Most Saturdays, personnel varies). 7 PM: Hazmat Modine, w/ musicians such as Joe Daley (tuba), Pam Flemming (cornet), Kevin Garcia (drums), Reut Regev (trombone), Michaela Gomez (guitar, steel guitar), Erik Della Penna (guitar, banjo & vocals), Steve Elson (wind instruments), Wade Schuman (diatonic harmonica, lute guitar, vocals). Terra Blues. 7:30 PM: Margi Gianquinto (vocals), w/ Stefane Vasnier (piano) & Tal Ronen (bass). J House, Riverside CT. 8 PM: Cole Porter’s “The New Yorkers” (a story of the 1930s & prohibition) w/ Cyrille Aimée & many others. City Center, 130 W. 56th Street. Info/tix. 8 & 10 PM: Stephanie Nakasian (vocals) & Veronica Swift (vocals) with the Tardo Hammer Trio. Kitano. 11:30 PM: Matt Flinner Trio. Rockwood Three.

Sunday, March 26, 11:30 AM: Tara O'Grady Quartet w/ Tara (vocals), Michael Howell (guitar), Trifon Dimitrov (bass), Steve Kortyka (sax). Tanner Smiths Tipsy Tea Jazz Brunch. (Most Sundays.) Noon: Megg Ryan Jass Band w/ Sweet Megg (vocals, guitar), Ryan Weisheit (reeds). House of Yes. (Most Sundays.) Noon: Women of the Guitar w/ Sheryl Bailey, Jiji Kimm, Kaki King & Ann Klein. 92nd Street Y. Free but limited seating. Info Noon: The Peewee Russell Memorial Stomp w/ Midiri Brothers Quintet, Peter and Will Anderson Quintet, Dan Levinson's Russell of Spring Band & Professor Cunningham and his Old School. Birchwood Manor, Whippany NJ. Info/tix. 1:30 PM: Koran Agan (guitar), others. Radegast. (Most Sundays.) 2 PM: Cole Porter’s “The New Yorkers” (a story of the 1930s & prohibition) w/ Cyrille Aimée & many others. City Center, 130 W. 56th Street. Info/tix. 4 PM: Roy Williams & The Human Hands. Skinny Dennis. 6:30 PM: Jack Wilkins (guitar), Andy McKee (bass), David Gibson (drums). Jazz Masters Series at Sarah’s Wine Bar, Ridgefield CT. Reservations at 203-438-8282. 7 PM: Courtney Hartman (guitar, vocals), The Brother Brothers w/ Adam & David (guitar, cello, violin, banjo), The Stash! Band w/ Stash Wyslouch (guitar), Sean Trischka (drums), Duncan Wickel (fiddle), Noam Wiesenberg (bass). Mercury Lounge. 7 PM: Cole Porter’s “The New Yorkers” (a story of the 1930s & prohibition) w/ Cyrille Aimée & many others. City Center, 130 W. 56th Street. Info/tix. 8 PM: Glenn Crytzer Trio w/ Hannah Gill. Blacktail. 8 PM: The EarRegulars w/ Jon-Erik Kellso (cornet), and other great musicians tbd. The Ear. (Most Sundays.) 9 PM: Stephane Wrembel & his band. Barbes. 10 PM: Baby Soda Jazz Band w/ Jared Engel (banjo), others. St. Mazie. (Most Sundays.) 10 PM: Irish (and more) session hosted by Tony DeMarco (fiddle). 11th Street Bar. (Most Sundays.)

Monday, March 27, 7 PM: TBA Trio takes the Monday Brain Cloud slot. Barbes. (Most Mondays.) 7 PM: The Crimson Ragdolls w/ Lisa Liu (guitar). Hofbrau Bierhaus. Info. 8 PM: Vince Giordano & his Nighthawks, with an array of the best traditional jazz musicians in New York, Iguana. (Most Mondays). 8 PM: Sweet Megg & The Wayfarers. The Belfry. (Most Mondays.) 8 PM: Jason Prover & His Sneak Thievery Orchestra. Radegast. 9 PM: Svetlana & The Delancey 5 - Svetlana (vocals), Jon Weber (piano), Mike Hashim (reeds), Charlie Caranicas (trmpt), Rob Garcia (drums), George Delancey (bass). Back Room Speakeasy - 102 Norfolk Street. (Most Mondays.) 10 PM: Mona’s Bluegrass Jam, Mona’s, 14th & Avenue B (Most Mondays.) 10 PM: Terry Waldo & The Rum House Jass Band w/ Terry (piano), Jon-Erik Kellso (cornet), Jim Fryer (trombone), Eddy Davis (tenor banjo) and frequently Dan Levinson (clarinet) & Molly Ryan (vocals). The Rum House. (Most Mondays.) 10 PM: Jim Campilongo Trio w/ Jim (electric guitar), Chris Morrissey (bass) & Josh Dion (drums). Rockwood Two.

Tuesday, March 28, 7 PM: “J’adore Ella,” w/ Les Nubians (sisters Hélène and Célia Faussart). Schomburg Center for Research in Black Culture. Info/tix. 7:30 PM: Ehud Asherie Trio w/ Ehud (piano). Smalls. 8 PM: The Bailsmen. Radegast. 8 PM: Vince Giordano & his Nighthawks, with an array of the very best traditional jazz musicians in New York, Iguana. (Most Tuesdays). 8 PM: Tara O'Grady & the Black Velvet Band w/ Tara (vocals), Michael Howell (guitar), Trifon Dimitrov (bass). Winnie’s Jazz Bar. (Most Tuesdays). 10 PM: Michael Daves (guitar). Rockwood One. (Most Tuesdays.) 10 PM: Svetlana & The Delancy Band. Brooklyn Speakeasy at Bedford Hall, 1177 Bedford Avenue, Brooklyn. (Most Tuesdays.) 11 PM: Trad Jazz Jam hosted by Mona’s Hot Four. The Hot Four house band is usually Dennis Lichtman (clarinet, etc.), Gordon Webster (piano), Nick Russo (guitar, banjo) & Jared Engel (bass). Mona’s, 14th & Avenue B. (Most Tuesdays.)

Future

March 29, 12:30 PM: Jayme Stone's Lomax Project. UBS Atrium, Weehawken, NJ. 8 PM: Sean Cronin's Very Good w/ Sean (bass), others. Barbes. 9 PM: Jayme Stone's Folklife w/ Jayme (banjo, voice), Moira Smiley (voice, accordion), Sumaia Jackson (fiddle, voice), Joe Phillips (bass, voice). Joe's Pub. Info/tix.

March 30, 9 PM: Glenn Crytzer Trio w/ Hannah Gill. St. Mazie.

March 31, 5 PM: The Glenn Crytzer Quartette. Broadway Lounge in the Marriott Marquis in Times Square. 7:30 PM: Margi Gianquinto (vocals), Jon Weber (piano) & Tal Ronen (bass). J House, Riverside CT. 7:30 & 9:30 PM: John Pizzarelli. The Emelin Theatre, Mamaroneck NY. 9 PM: Tara O'Grady & the Black Velvet Band w/ Tara (vocals), Michael Howell (guitar), David Shaich (bass). Swing the Teapot, Queens.

April 1, 7 PM: Salif Keita. Town Hall. Info/tix. 8 PM: John Prine. NJPAC. Tix. 8 PM: Acadia Swing w/ Svetlana & The Delancy Five, Sweet Megg & The Wayfarers, others. Connollys on W. 45th. Tix. 9: 30 PM: Madison McFerrin (voice). Joe's Pub. Info/tix.

April 3, 7:30 PM: Richard Dowling (piano) & Jeff Barnhart (piano) play the music of Scott Joplin. Bickford Theatre, Morristown NJ. Info/tix. 7:30 & 9:30 PM: Danilo Brito Quinteto. Dizzy’s. Info/tix. 10 PM: 10 PM: Jim Campilongo Trio w/ Jim (electric guitar), Chris Morrissey (bass) & Josh Dion (drums). Rockwood Two.

April 10, 10 PM: Jim Campilongo Trio w/ Jim (electric guitar), Chris Morrissey (bass) & Josh Dion (drums). Rockwood Two.

April 11, 6 PM: Bucky Pizzarelli (7-string guitar), Ed Laub (guitar, vocals), Martin Pizzarelli (bass). Luca's Jazz Corner @Cavatappo Grill.

April 17, 8:30 PM: Frank Vignola's Guitar Night w/ Frank (guitar), Bucky Pizzarelli (7-string guitar), Gene Bertoncini (7-string guitar), Olli Soikkeli (guitar), Vinny Raniolo (guitar) and Nicki Parrott (bass). The Iridium.

April 20, 9 PM: Frank Vignola & Vinny Raniolo (guitars). Luca's Jazz Corner @Cavatappo Grill.

April 21, 7 PM: Squirrel Nut Zippers. Brooklyn Steel w/ Ozomatli. Info/tix. 8 PM: Del (McCoury) & Dawg (David Grisman). Ridgefield Playhouse. Ridgefield CT. Info/tix. 9:30 PM: The Brain Cloud Album Release. Rockwood Two.

April 23, 2 PM: Gotham Jazz Festival w/ Dan Levinson, Baby Soda, Jason Prover & Sneak Thievery, The Avalon Jazz Band, Dalton Ridenhour, Gordon’s Grand Street Stompers, The Gordon Webster Band, Sweet Megg & The Wayfarers, Mike Davis & The New Wonders, Olli Soikkeli Trio, Jon Weber, and more. The Players Club. Info/tix. 9 PM: The Brain Cloud Album Release. Barbes.

April 24, 10 PM: Jim Campilongo Trio w/ Jim (electric guitar), Chris Morrissey (bass) & Josh Dion (drums). Rockwood Two.

April 27, The Jazz Epistles w/ Abdullah Ibrahim (piano), Hugh Masekela (cornet), others. Town Hall. Info/tix.

April 28-30, Brooklyn Folk Festival. St Ann's Church. Full Line-up here. Tickets here.

April 29, 9:30 PM: Danny Barnes (banjo), Grant Gordy (guitar), Joe K. Walsh (mandolin). Jenni Lynn Gardner opens. Hill Country Barbeque, Manhattan.

May 9, 6 PM: Bucky Pizzarelli (7-string guitar), Ed Laub (guitar, vocals), Martin Pizzarelli (bass). Luca's Jazz Corner @Cavatappo Grill.

May 13, 7:30 PM: Rhiannon Giddens (violin, banjo, vocals). Alice Tully Hall. Info/tix.

<<<SPECIAL>>> May 15-21. New York Hot Jazz Camp directed by Molly Ryan & Bria Skonberg . Info & registration info here.

May 18, 8 PM: David Crosby. Westbury Theatre. Info/Tix. Tix on sale February 3.

May 27, 7:30 PM: Battle of the Big Bands. Info/tix.

June 6, 6 PM: Bucky Pizzarelli (7-string guitar), Ed Laub (guitar, vocals), Martin Pizzarelli (bass). Luca's Jazz Corner @Cavatappo Grill.

June 13, 7 PM: Bob Dylan & His Band. Capitol Theatre, Port Chester NY. Info/tix (on sale Friday 3/25).

June 14, 7 PM: Bob Dylan & His Band. Capitol Theatre, Port Chester NY. Info/tix (on sale Friday 3/25).

June 15, 7 PM: Bob Dylan & His Band. Capitol Theatre, Port Chester NY. Info/tix (on sale Friday 3/25).

July 12, 9 PM: Pokey LaFarge. Bowery Ballroom. Info/tix.

October 13-15, Jeff & Joel's House Party, Branford CT. Info.

------

0 notes

ieisia · 1 year

Text

Jacobus Henricus van 't Hoff

J.H. van 't Hoff with Wilhelm Ostwald

Jacobus Henricus "Henry" van 't Hoff Jr. (Dutch: [vɑn (ə)t ˈɦɔf]; 30 August 1852 – 1 March 1911) was a Dutch physical chemist. A highly influential theoretical chemist of his time, Van 't Hoff was the first winner of the Nobel Prize in Chemistry. His pioneering work helped found the modern theory of chemical affinity, chemical equilibrium, chemical kinetics, and chemical thermodynamics. In his 1874 pamphlet Van 't Hoff formulated the theory of the tetrahedral carbon atom and laid the foundations of stereochemistry. In 1875, he predicted the correct structures of allenes and cumulenes as well as their axial chirality. He is also widely considered one of the founders of physical chemistry as the discipline is known today.

Van 't Hoff earned his earliest reputation in the field of organic chemistry. In 1874, he accounted for the phenomenon of optical activity by assuming that the chemical bonds between carbon atoms and their neighbors were directed towards the corners of a regular tetrahedron. This three-dimensional structure accounted for the isomers found in nature. He shares credit for this with the French chemist Joseph Le Bel, who independently came up with the same idea.

Three months before his doctoral degree was awarded, Van 't Hoff published this theory, which today is regarded as the foundation of stereochemistry, first in a Dutch pamphlet in the fall of 1874, and then in the following May in a small French book entitled La chimie dans l'espace. A German translation appeared in 1877, at a time when the only job Van 't Hoff could find was at the Veterinary School in Utrecht. In these early years his theory was largely ignored by the scientific community, and was sharply criticized by one prominent chemist, Hermann Kolbe. Kolbe wrote:

A Dr. J. H. van 't Hoff of the Veterinary School at Utrecht has no liking, apparently, for exact chemical investigation. He has considered it more convenient to mount Pegasus (apparently borrowed from the Veterinary School) and to proclaim in his ‘La chimie dans l’espace’ how, in his bold flight to the top of the chemical Parnassus, the atoms appeared to him to be arranged in cosmic space.

However, by about 1880 support for Van 't Hoff's theory by such important chemists as Johannes Wislicenus and Viktor Meyer brought recognition.

Van 't Hoff became a lecturer in chemistry and physics at the Veterinary College in Utrecht. He then worked as a professor of chemistry, mineralogy, and geology at the University of Amsterdam for almost 18 years before eventually becoming the chairman of the chemistry department. In 1896, Van 't Hoff moved to Germany, where he finished his career at the University of Berlin in 1911. In 1901, he received the first Nobel Prize in Chemistry for his work with solutions. His work showed that very dilute solutions follow mathematical laws that closely resemble the laws describing the behavior of gases.

0 notes

davidisen · 7 years

Text

NYC Music I Like Mar 15-21

...trad jazz, Gypsy, swing, bluegrass, choro etc. w/ folk roots & virtuoso ensemble playing... Explanation/disclaimer.

[Caution! Please verify with musician, venue, etc. before going. Send updata here.]

Allied music listings with overlapping tastes: Jim's Roots and Blues Calendar. Eileen's Lindy Blog - This Week in Swing.

This Week

Wednesday, March 15, 5:30 PM: David Ostwald's Louis Armstrong Eternity Band, Birdland (Most Wednesdays.) 6:30 PM: Margi Gianquinto (vocals) w/ the Aaron Johnson Quartet, Aaron (clarinet, flute, sax), John Merrill (guitar), Kyle Colina (bass). Vaucluse. 7 PM: Jeanne Gies (vocals) w/ Bruce Edwards (guitar). Andanada. 7:30 & 9:30 PM: Aaron Goldberg (piano), Yasushi Nakamura (bass), Kendrick Scott (drums) & Obed Calvaire (drums). Dizzys. Info/tix. 8 PM: Phil Lesh & Friends. Capitol Theatre, Port Chester NY. 9 PM: Stephane Wrembel & his band. Radegast. 9:30 PM: Gordon Webster Band CD Release w/ Gordon (piano), Charles Turner (vocals), Danny Jonokuchi (cornet), Danny Lipsitz (reeds), Rob Edwards (trombone), Ricky Alexander (reeds), Danny Zieman (bass), Kevin Congelton (drums). Joes Pub. Info/tix. 11 PM: Avalon Jazz Band hosts Hot Jazz & Gypsy Jam. The Keep. (Most Wednesdays.)

Thursday, March 16, 7:30 & 9:30 PM: Aaron Goldberg (piano), Yasushi Nakamura (bass), Kendrick Scott (drums) & Obed Calvaire (drums). Dizzys. Info/tix. 8 PM: The Blacktail Songbirds w/ Molly Ryan (vocals), Dan Levinson (reeds), Mike Davis (cornet), Terry Waldo (piano). Blacktail. (Most Thursdays.) 8 PM: Phil Lesh & Friends. Capitol Theatre, Port Chester NY. 8:30 PM: Gene Bertoncini (guitar) and Josh Marcum (bass). Ryan's Daughter, upstairs, 350 E. 85th Street between 1st and 2nd Avenues. (Most Thursdays.) 9 PM: Gypsy jazz jam, Fada. (Most Thursdays.) 9 PM: Gordon's Grand Street Stompers w/ Gordon Au (cornet), Dennis Lichtman (clarinet, etc.), others. Radegast.

Friday, March 17, 5 PM: The Glenn Crytzer Quartette. Broadway Lounge in the Marriott Marquis in Times Square. 8 PM: Phil Lesh & Friends. Capitol Theatre, Port Chester NY. 8 PM: Leann Rimes. Patchogue Theatre, Patchogue NY. Info/tix. 10:30 PM: Fridays at Mona's, this week reggae with Sharabi Bhangra. Mona’s, 14th & Avenue B.

Saturday, March 18, Noon: Sweet Megg & the Wayfarers w/ Sweet Megg (vocals), Sam Raderman (guitar), Jim Robertson. Brunch at Row House, 2128 Frederick Douglass Blvd. Noon: Glenn Crytzer Quintette. Brunch at Minton's. 1 PM: Garden Party Quartet frequently with Emily Asher (trombone). (Most Saturdays.) Fraunces Tavern. 2 PM: Lisa Liu's Gypsy Jazz Experience w/Lisa Liu (guitar), Thor Jensen (guitar). Rosamunde Sausage Grill. 3 PM: Vince Giordano and the Nighthawks play music for the silent movie "The Cameraman" w/ Buster Keaton. Town Hall. Info/tix. 4 PM: Roy Williams & Friends. The Shanty. (Most Saturdays, personnel varies). 8 PM: Rhonda Vincent. Ramapo College, Mahwah NJ. Info/tix. 7:30 PM: Margi Gianquinto (vocals), Konrad Paszkudski (piano) & Yoshi Waki (bass). J House, Riverside CT. 10 PM: Brain Cloud Trio w/ Dennis Lichtman (mandolin, clarinet), Tamar Korn (vocals), Andrew Hall (bass). Fox & Crow, Jersey City.

Sunday, March 19, 11:30 AM: Tara O'Grady Quartet w/ Tara (vocals), Michael Howell (guitar), Trifon Dimitrov (bass), Michael Hashim (sax). Tanner Smiths Tipsy Tea Jazz Brunch. (Most Sundays.) Noon: Megg Ryan Jass Band w/ Sweet Megg (vocals, guitar), Ryan Weisheit (reeds). House of Yes. (Most Sundays.) 12:30 PM: Brunch with w/ Hilary Gardner (vocals) plus Greg Ruggerio (guitar) & Joel Forbes (bass). North Square. 1 PM: Tamar Korn & a Kornucopia. Casa Mezcal, upstairs. 1:30 PM: Koran Agan (guitar), others. Radegast. (Most Sundays.) 4 PM: The Stride Piano Jam w/ Terry Waldo (piano) & Ehud Asherie (piano). Fat Cat. 4 PM: Jim Campilongo Trio w/ Jim (electric guitar), Chris Morrissey (bass) & Josh Dion (drums). The Greenwich Library, Greenwich CT. 5 PM: Roda de Choro with Regional de NY. Genuine Brazilian choro with a slight NYC accent. Beco. 7 PM: Folk Fights Back, a benefit for immigrants & refugees, with Courtney Hartman & Celia Woodsmith, Eddie Barbash & Sam Reider, Hannah Read, Wyndham Baird, Lily Henley & Duncan Wickel, Phoebe Hunt & Dominick Leslie and many others. Concert Hall at Brooklyn Academy of Music. Info. 8 PM: The EarRegulars w/ Jon-Erik Kellso (cornet), and this week Scott Robinson (miscellaneous wind instruments), Matt Munisteri (guitar), Sean Cronin (bass). The Ear. (Most Sundays.) 9 PM: Stephane Wrembel & his band. Barbes. 10 PM: Baby Soda Jazz Band w/ Jared Engel (banjo), others. St. Mazie. (Most Sundays.) 10 PM: Irish (and more) session hosted by Tony DeMarco (fiddle). 11th Street Bar. (Most Sundays.)

Monday, March 20, 7 PM: The Brain Cloud, usually with Tamar Korn (vocals), Dennis Lichtman (clarinet, mandolin), Andrew Hall (bass), Raphael McGregor (lap steel guitar), Kevin Dorn (drums) and Skip Krevins (guitar). Barbes. (Most Mondays.) 8 PM: Vince Giordano & his Nighthawks, with an array of the best traditional jazz musicians in New York, Iguana. (Most Mondays). 8 PM: Sweet Megg & The Wayfarers. The Belfry. (Most Mondays.) 9 PM: Svetlana & The Delancey 5 - Svetlana (vocals), Jon Weber (piano), Mike Hashim (reeds), Charlie Caranicas (trmpt), Rob Garcia (drums), George Delancey (bass). Back Room Speakeasy - 102 Norfolk Street. (Most Mondays.) 10 PM: Mona’s Bluegrass Jam, Mona’s, 14th & Avenue B (Most Mondays.) 10 PM: Terry Waldo & The Rum House Jass Band w/ Terry (piano), Jon-Erik Kellso (cornet), Jim Fryer (trombone), Eddy Davis (tenor banjo) and frequently Dan Levinson (clarinet) & Molly Ryan (vocals). The Rum House. (Most Mondays.) 10 PM: Jim Campilongo Trio w/ Jim (electric guitar), Chris Morrissey (bass) & Josh Dion (drums). Rockwood Two.

Tuesday, March 21, Noon: Gotham Jazzmen. New York Library for the Performing Arts. 8 PM: Vince Giordano & his Nighthawks, with an array of the very best traditional jazz musicians in New York, Iguana. (Most Tuesdays). 8 PM: Tara O'Grady & the Black Velvet Band w/ Tara (vocals), Michael Howell (guitar), Trifon Dimitrov (bass). Winnie’s Jazz Bar. (Most Tuesdays). 10 PM: Michael Daves (guitar). Rockwood One. (Most Tuesdays.) 10 PM: Svetlana & The Delancy Band. Brooklyn Speakeasy at Bedford Hall, 1177 Bedford Avenue, Brooklyn. (Most Tuesdays.) 11 PM: Trad Jazz Jam hosted by Mona’s Hot Four. The Hot Four house band is Dennis Lichtman (clarinet, etc.), Gordon Webster (piano), Nick Russo (guitar, banjo) & Jared Engel (bass). Mona’s, 14th & Avenue B. (Most Tuesdays.)

Future

March 21, 8 PM: Brother Roy w/ Roy Williams (piano, vocals). Rockwood Two. 10 PM: Cricket Tell The Weather. Rockwood Two.

March 22, 7:30 PM: Cole Porter’s “The New Yorkers” (a story of the 1930s & prohibition) w/ Cyrille Aimée & many others. City Center, 130 W. 56th Street. Info/tix. 7:45 PM: Chris Eldridge & Julian Lage plus Aoife O'Donovan. Fairfield Theatre Company, Fairfield CT. Info/tix. 9 PM: Emily Asher's Garden Party. Radegast. 10 PM: Dominick Leslie (mandolin), Alex Hargreaves (violin), Wes Corbett (5-string banjo). Rockwood Two.

March 23, 7:30 PM: Michael Daves (guitar), in a movie & concert situation w/ Tony Trischka (5-string banjo), Alex Hargreaves (fiddle), Tatiana Hargreaves (fiddle, vocals), Dominick Leslie (mandolin), Larry Cook (bass), others. National Sawdust. Info/tix. 7:30 PM: Cole Porter’s “The New Yorkers” (a story of the 1930s & prohibition) w/ Cyrille Aimée & many others. City Center, 130 W. 56th Street. Info/tix. 8:30 PM: Henry Butler (piano). Bar LunAtico. 9 PM: Jon-Erik Kellso (cornet), Evan Arntzen (reeds), Ehud Asherie (piano), Marion Felder, (drums). Luca's Jazz Corner @Cavatappo Grill.

March 24, 8 PM: Cole Porter’s “The New Yorkers” (a story of the 1930s & prohibition) w/ Cyrille Aimée & many others. City Center, 130 W. 56th Street. Info/tix. 8 & 10 PM: Bucky Pizzarelli (7-string guitar), Ed Laub (guitar, vocals), Larry Fuller (piano), Martin Pizzarelli (bass). Kitano.

March 25, Noon: Glenn Crytzer Quintette. Brunch at Minton's. 2 & 8 PM: Cole Porter’s “The New Yorkers” (a story of the 1930s & prohibition) w/ Cyrille Aimée & many others. City Center, 130 W. 56th Street. Info/tix. 7 PM: Hazmat Modine, w/ musicians such as Joe Daley (tuba), Pam Flemming (cornet), Kevin Garcia (drums), Reut Regev (trombone), Michaela Gomez (guitar, steel guitar), Erik Della Penna (guitar, banjo & vocals), Steve Elson (wind instruments), Wade Schuman (diatonic harmonica, lute guitar, vocals). Terra Blues. 7:30 PM: Margi Gianquinto (vocals), Stefan Vasnier (piano) & Tal Ronen (bass). J House, Riverside CT. 8 & 10 PM: Stephanie Nakasian (vocals) & Veronica Swift (vocals) with the Tardo Hammer Trio. Kitano. 9 PM: Noam Pikelny. The Bowery Ballroom. Info/tix. 11:30 PM: Matt Flinner Trio. Rockwood Three.

March 26, Noon: Women of the Guitar w/ Sheryl Bailey, Jiji Kimm, Kaki King & Ann Klein. 92nd Street Y. Free but limited seating. Info 2 & 7 PM: Cole Porter’s “The New Yorkers” (a story of the 1930s & prohibition) w/ Cyrille Aimée & many others. City Center, 130 W. 56th Street. Info/tix. Time?: The Peewee Russell Memorial Stomp w/ Midiri Brothers Quintet, Peter and Will Anderson Quintet, Dan Levinson's Russell of Spring Band & Professor Cunningham and his Old School. Birchwood Manor, Whippany NJ. Info/tix. 4 PM: Roy Williams & The Human Hands. Skinny Dennis. 6:30 PM: Jack Wilkins (guitar), Andy McKee (bass), David Gibson (drums). Jazz Masters Series at Sarah’s Wine Bar, Ridgefield CT. Reservations at 203-438-8282.

March 27, 7 PM: “J’adore Ella,” w/ Les Nubians (sisters Hélène and Célia Faussart). Schomburg Center for Research in Black Culture. Info/tix. 10 PM: 10 PM: Jim Campilongo Trio w/ Jim (electric guitar), Chris Morrissey (bass) & Josh Dion (drums) plus Adam Levy. Rockwood Two.

March 28, Noon: Gotham Jazzmen. New York Library for the Performing Arts.

March 29, 12:30 PM: Jayme Stone's Lomax Project. UBS Atrium, Weehawken, NJ.

March 30, 9 PM: Glenn Crytzer Trio w/ Hannah Gill. St. Mazie.

March 31, 5 PM: The Glenn Crytzer Quartette. Broadway Lounge in the Marriott Marquis in Times Square. 7:30 PM: Margi Gianquinto (vocals), Jon Weber (piano) & Tal Ronen (bass). J House, Riverside CT. 7:30 & 9:30 PM: John Pizzarelli. The Emelin Theatre, Mamaroneck NY. 9PM: Tara O'Grady & the Black Velvet Band w/ Tara (vocals), Michael Howell (guitar), David Shaich (bass). Swing the Teapot, Queens.

April 1, 8 PM: John Prine. NJPAC. Tix. 8 PM: Acadia Swing w/ Svetlana & The Delancy Five, Sweet Megg & The Wayfarers, others. Connollys on W. 45th. Tix.

April 10, 10 PM: Jim Campilongo Trio w/ Jim (electric guitar), Chris Morrissey (bass) & Josh Dion (drums). Rockwood Two.

April 11, 6 PM: Bucky Pizzarelli (7-string guitar), Ed Laub (guitar, vocals), Martin Pizzarelli (bass). Luca's Jazz Corner @Cavatappo Grill.

April 20, 9 PM: Frank Vignola & Vinny Raniolo (guitars). Luca's Jazz Corner @Cavatappo Grill.

April 24, 10 PM: Jim Campilongo Trio w/ Jim (electric guitar), Chris Morrissey (bass) & Josh Dion (drums). Rockwood Two.

April 27, The Jazz Epistles w/ Abdullah Ibrahim (piano), Hugh Masekela (cornet), others. Town Hall. Info/tix.

April 28-30, Brooklyn Folk Festival. St Ann's Church. Full Line-up here.

April 29, 9:30 PM: Danny Barnes (banjo), Grant Gordy (guitar), Joe K. Walsh (mandolin). Jenni Lynn Gardner opens. Hill Country Barbeque, Manhattan.

May 9, 6 PM: Bucky Pizzarelli (7-string guitar), Ed Laub (guitar, vocals), Martin Pizzarelli (bass). Luca's Jazz Corner @Cavatappo Grill.

May 13, 7:30 PM: Rhiannon Giddens (violin, banjo, vocals). Alice Tully Hall. Info/tix.

<<<SPECIAL>>> May 15-21. New York Hot Jazz Camp directed by Molly Ryan & Bria Skonberg . Info & registration info here.

May 18, 8 PM: David Crosby. Westbury Theatre. Info/Tix. Tix on sale February 3.

May 27, 7:30 PM: Battle of the Big Bands. Info/tix.

June 6, 6 PM: Bucky Pizzarelli (7-string guitar), Ed Laub (guitar, vocals), Martin Pizzarelli (bass). Luca's Jazz Corner @Cavatappo Grill.

July 12, 9 PM: Pokey LaFarge. Bowery Ballroom. Info/tix.

October 13-15, Jeff & Joel's House Party, Branford CT. Info.

-------

0 notes