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#Phillip Gould
beautifulights · 1 year
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THE LONG GOODBYE (1973) Dir. Robert Altman
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filmnoirfoundation · 3 months
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Picturehouse 441 will livestream a discussion with Elliott Gould about Robert Altman's neo-noir THE LONG GOODBYE (1973) March 11, 8PM ET / 5PM PT. Tickets are $4 with promo code LG441.
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pygartheangel · 1 year
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rabbitcruiser · 28 days
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Benches/Chairs (No. 43)
Toronto, ON (two pics)
Niagara Falls, ON
Boston, MA (seven pics)
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hitchell-mope · 10 months
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Hypothetical titles for season seventeen of 88
Golem. Season premiere. Part one. Drummond is bequeathed a Golem in his biological grandparents will. He doesn’t want it. So he hatches a plan to offload it.
Yosemite. Season premiere. Part two. Lysander’s continued effort to befriend Drummond puts his life in danger when he offers to help deliver the golem to an old contact of Drummond’s. First appearance of Tom Holland as Roxas “Yosemite” Winchester.
Dull. The team works a cold case from ten years ago when a victim turns up having been killed in the exact same way. Guest starring Nolan Gould as Dahl Kramer.
The long and short of it. Devon has to intervene when Jonah accidentally resurrects William Shakespeare after Andy teaches him how to safely use a ouija board. Guest starring Mat Baynton as William Shakespeare.
The man makers. Part one. The team investigates a cult in a Long Island suburb comprised of mothers who endorse a long disproven Roman belief about masculinity.
Rampage. Part two. A college senior freely admits to killing all the women in his family six years after they’d subjected him to the machinations of the suburban cult.
New Rochelle. Findlay and Sidney go undercover to protect a sitcom star from an assassination attempt. Guest starring John Mulaney as Eugene Mayberry III and Elizabeth Olsen as Charlotte Linter.
What do you need? Findlay takes it upon herself to help an engineering prodigy that took control of his family’s business building after repeated mistreatment from the staff. Guest starring Graham Phillips as Clyde O’Bannon.
Watch the queen conquer. Findlay heads to the Cabal Academy in Russia to deliver a speech on gender equality as a favour to one of Barnaby’s old dorm mates. Guest starring Dara Renee as Naomi Morris and Cobie Smulders as Diocese.
Alakazam. While Findlay’s in Russia, Drummond, Odessa, Coleman and Solaris get trapped in an old board game Gideon was combing for hexes.
Exhumed. Findlay finds herself at odd with Donovan’s ghost and and Celestine when she blocks a protest group who want to dig up Donovan’s body to enact alleged reparations.
Christmas at the White House. Midseason finale. Part one. The DuPont family invite the Five Families to the White House to celebrate Bethany’s final Christmas as president.
The Vice President. Midseason premiere. Part two. Bethany DuPont is offered a new role at the White House by the incoming president. First appearance of Adam Beach as Marcus Marley.
The presidential oath. The Five Families are invited to Marcus Marley’s inauguration as the first male president of the United States of America.
Bad to the bone. Findlay’s fiftieth birthday is coming up. So Sidney conspires with Tatum Mercer to get her a starring role in a music video that Emerson Davenport is making for charity. Guest starring Aubrey Plaza as Tatum Mercer and Chris Pratt as Emerson Davenport
Butterball. Findlay finally relents on her “no pets” rule and allows Jonah to buy a puppy. Especially when she finds out that Zoey’s terrified of corgi’s.
Those who get left behind. Birch bars Findlay from talking to the parent of a teenage boy who killed himself because of her downright atrocious bedside manner.
Brimstone and treacle. Findlay is called as a witness in a competency trial focused on her family’s old nanny. Guest starring Neve Mcintosh as Fiona Abernathy.
Complications. The team is tasked with protecting a senators pregnant daughter after word gets out that her mother had sold her daughter’s first born child to bag the election. Guest starring Alan Cumming as Rumplestiltskin
Extended family. The 400th episode. In this two hander, Lisette Christensen and Drummond have a long talk about jewellery, family and birthrights. NOTE: this episode is a synchronous episode, taking place at the same time as Complications
Suited and booted. Season finale. Part one. Drummond, Andy and Caine set off for the south of France. Features the return of Tom Holland as Roxas Winchester.
Stowaway. Season finale. Part two. Drummond is incensed when he discovers that Jonah’s snuck aboard the plane and refuses to go back home.
Watch the master at work. Season finale. Part three. Drummond’s team lands in the south of France and immediately runs afoul of the smugglers they intend to steal from. Guest starring Matthew Broderick as Ulysses Haven, Alan Ruck as Ulysses’s husband Wallace and Nathan Lane as their enforcer Torvald Macher.
Blood emeralds. Seasons finale. Part four. Drummond enacts a final, last ditch attempt to nab the emeralds right from under Macher and the Haven’s noses.
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jaybogdan · 11 months
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danu2203 · 1 year
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WHO’S YOUR FAVORITE MOVIE PHILLIP MARLOWE?
TCM IS SHOWING FIVE PHILLIP MARLOWE FILMS THIS WEEK...MY FAVORITE IS DICK POWELL!
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grandhotelabyss · 1 year
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Advice/hard truths for writers?
The best piece of practical advice I know is a classic from Hemingway (qtd. here):
The most important thing I’ve learned about writing is never write too much at a time… Never pump yourself dry. Leave a little for the next day. The main thing is to know when to stop. Don’t wait till you’ve written yourself out. When you’re still going good and you come to an interesting place and you know what’s going to happen next, that’s the time to stop. Then leave it alone and don’t think about it; let your subconscious mind do the work.
Also, especially if you're young, you should read more than you write. If you're serious about writing, you'll want to write more than you read when you get old; you need, then, to lay the important books as your foundation early. I like this passage from Samuel R. Delany's "Some Advice for the Intermediate and Advanced Creative Writing Student" (collected in both Shorter Views and About Writing):
You need to read Balzac, Stendhal, Flaubert, and Zola; you need to read Austen, Thackeray, the Brontes, Dickens, George Eliot, and Hardy; you need to read Hawthorne, Melville, James, Woolf, Joyce, and Faulkner; you need to read Tolstoy, Dostoyevsky, Turgenev, Goncherov, Gogol, Bely, Khlebnikov, and Flaubert; you need to read Stephen Crane, Mark Twain, Edward Dahlberg, John Steinbeck, Jean Rhys, Glenway Wescott, John O'Hara, James Gould Cozzens, Angus Wilson, Patrick White, Alexander Trocchi, Iris Murdoch, Graham Greene, Evelyn Waugh, Anthony Powell, Vladimir Nabokov; you need to read Nella Larsen, Knut Hamsun, Edwin Demby, Saul Bellow, Lawrence Durrell, John Updike, John Barth, Philip Roth, Coleman Dowell, William Gaddis, William Gass, Marguerite Young, Thomas Pynchon, Paul West, Bertha Harris, Melvin Dixon, Daryll Pinckney, Darryl Ponicsan, and John Keene, Jr.; you need to read Thomas M. Disch, Joanna Russ, Richard Powers, Carroll Maso, Edmund White, Jayne Ann Phillips, Robert Gluck, and Julian Barnes—you need to read them and a whole lot more; you need to read them not so that you will know what they have written about, but so that you can begin to absorb some of the more ambitious models for what the novel can be.
Note: I haven't read every single writer on that list; there are even three I've literally never heard of; I can think of others I'd recommend in place of some he's cited; but still, his general point—that you need to read the major and minor classics—is correct.
The best piece of general advice I know, and not only about writing, comes from Dr. Johnson, The Rambler #63:
The traveller that resolutely follows a rough and winding path, will sooner reach the end of his journey, than he that is always changing his direction, and wastes the hours of day-light in looking for smoother ground and shorter passages.
I've known too many young writers over the years who sabotaged themselves by overthinking and therefore never finishing or sharing their projects; this stems, I assume, from a lack of self-trust or, more grandly, trust in the universe (the Muses, God, etc.). But what professors always tell Ph.D. students about dissertations is also true of novels, stories, poems, plays, comic books, screenplays, etc: There are only two kinds of dissertations—finished and unfinished. Relatedly, this is the age of online—an age when 20th-century institutions are collapsing, and 21st-century ones have not yet been invented. Unless you have serious connections in New York or Iowa, publish your work yourself and don't bother with the gatekeepers.
Other than the above, I find most writing advice useless because over-generalized or else stemming from arbitrary culture-specific or field-specific biases, e.g., Orwell's extremely English and extremely journalistic strictures, not necessarily germane to the non-English or non-journalistic writer. "Don't use adverbs," they always say. Why the hell shouldn't I? It's absurd. "Show, don't tell," they insist. Fine for the aforementioned Orwell and Hemingway, but irrelevant to Edith Wharton and Thomas Mann. Freytag's Pyramid? Spare me. Every new book is a leap in the dark. Your project may be singular; you may need to make your own map as your traverse the unexplored territory.
Hard truths? There's one. I know it's a hard truth because I hesitate even to type it. It will insult our faith in egalitarianism and the rewards of earnest labor. And yet, I suspect the hard truth is this: ineffables like inspiration and genius count for a lot. If they didn't, if application were all it took, then everybody would write works of genius all day long. But even the greatest geniuses usually only got the gift of one or two all-time great work. This doesn't have to be a counsel of despair, though: you can always try to place yourself wherever you think lightning is likeliest to strike. That's what I do, anyway. Good luck!
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ukrfeminism · 5 months
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Knife crime against women and girls has more than doubled in five years and campaigners are warning that not enough is being done to keep them safe.
New figures obtained by The Independent show the number of women who were killed, injured or threatened by a knife soared from 6,000 in 2018 to more than 13,700 in 2022 – laying bare the scale of the crisis. The offences include ones relating to robbery, rape, homicide, public order and theft.
Elianne Andam, 15, is among the victims of knife crime, having been killed on her way to school in Croydon last September. Mehak Sharma, 19, was stabbed to death in the same borough last November having just moved to the UK from India.
Campaigners say the statistics, which cover the last available full year of 2022, show the country needs to tackle the crisis, particularly when it relates to domestic violence, with Labour MP Jess Phillips warning: “Things are getting progressively worse.”
Nick Gazzard, whose 20-year-old daughter Hollie died after being stabbed 14 times by her violent ex-boyfriend in 2014, said: “If this was terrorism, there would be a national outcry.”
The figures for 2022 reveal that:
The number of female knife crime victims surged by 43 per cent in the West Midlands, from 1,010 in 2018 to 1,448 in 2022, according to the UK’s second-largest force
In Essex, the number of victims more than quadrupled in the same time frame – from 435 to 1,879 
And Avon and Somerset recorded the number of victims as rising 46 per cent over five years, from 593 to 868 
After a Freedom of Information request made by this publication, 26 of the UK’s 43 police forces provided data on knife crime where the victim was either a girl or a woman. The Metropolitan Police, Britain’s largest force, did not respond. 
The latest full-year countrywide figures from the Office for National Statistics (ONS), also for 2022, show that 282 homicides – or four out of 10 – were committed using a knife or sharp instrument. This represented a 19 per cent increase over the previous year.
Police said the way knife crimes are recorded had changed in 2019 but they could not attribute the rise in figures to those changes.
Knives and sharp instruments are the most common weapons used to kill women in this country. ONS data shows that, in the year ending March 2022, one in three female homicide victims was killed by a partner or ex (33 per cent), while more than one in 10 died at the hands of a relative (13 per cent). Some 40 per cent of the deaths occurred in or around the home, compared to 7 per cent in the street or other public spaces.
Ms Phillips has long championed the fight against domestic violence but says the government’s Domestic Abuse Bill does not do enough to protect women. The MP for Birmingham Yardley blames a reduction in youth services and workers, local council cuts, and a lack of police and judicial resources for fuelling the crisis.
The MP, who every year in parliament reads out the names of women killed by men, said: “Things are getting progressively worse, knife crime against women is classic domestic abuse but that’s not ever included in knife crime strategy.
“If only they [the government] cared as much about sexual and domestic abuse as they care about Rwanda.”
The law currently states killers who bring a weapon to the scene face a minimum 25-year sentence, while sentences for those who do not start at 15 years. As domestic killers are more likely to use a weapon lying around the house, like a kitchen knife, they can end up with more lenient jail terms.
Carole Gould has campaigned to close the legal loophole ever since her 17-year-old daughter Ellie was killed by her boyfriend of three months when she ended the relationship.
Thomas Griffiths was sentenced to life imprisonment with a minimum term of 12-and-a-half years in 2019 after he walked into Ellie’s family home, strangled her and then stabbed her 13 times, attempting to frame the attack as a suicide by inserting the knife in the side of her neck.
“She’d only been going out with him for a few months,” her mother said. “The ending of a relationship is the most dangerous time in a woman’s life.”
Campaigner Ngozi Fulani told The Independent that the cost of living crisis may also have had an impact on the rise in crimes against women.
Ms Fulani set up the charity Sistah Space to advocate for Black female victims of domestic abuse in the wake of the deaths of Valerie Forde and her 22-month-old daughter Jahzara. They were both stabbed to death in 2014 by Ms Forde’s ex Roland McKoy, who was jailed for 35 years.
“We have seen a significant rise in reporting to us of knife or sharp instrument attacks,” Ms Fulani said. “We are in a time of economic depression right now and we find perpetrators in unstable economic situations will often become violent.”
Sistah Space has campaigned for Valerie’s Law, legislation that would make specialist training mandatory for all police and other government agencies that support black women and girls affected by domestic abuse.
“We want people to understand one thing – domestic abuse is not a woman’s problem,” she said. “It’s an everybody problem.”
For Deniz Ugur, deputy director of the End Violence Against Women Coalition, violence by men against women is part of a cultural problem that needs to be tackled.
“Women and girls face the constant threat of male violence, whether that’s in public spaces, the workplace, online or in our own homes, where the majority of this violence takes place,” he said.
“If we are to change this then it is critical that the government prioritises and invests in quality relationships and sex education based on consent and equality, and public campaigns to shift the attitudes that justify and normalise this violence and abuse. Women and girls deserve better.”
Conservative MP Caroline Nokes has criticised the government for refusing to commit to a new educational strategy for boys which would aim to tackle sexual harassment and gender-based violence.
The chair of the cross-party women’s and equalities committee said: “Education is a powerful and necessary tool in preventing violence against women and girls. Relationships, sex and health education that continues past secondary school and that engages proactively with boys and young men is crucial to combat harmful attitudes.”
A Home Office spokesperson said: “The government is committed to raising the bar in how these vile crimes are dealt with.
“We have gone further than ever before in protecting domestic abuse victims, classifying it as a national threat. Our innovative Young Women and Girls Fund also delivers specialist interventions to vulnerable young women and girls at risk of exploitation or violence.
“We will continue to work closely with the police and courts to bring more criminals to justice, and have set clear expectations for how the police should respond.”
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agentdanascully · 2 years
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where would you go first, huh? “metamorphoses” by ovid // 6x12 “waterworks” dir. vince gilligan // eurydice by sarah ruhl // 6x13 “saul gone” dir. peter gould // portrait of a lady on fire by céline sciamma // “reverse eurydice” by rowan ricardo phillips // “road to hell (reprise),” hadestown by anaïs mitchell
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thatfreak03 · 8 months
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The Owl House character theme songs
(Sorry for any spelling or grammar mistakes. Also possible spoiler warning. I think. I'm not sure but I figure it's better to put the warning and not need it than need it and not have it. I tried my best. Sorry if I didn't put a character you liked on there, I could only list and attach songs to so many, and sorry if you don't like the song I chose for a character.)
Luz Noceda - Fucking Perfect by P!nk
Edalyn Clawthorne -Devils Don't Fly by Natalia Kills
King Clawthorne - Two Worlds by Phil Collins
Hooty - Never Gonna Give You Up by Rick Astley
Amity Blight - This Life Is Mine by Casey Lee Williams and Jeff Williams
Willow Park - Let it Grow by Ester Dean
Augustus Porter - On My Way By Phil Collins
Hunter - Battle Scars by Paradise Fears
Vee Noceda - Unwritten by Natasha Bedingfield
Camila Noceda - If No One Will Listen by Kelly Clarkson
Lilith Clawthorne - No Way Out by Phil Collins
Raine Whispers - Angel With A Shotgun by The Cab
Darius Deamone - Rise by Skillet
Eberwolf - Running With The Wolves by AURORA
Principle Hieronymus Bump - I'm Still Here by John Rzeznik
Matt Tholomule - Who I Am by The Score
Boscha - Antihero by Tyler Swift
Gwendolyn and Dell Clawthorne - Home by Phillip Phillips
Skara - Dancing In The Dark by Rihana
Viney - Stronger by Kelly Clarkson
Edric Blight - Chasing The Sun by The Wanted
Emira Blight - Confident by Demi Lovato
Alador Blight - King by Lauren Aquilina
Odalia Blight - Biggering by The 88
Steve Tholomule - I Won't Back Down by Johnny Cash
Kikimora - Asshole by Denis Leary
Terra Snapdragon - Carnivore by Bear Attack
Adrian Graye Vernworth - Applause by Lady Gaga
Masha - Outside by Ellie Goulding
The Collector - Lost Boy by Ruth B
Belos/Philip Wittebane -Saints by Echos
The Titan - Little Wonders by Rob Thomas
Manny Noceda - You'll Be In My Heart by Phil Collins
Caleb Wittebane/Evelyn Clawthorne - Sinners by Lauren Aquilina
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beautifulights · 1 year
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THE LONG GOODBYE (1973) Dir. Robert Altman
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filmnoirfoundation · 3 months
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Picturehouse 441 will livestream a discussion with Elliott Gould about Robert Altman's neo-noir THE LONG GOODBYE (1973) March 11, 8PM ET / 5PM PT. Tickets are $4 with promo code LG441.
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galahadsrpboy · 6 months
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Mobile Muses (Fairytales)
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ARTHUR PENN (Bradley James)
LANCE LOTTE (Sam Heughan)
WAYNE KNIGHT (Richard Madden)
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GAVIN LOTTE (Cameron Monaghan)
FLORIAN CHARMING (Theo James)
PHILLIP CHARMING (Liam Payne)
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GASTON MARLOT (Matt Daddario)
JACK FROST (Gregg Sulkin)
DRAKE BEAU (Ethan Peck)
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CORVIN PHOBOS (Oliver Jackson-Cohen)
NICK CHOPPER (Jai Courtney)
LEO SIMMONS (Beau Mirchoff)
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ARIEL MARINE (KJ Apa)
BRIAN ROSE (Joshua Basset)
PINO CARVER (Nolan Gould)
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LI SHANG (Charles Melton)
TITAN GRENOUILLE (Mason Gooding)
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gatecast · 3 days
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Stargate Birthdays - June 6th
Kyra Zagorsky - Ara (SGA) & Tasia (SGU) Laura Drummond - Security Guard (SG1) Glen Gould - Voice Actor (SGI) Shawn C. Orr - Stunt Performer/Double (SG1, SGA & SGU) Brian Moylan - Digital Compositing Artist & Matte Painter (SG1) & VFX Production Manager (SG1 & SGA) Dave Axford - Model Shop Supervisor (SG1) James Phillips - Writer (SG1)
In Memory Of:
Jan Rubes (June 6th 1920 – June 29th 2009) - Dr Nicholas Ballard (SG1)
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pixiestix05 · 1 year
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the coastal grandmother aesthetic
The coastal grandmother aesthetic, term coined by TikToker Lexi Nicoleta, is one of the many niche aesthetics making its rounds of the internet right now- and my personal favorite. It represents a life spent valuing the little things, romanticized by the image of a slow-paced, quaint, seaside summer. A coastal grandma is typically an affluent older woman, a confident, lives-life-on-her-own-terms sort of person enjoying a slower summer by the coast before she returns to her busy urban worklife. The aesthetic is defined by comfy-chic clothing, knickknacks reminiscent of the ocean, and an emphasis on a life well lived.
Of course, it isn’t a necessity to be a grandmother or live in a quaint beach town to embody this aesthetic- at its essence, the coastal grandma aesthetic is all about romanticizing everyday life, breezy, chic clothing and a relaxed small-town vibe
Here’s how you can embrace the coastal grandma in you!
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ACCESSORIES: delicate gold jewelry, sunglasses, sunhats, straw tote bags, hair scarfs
FOODS: freshly picked fruit, homemade sandwiches, lemonade
ACTIVITIES: long walks on pretty streets, cooking with ingredients from the garden, beach picnics, book club with friends, thrifting quaint knickknacks
MUSIC: a good playlist sets the mood! Consider the below songs your soundtrack to a coastal grandma summer:
Beyond the Sea by Bobby Darin
Feeling Good by Michael Buble
La vie en Rose by Elaine Paige
Girl from Ipanema by Esther Phillips
Under the Boardwalk by The Drifters
Do you Wanna Dance by Bette Middler
Blue Skies by Ella Fitzgerald
Come Away with Me by Norah Jones
Summertime by Louis Armstrong and Ella Fitzgerald
The Writer by Elle Goulding
Carolina by Taylor Swift
Flowers in Your Hair by the Lumineers
Starting over by Chris Stapleton
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