#Maple Syrup objectified
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My humanizations for Objectified!! Yippee!!
Drawings are in order of creation
#art#Objectified comic#gijinka#comet objectified#citrus objectified#Brandy objectified#minty objectified#Maple Syrup objectified
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I wanted to run though all the stuff we don't know about objectified.
All of it.
Apocalypse guide:
Starsheet - onset advance, what are all three variants
What is ID: gestalt
Who is ID: symbiote - who's been talking to wagyu through the hive cores - what did they mean by "rocks" and "machines"
Concept art
Who is "Wristwatch" and why is he gone
Turtleshells Journal
Whereabout's for all the characters mentioned in present time
Who the 4 "?" Characters are
Morrigan, just the whole character really.
What are the lawless kings up to / how will they be used in the story
Whats happening in the other countries, and are they working to help the rings (or, why did they abandon them)
Who controls the dread tides
Character refs (I can't belive this needs a section)
The blacked out text in Ghost Peppers ref
Gums scar[s] (basically just "cherry")
From here onward, It's plot speculation, and the sections are labeled after characters rather than the website elements.
CITRUS
Parents / the full story of the flashback in "Venatics"
Why is he like some kind of fucked up vampire
What is his relation to Morrigan
Spool
He's just some guy.
No questions here.
Razor
What happened to the rest of her pack
Her relation to Warhammer (if any?)
Mushroom
Related to "PILOBOLUS" from the story in "Stranded", but how
What happened to Cattail (Fully considering that he probably died of course)
Wheres Mushrooms mother (Mentioned and shown in turtleshells journal) And Is she the relation to "Pilobus"
Why is the entire district empty?
Dynamite
Not much about his past can be used for plot
No questions
Brandy + Minty
Maple syrup (at fort blanket, mainly what happened to her if relevant to plot)
"The old stories from Ankh" - the first had plot relevance with mushroom, if there are more i expect similar things.
There's little depth in their past, namely just their time in marshlight.
Fossil
Her past with Push
Health problems with being a defect object (hinted at in "babs'" ref sheet, confirmed in qna)
Why she checked Painkillers eyes
The water thing she has (its quite possible its just because shes part gator, but i feel something deeper than that)
Painkiller
From marshlight, but we have literally no idea about their past other than that.
Theres no material for questions.
Dragonscale
Past in Demon's diner (namely with the lawless king she half-mentioned in "control")
Ghost pepper being and actual ghost (???)
Wagyu
How did he retain control? And why?
Who's trying to talk to him? And why?
Comet
What's with all the crow foreshadowing? (Probably Morrigan again)
Whats the full story with her 'version' of starsheet [Snowsheet? Onset advance?]
Gum
The story of her exes (all 7 of them)
The scar from "Cherry" (already mentioned this one but i'm curious)
Basically her entire past, (with multiple lawless kings?)
Overarching plot / Parasites
How will three-spines evolve and affect characters?
Who created the parasites, and why?
Where, is everyone? (Cattail, pushpin, turtleshell, everyone in middle ring, the lawless kings, characters from gums past.)
How is starsheet going to affect nearly half the characters, especially the onset advance variants.
If i remember right, in the qna, chester mentioned he had "special quirks" planned for every character. - [Everything that will be in the 'Everything else' category in the apocalypse guide.]
The the next late stage event
___________________________________________
Ok, i mentioned a few things twice, but i think thats all my questions right now.
All i can hope is that i'm asking the right ones.
#objectified comic#objectified#object show comic#if all of these are answered in book 1 i will be very impressed
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Tessa Rumsey poetry lines pt.2: Big Rig the Baroque Sky
bold the ones that apply to your muse, italicize the ones that your muse directs at someone else. (and strikethrough that doesn’t apply to your muse at all). REPOST. DON’T REBLOG.
Chosen muse: Leon
Stand still. Places move within us. ♦ There was the impulse to flee ♦ our refugee vision ♦ being made more ♦ Connected. ♦ Part of as opposed to dismembered from the nature program on public television. ♦ we hoped it would be less of a reunion and more a realization ♦ your exile was self-imposed ♦ the door to the garden never closed ♦ a firefly dictatorship ♦ meadows would make us childlike ♦ a cult of delphinium. ♦ Blessed. ♦ Following the simple orientation of the sun. ♦ It was our prodigal vision ♦ forgotten reams of river will embrace us. ♦ Feeling generally cast out, not knowing where from. ♦ water of asphalt ♦ baroque sky ♦ At dusk swallows rose over the highway ♦ black questions of panic ♦ where will I rest ♦ will my wings end where the wind begins ♦ do machines dream of spring ♦ clouds perplexing their screens ♦ I objectify what I desire so I can feel superior ♦ arrived at a maple cathedral ♦ pledged allegiance to a hierarchy of back roads ♦ lilac-green anarchy of light ♦ the wet wood shack where syrup was made ♦ he held the blade ♦ We drank straight from the jug. ♦ Put our feet in the river. ♦ Decoration disintegrated as our toes became clear in the water ♦ waking trance of a sacred order ♦ my Machiavellian vision ♦ there is no secure mode to possess us without ruining us ♦ exiled. ♦ And we never even arrived. ♦ everything we did was accompanied by commentary from the leaves ♦ we can explain back roads and your impulse to flee in terms of a single substance ♦ water, the blackest answer ♦ we are never at rest
tagged by: @ari-rivaille-ackerman (thank you for tagging me! :D )
tagging: @armaxlucis, @universalskyworld, @uncreditedsaviors, @unhingedsea, @ofshadowsandspirits, @electrograins, @sphinxsmuses, @tameradabsol, @faerelinremnants, @dcsidcrium, and anyone who wants to do this!
#not as easy than i thought it would.#( tag games. )#( muse headcanon. )#( muse headcanon; leon )#;leon
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Tessa Rumsey poetry lines pt.2: Big Rig the Baroque Sky
bold the ones that apply to your muse, italicize the ones that your muse directs at someone else. (and strikethrough that doesn’t apply to your muse at all). REPOST. DON’T REBLOG.
Chosen muse: Sophia
Stand still. Places move within us. ♦ There was the impulse to flee ♦ our refugee vision ♦ being made more ♦ Connected. ♦ Part of as opposed to dismembered from the nature program on public television. ♦ we hoped it would be less of a reunion and more a realization ♦ your exile was self-imposed ♦ the door to the garden never closed♦ a firefly dictatorship ♦ meadows would make us childlike ♦ a cult of delphinium. ♦Blessed. ♦ Following the simple orientation of the sun. ♦ It was our prodigal vision ♦forgotten reams of river will embrace us. ♦ Feeling generally cast out, not knowing where from. ♦ water of asphalt ♦ baroque sky ♦ At dusk swallows rose over the highway♦ black questions of panic ♦ where will I rest ♦ will my wings end where the wind begins ♦ do machines dream of spring ♦ clouds perplexing their screens ♦ I objectify what I desire so I can feel superior ♦ arrived at a maple cathedral ♦ pledged allegiance to a hierarchy of back roads ♦ lilac-green anarchy of light ♦ the wet wood shack where syrup was made ♦ he held the blade ♦ We drank straight from the jug. ♦ Put our feet in the river. ♦ Decoration disintegrated as our toes became clear in the water ♦ waking trance of a sacred order ♦ my Machiavellian vision ♦ there is no secure mode to possess us without ruining us ♦ exiled. ♦ And we never even arrived. ♦ everything we did was accompanied by commentary from the leaves ♦ we can explain back roads and your impulse to flee in terms of a single substance ♦ water, the blackest answer ♦ we are never at rest
tagged by: @fxtelism
tagging: Whoever wants to fill this out
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Conversation
what she says: i'm fine
what she means: i'm so glad that s1e03 of riverdale gave betty cooper the character development she so badly deserved. the episode hinted at a dark backstory of some sort and developed her into more than just a cookie cutter character. plus, i fully support her murdering stupid guys who objectify women with maple syrup.
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Sexy Rhett Moments
It’s no secret that I like making lists. And tonight I wanna list down all the moments when I was insanely ridiculously attracted to Rhett. Where he wasn’t cute or sweet, but downright sexy to me :D (Because that’s the kind of mood I’m in right now) And before anyone attacks me for objectifying him, please take a look at a previous list I made about all the reasons I love him <3
Sexy Rhett Moments:
All the GMMs when he started with his hair down and then styled it up.
Whenever he starts beating the strings of his guitar with his nails to play it rhythm style.
That one time he talked about being angry with Jessie and expressing it to her for forgetting her purse somewhere.
That one GMM where he flexed his muscles and that visual completely drowned whatever the heck Link was talking about.
Every time he takes off his blindfolds and flashes his sexy squinty smile.
That wink when he sips from his GMMug ;)
When he stroked his beard in “How to kill a beard”
When he stands up and you realise that the top of their desk barely grazes his knees.
That time when he had math written on his chest.
When he almost told us off for not liking YouTube Red, like a strict teacher.
When he had maple syrup poured on him, and looked utterly delicious.
That time when he got out of the sensory deprivation tank with wet hair, and you know he’s naked.
That time he impersonated Jeff Goldblum while Link told his proposal story.
The photobooth part of “I am a thoughtful guy”.
When he talked about going around the house in his underwear nailing and mounting things on walls, and then taking his wife out on a date.
That time when he pretended to do complex mathematical calculations and designing an arch bridge.
When he submerged himself in chicken noodle soup, and emerged and looked absolutely edible.
That time he made out with several tacos.
That time he yelled, “Get off of that cord Locke!” (BTS of Guacamole Song) like a strict daddy
Whenever he wears a freaking suit.
When he talked about making some videos for his wife, and Link was like “You really gonna talk about that?”
When he played the saxophone in “What Women Want”
Tooth Fairy Rhett.
When he brought out the macaroni sculpture he made for Christy.
His voice while singing “Sideburns that are not even” in the OCD song.
The face he made while getting the Jessie tattoo.
The face he made while admitting he liked the caviar cookie.
That first episode with the baby beard (yes, the entire episode)
When he ate a hundred million berries in the GMMore with Strawburry17.
When he sat down flashing his freshly waxed chest at us.
Whenever he says “I’m six foot seven”
I’m sure there are a million more moments, but my sleepy brain can’t think of any more right now. I guess I’ll be adding to this list every now and then :) And anyone reading this, feel free to add too :)
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ROBIN WALL KIMMERER
The Intelligence in All Kinds of Life
MS. KIMMERER: It certainly does. And the language of “it,” which distances, disrespects, and objectifies, I can’t help but think is at the root of a worldview that allows us to exploit nature. And by exploit, I mean in a way that really seriously degrades the land and the waters, because, in fact, we have to consume. We have to take. We are animals, right? But that, to me, is different than really rampant exploitation. But this is why I’ve been thinking a lot about: Are there ways to bring this notion of animacy into the English language? Because so many of us that I’ve talked to about this feel really deeply uncomfortable calling the living world “it,” and yet, we don’t have an alternative, other than “he” or “she.” And I’ve been thinking about the inspiration that the Anishinaabe language offers in this way and contemplating new pronouns.
MS. TIPPETT: You’ve been playing with one or two, haven’t you?
MS. KIMMERER: I have. I’ve been thinking about the word “aki” in our language, which refers to land. And there’s a beautiful word — “bimaadiziaki,” which one of my elders kindly shared with me. It means “a living being of the earth.” But could we be inspired by that little sound at the end of that word, the “ki”? And use “ki” as a pronoun, a respectful pronoun inspired by this language as an alternative to “he,” “she,” or “it,” so that when I’m tapping my maples in the springtime, I can say, “We’re going to go hang the bucket on ki. Ki is giving us maple syrup this springtime.” This, then, of course, acknowledges the being-ness of that tree, and we don’t reduce it to an object. It feels so wrong to say that.
And I have some reservations about using a word inspired from the Anishinaabe language, because I don’t, in any way, want to engage in cultural appropriation. But this word, this sound, “ki,” is, of course, also the word for “who” in Spanish and in French. It turns out that, of course, it’s an alternate pronunciation for “chi,” for life force, for life energy. I’m finding lots of examples that people are bringing to me where this word also means a living being of the earth.
MS. TIPPETT: That’s really interesting.
MS. KIMMERER: The plural pronoun that I think is perhaps even more powerful is not one that we need to be inspired by another language, because we already have it in English, and that is the word “kin.”
MS. TIPPETT: That’s the plural of “ki”?
MS. KIMMERER: Yes, “kin” is the plural of “ki.” So that when the geese fly overhead, we can say, “Kin are flying south for the winter. Come back soon.” So that every time we speak of the living world, we can embody our relatedness to them.
https://onbeing.org/programs/robin-wall-kimmerer-the-intelligence-in-all-kinds-of-life-jul2018/
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