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dragonagecompanions · 2 months

Note

hello, this is my first request :) unsure if your still taking requests but I was wondering how the companions (maybe romanced maybe not) would react to finding out the Inquisitor has a dead kid? I think the only way the party would find out is in the fade via the fear demon, and then maybe the advisors find out on their own ┐⁠(⁠ ⁠∵⁠ ⁠)⁠┌

idk but I would be truly honored to see you answer this request, and even if not than thank you for reading over it <33

- 🍡

WARNINGS For CHILD LOSS YOI HAVE BEEN WARNED

Cassandra: When the fear demon, gleeful in it’s telling of their leader’s loss, reveals the truth the Seeker is…well, there are no words. Forcibly she is reminded of how they swayed, pale and weeping, when she had said there were no other survivors. Guilt churns low and deep at her own words, a year and more gone now, throwing that fact in their face as accusation. Throwing such a loss in their face and then demanding answers.

Throwing a calling at their feet and demanding leadership, never knowing what a loss they struggled through.

She fights all the harder for them, as if every enemy batted away from them is attempted absolution. Cassandra Pentaghast thought she understood grief in all its facets, but what does the loss of older brother and parents- expected losses if come too soon- stand before the loss of a child? Maker, how do they still breathe through it?

When they are free of the fade, she approaches only to offer apology. If they wish to speak of their loss she will listen, but only then. She has forced enough from them.

Varric: Shit. Just…shit. Here he is, going on for months about how this story is bad for heroes and how the Inquisitor is the main character and blathering on, and never saw it. Never saw the aching grief, because it was never shown. The only example he has, or is at least intimately familiar with, is Leandra Hawk and his own mother.

And as the Inquisitor had never fallen into drink or taken to blaming whoever was closest to them for things outside of anyone’s control there had been no sign for Varric to catch on to. And it makes him feel…almost dirty. Stained with his own intentions, blithely going on while their leader had lost their kid.

He doesn’t bring it up to them, doesn’t know how, but Skyhold’s resident author is absolutely the own who tells Josephine as soon as they tumble out of the fade. That raven missive is a short and brutal telling, far from his normal goings on, and his guilt is manifold in it.

Solas: The Dread Wolf is not so unattached from the world as to not consider the losses suffered at the conclave, but for the most part -when he did turn his mind to them- they were mostly academic. A balance of power, and the loss of so many leaders among both chantry and mages a destabilizing force for his future efforts. Numbers laid cooly on a chart, beads on an abacus. The fortunes of war laid bare.

But more than one parent lost a child in that terrible moment, and siblings mourned. Children bereft, friends torn asunder, lovers left to weep alone for their loves. Listening to the fear demon enumerate the inquisitor’s loss magnifies the enormity of what happened, and though he will undoubtedly be the source of much worse for a moment the Dread Wolf cannot breathe.

It passes, of course, and when they leave the fade the rift mage dies his best not to carry those emotions out with him. This world is not to blame for his actions, for the destruction of his world, but he must restore it and so they must bear the cost. It is not fair to them, and it will be long months until he can be east about his plans.

In the interim, he dares to approach the inquisitor only once about their loss. He is there as a listening ear in the silence of his rotunda if they wish to speak of their sorrow. Or if they wish only a silent companion, he will direct the kindest spirits he can find to guard their dreams and remain at their side as long as he can.

Blackwall: Maker forbid. For a moment Skyhold’s would be warden is swamped by the images of Callier’s children, dead under tiny shrouds beside the ruined carriage at his command. Too many children fall victim to the machinations of their elders and with none to protect them from the fall out, but for all that most of Blackwall’s experience has been from the other side.

Being confronted with the parent who had lost a child, confronted with the knowledge that they had told none of them and had suffered under the burden alone was staggering. Damn it, they had all laid burdens at the Inquisitor’s feet and expected answers, demanded decisions and leadership in a word gone mad— and none had known what they had lost.

He doesn’t know what to say or how to act and instead channels everything into the fight to flee the fade. Rainier would be too much the coward to speak to their leader in the aftermath, but Blackwall- older and hopefully wiser from his own griefs- will offer quiet condolences and whatever aid he can. If they need to speak of it be will listen. And if not there is soft wood and chisel enough to grind out any feelings if that is what they need.

Vivienne: Children had never been in her destiny. As a mage, even one so elevated as to be all but free of the constraints of the circle, motherhood was forbidden to her. Any child of her womb would be sacrificed to the Chantry, given to a family deemed ‘more worthy’ to raise it.

And as a mistress, no matter how deeply the love between them bloomed, Bastian could never have given her such a blessing. He had children— an illegitimate child, and a mage child at that, would have been too great a weapon against him.

And so she had put it out of her mind, never allowed herself to consider or imagine what a son might look like, how a daughter might smile. To think of it would be a loss too great to contemplate—or so she had thought. Met with the active loss and overwhelming grief that their leader must feel, Madame de Fer is suddenly glad not to know how such a burden might rest on her soul.

Could she be so calm a leader as the Inquisitor, while bleeding out inside? Vivienne does not know, and that…well, terrifies her in a way little has. But she is not called iron for nothing, and so when all is calm again she will go the Herald and ask simply and plainly what she might do for them. If the answer is nothing she will abide by it. And if there is something that might in any way assuage their grief then she will ensure they have it.

Dorian: Well, that at least explains the Inquisitor’s uncharacteristically violent outburst, when Halward Pavus had made his way to Ferelden. Upon hearing the possible consequences of the blood magic ritual the Inquisitor had laid into the Magister, flaying with words when they could not use violence. Even the Pavus paterfamilias had seemed shaken by the diatribe, and Dorian had felt championed.

He is not so shallow as to feel betrayed by the knowledge of what terrible grief must have driven such an impassioned defamation of character, but can instead only ache for his friend’s loss. They must have been a wonderful parent, and in a quiet time later will gather his courage to tell them so.

Sera: It doesn’t really register in the moment, so great is her own fear of the Fade and it’s denizens, but later it will simply break the Red Jenny’s heart. Their leader lost a true little one, and still managed to bring themselves to protect the rest of the little people no matter their age.

Like Blackwall she will either offer distraction or uncharacteristic silence in comfort, baked goods an offering that feels too…personal for such a gaping loss. But her admiration for them grows exponentially.

The Iron Bull: Public, corporate grief is rare among the Qun. Not forbidden, exactly, but when everyone is given a role it also implies that every person is inherently replaceable in that role. As Koslun said, the tide rises and falls and things must work forward toward peace.

But the death of a child is different. Whether disease or violence or simple accident, losing an imereki is a tragedy. The Tamassran mourns, the others in their care mourn, and all those in the sphere of the lost one are permitted some little allowance for the loss. Things cannot grind to a halt- this is why parents are separated from children, to ensure the deep emotional bonds that are anathema to the Qun- but there is not simple acceptance without acknowledgement of the loss.

Not even that was given to the Inquisitor. It’s east to see the shock of the others even through his own fear, and the knowledge infuriates Bull enough to get him through the Fade. Their leader lost a child, and no one was there for them. Instead piled on the whole world and its imminent loss on their shoulders. It’s disgraceful.

Later, when Adamant is pacified and they return to Skyhold, he will pull them aside. It will be painful and it will be slow, and whether they need alcohol or pain or even the clinical breakdown that bondage and sex can only give-with their explicit consent- he will help them bleed the pain and begin the grieving process.

Cole: The pain was too big for him to help, the threads caught up in pain and joy and guilt and anger and terrible despair. He didn’t even have the words to describe it to others, and so had kept silent.

If they need him later he will help, but this loss is too big for a spirit unsure of how to act.

Cullen: Maker’s breathe. How could they…why did they not…Damn it, how could he not realize?! He had all but thrust the entire inquisition on a parent who had been robbed the chance to even bury their child, let alone mourn them.

Varric’s report rocks him to the core, and the commander in truth does not know what to do. If the rest of the inner circle has it well in hand he will simply work to make sure their leader has less in their plate. If they wish to discuss it with them, he is there and if not…

He hardly has the words anyway.

Josephine: She weeps over the missive, when it arrives. Their inquisitor has been hiding the worst of loses from them, putting on such a brave face to do so much. Like Cullen she works to make sure they have less to do when they return, but does pull them aside briefly to awkwardly hug them and ask if they want a memorial somewhere private in Skyhold.

Leliana: She knew. She knew from only a few days after, when her spies brought her everything there was on the Herald. And even The Nightingales Heart could ache for such a loss, but Leliana took her queues from the Herald and simply never discussed it. That does not change now— she will follow their lead.

Mod Fereldone

#cassandra pentaghast #solas #dorian pavus #varric tethras #the iron bull #sera #madame de fer #warden blackwall #cole #tw:child death #tw: loss #tw: death #cullen rutherford #josephine montilyet #leliana #dragon age inquisition

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anneapocalypse · 9 months

Text

Why Vivienne Needs the Inquisition

No one 'winds up' at Court, my dear. It takes a great deal of effort to arrive there.

–Enchanter Vivienne to the Inquisitor

An ask I received (referring, I think, to something I said in this post, though I've alluded to it at other points as well):

How/why is Vivienne's position at court shakier than it seems? (Please publish this anonymously.)

Thank you for asking! I’ve wanted to write something on this subject for a while, so I appreciate the push to get it all down. It’s something I find really interesting about Vivienne, because it's something she doesn't want the Inquisitor, or anyone, to know, so it's all subtext in the game. Vivienne is a character who always holds the player character at arms' length--a bit less so when she likes them, but there is always some distance there. As such, she's a difficult character to get to know.

And while I do have some issues with the way Vivienne is handled in the game, particularly with narrative and quest design, I won’t be touching on those heavily here. For this post I want to focus on what can be determined about her motivations from the character as written.

Vivienne can be recruited to the Inquisition after the Inquisitor's first trip to Val Royeaux. Notably, she seeks out the Inquisitor's attention herself, inviting them to a gala at the Duke of Ghislain's estate, and also notably, once recruited she will not leave the Inquisition and cannot be forced to leave, no matter how low her approval of the Inquisitor. This is also something I have seen people question: why can't you kick Vivienne out, and why won't she simply leave if she disapproves of your choices? I hope this post will answer that question as well.

The most critical aspect of Vivienne's character to understand, I think, is that she has no stable institutional power. She is not a noble. She has no familial connections of the sort that can help even a mage to keep their head above water. She is a woman who was taken from her family at a young age and raised in an institution, and who has used all her wit and charisma to make the very best of that situation for herself.

Vivienne's position as First Enchanter of Montsimmard is mostly an achievement within the Circle itself. Montsimmard itself, however, was also a stepping stone to influence outside the Circle. Personally, I think the fact that Vivienne declined to join any fraternity when she became a full Enchanter, a shocking move at the time, indicates that she held ambitions outside the Circle from a young age. And Montsimmard was the perfect proving ground for her, a major Orlesian city whose ruling family maintain close relations with the Circle. In The Masked Empire, the Marquise de Montsimmard boasts about dining at the Circle, and she and her husband wear masks adorned with lyrium crystals which we are told were a gift from the First Enchanter. It seems likely, though not confirmed, that this was Vivienne herself.

(Incidentally, it is a real shame that Vivienne’s character seems to have solidified so late in the game’s development, because in retrospect I really feel her absence in the novels. She gets a brief mention in The Masked Empire as Madame de Fer, and absolutely nothing in Asunder, which we'll come back to.)

It seems that the Montsimmard mages were called upon with some regularity to entertain the court, and this is how Vivienne first caught the attention of Duke Bastien in 9:16 Dragon. Within a year, she had moved into a suite in his estate. Her position came under attack for the next few years, but nonetheless, after a single meeting with Empress Celene in 9:20 Dragon, she became the newly-crowned Empress's Court Enchanter.

(Edited to add: It seems to be sometime after this that Vivienne became First Enchanter of Montsimmard, at "an age young enough to cause scandal," though the date is never confirmed that I can find. Incidentally, as @shrovetidecat brought to my attention in the notes, Fiona is also supposed to have been Grand Enchanter of Montsimmard, which given that may be a lore inconsistency, unless Vivienne is only meant to have taken the position after Fiona rose to Grand Enchanter—and I'm not sure why a 40-year-old First Enchanter would be scandalous.)

By the time she meets the Inquisitor, she is likely somewhere in her 40s, and has been the Enchanter to the Imperial Court and the Mistress to the Duke de Ghislain for twenty years. She regularly mingles with the court and has built a practically unprecedented influence for herself in Orlesian high society.

And it's all about to fall apart, for three critical reasons.

First, the obvious: the mage rebellion. One cannot be First Enchanter of a Circle that no longer exists, though Vivienne certainly tries. A majority of mages, even if by a razor-thin margin, have declared that they do not recognize the Circle's authority—and therefore Vivienne's authority as a loyal Enchanter within that system.

I think Vivienne's dialogue with the Inquisitor and her remarks if taken to Redcliffe reveal a deep frustration and resentment of Grand Enchanter Fiona, who called for the vote to leave the Circle and now leads the rebel mages. Vivienne of course handles this in the manner to which she is accustomed, the culture of the Imperial Court, in which trading in verbal jabs and barely-veiled insults is a standard matter of social one-upsmanship. Outside of that environment, she comes across as petty and rude, which is an interesting point of characterization in itself: Vivienne has thrived in the court environment, but she does seem to have a bit of trouble adapting her manner to different circumstances, where that sort of thing might not benefit her. But what she's trying to do is frame herself before the Inquisitor as the reasonable and respectable mage, and Fiona as misguided and pitiable. How well this goes for her, of course, depends on who the Inquisitor is. But the effort itself kind of reveals the shaky ground she's standing on.

In her dialogue with the Inquisitor, Vivienne claims that as the rebel mages follow Fiona, the loyal mages follow her. But where are these loyal mages? There's maybe one or two mages we meet in the game (Enchanter Ellendra comes to mind) who seem to respect Vivienne's word. But if the loyal mages look to her as a leader, why is Ellendra alone in a cave in the Hinterlands to begin with? Why doesn't Vivienne bring a group of these loyal mages with her to Skyhold?

I think it's because Vivienne doesn't truly have followers among the mages, the way Fiona does. This is the story she's telling the Inquisitor, to capitalize on the idea that the rebel position is not a consensus, and also that she still has influence among a significant number of mages. The truth is, she doesn't. She’s spent most of her life courting influence outside the Circle, not in it. She has presided over a Circle where she doesn’t even live day-to-day. I can’t imagine that has particularly endeared her to many of her fellow mages, even the ones who are loyalists or moderates.

Contrast this with Wynne, a pro-Circle Aequitarian who is deeply involved in Circle life despite undertaking sanctioned work outside the tower, and is also deeply involved in the events leading up to the vote for independence. Whatever the Doylist reasons for Vivienne's absense from Asunder, the fact remains: she's just not there. She has no presence in the events leading up to the rebellion. When speaking critically of Fiona's vote, she discusses it in the context of Anders' attack on the Kirkwall Chantry, and says nothing of the circumstances surrounding Fiona's push for a vote—not the revelations about Tranquility, not the conclave (no not that Conclave, the conclave of mages at which Fiona called for the vote for independence), not the subsequent massacre by the templars and the remaining mages' decision to stand and fight. And perhaps most notably, no one mentions Vivienne, positively or negatively, during the events of Asunder. Not once. We are left with the conclusion that Vivienne is simply not heavily involved in Circle politics, no matter what impression she may wish to give the Inquisitor. Her influence does not lie within the Circle.

And I think Vivienne knows this, and realizes that it's suddenly become a big problem for her.

The second big problem is Morrigan.

Vivienne has had the favor of the Empress herself for twenty years. She has, by others' accounts, managed to turn the position of Court Enchanter from "little more than court jester" to a position of influence and respect. And then the Grand Duke attempts a coup, and the Empress's elven lover runs away with a dangerous secret, and suddenly the Empress is enlisting the services of some unwashed swamp witch while Vivienne is standing right there!

Like I cannot overstate what a absolutely galling slap in the face it would be to Vivienne that even as she is attempting to uphold the legitimacy of the Circle and thus of her own authority within it, Celene effectively creates the "Arcane Advisor" position as "Court Mage 2: Apostate Boogaloo" just so she can get advice on non-Circle-approved magics. Advice that Vivienne could not give even if she wanted to, even if the Empress asked, because she has no knowledge of eluvians and ancient elven magic.

Both Dorian and Cole needle Vivienne about her jealousy of Morrigan, and I think quite accurately, no matter how quick Vivienne is to deny it.

Her influence over the Empress is fast eroding. She has been replaced in all but name.

And the third and most personal big problem is Bastien's illness.

Vivienne has enjoyed a romance with one of the empire's most influential nobles for twenty years. She has lived in his home and been on good terms with his wife until her passing. Her influence in the Imperial Court owes a lot to Bastien's affections. Bastien is not only a Duke but a member of the Council of Heralds, the political body responsible for overseeing matters of titles and inheritance in Orlais. They are quite literally the most powerful group in the country; even the Empress rules at their favor, without which she would never have gained the throne in the first place.

And now Bastien is dying, something Vivienne takes care not to mention to the Inquisitor at first. It's not until after the ball at the Winter Palace that Vivienne asks the Inquisitor for help with her potion in a last-ditch attempt to prolong his life—and even then she does not reveal her true purpose until after the Inquisitor has returned with the wyvern's heart. And while it's possible to interpret multiple ways, I personally believe from her response to his death that she did care for Bastien. She didn't need to bring the Inquisitor to his deathbed at all, if she wanted to continue concealing his illness, something she's taken care to do up until that point. It bespeaks a measure of trust that she allows the Inquisitor to see her so—in her grief, as well as in her loss of position.

Because Bastien's death is a terrible loss for Vivienne socially as well as personally. Bastien's son will inherit his estate, and whether Vivienne is allowed to go on living there will be entirely at his discretion. Perhaps he will permit her to stay, but she cannot count upon his grace, nor upon the protection she enjoyed with Bastien any longer; and furthermore if she is allowed to stay, it will be a favor to her, making her beholden rather than granting her greater influence. She won't have the dignity of being Bastien's widow; she is his mistress, and respected as that position may be in the Orlesian court, it gives her no true claim to his family.

Vivienne is about to lose everything she has built for herself.

Without Bastien, without Celene, she will be left with… what? The position of First Enchanter to a Circle that no longer exists? If her own best-case scenario occurs and the rebellion is halted and the Circles are reinstated, then she still loses all the freedom she has gained and is forced to return to a Circle tower herself—a sphere in which, as previously discussed, she holds less influence than she would like the Inquisitor to believe. Even if she remains First Enchanter, it's hard to see this as anything but a massive step down in the social hierarchy, the beginning of a long slide into what the Fade reveals as her greatest fear: irrelevance.

It's a humiliation that Vivienne cannot bear.

This is why she won't leave the Inquisition, no matter how much she may despise the Inquisitor. Vivienne needs the Inquisition far more than she lets on. This even puts the petty low-approval furniture-moving scene into context. Yes, she’s doing it to snub the Inquisitor, but that doesn’t actually gain her anything. I think it’s deeper than that. The Inquisition was Vivienne’s fallback plan, and it’s not going well. The Inquisitor is making her look bad, she is finding no avenue to further advancement here, but she can’t leave. So, her response is to try to reclaim some sense of control over her life, asserting a kind of power she had at Bastien’s estate and was likely denied in the Circle: control over her own space.

Even if Bastien were to live a bit longer, Vivienne really has nowhere higher she can climb in the Imperial Court. She can't become a noble herself. She can't marry Bastien, or any other noble for that matter, because she is a mage. And I'm sure she's highly aware of this fact. Bastien is several years a widower himself; it is not his former marriage that prevents him from marrying her, now. It is her status as a mage which bars her from entering a noble family, legally, socially, politically. That Bastien never seems to have raised the question at all speaks to the fact that no matter how much he may have stuck his neck out for Vivienne, there was a line even he was not interested in crossing.

So where does she have to go from here?

Along comes the nascent Inquisition. Shaking things up. If any organization could rattle the gilded walls of the Chantry, it's this one.

Why not take a stab at the Chantry, at this point? What does she have to lose?

It didn’t really sink in for me for several playthroughs because she isn't wearing cleric's garb, but Bastien's sister Marcelline, who visits Skyhold after his death with Bastien’s son? She's a grand cleric. One of the surviving grand clerics who will decide the next Divine. Vivienne involves the Inquisitor in her plan to save Bastien, a plan she likely knows will fail—but she puts in the effort. She then introduces the Inquisitor to Grand Cleric Marcelline, having told her how the Inquisitor came to her aid. Marcelline expresses gratitude: “Madame de Fer has told us what great trials you faced, trying to save my poor brother’s life.” Bastien’s son Laurent is a powerful ally in his own right, now a member of the Council of Heralds, but also likely the one who will decide whether Vivienne keeps her suite in the Ghislain estate.

And if the conversation goes well, Vivienne tells the Inquisitor that it was "quite the triumph." If the Inquisitor expresses confusion, she patiently explains the influence that both Laurent and Marcelline wield, and that they have now secured the trust of both. If Vivienne becomes Divine, Marcelline’s favor no doubt goes a long way in getting her there.

Of course Vivienne will continue to take a conservative position on the mage question. A mage looking to insinuate herself into the Chantry hierarchy would have to, just as a mage seeking the freedom to consort with the court would have to. In the same way that a Hawke with aspirations of seizing the vacant seat of Kirkwall's Viscount must side with the templars at the end to show the nobility that they represent stability and order, the Chantry's first mage cleric must be pro-Circle, pro-templar, conservative to the bone. Vivienne seems to recognize this as far more important than actually appearing devout. It's also fascinating to me how little she bothers to make any pretense of a personal faith, instead always discussing the Chantry as an important social institution and political body. And this attitude doesn't seem to impede her chances at the Sunburst Throne very much, no more so than being a mage already would.

Vivienne knows exactly what she's doing. She always has.

Vivienne comes to the Inquisition seeking power and influence in the Chantry because her position among the nobility is falling apart. Whether she comes in with the intention to reach for the Sunburst throne itself is debatable, and I personally think it might have been the intent that she does have that ambition but seeks to let the Inquisitor think it was their own idea, though I'm iffy on how successful that is if it was the intent. Nonetheless, I do believe that Vivienne comes to the Inquisition with the intent to seek influence within the Chantry, realizing that the recent upheaval may offer her a unique opportunity to do so. And depending on how closely the Inquisitor aligns with her goals, she may succeed quite dramatically.

References

Codex Entry: Madame de Fer

Talking with Vivienne at Haven and Skyhold

Vivienne's high disapproval scene

After Bastien's death

Banter with Cole

Banter with Dorian

The World of Thedas vol. 2, pp. 235-239 (hardcover edition)

Dragon Age: The Masked Empire, p. 31 (paperback edition)

#vivienne #madame de fer #dragon age meta #dragon age inquisition #the masked empire #asunder #bastien de ghislain #blunders of thedas #ask anne #thedas politics

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theheraldsrest · 24 days

Note

Hey! I really really love your blog! If I may request, during downtime, how would the members of the inner circle react to find the Inquisitor drawing/sketching them?

“Companions react to Inquisitor drawing/sketching them”

After our *cough* little thing with Bull, let’s have some fluff, shall we? Thank you anon for the ask!

-Lord Lex

Cullen

“You did this? It’s certainly…it’s…how did you even…it’s amazing.”

-So surprised, no words. It makes him feel a little special that you’d choose to sketch him but also very embarrassed. In return, he tries drawing you. Might not be as good and there are a few rough sketches that were thrown in the fire, but he wanted to return the favor.

Josephine

“Oh! Look at the detail and the softness! I wouldn’t have even thought it was me from how stunning it is!”

-Absolutely gushing over it. Josey’s always had a fascination for the arts and to be the subject of the piece from someone close to her? Adores it, even asks to keep it. She has it tucked away in one of her favorite books. Will always compliment your art even when talking to dignitaries.

Leliana

“I commend you on your artistic talent. Though, I’d ask you not to sketch me. Perhaps one of the ravens would make better practice?”

-Like Josephine, Leliana has an eye for art. She loves looking at the little details in your sketches and finds it a surprise that her face is amongst the papers. As much as she appreciates it, she’d rather her face remain a secret. She is your spy master, after all. Though, if she becomes Divine, she keeps the sketch as one of her favorite pieces of her.

Vivienne

“Darling, as much as I’d like to say you're wasting your talents by leading the Inquisition instead of honing your skills, you are equally talented in both. Most usually fail to make me look this stunning.”

-It might not show on her face or in her words but she loves it. Several times people have been commissioned to paint her yet none come even close to your level of detail. More points if it’s of her smiling or laughing, the lines on her face as well as the wrinkle around her eyes gives her a sense of…normalcy. If she becomes Divine, she commissions you to do her portrait, no one else.

Varric

“You drew me? I think that’s gotta be one of the scariest pieces of your art I’ve ever seen! When you're done, can I keep it?”

-Though it doesn’t sound like it, he brags about it constantly. Even when he’s making fun of his slightly crooked nose or how his eyes might seem smaller than other dwarves, he’s complimenting the skill you put into the very minute details of his face. Varric will try to pay you for it even if you refuse, later trying to commission a drawing of Hawke when they come around.

Cole

“Oh, it’s me! Not really, but it’s Cole. But you’re trying to draw me…I can still remember his face, then.”

-He’ll stare at it for hours, his shoulders down. It’s been sometime since he’d been able to see his own face, forgetting that he even had a face. To see you draw that face, the real Cole, just from looking at him makes him happy. Will ask to look at it every now and then, just to make sure it’s still the same.

Solas

“I must say, you are quite talented and steady with your hands. It does allow others to see how the artist sees. You certainly make me seem…at peace.”

-From one artist to another, he gives you high compliments with very few complaints. It is unusual to see him drawn in such a way since he’s so used to seeing only the mosaics. He meant to get rid of it when he left the Inquisition, but just couldn’t bring himself to do it.

Cassandra

“Inquisitor, though your craft is very beautiful and I admire how you can make these pieces, I must ask you not to sketch me.”

-Don’t get her wrong, she loves seeing your sketches but it’s mostly out of formality (and somewhat embarrassment) that she asks not to be your subject. If she becomes Divine, it’s one of the only pieces she prefers over the paintings. Though she does ask you, if you have the time, to draw something for her. When you give her a perfect picture of her brother and her, it’s one of the few times she truly hugs you.

The Iron Bull

“Holy shit. I’m alright when it comes to sketching, but you make it look pretty damn easy while so complicated! You even got my scars and the detail on my patch! Damn, boss!”

-Bull is used to doing quick sketches, usually of small details to make sure he could track someone or to remember something easier. Never had he really seen himself drawn so picture perfect that it completely baffles him. He looks at all the details with a smile on his face.

Dorian

“I can’t believe you managed to get my good side! In all honesty, though, this is remarkable. And not just because it’s me.”

-He had studied some art pieces before and never really found any he liked, but he has now found one of his favorite artists. Constantly asks if you’ve done any new pieces just so he can look at the heart that goes into them. Ask if you could teach him to sketch as such so that he can add better drawings to his research notes.

Sera

“What the fuck! That’s me! How the fuck! How did you do this! You even got my eyes to be lined up! How the hell did you do that?!”

-We all know Sera’s drawing style. She keeps saying the same things over and over again because she’s at a loss for words. Except for cuss words. Along with the rooftop hangouts, she insists that you two just draw together sometimes. Some of the goofiest drawings come from these times, especially one of a cartoonish Coryshit falling from a very detailed tower.

A little speech bubble near it says “Oh shit, I shat myself!”

Blackwall

“I…I’m honored to be one of your subjects. Not to blow my own horn, but this looks stunning. You really are something special, hm?”

-Blackwall has done a lot of sketching himself and finds your art a breath of fresh air. Other than looking at bits and pieces of his reflection, he usually tries to avoid seeing himself. So when he sees your drawing of him, he almost doesn’t recognize himself. You both trade sketches of each other just for fun and even sketch together.

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dragonageconfessions · 1 month

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CONFESSION:

Having seen you're post about things you're getting about Vivienne I felt that it was time I said something. She is one of my favorite characters in Inquisition, as she is an empowered woman. She is politically savvy, knows how to play the game, and knows when to be ruthless.

Confession in response to this note

#Dragon Age Confessions #Dragon Age Inquisition #bioware #vivienne dragon age #madame de fer

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asteriascomet · 1 year

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Madame De Fer

#dragon age #dragon age inquisition #digital art #fantasy #fan art #madame de fer #vivienne dragon age

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palipunk · 2 years

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Dragon Age 4 hype renewed, its Divine Vivienne time

#da4 #dragon age #dragon age inqusition #divine vivienne #vivienne #madame de fer #my art #digital art #painting study #artists on tumblr #dragon age fanart

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klauswalz · 1 month

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I find it difficult to picture you curtsying to anyone.

#dragon age #dragon age inquisition #daedit #daedits #vivienne #morrigan #vivienne de fer #madame de fer #**#*dragon age #reposting this again because I made a typo error

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dailydadoodles · 4 months

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Bitter Pill

#vivienne de fer #madame de fer #vivienne dragon age #dai #dragon age inquisition #da doodles

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prophetssong · 2 years

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Draw your inquisition party 🌹

#da: inquisition #sera dai #vivienne de fer #cassandra pentaghast #madame de fer #dragon age #dragon age art #dragon age inquisition #inquisitor adaar #inquisitor #sera dragon age #sera x adaar #mine

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dragonagecompanions · 8 months

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Could you do like a head cannon for like 1920 noir inquisitor companions/romances

You have to listen to this while you read.

Cassandra: She's a hardened murder cop with a hidden love for romance and no mercy for the criminal underground. She wrote the book on playing by the rules, but when things get tough she'll stab the book and do what's right.

Varric: Sometimes an author has to know his element to discover the truth. Few people would expect the renowned serial novelist to be caught dead in a speakeasy as seedy as the Hanged Man, but with a pencil behind his ear (and a hand always ready on a pistol with his lover's named carved into the barrel) he's always on the hunt for a story.

Solas: A bartender more comfortable with spirits than people, the elf behind the bar at the Dread Wolf is a hard man to read. Good for stiches in a pinch and no slouch in a fight when it suits his fancy, he owes no power in the city alliegence-- and no one knows his end game.

Blackwall: It takes guts to fake your way into a gang like the Wardens, but Thom Rainier's in too deep to back out now. With a dead man's name and street rep to keep the dogs at bay the hardened enforcer can only try to atone for his past-- and fight for a better future.

Vivienne: Very little is known about Madame de Fer, owner and operator of the more exclusive brewery this side of the Tevinter boarder, except that her gin has never seen a bath tub and the Templars don't bother her supply.

Any resemblance to the renowned socialite Vivienne the Enchantress is rarely commented onl; those who do rarely repeat the mistake.

Sera: With the gang warfare, the police cracking down on the littles and the templars hunting any unregulated booze for their prohibition on alcohol someone has to look out for the little guy. No one is really sure who Red Jenny is, but everyone knows that the street kids and pick pockets and beat down element knows her name-- and she is always watching.

The abandoned warehouse on the dock is her headquarters, full of her ill gotten gains and home to the fences who turn it into cash. Nobody starves and everyone profits. A tidy business, yeah?

Dorian: Everyone knows that there is more going on behind the scenes of the Halward Pavus Memorial Library than meets the eye, but no matter how many times it's raided the head archivist is always completely above suspicion. Books and learning are all that linger in those hallowed halls--please try to be quiet on your way out.

But everyone knows that at night Dorian Pavus puts down the index carts and hard backs to pursue his true passion-- and that the Tevinter will pay up to four sovereigns for a fresh corpse*. Medical science is varely stumbling into the light, and if his books on anatomy -so accurate as to be used as reference during surgeries- then the long hours spent on the dissecting table are well worth it.

The Iron Bull: Someone needs to make sure that the beer, wine, whiskey and gin finds its way from hidden distilleries to the thirsty patrons of the city's illicit watering holes. The Chargers are the best, expensive but worth the money to get things where they are going. With a sapper from the wars on tap rumor says they have their own tunnels under the city, but no one knows anything for certain. He runs a clean crew, dependable and honest. Madam de Fer makes frequent use of them.

And if The Iron Bull also reports to the higher ups in the Qun, the north side gang just waiting for a chance to take it all, that's his own business. Straining loyalties may bring it to a show down, but for now he's willing to ride the knife edge.

Cole: No one can really remember when the fortune teller's shop opened at the edge of town. One day it was simply there, mysterious and festooned with gauzy curtains and wreathed in fragrant incense. The nug motif is...a little odd, sure, but tame compared to the figure behind the crystal ball.

It's hard to see his eyes behind the wide brimmed hat, and those who do meet his gaze can't claim to enjoy the experience. But Cole has a way of getting into your head to the deepest thoughts and secrets waiting there and finding the best solutions. Whether he can see the future or not, enough people are willing to try to keep the doors open.

For now.

(I really couldn't figure out the romances. Hope this serves!)

(*in Canada and the US, the resurrectionist movement was still going strong into the late 1950s!)

Mod Fereldone

#dragon age inquisition #solas #dorian pavus #blackwall #sera #cassandra pentaghast #cole #madame de fer #warden blackwall #film noir #1920s

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