sorry sometimes i think about mako and my heart hurts so much. this kid raised himself and his brother on the streets in homelessness and utter poverty from eight through fifteen, promptly after seeing the violent death of his mother and father. he turned to the triple threats because they couldn't survive as a pair of wretched kids without any adult support, and the environment forced him to turn into the exact character that killed his parents in a terrible twist of irony. and after sheer-fucking-luck hits and they aren't homeless anymore, their livelihood wavers on the outcome of what's a literally game to everyone but them; and after things are finally starting to look up and their team is going places and things just might be okay, his gradually stabilizing world unceremoniously expands and everything goes to shit.
and the city that chewed him up and spat him back out, ruined him as a child and took away his ability to stay afloat in a true sense of normalcy as an adult — when it's on the verge of destruction and falling to pieces before his eyes, he gives himself to save it with the full expectation to die. he went from the kid who didn't and couldn't care about anything outside of himself and his brother, to finding redemption for his younger self in his police work despite its injustice against him, to willingly sacrificing himself to a world that had never loved him.
he's a desperate people pleaser, socially and emotionally stunted for the adult he had to be as a kid, unable to navigate interpersonal relationships easily yet still trying his damned hardest. he's intensely and entirely devoted to the things that matter to him and for so long it was only him, bolin, and ensuring their survival — yet by the end, that devotion has expanded to protecting the rest of the world. he starts out entirely self-reliant and ends in trusting the people he cares about to know their own needs, to be able to take care of themselves, to be okay without him despite having spent so much of his life defined by his role in others' well-being.
just. what the fuck i'm such a big fan of this fictional guy and i'm unashamed about it at this point. also let him cry please (if you won't i'll do it i'll let him cry)
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so i just went through your entire anti-lok tag and everything you said in it was SO WELL WRITTEN. i wanted to ask if you might have any analyses or anything (or just good old rants! we love being bryke haters) - about something that i noticed, which is this sort of... ATLA/TLOK dichotomy between how all aang's villains seem to be focused on gaining power/dominating the world or whatever, but the villains in TLOK seem to revolve around very pointed targeting of korra and specifically stripping her of her agency/bodily autonomy, but i don't know how to expand on that point.
(idk just. TLOK has a whole list of scenes that make me VIOLENTLY uncomfortable in a way even the worst of ATLA doesn't? and i thought you might have some input to share about it, if you don't mind me asking)
thank you sm!! i'm glad you enjoy my lok and bryke salt <33
i know what you mean, because it's something that struck me when i was watching lok as well. korra's villains are far more personal to her (particularly in what they do to her, or want from her) than azula or ozai or even zhao ever were to aang, and while that isn't necessarily a bad thing (in fact it can often be good to have a personal relationship between your hero and villain; just look at how much more impactful and meaningful zuko and azula's arc was compared to aang and ozai's), there is a way to do it right and that was... not what bryke did.
we didn't need to see korra brutally bloodbent and stripped of her bending, or brutally attacked by unalaq, or brutally tortured by the red lotus or - you got it - brutally beaten up by kuvira (over and over again, might i add). i'm not saying that violence never has its place in storytelling, but it needs to have an actual purpose that's not just shock value. atla, for instance, knew when and how to utilise violence: the sight of gyatso's skeleton in the southern air temple, aang's murder by azula, even katara bloodbending... the violence in all of those scenes was necessary either to communicate vital information to the audience, or drive home the emotive and narrative significance of the moment, or both.
in lok though, bryke hardly, if ever, achieved either of these objectives - especially because it was mainly only ever korra who got the brunt of the violence. no other character is repeatedly targeted and assaulted and violated even half as much as korra is, even when they're facing the same antagonists. tenzin's fight against the red lotus in book 3 gets a tasteful pan to black (one of the few times i think bryke did use violence purposefully; knowing what not to show is just as important as knowing what to show, and leaving the audience with the dread of tenzin's fate was actually sadder and more terrifying than letting us see what happened to him) but korra's agonizing torture at the hands of the red lotus is so long and drawn-out that it begins to veer into torture porn.
imo, this can probably be attributed to two things: 1) bry.ke thinking trauma = character development because they don't know how else to write a good character arc (and they still somehow fucked it up - i will never forgive them for making korra thank zaheer, of all people, for helping her overcome her trauma, like what the absolute fuck bry.ke), and 2) they wanted lok to be "more mature" than atla, which shows both that they fundamentally didn't understand atla, or what constitutes good storytelling, and also that someone desperately needs to tell them that simply upping the violence and hamfistedly handling "complex" topics does not maturity make.
(given the way bryke has written women, i also have to side-eye the fact that the strong-willed, independent, brown female protagonist is beaten and battered and torn down far more than the peaceful, affable light-skinned male protagonist ever is, even during an actual war.)
and of course, contrary to what our dear bryke probably expected, simply brutalizing korra season after season in the name of shock value and development did not, to anyone else's surprise, make lok the better show in the end.
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Could you please do another Mama Lin AU post? I absolutely freaking love it!
Continued from: [Link], [Link], [Link], [Link], [Link], [Link], [Link], [Link], [Link], [Link], [Link], [Link], [Link], and [Link].
1. The deciding factor, and there were other things too, but the one that brought them to the breaking point, was that Tenzin needed to have children if there were ever going to be more airbenders, and Lin wanted to be a mother about as much as she wanted to be buried alive. And now she's got two kids? It's a bit of a shock for Tenzin, let's be fair. He's married to someone else, and has children, and he's not unhappy about not being with Lin, but it's a weird feeling, a road not taken feeling, something like, but not really, regret.
2. But whatever mixed and complicated emotions Tenzin feels in regards to Lin's forays into motherhood, he recognizes a potential political ally when he sees one. And he has too few of those to throw one away needlessly. He, of all the Council members, treats Republic City as his home. Air Temple island is right offshore, and the United Republic is part of his father's legacy. Most of the rest of the Council expect to serve out their terms and return home to their respective countries. Tarrlock is the only one who intends to stay, but Tarrlock is slippery as an eel-shark, and anyway, he is two parts smarm, one part corruption, and he has no interest in changing the status quo to improve lives for the poor. Not a man Tenzin can work with. Lin however, Lin he can work with.
3. Technically, Lin isn't officially a mom yet. The official adoption is still about a week away when she has her audience with the Council. They still have to meet in front of a judge and declare that they are a family. Bolin is over the moon excited about it, and Mako is, well Mako has mixed feelings. He can't shake the worry that this is all some kind of trap and everything will change once he and his brother are legally Lin's sons. He knows it doesn't make any sense, but... Lin asked Mako's teacher about that, and she said it's normal, so Lin is mostly ignoring the worry, cautiously trusting that it will fade when nothing actually changes. And nothing does change. They go in front of the judge, the paperwork is filed, they go out to dinner at Mako and Bolin's favorite noodle shop to celebrate, and the next day, Lin signs a paper with their school to officially add Beifong to the boys' names. That's it. They're officially a family.
4. Okay, that's not strictly true. Zuko also shows up a few days later on the boys' day off school with Fire Nation style ginger honey plum cakes, and presents for the three of them, and a mock-stern warning that the boys are his nephews now. Lin pulls him aside later to talk to him about the problems in Republic City, and he promises to talk to Izumi, but it's all he can do not to pinch Lin's cheeks.
5. I just want to give a shout out to Kuvira. It takes a lot of bravery to do what she does next, calling Katara up in the middle of the night (for her, not for Katara) to talk.
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my ideal makorrasami imagines are always like
asami comes home to her girlfriend and boyfriend after a long day of being a genius engineer and fortune 500 ceo
she picks up bolin on the way because it's mako's birthday so they're having a little get-together
they head to the pool because that's usually where korra can be found when the weather is super warm, and obviously mako will be there too keeping her company
she and bolin hear raised voices as they approach. omg the girlfriend and boyfriend are fightinggggg
it's a very sophisticated argument. they're just saying, over and over, "nuh-uh!" "uh-huh!" "NUH-UH!" "YEAH-HUH!"
asami and bolin round the corner to see korra and mako glaring at each other, cheeks flushed, eyes glassy, absolutely drunk off their gourd
asami's just like "pregaming, are we? i hope you left some alcohol for the rest of us" and raises one devastating eyebrow
korra and mako turn to her and their faces light up immediately. "asami!! you're here!!!"
(the eyebrow does nothing to dampen their enthusiasm, which is fine, because they're very endearing drunks and she is very much enjoying this)
then they turn back to each other and are like "SHE'LL agree with me. THEN you'll see. i'm right and you're wrong. you're the wrongest forever and ever. no YOU are" etc. etc.
this of course quickly devolves into good ol rough and tumble rasslin
bolin's like "ooh ooh ooh! what are we talking about? i love being part of conversations! i want to have an opinion!!!"
by which point korra has mako in a headlock and they turn in tandem to look at asami (bolin's input is not required) and very earnestly ask her who the best kisser is
they're looking at her so expectantly and korra has forgotten about the headlock so now they're just hugging as they wait with baited breath for asami's verdict
and asami's like oh well uh guys i can't really...that's not...apples oranges et cetera, you're both extremely good kissers, really top notch, full marks for everyone, i uh always love any sort of kissing that we get to do, um, together,
just digging herself into this awkward hole, right. because no one expects that question
mako's mouth drops open. "woah," he says
"yeah," says korra
as one, their heads swivel toward each other
"the BEST kisser...is ASAMI!!!!!" they say in unison
they stare into each other's eyes for a beat
suddenly their mouths are colliding as they LAUNCH themselves toward each other and begin making out frantically and with great fervor
occasionally coming up for air to say such things as "you're so smart" "no YOU" "no ASAMI is" "asami's the smartest" "i love asami" "she's the best ever for always" amidst the most embarrassingly sloppy kissing known to man
bolin's like "soooo. just to make sure i'm getting this straight"
asami: uh-huh
bolin: the reason korra and my brother are kissing in front of us so enthusiastically...
asami: yeah
bolin: ...is because they are in SUCH complete agreement...
asami: right
bolin: ...that YOU are good at kissing?
asami: that appears to be the case, yes
asami can hear bolin facepalm somewhere off to the side, but she only has eyes for the ridiculously adorable and uncoordinated makeout session taking place in front of her
cousin tu's voice comes from the direction of the house. "oh dude they're done arguing? right on"
bolin: how long have they been arguing?
tu: idk, like half an hour? for a while they were just arm-wrestling but korra let mako win because it's his birthday, and he got all cranky about it
bolin: uh-huh. so how did they get from that...to this?
tu: well obviously then korra said it doesn't matter if she's the best arm-wrestler because mako's the best kisser
bolin: wait
tu: and mako was all, "no YOU'RE the best kisser" and korra went "no YOU are"
bolin: so you mean to tell me...
tu: and i got bored after like, five minutes of that so i went back inside
bolin: ...all this time they were fighting because they each think the OTHER person is better at kissing?
tu: well, yeah. i mean if you ask me they both seem to be pretty bad at kissing lol. but whatever, it's not my problem. no offense, asami!
bolin: they're probably better at kissing when they're sober. i mean, this is just embarrassing. right, asami? please tell me this is not what you're working with on a daily basis. asami? hello? asami?
but asami isn't listening. she's gazing at korra and mako with the goofiest smile on her face. her pupils have turned into heart shapes. without conscious decision on her part she clasps her hands and presses them sappily to her bosom
tu: dude, maybe we should, like, give them a minute
bolin: is this even safe? what if they bite each other's lips off?
tu: korra's a healer, right? like, i'm not worried about it
asami doesn't notice them leave. she's so full of love for these two ridiculous idiots that it's spilling out of her in the form of literal tears. she's crying from how much she loves them
this continues until korra and mako in their clumsy enthusiasm actually fall into the pool. korra bends the water away from mako before he can drown and then immediately tries to punch it for endangering him. asami runs over to get them out and they both see that she's been crying. this is followed by a five-minute sequence of mako frantically petting her hair while she tries to convince korra to put away the fire-dagger, no one has been mean to her, everything is all right, korra, no wait, don't go into the avatar state, you're going to suck the cake into the element vortex -
mako thinks it's very unfair that the day after his birthday, he's the only one who wakes up with a hangover. apparently the avatar, who's been up since the buttcrack of dawn merrily inventing the new field of batterbending to replace the cake she and her past lives destroyed, is above such concerns. asami kisses his nose with great affection and, it must be said, terrible morning breath. "how about this," she says. "on my birthday, korra and i will get drunk and attempt to eat each other's faces and you can babysit. sound good?"
yes, that sounds good, he thinks. after all, taking turns has served them pretty well so far.
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