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team-reasonable · 1 year

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So, anyway. I didn't technically close up shop here until June. I had already listened to so many records by then. It would be a shame not to drop (at least) one more year end list. The funny thing is that I have listened to more records this year than I have in recent years. All told, I ended up listening to around 125 new releases this year. I kept pretty detailed notes about most of them. I could have easily turned that into reviews or content. I would have stopped listening to new records had I done that though. Turning my enjoyment of music into a thing was a mistake. Anyway. Here is the list. It's 40 records. A good amount of these are jazz. Just be aware. If you're looking for dope punk rock records, this probably won't be the list for you.

In alphabetical(ish) order:

Alice Sandahl - "Bright & Blue"

Alison Shearer - "View From Above"

Alvvays - "Blue Rev"

Angel Olsen - "Big Time"

Anthony Coleman & Brian Chase - "Arcades"

Barrie - "Barbara"

The Beths - "Expert In A Dying Field"

The Bogie Band & Joe Russo - "The Prophets In The City"

Camilla George - "Ibio-Ibio"

Chicago Soul Jazz Collective - "On The Way To Be Free"

Dave Gisler Trio - "See You Out There"

David Hillyard & The Rocksteady 7 - "Plague Doctor"

Georgia Harmer - "Stay In Touch

High Alpine Hut Network - "727 / 16 EP"

Jeanines - "Don’t Wait For A Sign"

Jobber - "Hell In A Cell EP"

Julieta Eugenio - "Jump"

Kate Bollinger - "Look At It In The Light"

Kit Downes, Petter Eldh, James Maddren - "Vermillion"

Kristine Leschper - "The Opening, Or Closing Of A Door"

Lisa Ullén, Elsa Bergman, & Anna Lund - "Space"

Little Low - "Reasons To Grow"

Lupe Fiasco - "Drill Music In Zion"

Marta Sanchez - "SAAM (Spanish American Art Museum)"

Mary Halvorson - "Amaryllis" / "Belladonna"

Melissa Aldana - "12 Stars"

Nectar - "No Shadow"

The New York Second - "Music At Night"

ORD - "Hemligheter På Vägen"

Otoboke Beaver - "Super Champon"

Perennial - "In The Midnight Hours"

Potsa Lotsa XL & Youjin Sung - "Gaya"

Quelle Chris - "Deathfame"

R.A.P. Ferreira - "5 To The Eye With Stars"

Renata Zeiguer - "Picnic In The Dark"

Tender Slit - "Tender Slit"

Tomberlin - "I Don't Know Who Needs To Hear This..."

Walking Cliché Sextet - "Micro-Nap"

Westbound Train - "Dedication"

Widowspeak - "The Jacket"

I've included that Spotify playlist. It has stuff from most of these records, and some other stuff. Maybe I'll throw something up in 2023? Who knows. It's what it's

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livehorses · 2 years

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Hispanic names (Both genders)

Here I leave a list of Hispanic names for people who write Coco and Encanto fanfics or any other Hispanic inspired story. I'll have reblogged each gender section separatedly because, as always, Tumblr doesn't allow me to have more than 4096 words per post. I'll start with both genders names and red will be used for less common names.

Adrián/Adriana

Alejandro/Alejandra

Alexis/Alexa

Andrés/Andrea

Camilo/Camila

Carlos/Karla

Cristian/Cristina

Daniel/Daniela

Emilio/Emilia

Eugenio/Eugenia

Esteban/Estefanía

Gabriel/Gabriela

Jorge/Georgina

José/Josefina

Juan/Juana

Julián/Juliana

Julio/Julia-Julieta

Luis/Luisa

Mariano/Mariana

Miguel/Micaela

Pablo-Paulo/Paula-Paulina

Patricio/Patricia

Renato/Renata

Valentín/Valentina

Víctor/Victoria

Agustín/Agustina

Alberto/Alberta

Alfonso/Alfonsina

Ambrosio/Ambrosia

Antonio/Antonia

Benito/Benita

Bernardo/Bernarda

Bruno/Brunilda

Ernesto/Ernestina

Félix-Feliciano/Felicia-Felicitas

Francisco/Francisca

Guillermo/Guillermina

Manuel/Manuela

Pedro/Petra

Rafaél/Rafaela

Tomás/Tomasa

Vicente/Vicentina

Ángel/Ángela

Claudio/Claudia

Eliseo/Elisa

Silvio/Silvia

Valerio/Valeria

Carmelo/Carmela

Constantino/Constantina

Cornelio/Cornelia

Fabio/Fabiola

Jacinto/Jacinta

Lilian/Liliana

Manolo/Manola

Marcelo/Marcela

Oliverio/Olivia

Pricilo/Pricila

Tulio/Tulia

Valeriano/Valeriana

Click here to see the male names and here to see the female ones.

This is so far the most of names I could remember. If I get to remember more, I'll be adding them all, of course, if Tumblr allows me to.

I have to point out that there are non-hispanic names that have become popular and that they don't have any translation in spanish. Some of them are "Brandon" "Brian" "Nelly" "Denisse" or "Leslie" Or that they actually have one but people prefer the foreign version. These ones can be "Marion" instead of "Mariana" "Karol" instead of "Carolina"

I guess you would also like to know the nicknames of each one of the names I provided you with, or maybe even last names. If you want me to dedicate some posts to that, let me know! For the moment, I hope all of these names are useful for your O.Cs and fanfics. 😉

#Spanish language #Hispanic names #Disney Encanto #Pixar Coco #Elena of Avalor #Both genders names

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oraculoediciones · 11 months

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:: ¡AQUÍ ESTÁ LAFARIUM DE MAYO! :: Como una fosa en la tierra húmeda, que se abre para soltar sus misterios hediondos. Portada exultante de Emiliano Bellini. Colaboran con fluidos y tripas: GR Mateo, Nicolás Viglietti, Juan Pablo Diz, Dante Minervi, Toto, Julieta Manterola, Fé Elizaga, Pablo Paz, Juan Manuel Menéndez, Eugenio Led, Oscar Grillo, Alejandra Viviana Aranda, Emiliano Raspante, Pabluchi García, L., Marcela Nigro, Gabriel Juárez, Manuel Rivas Pintos, Marcelo Gobbo, Lorena Pinasco, Fabián Arnaldi, Juan Coccotis, Mariano Buscaglia, Jorge Fantoni, Piero Pierini, Gladys Cepeda, Ramiro San Honorio, Pablo Katzin (Fritz Sol). Historietas a cargo de Tinta Cruel y Mauricio Giacomino. Entrevistas exclusivas a Paco Alcázar y Javier Rovella. ¡Pasen, lean, teman y gocen con la sombra roja! :: Descarga: https://archive.org/download/lafarium2023/Lafarium-mayo-2023.pdf

#lafarium #revistalafarium #revista #gótico #gothic #literaturagótica #gothic literature #GR Mateo #argentina #cultura #culturaargentina #paco alcázar #javier rovella

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youssefguedira · 1 year

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I hope this unsolicited ask is ok! do you have any fun and upbeat recommendations for music that you've loved over the last little while? <3

it absolutely is! i love getting asks tho i'm not always good at answering! upbeat music is something i can definitely do, tho (this was supposed to be short but i got carried away. all links are for youtube):

tour de francia, vetusta morla (big fan of this album as a whole but this is the most upbeat one. see also fuego and cuarteles de invierno)

the entirety of life in cartoon motion by mika is one of my go to upbeat albums (specifically: grace kelly, my interpretation)

è un'altra cosa, francesco gabbani (SO incredibly upbeat. i love this song)

canzone per l'estate, canzone del maggio and il pescatore, fabrizio de andré (ive been listening to in direzione ostinata e contraria a LOT lately. lyrics aren't always happy per se but they are upbeat. canzone per l'estate especially. also carlo martello ritorna dalla battaglia di poitiers is just fun)

non è per sempre, afterhours

restless legs, keuning (half of this album is slow and half isn't but i love it. couple others i like are ruptured, stuck here on earth)

planetary (go!) and summertime, my chemical romance (my sibling finally managed to get me to listen to more than 2 mcr songs and i like this album. definitely upbeat though more on the angry end. vibes are fun tho)

1983, and almost all of pop psychology by neon trees (except voices in the halls. that is NOT happy. not all of them are happy upbeat but try also helpless, girls and boys in school, animal, everybody talks)

me ne frego, achille lauro (domenica and bam bam twist also but the first is my favourite of his i think. very upbeat)

vuurwerk, camille (it's just fun)

milano good vibes, and sabbie mobili, mahmood (i like a lot of his stuff but it's not all as bouncy as i was going for for this list. though i do recommend inuyasha, ghettolimpo, il nilo nel naviglio, and uramaki)

halla varlden, wilmer x (there's accents in there but my keyboard won't type them)

il fine e la luna, eugenio in via di gioia

el mismo sol, álvaro soler

come mai, 883 and eccoti, maz pezzali

me voy, julieta venegas

hungriges herz, madsen

cutting myself off now because i can and will talk about music for hours but if you want any more feel free to ask! i have a LOT and i had to cut some out of this list cause it was getting too long

#neon answers #bendpace-blog #again feel free to send asks any time i had fun with this #this list is a little all over the place but hopefully there's a couple things you like in here! and if anyone has any recs as always id #love them. hopefully soon ill have enough time to go through them (currently low on free time)#neon talks music

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theloniousbach · 13 days

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FROM THE SMALL’S ARCHIVES: JD ALLEN with Ian Kenselaar and Nic Cacioppo, SMALL’S JAZZ CLUB, 22 MARCH 2024, 10:30 pm

I listened appreciatively to JD ALLEN’s Americana album several years ago just as I was returning to this music. As appealing as its examination of the blues was, I didn’t fully warm to it. Still I remain curious, particularly as I think of tenor trios led by the likes of Melissa Aldana, Nicole Glover, and Julieta Eugenio. Glover worked with Nic Cacioppo whom I found busy with her and still here to the point of near distraction with Allen. But he was a robust riffy sound, so he avoids the provocation of overplaying. Still I’m glad Glover has Kayvon Gordon.

Ian Kenselaar managed to not get lost in the mix, a risk at Small’s on the stream, particularly with a drummer like Cacioppo. He was a fine complement to his leader and they found ways to wind around one another.

But it was properly Allen’s gig and he was quite appealing. His tone is rich and full. He can be riffy and punchy while also melodic and coherent. The playing was direct and accessible. The material, unannounced but perhaps a standard or two with, of course, the ballad most appealing to me as well as some blues gave them all something to chew on. I liked that it was a meat and potatoes kind of gig—hearty, tasty but not over-seasoned.

Allen has played with this band occasionally but only a few times at Small’s over the past five years. I like his playing and his commitment to the trio. So I want to return to his recorded output.

#concert review #jazz #small’s live #small’s jazz club #2024 #from the small’s live archives

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indie73 · 1 month

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Alt.Latino's best new music round-up: Elsa y Elmar, Julieta Eugenio, Esteman and more

http://dlvr.it/T4NsJd

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rafaeladigital · 4 months

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La emoción está en el aire, y los reflectores se encienden para destacar a los deportistas que han brillado a lo largo del año. La Fiesta del Deporte 2023 está a punto de comenzar, y con ella, se revelarán los nombres de los atletas que han dejado una marca imborrable en sus respectivas disciplinas. ¡Acompáñanos en esta celebración deportiva única! Un Reconocimiento Especial Como cada año, la Fiesta del Deporte rompe con la tradición al no elegir un ganador único por categoría. En cambio, cada deportista nominado recibirá una mención especial por su destacada actuación. Además, se otorgarán reconocimientos a la trayectoria, a la revelación del año y al Deportista del Año, un título codiciado que corona al máximo exponente del mundo deportivo. Detalles del Evento La cita es este miércoles, desde las 20:30, en el Anfiteatro “Alfredo Williner”, se realizará la Fiesta del Deporte y Elección del Deportista del Año 2023 de Rafaela. El evento es resultado del incansable trabajo de la Subsecretaría de Deportes y Recreación, en colaboración con diversas áreas, que se han esmerado en cada detalle para garantizar una velada inolvidable. Nominaciones Destacadas por Disciplina DEPORTISTAS DESTACADOS POR DISCIPLINA AEROMODELISMO MARIO PALMIERI RICARDO PALMIERI ENRIQUE LEVRINO - LEONARDO BARUCHELLI (EQUIPO F2C) AJEDREZ FELIPE DEL ZOPPO ROCCHETTI SALVADOR DELGADO PABLO FERREYRA ATLETISMO SANTIAGO DAPERNO JOAQUÍN CARBALLO LEONELA LÓPEZ SOFÍA FREGONA AUTOMODELISMO JOSÉ FERNANDO FOTI JUAN FRANCISCO KILGELMANN AUTOMOVILISMO NACIONAL CRISTIAN VAIRA RICARDO SARACO JOSÉ COSTAMAGNA AUTOMOVILISMO ZONAL AGUSTÍN GHIOTTI NICOLÁS GONZÁLEZ ALEJANDRO CIPOLAT BÁSQUET GINO JESÚS GRAMAGLIA AGUSTÍN RÍOS DANTE BENINCA ANGELINA TOANI BILLAR PABLO PAGANI BOCHAS MARTÍN OVIEDO LUCIANO CORREA ANÍBAL RODRÍGUEZ LUIS VALIENTE BOXEO YOANA RODRÍGUEZ FABRICIO SPÓSITO DAIANA DÍAZ CICLISMO FRANCO GABRIEL PONS LUCAS LUIS PERETTI JOSEFINA ECHANIZ FISICOCULTURISMO MARIANELA JESICA ASTRADA ERIC ARNOLDT DARÍO PINCIROLI DIEGO FONTANETTO FÚTBOL CAMILA JUÁREZ JUAN JOSÉ WEINSSEN MANUEL BUSTOS DANIEL FERNANDO ITURRIA OSCAR MALDONADO GIMNASIA ARTÍSTICA ARACELI BURGOS LUISINA LÓPEZ JULIETA MENSEGUEZ GOLF LUCÍA BOCCHETTO FEDERICO TORRESAGASTI GIOVANNI CABAÑA HANDBALL LUISINA RODRÍGUEZ LAUTARO ELÍAS SASSETTI JOAQUÍN ACOSTA HOCKEY GUILLERMINA ASTUDILLO FLORENCIA CORVALÁN ALDANA PINTOS MORENA HERNÁNDEZ INTERCOLEGIALES MAGALI ALLASSIA JULIETA BRODA NARELA PAZ JULIA LAMBERT VALENTINA MERLINO FEDERICO DALMASO JIU-JITSU ALAN STRADA GINO AGRANO JOSÉ PRAI KARATE OLIDEN QUIRÓZ AXEL NAVARRO NICOLÁS ECHEVARRÍA TIZIANO OESQUER MIDGET EUGENIO MAUTINO GONZALO ZBRUN TOMÁS PLATINI MMA FRANCO TEVEZ JUAN CRUZ RAMALLO SERGIO LUQUE IGNACIO CASTIGLIONI MOUNTAIN BIKE GABRIEL DURANDO RAÚL DURANDO NORBERTO WILLINER DIEGO DRUBICH MOTOCICLISMO EMANUEL ZAMORA AGUSTÍN DONATI VALENTINO CHIABOTTO NATACIÓN MARTINA GARCÍA LOURDES ALIPRANDI PABLO CÉSAR SCOZZINA ANDRÉS DONNET MIRANDA CÁCERES PADDLE FABRIZIO ALEJANDRO GARCÍA VALENTINO MINETTI NICOLÁS TELL PATÍN IRINA GUTIÉRREZ DELFINA PERALTA INDRA GADLER SOFÍA ZOJA PEDESTRISMO MATEO QUIROGA AGUSTÍN PECANTET RODRIGO VISCONTI GERMÁN FERNÁNDEZ PELOTA PALETA SANTIAGO BISANG MATEO MONTOYA LUIS MARÍA ZANONI CRISTIAN EMMERT RUGBY GONZALO CLEMENZ VALENTINO FERRERO MARIANO FERRERO RURAL BIKE GABRIEL SCHMIT LUISINA SIMONDI CAROLINA ANTELLO MARCELO GILLI SALTOS HÍPICOS EMILIA GAGLIANO VÍCTOR MANUEL RICO LILEN GIACOBONE TAEKWONDO BRENDA VALLEJOS TIAGO ICASURIAGA JEREMÍAS SOMMER ARIEL ROLDÁN TENIS MATÍAS ALESSANDRIA JOAQUÍN ESCOBAR JOSEFINA ZIMMERMANN TIRO CON ARCO LUCAS HÉCTOR VÁZQUEZ GERVASIO MOLINARO MATEO LLODRA TIRO DEPORTIVO CLAUDIO ROMITELLI PABLO ROBERTO FRANZETTI LAUTARO SAMBRINI TRIATLÓN VIRGINIA MILANESIO FLORENCIA GIRO VOLEY MILAGROS LOURDES MESA SOFÍA SCHILLING ANA GAIDO JOAQUÍN BURQUET VUELO A VELA MIGUEL ÁNGEL SERRANO MARCOS MEROÑO GERMÁN RUBIN WUSHU LARA CHÁVEZ VIOLETA MATTIO LARISSA AMHERD FRANCO AGUILAR

> PREMIOS ESPECIALES DEPORTISTAS DE ALTO RENDIMIENTO TOMÁS MONDINO - ATLETISMO PEDRO EMMERT - ATLETISMO ABRIL OKON - ATLETISMO JUAN IGNACIO CANELA - AUTOMOVILISMO DELFINA GENTINETTA - BÁSQUET MELISA GRETTER - BÁSQUET ROBERTO ACUÑA BÁSQUET CANDELA GENTINETTA - BÁSQUET OMAR SERRANO - BOCHAS VÍCTOR EXNER - BOXEO NICOLÁS BLANCO - BOXEO OMAR DÍAZ - BOXEO NATALIA VERA - CICLISMO ÁNGELO MARTINO - FÚTBOL LUCAS BLONDEL - FÚTBOL FACUNDO COLIDIO FÚTBOL FACUNDO LENCIONI - FÚTBOL TOMÁS POCHETINO - FÚTBOL SEBASTIAN ACUÑA - FÚTBOL LUCÍA GONZÁLEZ - GIMNASIA ARTÍSTICA EMILIA ACOSTA - GIMNASIA ARTÍSTICA GUSTAVO ACOSTA - GOLF PEDRO RUBIOLO - RUGBY MAYCO VIVAS - RUGBY GERMÁN ROMITELLI - TIRO SUSANA HAUSWIRTH - TRIATLÓN CATALINA INGARAMO - TRIATLÓN SERGIO PERETTI - TRIATLÓN > PREMIOS ESPECIALES EX DEPORTISTA WALTER PALMIERI > PREMIOS ESPECIALES AUXILIAR DEPORTIVO GISELA TRUCCO Con esta propuesta, se busca destacar la emoción del evento, presentar a los nominados de manera llamativa y agradecer a la audiencia por su apoyo, manteniendo un tono activo y directo. https://rafaeladigital.com/noticias/la-fiesta-del-deporte-2023-celebrando-los-logros-de-nuestros-atletas/?feed_id=4332

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boomliterario702 · 7 months

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Boom Literario(Puerto Rico)

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La literatura de puerto rico se ha reflejado artísticamente desde llegada de los españoles dado a los 4 siglos de colonización y 100 estadounidenses los puertorriqueños aún conservan y llevan su primer idioma (El español).

Siglo XIX

Durante las fiestas decembrinas en el año de 1843 se publica el primer Aguinaldo puertorriqueño, libro que se pretendía sirviera de regalo navideño o "aguinaldo" imitando una costumbre europea en boga por aquellos tiempos. El título del libro hace caer fácilmente en el error al que no lo haya leído puesto que podría pensar que es una colección o antología de aguinaldos, entendiéndose éstos como canciones de tema navideño. En realidad se trata de una serie de colaboraciones o ensayos en verso y prosa, que nada tienen que ver con la Navidad, escritas por los puertorriqueños(as) Francisco Pastrana, Mateo Cavailhon y Alejandrina Benítez, un desconocido M. A., entre otros escritores peninsulares. En 1844 aparece el Álbum puertorriqueño; obra compuesta de 2 ensayos en prosa y 49 en verso de 5 estudiantes puertorriqueños en Barcelona, España, entre ellos Manuel A. Alonso y Santiago Vidarte. Estos querían manifestar mediante este trabajo, amén de la emoción y el agradecimiento que sentían por la aparición del Aguinaldo puertorriqueño, su amor a la Isla y que en Puerto Rico sí se cultivaba la literatura. En 1846, con casi todos los mismos autores del anterior, aparece un nuevo Aguinaldo puertorriqueño y también los mismos responsables del Álbum puertorriqueño dan a luz en Barcelona el Cancionero de Borinquen con 37 composiciones o poemas.5

La importancia de las obras antes mencionadas es la de que son las iniciadoras de una literatura a la que podemos llamar puertorriqueña y cuyo primer gran exponente será el libro El Gíbaro de Manuel A. Alonso, publicado en 1849. En su obra, Alonso intenta fotografiar las costumbres y tradiciones de Puerto Rico a la altura de 1849, como también expresa su crítica a cerca de las mismas. En una época donde se consideraba a las Antillas como un "lugar desértico" por su poca producción de literaria, ya que nada más eran reconocidas por el comercio o como un lugar donde se iba únicamente a buscar riquezas, Alonso introduce un libro dividido en escenas en donde cada una de ellas son estampas de las antiguas tradiciones puertorriqueñas. El Gíbaro da comienzo al progreso y a la preservación de la cultura puertorriqueña por medio de una comunidad letrada.6

Aunque sin duda existió una literatura anterior, fundamentalmente de tipo historiográfico, la literatura puertorriqueña como tal puede decirse que comienza durante el siglo xix, en que se promueven y publican las obras de distintos escritores, poetas y novelistas. Uno de los autores fundamentales de esta etapa inicial es el dramaturgo Alejandro Tapia y Rivera, promotor de la cultura puertorriqueña y pionero de los estudios sobre la historia del drama, la novela y del ensayo, que se destacó por su romanticismo literario; sus obras incluyen La Palma del Cacique, Cofresí o Vasco Núñez de Balboa. Otro autor importante del siglo xix en Puerto Rico fue José Gautier Benítez, poeta e igualmente romántico, autor de poemas como "Puerto Rico, la Ausencia y el Regreso" o "El Canto a Puerto Rico".Alejandro Tapia y Rivera

También merece figurar entre los fundadores de la literatura puertorriqueña Eugenio María de Hostos, autor de obras filosóficas y políticas como La Peregrinación de Bayoán, Tratado de Sociología, el ensayo Romeo y Julieta o Juicio crítico de Hamlet, y una de las figuras más ilustres e importantes de Puerto Rico y de América Latina durante la época de las Guerras de independencia hispanoamericana. A finales del siglo xix surgen escritores como José de Diego, precursor del movimiento modernista y líder político, uno de los mejores poetas puertorriqueños, defensor de la cultura y de la lengua hispana, educador y poeta, autor de obras como Sor Ana, Jovillos, Pomarrosas, Cantos y Rebeldía, A Laura, Cantos de pitirre y Hojas y Flores.

Siglo XX

Entre los autores más destacados de la literatura puertorriqueñas estás épocas se encuentran

-Julia de Burgos

-Rene Marquez

-Luis Rafael Sanchez

-Rosario ferré

-Giannina Braschi

-Esmeralda Santiago

Dramaturgos

La crítica Josefina Rivera de Álvarez en su libro Literatura puertorriqueña, su proceso en el tiempo, divide el teatro puertorriqueño del siglo veinte en varias generaciones. La Generación del 45 es el grupo más duradera e impactante del teatro, y las obras destacadas son de Rene Marqués: el libro de cuentos Otro día nuestro (1955), la novela La víspera del hombre (1959) y las obras teatrales, La carreta (1953) y Los soles truncos (1958).1617 Marqués renovó también el teatro por su uso del símbolo y la escenografía. Luis Rafael Sánchez se considera uno de los mejores dramaturgos en la isla con obras como La pasión según Antígona Pérez (1968), Parábola de andarín (1979) y Quíntuples (1984). También se destacaron Myrna Casas con Cristal roto en el tiempo, Jaime Carrero con Pipo Subway no sabe reír y Lydia Milagros González del grupo El Tajo del Alacrán con Gloria, la bolitera, entre otros.

Narradores

Como parte de la "Generación del '70" y del boom de narradores boricuas encuentran Luis Rafael Sánchez, Manuel Ramos Otero, Ángela María Dávila, Olga Nolla, Ana Lydia Vega, Rosario Ferré, y Edgardo Rodríguez Juliá. Es el primer grupo literario del país en el que aparece un grupo sustancial de narradoras, también es el primero en abordar activamente la temática de feminismo, la ciudad, el homosexualismo, la negritud. Muchos de estos autores y autoras se convierten en los primeros en recibir premios y menciones internacionales como los de Casa de las Américas o la Beca Guggenheim. Posteriormente publican sus obras con gran éxito otros autores (durantes los años 80 y 90) cómo Giannina Braschi con Yo-Yo Boing! y Estados Unidos de Banana,2021 Esmeralda Santiago con Cuando yo era puertorriqueña, y Mayra Santos-Febres con Sirena Selena vestida de pena (2000).1322 La generación Ochenta gesta uno de los grupos más sobresalientes de la literatura puertorriqueña contemporánea. Este grupo se caracteriza por tener una voz única y particular que define un arte poética de toques surrealizantes, denuncias sociales y afán por la escritura misma. Los autores más importantes de la Generación Ochenta aparecen abajo en la lista y se han destacado por la cantidad de libros publicados, premios nacionales e internacionales y las traducciones de su libros a otros idiomas.

Poetas

Julia de Burgos es considerada por muchos críticos como la más excelsa poeta puertorriqueña.Fue también partidaria de la independencia de la isla. La obra de Julia de Burgos se caracteriza por su singular fuerza expresiva; su apasionado romanticismo la llevó a desarrollar de una manera mística y metafísica temas como la naturaleza y el amor. Póstumamente se publicaron El mar y tú y otros poemas (1954) y Yo misma fui mi ruta (1986). Entre los poetas puertorriqueños más conocidos se encuentran Manuel Ramos Otero (1948-1990) con El libro de la muerte (1985), Giannina Braschi (1953) con El imperio de los sueños, Pedro Pietri (1944-2004) con Puerto Rican Obituary,Judith Ortiz Cofer (1952) con Peregrina, y Mayra Santos-Febres (1966) con Pez de vidrio.Estos poetas han publicado poemas en español, a veces en inglés, o con estrofas bilingües. Sus tendencias estéticas son romanticismo, vanguardia, y postmodernismo.

Siglo XXI

Algunos escritores destacables que publican consistentemente en el siglo xxi son Eduardo Lalo, Mayra Montero, Giannina Braschi, Luis Negrón, Noel Luna, Edgardo Rodríguez Juliá, Magali García Ramis, Luis Rafael Sánchez, Ana Lydia Vega, y Mayra Santos-Febres, entre muchos otros. Como ocurrió con la novela, la poesía y hasta el ensayo, el teatro también responde – en formas e ideas– a los nuevos tiempos. Surgen prácticas teatrales que unen la improvisación, la danza moderna, el performance y el happening a sus propuestas.

La hibridez, el sincretismo, el minimalismo, la ironía, la parodia y un sentido de lo efímero son los rasgos definitorios de la literatura puertorriqueña del siglo xxi.La obra postmoderna de Giannina Braschi, escrita en tres idiomas—español, spanglish, e inglés—expresa el proceso cultural de tantos hispanos que han emigrado a los Estados Unidos—y explora las opciones políticas de Puerto Rico—nación, colonia, y estado.3031 En su obra satírica Estados Unidos de Banana (2011), Braschi hace referencias a su isla, describiendo la opción "wishy" como la independencia de Puerto Rico, la opción "wishy-washy" como el Estado Libre Asociado, y la posibilidad "washy" como la estadidad que convertiría la zona en el estado 51 de Estados Unidos. La obra de Braschi ha sido objeto de diversas adaptaciones, entre las cuales figuran libros de fotografía, escultura, una obra de teatro, y una novela gráfica en sueco, entre otras.

En teatro, Sonny Falú, Joselo Arroyo, Kary Ríos, Pedro Rodiz, Rafael Pagán, Alina Marrero, Mariesther Muñoz y Olga Vega son algunos de los miembros de un nuevo grupo, el Círculo Puertorriqueño de Dramaturgas y Dramaturgos siglo xxi.

Importantes críticos literarios tales como Efraín Barradas, Juan Gelpí, Rubén Ríos, Arnaldo Cruz Malave, Ronald Mendoza-de Jesus, María Mercedes Carrión, Francisco José Ramos, Juan Flores y Asela Rodríguez de Laguna han documentado las contribuciones literarias de la diáspora puertorriqueña, así como de la producción literaria de los que viven y publican en Puerto Rico.

Maria Alejandra Romero Prada 702

#Youtube

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planetasurdigital · 10 months

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⛵Vela ¡Argentina, campeón y subcampeón en la Nations Cup del Campeonato Norteamericano de Optimist! En la competencia que se realiza en English Harbour de Antigua, con 124 participantes de 13 países, los equipos nacionales se quedaron con la medalla dorada y plateada. Hasta el 9 de julio continúa la actividad.

🥇Arg 1: Julieta Benedetto, Bagnani, Bautista Iriberry, Luca Barutta y Lara Perry.

🥈Arg 2: Valentina Maestri, Catalina Gómez, Felipe Serrano, Delfina Cots y Eugenio Bradley.

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rdpunzalan · 1 year

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Article 121 of the Family Code

Art. 121. The conjugal partnership shall be liable for:

(1) The support of the spouse, their common children, and the legitimate children of either spouse; however, the support of illegitimate children shall be governed by the provisions of this Code on Support;

(2) All debts and obligations contracted during the marriage by the designated administrator-spouse for the benefit of the conjugal partnership of gains, or by both spouses or by one of them with the consent of the other;

(3) Debts and obligations contracted by either spouse without the consent of the other to the extent that the family may have benefited;

(4) All taxes, liens, charges, and expenses, including major or minor repairs upon the conjugal partnership property;

(5) All taxes and expenses for mere preservation made during the marriage upon the separate property of either spouse;

(6) Expenses to enable either spouse to commence or complete a professional, vocational, or other activity for self-improvement;

(7) Ante-nuptial debts of either spouse insofar as they have redounded to the benefit of the family;

(8) The value of what is donated or promised by both spouses in favor of their common legitimate children for the exclusive purpose of commencing or completing a professional or vocational course or other activity for self-improvement; and

(9) Expenses of litigation between the spouses unless the suit is found to groundless.

If the conjugal partnership is insufficient to cover the foregoing liabilities, the spouses shall be solidarily liable for the unpaid balance with their separate properties. (161a)

CASE DIGEST:

G.R. No. 149221 April 7, 2009

PHILIPPINE NATIONAL BANK, Petitioner, vs. MARCELINO BANATAO, ROSA BANATAO, VICTORINA B. CADANGAN, AVELINO BANATAO, ROSALINDA B. GUMABAY, EDNA B. CALUCAG, CATALINA BANATAO, ABDON BANATAO, GELACIO BANATAO, CONSTANCIO BANATAO, DOMINGO BANATAO, RICHARD BANATAO, ARNOLD BANATAO, SALVACION BANATAO, LANIE BANATAO, VIVIAN BANATAO, ALVIN BANATAO, ROLAND BANATAO, FE SACQUING, MAXIMO SACQUING, POMPEO BANTAO, ANNIE MALUPENG, BONG MALUPENG, EDILBERTO BANGAYAN, EVANGELINE BANGAYAN, ELPIDIO BANGAYAN, MARLIN PAMITTAN, LOIDA PAMITTAN, VICENTE PAMITTAN, MICHAEL PAMITTAN, EDGARDO PAMITTAN, LORINA BANATAO, ASSISTED BY HUSBAND WILLY BANATAO, MARAVITA BANATAO, PAULINA BANATAO ASSISTED BY HUSBAND DOMINGO CUNTAPAY, JULIETA BANATAO, ROSITA PAMITTAN ASSISTED BY HUSBAND SALVADOR BANATO, AND ELENA BANATAO, Plaintiffs-Respondents, and MARCIANO CARAG, EUGENIO SORIANO, MARIA CAUILAN, PEDRO SORIANO, PAZ TACACAY, BENJAMIN TACACAY, FAUSTA AGUSTIN, MILAGAROS B. CARAG, Defendants-Respondents.

Facts:

This is the petition that resulted from the effect of compromised agreement and the prohibition against the encumbrance within the same periods prescribed by law of lands granted under homestead patent.

The petitioner, Phil. National Bank sought reconsideration for the decision of the court on the agreement as stated below:

Plaintiffs and defendants, by counsels, enter into and submit the following compromise agreement:

x x x

(b) That the defendant, PEDRO SORIANO, acknowledges the plaintiffs as the lawful owners of the NORTHERN PORTION of the land covered by Original Certificate of Title No. P-24800, with an area of 85,348 square meters more or less and is more particularly described in the technical description hereto attached as Annex "A" and forming part hereof;

(c) That the defendant, BENJAMIN TAGACAY, acknowledges the plaintiffs to be the owners of the NORTHERN PORTION of the land covered by Original Certificate of Title No. P-25217, with an area of 98,790 square meters more or less and is more particularly described in the technical description hereto attached as Annex "B" and forming part hereof;

(d) That the defendant, MILAGROS B. CARAG, acknowledges the plaintiffs to be the owners of the NORTHERN PORTION of the land covered by Original Certificate of Title No. P-24802, with an area of 58,378 square meters more or less and is more particularly described in the technical description attached hereto as Annex "C" and forming part hereof;

(e) That the defendant Pedro Soriano acknowledges indebtedness to the Philippine National Bank and binds himself to pay his loan together with the interest and other charges;

(f) That the defendant Benjamin Tagacay acknowledges indebtedness to the Philippine National Bank and binds himself to pay his loan together with the interest and other charges;

(g) That the defendant Milagros B. Carag acknowledges indebtedness to the Philippine National Bank and binds himself to pay his loan together with the interest and other charges;

(h) That the private defendants acknowledge the plaintiffs to be the owners and possessors of the motherland otherwise known as Lot 3192 and the area ceded to the plaintiffs by the private defendants;

(i) That the parties hereto submit the foregoing compromise agreement as basis for the decision in the above-entitled case by the Honorable Court.

Tuguegarao, Cagayan, December 26, 1990.

On March 15, 1991, the trial court rendered its decision, approving and adopting in toto the compromise agreement, and ordering the participating parties to strictly comply with its terms.The bank moved for reconsideration of the trial court's decision and for the setting aside of the compromise agreement. The trial court denied the motion in its Resolution of February 7, 1992, thus, compelled the bank to elevate the case to the CA

Issue:

WHETHER THE COMPROMISE AGREEMENT ENTERED INTO BY AND BETWEEN THE HEREIN PLAINTIFFS-RESPONDENTS AND DEFENDANTS-RESPONDENTS AND APPROVED BY THE TRIAL COURT LEGALLY BINDS PETITIONER PNB WHICH IS NOT A PARTY THERETO AND CONSTITUTES SUFFICIENT LEGAL BASIS TO NULLIFY PNB'S MORTGAGE LIEN ON THE REALTY IN QUESTION.

Ruling:

We resolve to dismiss the petition for the reasons discussed below.

The compromise agreement disposed of the first two causes of action filed by plaintiffs-respondents Banatao, et al. against defendants-respondents Carag, et al., namely, the actions for (1) recovery of real property; and (2) cancellation of the OCTs, thereby settling the question of ownership between them. The trial court approved the compromise agreement in toto. The appellate court, in turn, upheld the trial court, but it proceeded to discuss on the third cause of action (for annulment of mortgage), concluding that the mortgages were void because the mortgagors were not the absolute owners of the mortgaged properties. In the words of the appellate court:

The main cause of action here is the "Recovery of Realty and Reconveyance," the "Annulment of Mortgage" is only an ancillary cause of action. In the decision approving the compromise agreement it disposes and finally determined the "Recovery of Realty and Reconveyance."

The moment ownership of the disputed real property was clearly proven to be that of the [plaintiffs-respondents], the question of the validity of the mortgage made by the [defendants-respondents] with [petitioner PNB] could easily be determined.

WHEREFORE, we hereby DECLARE the mortgages constituted on OCT Nos. 24800, 24801, 25217 and 25802 VOID and, for this reason, we DISMISS the petition. We AFFIRM the approval of the compromise agreement by the Court of Appeals and the disposition of the case on the basis of compromise. The order to remand the case to the Regional Trial Court, Branch IV, Tuguegarao, Cagayan, for further proceedings is therefore REVERSED.

Costs against petitioner PNB.

#judgeprincess

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radiomashupok · 4 years

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NOMINACIONES DE PREMIOS HUGO 11° TEMPORADA 2019-2020

Se dieron a conocer los ternados a los Premios Hugo al Teatro Musical 2019-2020, período del 01/08/2019 hasta el 18/03/2020

La fecha de la ceremonia aún está por confirmarse. Los nominados y las ternas, son:

MEJOR MUSICAL

Hello, Dolly!

Happyland

Kinky Boots

MEJOR MUSIC HALL, CAFÉ CONCERT Y/O VARIETÉ MUSICAL

Caníbal

Happening, de todo como en botica

Una noche en el café concert

MEJOR MUSICAL OFF

El arrebato

Hotel Oasis

Las Leguizamo. Epopeya selvático-literaria

Lo que quieren las guachas

Teresita, una vida de mierda

Vida y obra del doctor Lipovetzki

MEJOR DIRECCIÓN GENERAL

Alfredo Arias (Happyland)

Arturo Puig (Hello, Dolly!)

Corina Fiorillo (Caníbal)

Guillermo Cacace (La enamorada)

MEJOR COREOGRAFÍA

Alejandro Ibarra (Teresita, una vida de mierda)

Elizabeth de Chapeaurouge (Hello, Dolly!)

Gustavo Wons (Kinky Boots)

MEJOR DIRECCIÓN MUSICAL

Ángel Mahler (Hello, Dolly!)

Gaspar Scabuzzo (Kinky Boots)

Néstor Marconi / Juan Carlos Cuacci (Aquí cantó Gardel)

MEJOR LIBRO DE MUSICAL ARGENTINO

Emiliano Dionisi (El arrebato)

Gonzalo Demaría (Happyland)

Shumi Gauto (Vida y obra del doctor Lipovetski)

MEJORES LETRAS DE MUSICAL ARGENTINO

Caro Setton (24 de septiembre, casi casi primavera)

Clara Canale / Hernán Bustamante (Terapia allá voy)

Emiliano Dionisi / Martín Rodríguez (El arrebato)

Gonzalo Demaría (Happyland)

Julieta Venegas y Santiago Loza (La enamorada)

Marcelo Kotliar (Ana Frank)

MEJOR ADAPTACIÓN Y/O TRADUCCIÓN DE LIBRO Y LETRAS

Fernando Masllorens/Federico González del Pino/Marcelo Kotliar (Hello, Dolly!)

Fernando Masllorens/Federico Gonzalez Del Pino/Marcelo Kotliar (Kinky Boots)

Lucía Mutio (Fun Home)

MEJOR MÚSICA ORIGINAL

Axel Krygier (Happyland)

Carlos Gianni (Hotel Oasis)

Martín Rodríguez (El arrebato)

Matías Ibarra (Teresita, una vida de mierda)

Néstor Marconi / Juan Carlos Cuacci (Aquí cantó Gardel)

MEJORES ARREGLOS MUSICALES

Carlos Britez (Caníbal)

Matías Ibarra (Teresita, una vida de mierda)

Néstor Marconi / Juan Carlos Cuacci (Aquí cantó Gardel)

MEJOR ACTUACIÓN PROTAGÓNICA MASCULINA

Fernando Dente (Kinky Boots)

Marcos Montes (Happyland)

Martín Bossi (Kinky Boots)

MEJOR ACTUACIÓN PROTAGÓNICA FEMENINA

Alejandra Radano (Happyland)

Laura Silva (Aquí cantó Gardel)

Lucía Galán (Hello, Dolly!)

Sofi Morandi (Kinky Boots)

MEJOR ACTUACIÓN MASCULINA EN MUSIC HALL, CAFÉ CONCERT Y/O VARIETÉ MUSICAL

Alejandro Veroutis (Una noche en el café concert)

Julián Pucheta (Happening, de todo como en botica)

Patricio Witis (Happening, de todo como en botica)

Sebastián Holz (Caníbal)

MEJOR ACTUACIÓN FEMENINA EN MUSIC HALL, CAFÉ CONCERT Y/O VARIETÉ MUSICAL

Belén Pasqualini (Caníbal)

Dolores Ocampo (Caníbal)

Lucila Gandolfo (Happening, de todo como en botica)

María Rojí (Happening, de todo como en botica)

MEJOR ACTUACIÓN DE REPARTO MASCULINA

Carlos Casella (Happyland)

Gustavo Monje (Kinky Boots)

Nacho Mintz (Kinky Boots)

Sebastián Códega (Tango en Rose)

MEJOR ACTUACIÓN DE REPARTO FEMENINA

Ana Rodríguez (Aquí cantó Gardel)

Ángeles Díaz Colodrero (Hello, Dolly!)

Josefina Scaglione (Happyland)

Laura Azcurra (Hello, Dolly!)

Laura Oliva (¿Quién retiene a quién?)

MEJOR INTERPRETACIÓN MASCULINA EN ENSAMBLE

Christian Giménez (Hello, Dolly!)

Matías Prieto Peccia (Kinky Boots)

Menelik Cambiaso (Kinky Boots)

Nicolás Di Pace (Kinky Boots)

Nicolás Villalba (Kinky Boots)

MEJOR INTERPRETACIÓN FEMENINA EN ENSAMBLE

Cecilia Estévez (Bigtime Jazz)

Eluney Zalazar (Hello, Dolly!)

Laura Montini (Kinky Boots)

Lucre Orlando (Kinky Boots)

Mariel Percossi (Kinky Boots)

Virginia Kaufmann (Hello, Dolly!)

MEJORES ARREGLOS VOCALES

Damián Mahler / Virginia Módica (Hello, Dolly!)

Federico Coates (Border, el musical)

Florencia Carchack (¿Quién retiene a quién?)

Matías Ibarra (Kinky Boots)

MEJOR PRODUCCIÓN INTEGRAL

Ángel Mahler / Leo Cifelli y Asoc. (Hello, Dolly!)

Centro Cultural 25 de Mayo / Aldana Illán / Analía Thiele (Aquí cantó Gardel)

Rimas / Dabope (Kinky Boots)

REVELACIÓN MASCULINA

Agustín Sullivan (Hello, Dolly!)

Luis María Peña Maciel (El arrebato)

Zacarías Fraga (El arrebato)

REVELACIÓN FEMENINA

Albertina Ferrucci (Ana Frank)

Elizabeth González (El arrebato)

Emma Prícolo (Fun Home)

Micaela Racciatti (Las Leguizamo. Epopeya selvático-literaria)

Nahiara Muchico (El arrebato)

MEJOR DISEÑO DE VESTUARIO ORIGINAL

Estela Fagoaga (Hello, Dolly!)

Julio Suárez (Happyland)

Verónica de la Canal / Alejandra Robotti (Kinky Boots)

MEJOR DISEÑO DE ESCENOGRAFÍA ORIGINAL

Emilio Zurita / Adrián Martínez Fausto (Hello, Dolly!)

Jorge Ferrari (Kinky Boots)

Julia Freid (Happyland)

MEJOR DISEÑO DE LUCES ORIGINAL

Gaspar Potocnik (Kinky Boots)

Gonzalo González (Hello, Dolly!)

Paula Fraga (Happylland)

MEJOR DISEÑO DE SONIDO ORIGINAL

Axel Krygier (Happyland)

Gastón Briski (Kinky Boots)

Guillermo Pérez / Eugenio Mellano Lanfranco (Aquí cantó Gardel)

Osvaldo Mahler (Hello, Dolly!)

MEJOR ESPECTÁCULO MUSICAL PARA UN SOLO INTÉRPRETE

24 de septiembre, casi casi primavera (Caro Setton)

Gershwin, el amor está aquí para quedarse (Flavia Vitale)

La enamorada (Julieta Venegas)

Madame Sabo Cabaret (Maximiliano Acavallo)

Turba (Iride Mockert)

MEJOR DIRECCIÓN EN MUSICAL OFF

Alejandro Ibarra (Teresita, una vida de mierda)

Juan Martín Delgado (El arrebato)

Mariano Taccagni (Hotel Oasis)

MEJOR INTERPRETACIÓN MASCULINA EN MUSICAL OFF

Alejandro Vázquez (Hotel Oasis)

Luciano Crispi (Lo que quieren las guachas)

Marcelo Albamonte (Hotel Oasis)

Mariano Magnífico (Teresita, una vida de mierda)

Mariano Taccagni (Hotel Oasis)

Nahuel Adhami (Teresita, una vida de mierda)

Nahuel Quimey Villareal (El arrebato)

MEJOR INTERPRETACIÓN FEMENINA EN MUSICAL OFF

Chechu Vargas (Teresita, una vida de mierda)

Lali Vidal (Hotel Oasis)

Leilén Araudo (Las Leguizamo. Epopeya selvático-literaria)

Shumi Gauto (Vida y obra del doctor Lipovetski)

MEJOR MAQUILLAJE

Eddy Rodríguez (Hello, Dolly!)

Elena Sapino / Matías Nazareno (Kinky Boots)

Melina Roses (Retazos)

#Premios Hugo #Teatro #Theatre #Kinky Boots #Hello Dolly!#Radio Mashup #Ternas #Premios #Happyland #Quién Retiene A Quién #Caníbales

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livehorses · 1 year

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He compartido 602 publicaciones este 2022

49 publicaciones originales (8 %)

553 reblogueos (92 %)

Estos son los blogs que más he reblogueado:

@keepxsolxinxsolxinvictus

@livehorses

@queenofnevermore

@hectic-hector

@mademoiseli

He etiquetado 574 publicaciones en 2022

Solo el 5 % de mis publicaciones no incluye ninguna etiqueta

#❤️❤️❤️: 81 publicaciones

#disney encanto: 62 publicaciones

#fanart: 49 publicaciones

#yes: 31 publicaciones

#bruno madrigal: 28 publicaciones

#me tbh: 25 publicaciones

#cats: 24 publicaciones

#war in ukraine: 24 publicaciones

#pixar coco: 22 publicaciones

#mexican pride: 21 publicaciones

La etiqueta más larga tiene 132 caracteres

#and then suddenly everything became very solemn. a distant but very moving music started to play and i saw the both of them kneeling

Mis publicaciones más populares este 2022:

I would like to clarify on something I've seen the people have said a lot since The Sea Beast came out: the characters we see in the movie aren't pirates.

Why? Well, because pirates were people who stole property from other ships on the sea. There's no evidence in the movie that stated the crew of the Inevitable took away the richness of other nations. Not even in the name of the King and Queen as the corsaires did in their times.

The crew is completely a group of sea monster hunters sponsored by the Empire, they don't steal anything and aren't chased by any law.

I don't know if you like to call them pirates just because they behave like that, still, they're just common sailors and I don't see the point of calling them otherwise.

19 notas. Fecha de publicación: 25 de julio de 2022

You can congratulate me if you want, but just to be clear, here in México there's not such a thing like a mexican party for Cinco de Mayo. Of course, we have the day off, there are some commemorations in schools and the representation of the Battle in Puebla, but that's all. So no, I don't celebrate it and I don't consider it as the National Mexican Day. Wait four months later for September 15 and 16 to arrive and then we'll be talking.

22 notas. Fecha de publicación: 5 de mayo de 2022

Hispanic names (Both genders)

Adrián/Adriana

Alejandro/Alejandra

Alexis/Alexa

Andrés/Andrea

Camilo/Camila

Carlos/Karla

Cristian/Cristina

Daniel/Daniela

Emilio/Emilia

Eugenio/Eugenia

Esteban/Estefanía

Gabriel/Gabriela

Jorge/Georgina

José/Josefina

Juan/Juana

Julián/Juliana

Julio/Julia-Julieta

Luis/Luisa

Mariano/Mariana

Miguel/Micaela

Pablo-Paulo/Paula-Paulina

Patricio/Patricia

Renato/Renata

Valentín/Valentina

Víctor/Victoria

Agustín/Agustina

Alberto/Alberta

Alfonso/Alfonsina

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37 notas. Fecha de publicación: 29 de agosto de 2022

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47 notas. Fecha de publicación: 6 de mayo de 2022

Mi publicación más popular de 2022

I have something to tell to the people throwing soup at protection glasses of paintings

First of, why do you attempt against art? Do you really think it's useless and doesn't make any difference? Do you have any idea of how much it costed materially, physically and psycologically to the artists, principally Monet and Van Gogh? For these artists, their artworks were literally their lives. If it wasn't about how art made them feel alive by expressing their most profound feelings, was about how with art, they literally won their daily bread. It was their salary. Art meant so much for them as a way to send a message, to open up minds and challenge an elitist society that found impressionism worthless. They were outcasts.

Mainly for Van Gogh, life was rough. He couldn't even afford food, he only sold one (1) of his many paintings while he was alive, and he had way worse phsycological problems that you could ever imagine to the point he had to be half of his life on a mental hospital. But art held him on the worst times, gave him courage to go on. Even more, he tried anything before art to please his parents, to feel worthy, to make him feel useful, but nothing except art made him feel like he was doing something self satisfactory. Art doesn't have more worth than life, but life without art is meaningless. Art is nothing more than the incarnated manifestation of life experiences.Twelve Sunflowers in a Vase isn't but part of a collection that Van Gogh painted to show how much life was worth living for because society wasn't paying attention to little details that form part of our daily lives and make life beautiful. He was a social activist, and it can be seen that portrayed in many of his paintings. That painting you're attempting to, is the ancestor of the camera your pal was holding. Art makes more concience than soup spilled on a canvas.

Your points are very valid, and I agree with you. The World is at war, hunger and poverty is everywhere and we're on a climate World change crisis. Even more, it's outrageously immoral the prices that these paintings cost today. I think it would be better that these museums were open to the public in general but in the end, there is maintenance staff that live from the salary that the money won generates. But how do you expect to end worldwide hunger when you're wasting food on a multimillion dollar painting? Why do you brag of being against oil when you dye your hair with chemicals and use new printed shirts made out of this oil? How much did it cost the ticket to enter these museums? Why don't you spend that money donating to organizations that urgently need it? If the cans of soup you're throwing at paintings were better donated to home shelters or feeding organizations, people would stop starving. If you're against something, reduce, don't waste, be congruent.

There are other things you can do to stop these problems. There's a peaceful economic sabotage that you can do, way more effective than you think:

Stop buying oil based products like plastic, hair dye, cosmetics, clothing. Go for naturally made things, for artisan made things. You can buy clothing on second hand stores, and you'll reduce the massive clothing production that wastes an amount of water litters and contaminates air, ground and water.

Buy to local sellers. Many products are transported by vehicles like cars, airplanes and ships that use oil fuel and generates high amount of co2. The closer you buy, the better you're helping to reduce oil use. Also, go for public transportation or, if your destination is near, you can walk or use other transportation like bicycles.

Reduce your electricity use and the time you spend online. In the present, the majority of electricity is powered by oil based power centers, and all of Internet data is stored on centers that have to be cooled down by electricity so, the less you stay on social media, the more you will prevent the massive production of unnecessary electricity.

Donate money if you can to organizations that search for other electricity generators that are eco-friendly. Donate old clothing to people that need it, and consume food responsibly so you don't leave leftovers. The food that you get left can be donated as well.

Stop blaming art, and start looking to what artists of the past have to tell you and teach you through their paintings instead. Art is World Culture Patrimony. Start living responsibly and take real action, change your lifestyle, and you'll see how change starts becoming true. If no one uses oil, governments will stop producing it.

I will end this post quoting the russian author Fyodor Dostoievsky: "Beauty will save the World"

And this section of one of the many letters Vincent wrote to his brother Theo:

“What am I in the eyes of most people — a nonentity, an eccentric, or an unpleasant person — somebody who has no position in society and will never have; in short, the lowest of the low. All right, then — even if that were absolutely true, then I should one day like to show by my work what such an eccentric, such a nobody, has in his heart. That is my ambition, based less on resentment than on love in spite of everything, based more on a feeling of serenity than on passion. Though I am often in the depths of misery, there is still calmness, pure harmony and music inside me. I see paintings or drawings in the poorest cottages, in the dirtiest corners. And my mind is driven towards these things with an irresistible momentum.”

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194 notas. Fecha de publicación: 26 de octubre de 2022

Descubre tu resumen del 2022 en Tumblr →

#tumblr2022 #resumen del año #mi resumen del 2022 en tumblr #tu resumen del año en tumblr #year in review #my 2022 tumblr year in review #your tumblr year in review

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thethetartarpits · 2 years

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MARCH 2022 [RECAP]

~*~ 10 Music Releases from the Past Month YOU Should Check Out ~*~

Alex Cameron - Oxy Music Band of Horses - Things Are Great Camp Cope - Running with the Hurricane Cecile McLorin Salvant - Ghost Song Charli XCX - CRASH Destroyer - LABYRINTHITIS Julieta Eugenio - Jump Kaina - It Was a Home Nigo - I Know NIGO! Rosalia - MOTOMAMI

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transmisionalternativadecultura · 3 years

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TAC JULIETA 21

16.10.21

BIBLIOTECA EUGENIO TRÍAS, EL RETIRO

ORGANIZA LA BUTACA MUSIC

#transmisiónalternativadecultura #la butaca music #el retiro #live music #taclabutacamusic #concert #madrid #tac

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theloniousbach · 2 months

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LIVESTREAM (and Almost): JULIETA EUGENIO with Matt Dwonszyk and Jonathan Barber with sit-in from Davis Whitfield, SMALL’S JAZZ CLUB, 5 MARCH 2024, both sets

My Toledo friend was properly particularly taken with JULIETA EUGENIO’s 2023 album Jump which led me to two archived gigs at Small’s, one an album release, with her and her remarkable band. These sets are in anticipation of her upcoming release of Stay at the end of the month. It will be a promising extension of her cool lines and unhurried improvisations.

The gig was advertised as a quartet date, but Davis Whitfield only was there for a duet in the second set on the single Breath I and then a band version of Monk’s Reflections. The former continued her knack for thoughtful, subtle conversations and that Monk and a Panonica in the first set provided proper tribute to the master and insights into her approach to the tunes.

It was also an opportunity to hear her work with a pianist as she has embarked on the path of playing in trios. I have well learned that, despite my early exposure to the tenor trio (Sonny Rollins at the Village Vanguard, John Coltrane’s blues Chasin’ the Trane), that a robust muscularity isn’t necessary. Nicole Glover early on kicked such ass and Crash Trio Melissa Aldana was fuller than she is today. It is perhaps unavoidable to consider Eugenio in light of those comrades—in their 30s and female and, with Aldana, South American. I am fond of them all, but they are different.

Glover has started to let her music breathe more with a subtler rhythm section of Tyrone Allen and Kayvon Gordon. Aldana has worked with Pablo Menares forever and Kush Abadey for several years, but she also has open chordal instruments like Gadi Lehavi on piano and Charles Altura or Lage Lund on guitar. Eugenio’s partnership with Matt Dwonsyzk and, in particular, Jonathan Barber is rewarding. I’m not sure if Dwonsyzk’s bass would translate into other settings, but here his chords, double stops, and mirrored lines with his leader fill out the band’s sound. He is also perfectly in sync with Jonathan Barber who probably can’t help but be in sync with everyone. He is the gem of the band with brilliant additions to the conversation with both Eugenio and Dwonszyk during their solos and keeping Dwonszyk’s comments in mind as he soloed himself. I am struck with the three of them as a band, glad that she has worthy colleagues just as Aldana and Glover do.

#concert review #small’s live #jazz #small’s jazz club #livestream almost #livestream #2024

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