Lauren Fensterstock’s Cosmic Mosaics Map Out the Unknown in Crystal and Gems
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'WATERFIRE' by fabrizio plessi, 2001 in la biennale di venezia 49
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Jim Isermann
Suburban: installation views
1984
wood, enamel paint, vinyl, fake fur, found objects
Los Angeles County Museum of Art
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Intersections of Play: Paul Pfeiffer's The Playroom, 2012
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Green Love Letter by Masa-San, Fujino, Kanagawa, Japan
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Leandro Erlich: swimming pool (1999)
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Sino-French Science Park Church
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Yuko Nishikawa’s Sprawling Mobiles Mimic the Rambling Growth of Moss and Plants
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Ahn Jong Yuen (안종연)
1. EclecticStills, 1995
2. 빛의소리 [Sound of Light], 1999
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“The Patient” (2021)
Handmade paper, monotype, and found object installation
In the context of medicine, what does it mean to be born “different? How is the helpless body of the deformed, defective, or debilitated patient regarded by the doctor? Is it tragedy from the beginning? Is it the justification for a benevolent surgeon’s science experiments? Contending with questions about my own medical history, the Patient asks: what does it look like when your body isn’t your own? How does it feel?
Viewers were encouraged to enter past the gallery's glass partition and handle the folder of documents, which contained copies of medical records of consultations, physical exams, and surgical procedures that I experienced from ages 4 to 6. On the cover and nestled between the pages of documents are a series of monotypes responding to the events.
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