I've been wondering for a while- how did you start getting into all the colour stuff?? I would love an origin story <3 what got you into your passion for deciphering colors and how did you figure out what they mean??
sorry ik it's a lot but ever since I started following you I see colors everywhere and I'm curious of where you started noticing them ((: it's so fun and intriguing to me! I'm usually more of a "foaming at the mouth for the lighting" girlie but it's been a heap of fun figuring out colors with the lights ^^
thanks for everything you do to show us your eye for color btw ♡♡ your blog is so fascinating and I love reading all your theories and notes
@overrgrown, never apologize for asking questions, but I've actually been asked this before by bengiyo. You can find my write up HERE, but the short version of that post is I've always seen colors; therefore, I've always attached meaning to them, even if the meaning was not valid.
TLWR: Appreciate the artists who work on these shows, not me.
In bengiyo's ask, I stated that when I was younger, I thought the colors were showing me what was good and what was bad. That's it. In my defense, I was a kid, so everything really was good or bad in my book with no in-between.
Even though I've always seen colors, and it comes very naturally to me, the meaning I attached to them when I was younger was very much based on who I was rather than what was being shown to me. Five-year old me thought if someone was dressed all in red that they were the devil. Adult me now knows that isn't always the case. Adult me also knows that red in American (United States) culture means something different than other cultures.
Not a flex, just a fact, but I have several degrees in languages, linguistics, and rhetoric. What they are in is not super important, but, in general, a formal education has greatly helped me infer meaning from what I'm visually seeing in the media I consume. My degrees are not in film or communications, yet I've taken undergrad and grad-level courses like Visual Media, Multimedia and Visual Communication, Language of Film, Digital Narratives, Cinematography and Lighting, Film Theory & Criticism, Queer Cinema History, Spanish Film & Feminism, and many more all because under this great big academic umbrella of rhetoric and composition lies storytelling.
And that's what this is really about - How do we tell a story? Regardless if that story is a simple flyer for a school bake sale, a 30-second commercial advertising cleaning wipes, or a 12-episode BL series, how do we get the message across? We can't just rely on ONE thing! We have to use as many things as possible! So when I'm watching a BL series, I'm just not paying attention to the words being spoken or the acting alone. No, I'm paying to the background noise. What do the clothes tell me about the character? What does his apartment tell me about him? And what do the colors mean?! All of it is important!
I've mentioned this before but I serve on a screening committee for a queer film festival. I actually got involved with the film festival as an undergrad because of one of the film courses. This has allowed me the opportunity to speak to several filmmakers about their process, and all of them have confirmed that the colors were intentional. People who deal with props and costume design have spoken to me about trying to find very specific items that reinforce the story being told. Oh, and theater is a whole different level. Because of the nature of the stage versus film, if it is on the stage, it must have a reason for being there.
Basically, people who work in visual media work really fucking hard, which you probably know since you love lighting. Most times, 12-hour days are the average, if not longer. This video does a good job of briefly covering the work that goes into costume design, and I timestamped it to begin at the part that covers colors.
I love seeing colors. I love deciphering them. I love the story they tell.
But they wouldn't be there if the hardworking people behind them didn't do their job, and those are the people who I appreciate.
So, as always, I'm thankful that you let me know I'm helping you see the beauty is in the details, but I'm really just here to admire the beauty with you.
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Again I know it's supposed to be a haha reference to the turns into a bear when he's too aroused thing, but in again refusing to brush just over the surface of this character: "I must be careful or I'll lose run of myself again. An Archdruid should show *some* restraint." comes across to me as more melancholy than perhaps intended when a. You take it into consideration that several lines imply that Halsin has issues with self control and self servitude, and presenting an "acceptable" version of himself as an outwards facing authority figure, to the point where he brushes over his own feelings, or pushes things that he wants down in the effort to reflect better what others want from him.
And b. Remember that Halsin was essentially just an apprentice when he was forcibly situationally promoted to Archdruid - he wasn't taught *how* to be an Archdruid or trained for it, or mentored; he was thrust into it because they didn't have any other choice. But they needed someone, so he stepped up. Halsin has spent the last century studying and learning things on the fly or through trial and error, and in a position of leadership like that, he is aware that every failure to uphold that mask *counts* and others *are* very much affected. How many times has he muttered that same mantra? Or heard it thrown around? An Archdruid not having control over their own magic is a big deal. Even when he is no longer Archdruid, he still grumbles it to himself. He's been at it over a century and he *still* doesn't feel like he's gotten it right. Even when he is in a place of progression, of trying to gain hold of himself again, those wisps of failure and self doubt still creep into everything. And that's sad to me.
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I started making a fake book cover for @firstelevens latest amazing fic sugar pie, honey bunch and then I got kind of obsessed with making book covers in Canva, so I decided to make covers for a few more of my favorite sambucky fics of hers to show my appreciation for her writing keeping me sane the last few months ♥️
by land, by sea, by dirigible [18K words, 6 chapters, complete] - Sam and Bucky team up with the dynamic duo from Marvel's Cloak & Dagger (RIP) and magic, literally, ensues. 🔮⚜️
sugar pie, honey bunch [AU, 55K words, 17 chapters, complete] - the plot of TFATWS except it's behind the scene of an all-star season of The Great British American Bake Off. Alliances are formed, conspiracy theories come to life on twitter, and whisks (and hearts!) are stolen. 🥐💖
a friend of any sort [AU, 3K words, 2 chapters, Part 1 in a series, complete] - Sam needs a fake date for Thanksgiving at his sister's and brings Bucky along to be the most unsuitable, obnoxious boyfriend ever, so his family will leave him alone about being single. Things do not go to plan. 🥧🦃
you can sing me anything [AU, 4K words, 1 chapter, Part 2 in a series, complete] - sequel to a friend of any sort, in which Bucky needs Sam to return the favor and pretend to be his boyfriend to get him out of an awkward situation (and into a better, but still kind of awkward situation). ☕😻
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Hi 👋
after seeing the last art and amane's sad look when he was young because of the loss of his brother 😭😔😭 ٫ how did he feel now that hanako and his little brother who was waiting for him were tormenting him now???
Hi.
Really emotional art, isn't it?
Now,
I'm afraid I have no answer for your ask. Since the term "torment" or whatever that's connected to it is simply nowhere to be found in the twins' relationship.
But, If I were to answer how Amane/Hanako feels about Tsukasa now, then well...
.........
I wonder what we get from there?
Maybe the feelings between the 2 of them are more like 'love and adoration'?
It's much more worth it for us to be thinking about the beauty of their love, I assume?
Have a nice day.
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Hi Sam!
Do you mind sharing how you write your fics? Do you have a process? A starting point?
Also, I know a lot of ppl talk "show not tell" in writing, but how do you know if you're telling instead of showing (& vice versa)? That's the part of writing I struggle with most, cause I never know if I'm showing or telling.
heyo roshie! i've answered a similar ask before but i don't mind sharing how i write/my process! in all honesty it isn't much of a process but more of a 'what concept can i daydream about while doing stuff that'll evolve into a solid idea' type of thing lolol.
i guess my first step is getting inspired? this can look like many different things, but to me it looks like talking to friends, consuming media outside of the fandom you're writing for, deriving from your own experiences, stuff like that. a really good example of this is the ficlet i have on here, time, which is based off of personal feelings but twisted enough so it fits the von hagen dynamic.
if i like the concept enough, i'll start developing it in my head or ping pong it with friends to build it. i guess this is my 'outlining' stage even though i don't actually get down and write an outline myself. you know how every story has a beginning, middle, and end? well, if i can get 2/3, i'll start writing. like for the current fic im writing! i have the beginning and middle, but i haven't planned for the end yet. (i have an extremely vague idea where i wanna go with it tho, so i'll count it as a win) ((actually, most of the times i rarely have fic endings planned and if i can be my own worst critic, you can clearly tell. my openings are usually pretty good but some of my endings, to me, fall flat)
from there? i just write. i do a lot of editing while i write and the one thing i swear by is using a tts (text to speech) reader parse though my fic and read it for me. (i need to go back and edit the first chapter of return to sender bc i posted it without bc i was anxious but also wanted to go to bed lol). it's why my writing has a lot of commas. i like the pauses in tts lolol. after that i just chuck it onto gramarlly and post when i feel like i'll start to nitpick at myself. it's a habit i have with a lot of my academic papers but this reminds me that what i write doesn't have to be perfect. my target audience is me (and my friends), this type of writing should be met with liberty and warmth. i don't have to follow a rubric or a guide. it doesn't have to be perfect, it just has to be.
as for your second question, i can tell you what i think seeing and telling is based off of what ive picked up reading other peoples stuff. i think 'showing' has a lot more metaphors, actions, and implications/inferences. let's say you wanted to convey that it was cold. you might not put that it was cold, but you could put that a character shivered and burrowed into their blanket. you're implying that it's cold with an action. showing, to me, looks more like cause and effect and blunt statements. here you state that it's cold, causing your character to shiver. or it's so cold that your character's breath is showing.
im in a weird third camp that is 'talking'. a lot of my fics are dialogue heavy but they do get a lot of points across, so there's that option LOLOL
but yeah! i hope this answers your questions! thanks for dropping by!!
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I feel like the human brain was not meant for parasocial relationships
Like, the internet and tv and movies allow us to see people we otherwise never would have interacted with IRL. There's a person out there who was born at a different time and place from you, lived their entire life in another area where you won't see them, and yet you know their face, their voice, their name, their mannerisms and maybe even some facts about them like how old they are, what work they've done previously, etc. Maybe you even have seen interviews and you know their favorite foods, their hobbies, what their kids' names are. But you don't know this person, and you never will.
But to your brain? That's a person. That's someone you know, someone you have seen many times before. They've talked to you, says your brain. You know what their voice sounds like, so they must have talked to or around you. Maybe, your brain says, maybe you will run into them when you go out today. Because they're around, right? And if they're not, then go visit them! Because that's what you do with people you know, people you like. And your brain can't really tell the difference between the repeated stimuli of "people who are around you and talking to you" and "people you see and hear talking regularly, although they are not actually with you".
Evolutionarily, there is no parasocial relationship. There's the people you see, the people in your community or another community nearby. That's it. There is no "people I can imagine clearly in my brain, but I have never met them and they've never met me". The brain is not prepared for this scenario. Why would it be?
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