remember, Hachi, loving someone is never a waste
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I just wanna say bc I KNOW you're somewhere on tumblr, to the teenage girl who attended Take Your Kid To Work Day at an office building in Ontario, Canada circa 2013 and had a conversation with a middle aged woman in which you showed her your Black Veil Brides fanart and fanfics and ship content and told her about different fanfic tropes including a/b/o verse bc she happened to know who Panic! at The Disco and Fallout Boy were and thus you felt the need to show her your bandblr ship art, that was my fucking mother and I had to clarify all that to her including looking my mother in the eye and trying to explain a/b/o verse without sounding like a lunatic.
It's been 10 years and I still regularly sent evil energies in your direction. Since you'd be probably two years younger than me and thus legally an adult now, please know if this post reaches you it's on sight.
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I have been freaking out on Twitter about the magic 8 ball songs and the medley and tourdust in general but like you don't understand. you don't UNDERSTAND. it's not just the fact we've gotten stuff they haven't ever played. it's not just that they're bringing back deep cuts. it's not just all of that.
it's the fact we're all older. the guys are twenty years older, most people in here have been fob fans for at least a decade. it's the fact that they're not just playing them for the nostalgia factor, they're doing it because this tour is a celebration of two decades worth of this weird little emo band that changed the emo scene forever and became legends to at least two generations of emo kids so far.
it's the fact they've gained the courage to play folie a deux. the album patrick said they would likely never play live again because of the initial reception, the album that got booed whenever they played songs off it live in 2008-2009. it's the fact that headfirst slide went from a very shaky first attempt at a secret show to a setlist regular pat can now sing with a smile every night.
it's the fact that pete wentz, who thought he'd die young, who thought he'd join the 27 club, is now a father in his early 40s playing his bass and having fun with his best friends while they play songs about the time he almost ended it all. it's the fact we've seen him not only heal, but highlight the scars and the beauty in the pain. like kintsugi.
it's the fact andy and joe got exactly what they wanted. joe got a guitar album he loved, he got to focus on himself and take some time off knowing full well the band and the fans had his back, being included in everything from music videos to promotional things, and now he can enjoy his time going on the road again in a better state of mind. it's the fact andy lives for drumming, and he can do what he does best with his favorite song on the album, one that he basically begged to play the entire press run for the album.
it's the fact that the piano medley songs let patrick lay his heart out for everyone to see. it's the fact he's playing golden, what a catch, beautiful songs we haven't heard in so long. it's the fact he's gotten the courage to sing fucking soul punk in front of a crowd that ten years earlier told him they liked him better in fall out boy, to make a new spiritual successor in stardust and sing it too. it's the fact he's lost the fear to do those things, because he's realized there's nothing to fear anymore, people will sing back those songs to him with affection.
it's the fact they're also doing newer stuff. the fact they haven't forgotten about srar, ab/ap, mania. they still affirm those parts of their history, because they are still unashamedly fall out boy.
it's the fact these four guys have all gone through hell and back together, and we're all stronger on the other side. it's the fact we've all grown up together, and now we're all adults in this fucked up world trying to figure ourselves out but we know it will be okay because we made it through all that and we're still standing. it's the fact that they built it, and we came, and we stayed.
it's the fact we're still here.
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the love story being so central to our flag means death really is mindblowing. i haven’t stopped thinking about it for months. it is, to its core, a romance. that was the point. the queer romance wasn’t written in in the second or third season because the fandom picked up on the homoeroticism and made a ship popular. it wasn’t added in because the fans demanded it or because the actors pushed for it later on it wasn’t forced into slowburn by a network it was there the whole time.
when stede showed ed his secret closet that was on purpose an allegory, when they shared the marmalade bread that was romantic intentionally, when they rowed away from the burning party boat and ed was looking at stede that was him FALLING IN LOVE . that's how it was WRITTEN. ed really actually leaned in and almost kissed stede in the moonlight scene. and then. they actually kissed! like i know this is months old news now but i can’t get over how fucking different this feels to other queer romances i’ve seen. it is the core and central plot of the show and it’s beautiful. it’s funny it’s cute it’s heartwarming it’s GOOD. they did it.
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