Anthro Jayfeather with a sorta y2k look just because I felt like it :^)
[Image ID] A drawing of Jayfeather from Warrior Cats but anthropomorphic. He has a grumpy / annoyed expression and is wearing a brown beanie with white zigzags that is covering his ears and has puffy stars hanging from either side as well as a necklace of the starclan symbol. He is also wearing layered baggy shirts, a long sleeved very dark blue one with a short sleeved off white shirt with green sleeves and a star in the middle over the long sleeved shirt. A messenger bags strap is across his torso that he is holding with his right paw, with a trans flag and gay flag pins attached to it, on the messenger bag itself on his right side there’s a pin that says “you’re too close”. The background is off white with a wavy blue pattern. [End ID]
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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drawstuck #4: june edition
alt june shirt under cut
i jst thought it would be cute
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Publishing has always been a fucking nightmare, but now it’s a layer of hell. It’s not enough that writers be good at what they do. Writers have to maintain an active social media presence and cultivate a following. Be available.
They have to be conventionally attractive enough to look good enough to see on a screen, aesthetically pleasing, kind, funny, up-to-date on trends, socially aware but not so controversial that they turn off a brand from California from slapping their discount code on a video promoting a book.
They have to do all of this with no media training, with little help from the companies that are supposed to be doing this for them.
Of course, a lot of this isn't possible for say, the 40-something mother of two who teaches English at a school and writes on the side. She’s boxed out of an already complex industry that already has enough walls.
On some level, I think authors have always marketed themselves a little, but we’ve reached such a crazy point where we’re demanding the author become the influencer. Accessibility in publishing has narrowed from an inch to a sliver. And that inch was hard enough to get in as is.
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super late 413 art !!! happy birthday to them :3
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breaking the law and outing myself on the internet because i'm showcasing my senior dance thesis on april 28 at 6:30 and 8:30 pm Eastern Standard Time and i want You to see it
we don't have a livestream link yet but we will. in the meantime look at these cool posters and this cool blurb. ok now save the date SEE YOU SOON
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how did u learn to paint?? like i just cant wrap my head around it
<3 I love answering asks like this!
You will have to bare with me, I don't save many of my studies, and my files aren't that organized so I don't have as many images as I would like.
The studies I've found most helpful for myself personally with painting are various master studies. (This is also, as always, alongside study of fundamentals.) And always follow a study with self-critique (and, if you can get it, outside critique!)
"Master" in this sense means anyone who you want to learn something from.
One way you can do this is by copying an artist's work directly. This is to try and understand some of their stylistic techniques. Leyendecker, Andrew Loomis, and John Singer Sargent are personal favorites of mine! I try to keep these quick, I'm not trying to get an exact copy.
I also get a lot out of copying photos. In this case, I'm not trying to glean some technique, rather, I'm trying to interpret the photo and explore my own stylizations.
(photo credit mountain men of alaska )
I also really enjoy taking a painting or piece that already exists, and making it "mine" by putting my characters in it haha, which is sort of a combination of master studies and photo studies!
(William Bruce Ellis - Covent Garden (1930)) (Barberini Faun)
And then, in my work that's not a study at all, I'm informed by all of these!
What master studies do is help me refine my style and practice my technique, but also I'm communicating with artists of the past through my art! They're teaching me! And I have so much to learn.
And of course... most importantly... I paint.
a lot.
I don't do as much study anymore, not because I feel I've learned all I need to, but because for work I draw 50+ drawings a week. 'Drawing for work' and 'study' occupy the same space in my brain and I need some fun drawing time!
So to sum up, draw a lot, reference constantly, and copy the people you want to draw more like!
(and, of course, when doing a study off of someone else's work, always give them credit. If it's your photos there's no need.)
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One thing they don't tell you about the Senshi tulpa that WILL inevitably manifest in your mind to tell you to eat better is that. Every time I make myself a coffee via kuerig instantly, I can hear him. Lamenting the fact that I have become so accustomed to convenience and ease that even a standard coffee machine has become foreign to me. I am thinking about how to make coffee without use of a machine in the first place, I am wondering where my french press went, I can see him. In my mind. Showing me how to make coffee in The Dungeon. Dungeon Coffee.
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[ID: Arknights Fanart. A digital painting in dark green and blue tones. It depicts Mudrock in her full armor, lying restfully in a soft bed of vines which envelop her. End ID]
Friend of the mountains and rocks. Resting
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silly lil designs for pf ez and aphelios blending into piltover :]
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in honor of the new spider-verse movie i did a quick study of one of my favorite shots from the original !! <33
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More little bowls and stuff
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oh no, accidentally awake at 4am which means it's feel-weird-about-things time 🤡
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"This anon is so entitled" ok clearly you never had an OC drawn so clearly not of what they look like. Like say you have a OC that has long white hair with eyebrows that are different color(like black) and you explicitly make that clear on their page and yet the artist completely ignores that and makes the OC with all black hair and a pixie cut and added dog ears to the OC even tho the oc is completely human. Completely unrecognizable. Like how's it entitled to be upset?
it's literally just a silly little meme for OCs to be drawn badly, being done for free because the artist wanted to do it. Don't sit here and complain about gifted art being done for you because you don't like how it turned out - just say thanks and move on, we're all adults here and it really isn't that serious. Sending anons whining about it to the original artist and other artists who agree with them just kills the positive vibe we're trying to create here.
something tells me you see the artists on here more as content machines and not. y'know. actual people taking the time out of their day to be nice and gift things to their mutuals.
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[ID: Five colored drawings of Bill Cipher from the show Gravity Falls, drawn in differently Flatland-like forms. He is always in the shape of an equillateral triangle, with a brick-like pattern criss-crossing his lower wide section, and a single eye.
From top to bottom and left to right they are:
A "kelly" green, with his eye on his thin top side, where his tophat floats, with his bowtie on the bottom side. His mouth is a curved line starting at his point to below his eye. His bricks are outlined in pale green.
The second is a yellow-green version with the same sort of configuration, with yellow outlined bricks. This time, he has simple floating hands with three pointed fingers, with his right hand, which we see on the left, holding a simple black cane with a curved handle.
The third is a yellow triangle with his eye now on the facing side, and arms with claws, holding up a hand of blue fire.
The last two are much smaller, black with white outlined bricks.
The first has the curved mouth at the point, the second has an eye poking up from the thin side.
End ID.]
more of post-arson, pre-nightmare realm bill (and bonus flatland bills)
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one more thought. watcher isn't entirely comparable to netflix or other streaming services. unlike netflix, watcher tv exclusively hosts content that they've made. watcher isn't limiting any access to content that isn't their own. the closest thing to what watcher is doing is when streaming services have content exclusive to their platform, like netflix originals, tubi original movies, disney+ aninated shorts... it can be frustrating to not be able to access content because it only exists on one paywalled platform, but when it's literally created, owned, and funded by the platform itself, it doesn't really make sense to expect that content in any other way. you can want the content to be free or hosted on another platform. but the creator has the final say.
(and yeah at that point, maybe it's expected for things to get pirated. but unlike other media where sometimes the creators don't exactly discourage piracy bc their hands are tied and otherwise there's no way to access their work except through this larger entity, watcher is both creating the content and providing the means to access it. they have control over their own work. they can choose to do with it as they please.)
again i think it's normal to feel shocked, overwhelmed, upset, sad, disappointed, frustrated, etc. but if you specifically view this move as a betrayal against you, i'm personally inclined to think that you thought you were entitled to watcher's creations all along. you weren't. you aren't. you're not entitled to anybody's art, creations, or passions. and if you want to combat all of that by saying watcher doesn't make art in your opinion and thus shouldn't be allowed to treat it as such.... you and i have drastically different viewpoints and i don't think we can have productive conversation here lmao
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