Trying to apply for a Focallette zine and realizing I really don't have what to make a good portfolio. I thought I posted enough this year but most posts weren't illustrations and my style changed too much to take artworks from 2 years ago.
I'm no pro and it shows so much :')
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I've seen a lot of people writing Danny as a space ancient and Dan and Dani as ghosts with moon and sun cores, being sort of parts, versions of Danny and therefore weaker. Now, consider: Dan and Dani are both powerful ghosts with really cool cores and stuff but Danny is just some guy™
Dan, who came from an alternate timeline and is kind of from the future but also not, is Clockwork's apprentice and will eventually become an ancient of time. He probably only agreed to have some lessons with Clockwork to understand better what happened to him, but he enjoys his apprenticeship now.
Dani, with her love of travelling, loves seeing all the different places the world offers to her, and that includes space and different planets and maybe even parallel universes, and she accidentally ends up being an apprentice of the space ancient. For now she's probably a baby ancient of freedom or something like that, but she might become an ancient of space in the future.
We can also have something like Dan having a core of destruction or Dani being the Speed Force if you want it to be dcxdp, or any headcanon of yours about their cool powers.
And then there's Danny. And yeah, everyone knows that he's super powerful, but also he's just some guy.
It can go different routes. Does everyone know that Danny is just Danny? Or do they think that with siblings (well, technically a clone and an alternate version, but whatever) so powerful, he must be even stronger? Is Danny actually something terrifyingly eldritch and ancient and strong, almost a god, but he just doesn't know himself? Or is he just really some guy?
Now, because it's obvious that I have a dcxdp brainrot, have a regular "JL summons/meets a powerful ghost" but its Dan and Dani, and they keep mentioning their original/brother who won a fight against them at some point. The JL is very concerned about Dan and Dani's godlike powers, and they can't imagine what Danny is like. And then they meet him (in his human form), and it's just a young adult in casual clothes, very friendly and helpful, with no evident powers. Imagine the confusion. Imagine Dan and Dani, radiating power, in their eldritch ghost forms, admitting that fighting Danny for real is the dumbest thing to do and not even they would succeed... And then there's Danny is jeans and silly t-shirt, waving shyly.
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I’m sorry but . Your butch Celia is fucking everything to me I think . She’s so <3 the everything .
[ID: Digital drawings of Celia Ripley from The Magnus Protocol on a gray background. She is a slim, muscular Korean woman with pale skin, short black hair, dark brown eyes, dimples, body hair, and eyebags. In all drawings, she is wearing black rectangular glasses, and snakebite piercings, industrials, and x-shaped stud earrings, all gold. The top two drawings are of her in casual wear, with a light green t-shirt with the short sleeves cuffed, purple cuffed jeans, light green socks, dark green Doc Marten boots with gold laces, and a green belt with gold hardware. The upper left drawing is of her from the shoulders up, holding a purple mug with both hands and taking a sip while looking up, and to the right is a full-body of her sitting holding the mug with one hand and leaning slightly on the other, smiling at the viewer. There is a note that says "casual mode" pointing to both of them. The last drawing on the bottom left is much smaller and is of her wearing a light green button down, dark green trousers, light green socks, dress shoes, a belt, wrist cuffs, and shoulder holsters, all purple, and a black necktie. She is kneeling and aiming a golden pistol with a serious expression, and she has a second gold pistol in her other holster. This drawing is labelled as "spy!Celia theory/au" and "(I'm gay let me have this)" end ID]
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never apologize she is everything to me also <3
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-slamming bolt upright in a cold sweat- what do you mean verbal contracts cleo. what do you MEAN verbal contracts cleo. artists if you're doing commercial work you're A) charging much higher rates and B) making them SIGN A CONTRACT, right? right? you understand why that's VITAL, right? why having a written contract is VITAL for commercial work? you understand? you make them sign a written contract? please if you go looking in proper artist/graphic design circles i'm sure you can find a basic form that's legal in your locality and doesn't require you talk to a lawyer but if you're doing commercial work you're MAKING THEM SIGN A CONTRACT RIGHT--
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Look, all I’m saying is that they really just don’t make movies like National Treasure anymore. Like this movie is about two dudes in a van who beat a team of highly trained criminals to stealing a valuable document from a high-security museum, by sheer accident get an antiques expert to come along with them to keep the document safe, get involved in several major chase scenes, escape the FBI twice, find a massive treasure, get someone else arrested for their crimes, and then give the treasure back to museums before yeeting out to do it all over again in the sequel. No one was doing it like them. And the thing is, by all accounts, this plot is ridiculous and the dialogue is ridiculous but it works unbelievably well because the writers and actors committed to the bit. This movie is campy and absurd and it’s also one of the most fun and quotable movies of my early childhood because the creators embraced the camp and did it with such a sincerity that it’s a goshdarn delight to watch. Top all of that off with a soundtrack that went WAY harder than it really needed to, excellent atmosphere throughout the whole film, and visuals that were darn near perfect and National Treasure becomes a classic. I’ve been chasing the high I got the first time I watched it my whole life. What a movie.
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