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existential-dread-in-the-am · 2 years

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Alright Mika you asked for this

@narcissisticvictorian

Context: this is a post-apocalyptic world with two main opposing sides, those who manage to get a place inside an underground city and those who managed to survive outside of it. There are also humans on Mars.

The underground people's naming fashions are intentionally questionable. The underground people are intentionally questionable. It's not their fault, they just don't know better. Yet.

Generation 1:

Serena (she/her)

-do not mess with this woman or you will soon learn why that was a bad idea

-tendency to be...how do I put this, political

-literally no friends, only haters and followers and a few people who tolerate her at lunch

-actually of sound mind and tries to change things for the better

-does not sleep

-you do not want to know what happens to her. I do not want to know what happens to her. My mind knows and I wish it didn't, it's not...it's not good to think about.

There's also her illusive enemy's figurehead but let's not go there yet.

Three generations pass: you do not. want. to. know. what happens. Most people survive fine and get to somewhat establish a life, but some...new rules and major life events are introduced. But basically no one is raised by their parents anymore

Gen 2: Gen 3's parents basically, I'll explain more when I get there

Generation 3: Rebellion

Atziam (they/them)

-rebel rebel, a two-faced liar, cosplays as a perfect science student

-think Vi from Arcane but with extreme caution born from constant fear, and a lab coat

-confident introvert, only their best friend and squish know they have a heart (and weaknesses)

-developed a new language with their mom in which Atziam means hope (atzi=fire, ziam=night)

-they/them, asexual

-extremely vengeful

-likes to read and daydream and think

Rani (she/it)

-average on purpose, keeps to the background, secretly runs the entire circus that is their friend group

-the only sane person in the whole gen 3 cast, the only voice of reason, liked and trusted by basically everybody

-likes to try weird food combos and loves growing abnormal plants

-ecology and agriculture student

-somehow simultaneously more and less emotional than everyone else

-when Rani snaps, run

Neriko/Neri (she/they)

-female (or feminine nonbinary idk how to explain) sherlock holmes with manners

-or not (sarcastic as fuck)

-enjoys victory immensely, think Kirari

-studies physics and history

-sweet tooth, likes sweet flowery tea and fancy things, and is a book nerd

-slightly political and slightly bossy but mostly just gives sarcastic input

-gets shit done but freaks out when asked to make decisions under pressure

-likes to do her hair up, mostly in a bun over her head when there's no time for anything else

-HATES Atziam and hates being challenged

Cora (she/they)

-give her all the love she's attention starved

-hopeless romantic and constantly worried abt appearance and performance and all that

-tries to please everyone and clings to Neri in the beginning, however as the story progressed Cora will go through some big character development just you wait

-chemistry student and really invested in science stuff but holds herself back

Caspian (he/they)

-kind of lost??

-doesn't really know who he is or what a personality is (but will figure this out eventually)

-just wants to exist

-constantly tired of Scarlet

-guard

Scarlet

-hates given name so she changed it, she was called scarlet witch (derogatory) for dyeing her hair red very young so she just...reclaimed it out of spite I guess

-very extremely stubborn and angry and I mean will fight anyone for any reason

-loud and rude but actually respects boundaries??

-might be aro???

-also guard like Caspian (they're like siblings and constantly fighting but also best friends)

Snow (she/they)

-quiet and extremely nice, very soft, you can't not like her

-also small and wears mostly blue and white

-yes that's a chosen name she's trans

-studies medicine and psychology

-secondary passion is music and visual arts

-reading comprehension problems

-really likes decorated knives and blades for some reason

-very aesthetic focused

-prefers to sit weird on table surfaces rather than in a chair

-has a habit of stealing random things and sneak into random places just to see if she can (she can)

-gets along well with Atzi and Rani

And many others

Also gen 3 from Mars:

Tega Scott

-shsishdidgsaisbsjdiahsjsi

-she.

-she doesn't hesitate to do what needs to be done, no nonsense, no wasted time, nothing.

-Tega is short for Ortega, named after the character from Altered Carbon BUT think more Quellcrist Falconer

-leader. I can't find any other way to describe her. She doesn't try to be but that's where she ends up. She's always doing things

-she was a bit asocial growing up and her only good friend used to he her study partner from earth (Atziam), they're the only one she's opened up to as a teen

-her worst trait is how uncompromising she is with her decisions, she doesn't let anyone get in her way and will burn herself out trying to reach a goal she's set and she can only do team play when she focuses very hard. That's why she once hesitated with everything and it will also be her downfall

-she's used to having enemies and having to go through them, but she has a few casual friends she trusts

-she's an only child and her parents are usually busy but they all love each other, but...well, they're all very stubborn. So they fight and when they do it can get pretty bad.

-she cut ties with Atziam because she was falling in love and she couldn't handle that since they're on different planets. (Tega's asexual)

Gen 4

Keizan / Varjon / "Key" (he/they)

-basically the reluctant prince of the former underground cities

-daddy AND mommy issues but doesn't show it

-hates his mother, biological dad some unknown person in high society, liked his adopted dad and half-sister though

-leaves for the outer cities, changes his name and disappears and almost dies several times

-does he have emotions? no one knows

-doesn't understand people at all, very confused all the time abt people

-no personal moral compass, asks his friend instead and has adopted her idea of right and wrong over time, and he trusts her more than he trusts himself.

-very polite at all times and very chill, never loses composure

-will get stabbed, say "ow" in a casual tone and sort of laugh before collapsing, and he'll just look at you confused if you charge at him with a knife

Vale (she/they)

(not me and not a character I kin, I just found the name while searching for a name for this character)

-military family, youngest, two older brothers

-tomboyish but only kind of

-colorful hair, huge t-shirts and weird sunglasses when she has the chance

-very professional and serious when necessary but more silly/goofy when not working, basically night and day

-strong sense of right and wrong and basically functions as Key's moral compass

-very compassionate

-doesn't get angry easily but when she does...well. sometimes she loses her head and Key logics her out of it. They're a good team

(Outside the underground people's cities now expanded above ground for resources) (descendants of the people who were closed outside of the bunkers in year 0)

Arunn (he/him)

-oh dear he has trauma

-always sits weird, barely talks, talks in a manner the others find "off", can somewhat read social cues but doesn't care, just...they don't understand him and would rather believe the worst than try to understand

-literally rejected by everyone until they discover he's actually incredibly intelligent and the only person in their community who understands how their enemy works when they're attacked

-before that he had one friend, a mentor of sorts who taught him how to hunt, and he contributes by hunting alone or with his mentor using traps and a bow and arrows, spending a lot of time alone out there, also sneaking closer to the newly re-inhabited cities and learning about them (this knowledge is what eventually buys him a place in his own community)

-sometimes frees the animals he's caught for food

-likes berries and fruit

-actually doesn't mind people and cares about everyone's well-being but he just gets tired trying to communicate and doesn't want to be yelled at

-likes to climb things and is really good at it, has crow friends he's taught to find potential food

-basically aroace

Aojasin (it/he/they)

-vampire coded but not a vampire

-extremely pretty

-rich bitch with heavy material girl energy and a minor god complex, think if Light Yagami didn't care abt justice and liked fancy and flowy clothes instead

-not exactly evil but definitely not good. Very selfish, only interested in personal gain and not shy about it, and he struggles to see other people as people

-it's not exactly all his fault though, he's practically worshipped where he's from bc he likely has a mutation that protects him from the affects of radiation, meaning he's protected by everyone and gets all the attention from suitors, he's basically groomed to be the next ruler of the region (this world suffers from radiation pollution and it's causing a lot of health problems for everyone especially outside the underground bunker thing)

-very kind to his parents and younger sister who he actually sees as people like him, so there's hope

#long post

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1dfangirls35 · 3 years

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The Language of Your Soul

An enemies to lovers Ballet AU in 5 Acts

Masterlist

Act I

A/N:

First of all, thank you so much to @booksncoffee for the absolutely gorgeous banner!

I am so excited to share this story with you all! Inspired in part by a night rewatching Center Stage on Netflix and from years of ballet classes, I hope this AU brings a new twist on Harry fics (and maybe even helps you gain a new appreciation for the world of ballet). Please note, while I have used my own 10+ years of classical ballet training in addition to research on this topic to hopefully make this as realistic as possible, this is still a work of fiction- and some details may have been changed to better fit the constraints of the story. The companies mentioned in this fic are real, however this story and its characters are entirely works of fiction. On a more personal note, while I have chosen to publish this story now and believe I will be able to maintain weekly updates to its entirety, I am preparing to take my boards in less than four weeks. Should I not update as scheduled- please be patient and know that an update is only a few weeks away! :) Thank you so much for reading!

Warnings: This story will contain language, mentions of emotional abuse from a parent and eating disorders. Please read at your own discretion.

Ten Weeks to Opening Night

Albert Einstein once said, "dancers are the athletes of God." Giselle Mason certainly doesn't feel like pne of God's athletes at the moment. Not with the way her muscles are screaming with every movement that she makes as she stretches before class, not with the way her right hip cracks as she lifts her leg onto the bar, and certainly not with the way her feet sting as she tapes up yet another blister on her toe before shoving her foot into her pointe shoes for another day full of torture.

Giselle stands, sticking one last bobby pin into the bun of her nearly ebony hair and finding her spot at the front of the barre in the center of the studio. She grasps the wooden cylinder with her left hand before releasing her body in a forward bend, taking a deep breath in and then a deep breath out. There is a familiar ache in her hamstrings as she begins to stretch, which loosens ever so slightly with every breath.

And so begins her daily morning routine in the studio. Fifteen minutes of stretching before company class begins. Relaxing each hamstring, hip flexor and spinal muscle until a sense of calm washes over her body. Letting her mind drift into a thoughtless focus, preparing itself for the waves of choreography that would be coming in minutes. Typically, this time is quiet; the only melody present the rhythmic breathing of company members preparing for class. But today, the studio seems to be filled with an underlying buzz. And Giselle doesn't have the slightest idea why.

"I heard he slept with the artistic director's wife, so they kicked him out of the Royal," she hears one of the new corps de ballet members murmur.

"I mean have you seen him, I don't blame her for getting her hands on a piece of him," another girl giggles.

"Did you hear, G?" Caleb, Giselle's friend, whispers as he slides into a spot on the barre behind her, adjusting the black bandana keeping his signature black curls in place across his forehead.

"Hear what?" Giselle asks, removing her leg from the bar before reaching down to adjust the black leg warmer that had fallen down her calf.

"They've hired Harry Styles- you know from the Royal," Caleb adds as if Giselle hasn't heard of Harry Styles. Everyone who was anyone in the ballet world had heard of Harry Styles. A good chunk of the non-ballet world might even be able to point him out as that 'sexy male ballet dancer' from the Sports Illustrated nude edition.

Harry Styles was a rare kind of natural talent. The type of person that was put on this earth to dance ballet. His talent had landed him the honor of being the youngest person to be named a principal in the history of the Royal Ballet. And if the rumors were true, that talent had also landed him the reputation of one of the ballet world's most arrogant. Giselle had heard several stories about how the male dancer had been a terror to work with- demanding, rude, uncooperative. Giselle didn't doubt it- people of that skill and fame rarely developed without some sense of entitlement.

"Why would we hire Harry Styles, we've already got Viktor?" Giselle questions. This isn't the first time a rumor has circulated through the American Ballet Theatre company, and it certainly won't be the last time.

"Rumor is they want Viktor to retire," Caleb shrugged before stepping back to his place behind Giselle as Mistress Ivanova claps to gain the class's attention.

Giselle couldn't believe the rumors. Viktor Dmitri retiring from ABT? He was practically the face of the company. The man had been dancing for the American Ballet Theatre for over a decade. He'd been the principal ever since Giselle had joined the company as a corps de ballet member five years ago.

Giselle knew that retirement came early for a ballet dancer. Her own mother, the famous Natalia Korsakova, had retired at the age of 33 after a knee injury. Viktor had just turned 35, but he'd shown no signs of slowing down. She refused to believe that he was calling it quits. Or to believe that the board would be stupid enough to bring in someone with Harry Styles's toxic reputation into the company.

She shoves the thought aside. Viktor is in his usual place at the back of the studio and Harry Styles is nowhere to be seen. This was simply another piece of gossip threatening to distract everyone from the Swan Lake auditions tomorrow afternoon, and Giselle won't lose her focus. The auditions are too important.

Giselle Mason has dreamed of playing the role of Odette/Odile ever since she first watched her mother on stage at the age of four. It was one of her earliest memories of the theater- her mother twirling about in a bright white tutu that at that time Giselle could only dream of wearing. In fact, Giselle wasn't sure there had ever been a moment where her dream hadn't been to be a principal dancer at ABT, like her mother. She'd been in ballet shoes from the second she could walk, wore a leotard and tights more often than she'd worn pajamas, and didn't recognize herself in the mirror if her hair wasn't pulled back into a bun. She'd ate, slept and breathed the art form. But she supposed that all came with having a prima ballerina as a mother.

Natalia Korsakova was a ballet sensation. "One of the greatest to have ever danced," according to the New York Times at the time of her retirement. The world had come to watch her dance and she'd traveled it performing: Russia, Australia, London, Paris. You name the location and Natalia Korsakova had danced there.

When Giselle was growing up, she was constantly told how lucky she was to have Natalia as a mother. To have seen the shows she's seen, to have met ballet royalty, to have traveled the world. But Giselle never felt lucky. Not when she was the accident that put her mother's career on hold for almost a year. Not when her mother was gone for months at a time performing, missing recitals, parent days and school concerts. And certainly not when an injury forced her mother into retirement, shifting her focus from her own artistic talents to turning her daughter into her next protegee.

Much to her mother's dismay, Giselle was not the younger version of her mother. She was good, great even, but she was no sensation. Giselle made soloist in her fourth year at ABT, which was a feat all on its own, unless you compared it to her mother's two. Giselle lacked the raw, natural talent that her mother possessed. Instead of her mother's high arches, she had her father's averagely flat feet. Instead of her mother's uncanny ability to match the music, Giselle had spent hours counting eights in her head to get down a rhythm. Instead of looking effortless the first time she ran through a routine, Giselle spent hours in the studio after rehearsal, running through the choreography until it wasn't possible for her to get it wrong. Giselle had gotten to where she was because of her hard work, not her natural talent- something her mother would never let her forget. To Natalia Korsakova, Giselle would never measure up.

The Swan Lake auditions are Giselle's first real shot at landing a lead, especially with principal dancer Anna Elliot out with a back injury for the foreseeable future. Giselle wants this role more than anything. To prove to herself that she is capable of following in her mother's footsteps. And to prove to her mother that she is just as capable a dancer as she. For once in her life, she wants to hear her mother say not that she'd lost her spot or forgot to point her toes, but that she was proud of Giselle. Four words- that's all Giselle really wants.

"And will start first position, demi, demi, grand, demi and port de bra. Repeat in 2nd, 4th and 5th and then balance in fifth position arms in fifth," Mistress Ivanova barks, before gesturing to the pianist to begin.

Giselle focuses on her movements as the music begins. She tightens her core, elongates her neck and reaches her fingertips to the edges of her silhouette. Her legs quiver slightly as she bends her knees into the first grand plié, her mind focusing on maintaining her turnout.

"Relax that face Giselle," Mistress Ivanova corrects, as she makes her way around the room. "I don't want to see that this is work."

Giselle takes another deep breath, this time releasing her lips from their concentrated place and focusing on her breath. She lets the downtown Manhattan studio disappear from the background. Gone is the distant honking of impatient taxi drivers maneuvering their way through the New York City traffic. Gone is the light shining in from the full-length windows looking out at the city skyline- well what you could see of the skyline behind the crumbly brick building neighboring the school. There was nothing but the dancer, the barre and the music flowing gently through her veins.

"Beautiful lines Teagan, thank you," Giselle hears Mistress Ivanova say from across the room and she fights the urge to roll her eyes. Giselle has known Teagan Davidson since she was fourteen years old, when Teagan had moved from California to New York to join the ABT school. Over the course of a decade of competing for roles, partners and teacher's praises, the two had developed quite a rivalry. To Giselle, there was almost no better feeling than snagging a role that she knew Teagan also had her eyes on.

Giselle uses Teagan's praise as motivation to work harder, feeling the burn in her inner thighs as she pushes further into her grand plié in second. The role of Odette/Odile was hers, Teagan would have to settle for understudy.

The class is in the middle of their balance, Giselle's focus locked in on a spot just at the edge of the window at the rear of the studio when a loud bang reverberates through the room. Dancers drop their balance and turn their heads, looking to see who has caused such a commotion with their entrance.

"Mr. Styles, you're late," Mistress Ivanova snaps.

He is taller than Giselle imagined, and even from this distance she can see the definition in his arms through the black tank top that clings to his body. His hair is slightly disheveled, curling at the top. His face plastered into some cheeky grin, dimples present on both cheeks, like he knows exactly what he's doing, interrupting class like this. Almost like he's enjoying the attention. He throws his black messenger bag to the side before grabbing his ballet shoes and scurrying over to an open spot at the barre near the front of the studio.

"My apologies," he replies in a thick British accent. His tone sounds anything but apologetic.

"Damn, he's even better-looking in person than he is in magazines," Caleb mutters under his breath, eliciting an eye roll from Giselle.

"Well, I suppose after that entrance," Mistress Ivanova sighs, stepping to the front of the class. "Now is as good of time as any to announce that Mr. Styles will be joining our company as a principal dancer."

Gasps fill the room, and Giselle turns her head to look at Viktor, whose face is stoic after Harry's entrance. A low chatter fills the studio, everyone trying to figure out exactly what is going on. Would he get the lead in Swan Lake? Would he be understudying Viktor?

"Silence!" Mistress Ivanova shouts. "This chatter can wait until after class is over!" She turns to face Harry, her lips turned into a stern frown. "If you'll find a place at the barre Mr. Styles, we will continue our class."

Giselle watches as he slides into a spot at the front of the room, shooting a grin at the young company member behind him. Giselle rolls her eyes, returning her focus to the mirror in front of her. Two minutes with the company and she was sure Harry Styles was exactly who she thought he would be.

Giselle tries to forget Harry Styles is in class with them. Instead she focuses on her breathing, her turnout, the rhythm that comes from the pianist in the corner of the room. She watches the early morning New York City sunrise reflect off of the mirrors, leaving little spots of sunlight over the gray Marley floor. Everyone else in the company could focus on Harry Styles all they want, but she is only focusing on one thing- and that is landing the role of her dreams tomorrow.

But Harry Styles wasn't the type of person whose presence could be forgotten so easily.

********

Harry Styles isn't scared of a little attention. In fact, he typically thrives on it. That's why he is a performer after all. To Harry, there is no better feeling than knowing all eyes are upon you, that you are the center of attention, the focus of the room. Maybe that is a prideful and egotistical thing to say, but it is true. Everyone wants to feel important, valued, admired- and anyone who says otherwise is a liar.

But the attention Harry has been getting since he walked into the American Ballet Theatre studio a little over twelve hours ago has not been the type of attention he necessarily sought out. He knew there would be rumors, leaving the only company he had ever been a part of during his dance career was sure to draw up the best of them, but something about this felt different. It was the whispers. The stares. The way some members of the room were staring at Harry as if he was a god and a few wouldn't dare look in his direction.

Harry doesn't know what's come over him- this wavering self-confidence. Maybe it's this new place. This new country. Or maybe it's the fact that in the words of his agent, if he "doesn't get his act together" he will never dance at this level again. And if he's not dancing on the world's biggest stages, well, Harry might as well not be dancing at all.

Harry grabs his phone from the side pocket of his black messenger bag, connecting it to the Bluetooth speaker he found in the corner of the studio and presses play on his hip hop playlist. He needs something to drown out his thoughts, and classical music just doesn't cut it. As the beat begins to fill the studio, Harry lets the music take over his body and begins to dance.

Giselle tries to focus on her music, but there's the noise of a pounding bass in the background interfering with concentration. She's always the only one at the studio this late at night- that's why she comes- to be alone and without distractions.

She tries to ignore it, focusing on the one and two of the music as she fouettés. One and two, three and four, five and... a boom from somewhere in the building breaks her concentration and she falls out of her turn, letting out a groan. This could not be happening to her the night before auditions, and if she found out that Teagan was here trying to interfere with her practice...

Giselle makes her way down the hall, guided by the incessant bass that sounds like it belongs in the backseat of a teenager's car and not one of the most prestigious ballet studios in the world. When she turns the corner to enter the studio, it's not Teagan she sees but Harry Styles.

But he's not dancing. He's laying on the floor, wearing nothing but a pair of black athletic shorts that show off the god-like definition of his thighs. His signature butterfly tattoo stands out on the middle of his chest, beads of sweat dripping towards the center of his stomach, the bass vibrating the mirrors around him. He doesn't notice her at first. How could he with the music so loud?

"Excuse me," Giselle says loudly in an effort to get his attention. His body doesn't even flinch.

"Excuse me!" she yells this time.

Harry looks up. In the corner of the studio, towards the door stands a girl. Her almost black hair is pulled tightly back into a bun. Her thin arms are crossed like she's about to lecture him, and her lips are held in a tight line that looks anything but happy. The corners of Harry's mouth curve upwards in a grin, entertained by the fury that was seeming to come from her tiny body.

She taps her foot impatiently, like she's waiting for something. Harry realizes that she is- she's waiting for him to turn off his music.

He sighs, reaching over to his phone beside him and sliding one sweaty finger across the screen to bring the rhythm to a halt.

"Yes?" he asks expectantly, not bothering to move his body from his reclining position.

"Other people in this studio are trying to practice, you know. It's kinda hard to do that with this," she gestures into the air, as if trying to find an appropriate adjective to describe the torture that had been gracing her ears over the past half hour.

"Not a fan of my music?" Harry smirked.

"I'm not a fan of someone disrupting my rehearsal." Giselle spit back.

"Rehearsal? It's bloody 11pm."

"I know what time it is, and like I said, your music is interfering with my ability to practice." Giselle stares Harry right in the eyes. He doesn't intimidate her, and she's not going to back down until he agrees to turn down his music.

"Wasn't aware you were the owner of this studio," Harry taunts.

"I could say the same about you." Giselle moves her hands to her hips. Just agree to turn off the damn music, she thinks to herself, even though she knows at this point, it's not worth the time it will take to warm back up to continue practicing.

Harry sits up, grabbing a blue towel from inside his bag and wiping the sweat that remains off his forehead. "Fine, music's off. Continue your rehearsal. I'm too jet lagged for this shit," he stands, wrapping the towel around his neck.

"Thanks," Giselle says under her breath, before making her way back to her studio, where she knew she would be gathering her own belongings.

Harry groans, grabbing his bag from the floor and sliding it over his shoulder. You could travel halfway across the world and still run into the same entitled ballet brats who thought they ran the place. It's those type of people, company members and otherwise, that were precisely the reason he had left the Royal. Well, not that he had necessarily had a say in that scenario, but they had been the cause of all of his problems.

You just have to dance, Harry, he tries to tell himself. But Harry knows that as much as he tries, there's a lot more too it than that.

**********

“Gi!" Caleb exclaims, bounding down the hallway towards her without concern for anyone in his way. "Cast list is up."

Giselle gulps. She isn't sure that she is ready for this. The look of disappointment on her mother's face if she doesn't land the part. The list of corrections that her mother has come up with from watching Giselle's audition. "Now you see there, you've lost your center. You're never going to make that triple if you don't hold your center Giselle." The reminder that "you only have so many opportunities to prove your worth, before they move onto the younger, better version of you." It didn't matter to her mother if Giselle was the youngest soloist at ABT by five years. It didn't matter if nearly every other soloist had previously understudied for the role. Everything but a lead was a disappointment to Natalia Korsakova.

"C'mon," Caleb exclaims, and before Giselle has a moment to collect herself she's being pulled down the hallway by her arm.

And there it is. The thin, white piece of paper that holds the fate of her next ten weeks in its hands. When she looks at it at first, she thinks she must be dreaming. Because her name has never been on that spot on the list before. Not since she officially joined the company five years ago.

Odette/Odile- Giselle Mason

Sigfried - Harry Styles

She feels frozen. Like she's in a dream and she's paralyzed. It's what she's always wanted-this role and yet, suddenly it feels like a whole lot of pressure.

"You did it Gi," Caleb exclaims, lifting her up and spinning her around before Giselle even has a moment to look any further down the list. Giselle laughs, giddy with excitement. "New York will have never seen a more beautiful Odette."

Giselle rolls her eyes at his comment. Caleb, her friend since joining the American Ballet School at the age of six and partner for many years had always been her biggest cheerleader. In a way, he made up for what she didn't have in her mother.

"And you Caleb?" Giselle asks, realizing in her excitement that she had forgotten that her best friend also had a role in the this ballet.

"You're looking at the newest Benno," Caleb says with a grin. Giselle often wondered what it would be like to be like Caleb. To be happy with any role. To not care about his place in the company. To simply want to dance. Caleb had always been like that- relaxed, calm- the antithesis to Giselle who was always high strung and anxious. Perhaps that's why they'd always been such good friends, because they balanced each other perfectly. Giselle pushed Caleb when he needed some extra motivation and Caleb- albeit not always successful- tried his best to keep Giselle out of her own head.

Giselle watches as Teagan makes her way over to the board, her long black hair swinging from the ponytail at the crown of her head. She grins in slight satisfaction as she sees Teagan's face turn into a frown. Giselle turns and gives Caleb her best, "what did she get?" eyes. He exaggeratedly mouths, "UNDERSTUDY".

As if sensing that she is the topic of conversation, Teagan looks over at the two. "Congrats Giselle," she says, her face moving in a way that makes it seem like the words taste disgusting leaving her mouth.

"You as well," Giselle responds, to which Teagan only scoffs and storms off.

"You know she's going to make your life living hell as your understudy don't you?" Caleb said with a laugh.

"Ugh, I know," Giselle groaned.

"It will be worth it though. You are going to be dancing the role you've always dreamed of." Giselle smiled. "Plus," Caleb begins, leaning down so his mouth is next to Giselle's ear. "You get to dance with the greatest male dancer of our generation. Think of all the hours you're gonna get to spend looking at that GORGEOUS body."

Giselle groans. Her perfect moment temporarily ruined by the realization that she would have to dance with Harry Styles. Sure, he may be talented, a great dancer, and likely a great partner. But his entrance yesterday and their encounter last night told her everything she needed to know about Harry Styles. And she was sure that working with him would be anything but easy.

"That GORGEOUS body," Giselle imitates Caleb with an exaggeration of the word, "Doesn't make up for the fact that the guy's an asshole."

"Okay, okay, point taken. Now can we go get some lunch?"

Giselle nods, but she already knows she's not hungry. Instead, all she can think about is how she's going to get through the next ten weeks of rehearsals with a man she already loathes.

**********

Giselle slides into the rehearsal studio with extra joy in her step later that afternoon. She's so on Cloud 9 that she doesn't even realize Harry standing at the barre doing pliés as she hums the opening notes of Swan Lake aloud.

"Sorry didn't know anyone else was in here already," she apologizes quickly, standing and stretching out her feet.

Harry looks at her, his face hard and eyes sharp. If he recognized her as the girl who interrupted his jam session last night his face didn't show it. "And who are you?" Harry asks, his voice laced with condescendence.

"Odette," Giselle smiles, the words feeling foreign leaving her mouth.

"Obviously," Harry scoffs, and Giselle feels her confidence waver. "Who are you?"

"Giselle Mason, soloist."

"Doesn't ring a bell," the corners of Harry's mouth turn up at his comment, like he gets satisfaction out of reminding others that they aren't the household name that he is.

Giselle wants to say something back. Something sharp and witty to show him that just because he was one of the greatest dancers in the world and she was still trying to make her way into the spotlight didn't mean that he could treat her like a nobody. She was going to be his partner after all- whether he liked it or not. But then Gregory Alexander, ABT's Artistic Director, enters the room, clapping his hands and tells them they are about to begin on the Act II Pas de Deux and Giselle doesn't have a chance to say otherwise.

"As new partners you will need to put in the time to understand each other. Build trust. Anticipate the other's movement. Portray to the audience that you are a swan and a prince in love." Gregory moves his arms in the air theatrically, as if he isn't wearing a designer suit.

"Now I understand that the ten weeks we have to prepare before our season debut isn't an ideal amount of time to form a relationship with a new partner. But in this case, it simply must do." Gregory's face turned serious, the wrinkles on his forehead more defined as he furrows his eyebrows. "I expect that the two of you will put in the time outside of your scheduled rehearsals to work on this chemistry. Anna and Viktor will also be assisting with rehearsals and my hope is that they will also be able to assist the two of you with this transition."

"Gregory," Harry interrupts, then as if realizing he'd made a mistake, he corrects himself. "Sir."

Gregory nods.

"I'm not sure what the concern is. I've danced with hundreds of partners in my career, I'm not sure how the other principal's would have much more experience than me?" Giselle thinks Harry is meaning this as a question but it comes out more like a statement.

Giselle watches as Gregory's eyes narrow again. He looked irritated, and why wouldn't he be? Harry had been here all but forty-eight hours and was already questioning the artistic director's decisions.

"That may be the case, Mr. Styles," Gregory paused. "But when the two of you step onto Metropolitan Opera House stage in ten weeks, I expect the audience to believe that you two have been dancing together for years. Have I made myself clear?"

Harry nods, this time remaining quiet.

"Now then, I'd like us to start with the Act II Pas de Deux. The very beginning- with your entrance Harry."

It's an hour into rehearsals when Giselle hears the echo of heels clicking down the wooden hallways. She doesn't even have to look up when the steps stop as they reach the studio floor. She could recognize that walk anywhere.

"Aahh, Natalia!" Gregory exclaims. "So glad you could stop by," Gregory reaches over to embrace Giselle's mother, his grey hair brushing the sides of her face as he kisses each cheek.

"Mr. Styles, I'd like to introduce you to Natalia Korsakova, former ABT principal and member of our board."

Natalia Korsakova looks as put together as always. Her dark brown hair pulled tightly into a neat French twist. Her tight black dress and coordinating pumps show off every bit of the dancer's body that she still maintained. Giselle watches as her mother's mouth curves to form a polite smile.

"A ballet legend. It's an honor to meet you Madame," Harry says offering his hand.

"The pleasure is all mine. I'm so glad you are joining us here at ABT. And what a joy it will be to watch you next to my daughter," Natalia gestures towards Giselle, with a polite smile plastered on her face that was generally reserved for generous donors and patrons of the ballet. It is all a show. That's all Giselle's mother ever did was put on a production. She was a performer after all, how could anyone expect her life to be anything but a crowd-pleasing performance?

"Your daughter?" Harry turns to look at Giselle, raising an eyebrow. His eyes narrow, as if he's caught Giselle in a lie. As if she'd snuck her way into this position and was just hoping that someone wouldn't notice she wasn't the real deal. "Why that makes this even more special."

Giselle fights every urge to roll her eyes from across the room. It is clear that Harry Styles is every bit as much of a performer as her mother. Just minutes before he was looking at her as if he had been paired with an amateur and suddenly working with her is 'something special'?

"I'm going to watch rehearsal for a bit," Natalia announces, making her way over to a stool next to the pianist. "Carry on." The pit in the bottom of Giselle's stomach grows as her mother takes a seat next to Gregory in front of the mirror.

"Odette makes sense to me now," Harry whispers into Giselle's ear, as he slides behind her to resume practice. It takes everything in her to keep her face stoic as Harry's hands settle once again on her waist.

Rehearsal goes badly. Giselle can't seem to get her leg into the attitude position that Gregory wants, she losing her balance on her penchés, and Harry almost drops her on several promenades. Giselle says almost, because someone as experienced as Harry Styles would never let his partner hit the ground, but she should have, because she surely wasn't holding her weight quite right. And then there's the fact that Gregory pronounced that Giselle "looks at Harry as if he is the villain of the story instead of the prince she's fallen in love with".

Giselle wants to say that's because he is the villain. The villain of her story anyways, the person that is somehow going to turn her dream role into somewhat of a nightmare. Why couldn't she be dancing with Viktor? He was so patient and kind and he would never look at his partner as if she deserved to be in the audience instead of on stage with him.

After yet another failed run through of the first half of the pas de deux, Gregory announces that they are done for the day, but that he expects to see them in the studio bright and early tomorrow morning to work on their timing. Giselle's never been so thankful for a rehearsal to be over, and as she sits down to remove her pointe shoes, running her hands over her swollen feet, she watches Harry leave the studio without saying a word.

"I hope you realize how big of an opportunity this is Giselle. It's not one you should take lightly," her mother's voice startles her, as Giselle had almost forgotten she was there. Almost.

Natalia stands above Giselle, one hand on her hips and the other on her forehead, as if watching today's rehearsal had been exhausting for her. It probably was exhausting for her, keeping tally of all the things that Giselle had done wrong for the past two hours. Natalia's voice is shrill as she speaks again. "There are thousands of ballerinas around the world that could only dream of getting to dance with Harry Styles. And here you are dancing with him in his first show with ABT. That's an enormous responsibility, darling. This performance with him will set the stage for his entire career with our company. One that the board is hoping will last until his retirement."

Giselle nods. That's all she can do when her mother begins one of her lectures- nod. She thought maybe this would be the time that her mother told her congratulations. The time that her mother did what she'd watched countless other mother's do during her time as a dancer, wrap their arms around their daughter and express their pride to them. But instead, today is like any other day, and even with a lead role in an ABT production, Giselle still hasn't done enough to make her mother proud.

Giselle shoves her shoes into her bag, slinging it over her shoulder as she stands.

"And Giselle?" her mother adds, as she makes her way towards the door.

"Yes mom?"

"Might want to hit a few more cardio classes this week too, my dear. Got to make sure you are going to be an easy dancer to partner with."

And with that comment Natalia Korsakova clicks away, leaving Giselle standing in the middle of studio wondering if her biggest dream has suddenly become her biggest nightmare.

#it's here!#let me know your thoughts #writingby1dfangirls35 #harry styles #hs #harry au #ballet harry #harry styles fanfic #harry styles au #1dff #one direction fanfiction #harry fanfiction #enemies to lovers

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