when it comes to balduran/the emperor and ansur i think its a really interesting sort of tragedy no matter how you interpret their relationship and the nature of what happened.
because there's something to once being a hero so renowned that a home to thousands is in your name. and having a companion so dear that they'd kill you to preserve You, but also having changed so much against your will from that hero and that friend they knew and having to come to terms with it (maybe also against your will).
and being a survivor in the long run and being saved time and time again and being used and using back. of coming back home and infiltrating and taking power and being captured and used to hurt when you used to help. of running and manipulating and attempting to do the same trust-build-seduction method you once used with someone new, and trying to convince this person to become like you. because at this point you've lost the ability to feel your feelings
we obviously by nature of its character cant tell when the emperor is lying, telling the truth, or being sincere but i also like really don't like the idea of intrinsic evilness so sometimes i want to take him at face value. we have examples of a mind flayer having genuine companionship (omeluum) alongside having a purpose that lets them live a life separate from the grand design, and i fear having ansur was perhaps the only reason the emperor ever got to be free. not just physically but mentally.
because balduran went sailing one day because he missed it and never came home. ansur fought to find him and was too late. y'know. and like. how heartbreaking is that? that ansur who loved and protected and promised to keep balduran's city safe… made a promise that became a prison. to love so wholly that he wanted to preserve his partner even when his partner gave up and told him to leave and keep his memory as the thing that mattered. how heartbreaking for balduran to have killed him in self defense and then built him a tomb where he could rest? that no one would disturb him? how famous the love was that his promise to protect became legend? the last wish he ever had? that the only way to wake him was to pass a gauntlet to prove your worth? while recording praises for their partnership?
like forgive me but i don't think creating an elaborate tomb to protect ansur's final resting place is a lack of feeling. ansur made a promise that became a prison that became a legend. his legacy was love. and he recognized balduran from feeling alone and got to see him again, for what its worth. the emperor will always be ansur's balduran.
also we see ansur in his dragonborn form. not controversial i hope but they were more than friends! ansur i'm sorry king. your husband became calamari and unrecognizable. and when he accuses balduran of thralling the player, which we can refute, and ansur just stops to Look only for balduran to break the silence by RECITING THE LETTER? DEAR ANSUR? AND THAT'S WHAT DRIVES ANSUR TO ATTACK?
nevermind the fact that you can't make the dream guardian a dragonborn. and the armor it wears is awfully similar to ansur's in his humanoid form. balduran never forgot ansur. i think balduran-as-the-emperor in dream guardian form not taking a form like ansurs but still keeping that armor, still speaking ansur's words and acting out his intents when promising the player protection and care, is evidence that ansur lived in him still. even through the layers of the loss of identity that was him becoming a mind flayer.
ansur was the heart of the gate. and it's baldur's gate. he's balduran's heart. his heart. ansur lived in him. it was a promise that became a prison that became a legend. his legacy was love
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Hero Vision Vol.14 (2004/Spring)
ft. Kamen Rider Blade Cast Interviews
Ryoji Moromoto x Makoto Ito (Suit Actor) Segment
(translation below)
Publication: May 20, 2004 (between episodes 17-18)
Ryoji Moromoto (Hajime Aikawa) x Makoto Ito (Chalice Suit Actor)
"When did you two first meet?"
Ito: When? (laughs)
Moromoto: When we first met? I'm pretty sure it was before filming started. My first impression of Ito-san was that he was, "A kind big bro."
Ito: He made me think, "This year's also going to turn out cool" (laughs).
Moromoto: We talked alot about Chalice back then. You said, "Chalice has existed for 10,000 years, so I want to show you 10,000 years worth of my career." What were some of the other things you said again?
Ito:……not much, I really don't remember (laughs).
Moromoto: Ahaha! One thing we have in common, is that we have similar bikes, don't we? We've talked about how we want to go (motorcycle) touring together after the show ends. I ride a Yamaha SR400 and, ah...I'm sorry……(Note: The bikes used in Kamen Rider are provided by Honda)
Ito:…Sorry, but I'm also a WR250F (Yamaha) rider~, but before that, it's always been a Honda! I'd love to see Moromoto-kun's rumored SR. I've heard that they're loud and rather slow……
Moromoto: That's right! I actually modified it too much, and now it can only go about 80kph (50mph) (laughs). Right now, I'm too busy to work on it. I feel like my love for it is fading~!
"What were your first impressions of Chalice?"
Moromoto: I received a call from my agency, saying I passed the audition with, "You're Heart." "Eh?! You mean Momorenger?!," I was so surprised and alittle bit intimidated (laughs), but when I saw the design in person, it was cool and I liked it alot because it was something I had never seen before.
Ito: When I was first told about it, I jokingly thought, "Heart……(sinking in)…ah, alright then, I'll just act like a gay guy……" But, after seeing the design, I was relieved and thought about what kind of pose would suit this Rider. My first thought when I read his setup, was that it would be nice to have something wild and different from the other Riders. Compared to G3-X in "Kamen Rider Agito" and Knight in "Kamen Rider Ryuki," this is the wildest work I've ever done. Even with Kaixa in "Kamen Rider 555," I tried to keep martial arts like movements in mind, and to avoid any unnecessary movements. But with Chalice, there's just so many unnecessary movements…(laughs).
Moromoto: That's why I also tried to make the movements bigger in that fight scene (episode 9).
"Morimoto-san, "Hajime Aikawa is not a normal human being," what do you pay attention to when playing such a role?"
Moromoto: When my heart is closer to the human side, it's not so different, but when it's closer to Chalice's side, I try not to blink as much as possible, and when I talk to people, I try to give subtle pauses in my responses. It's almost like a foreigner hearing Japanese and interpreting it in their head before replying. In general, when I'm on Chalice's side, I don't think with my mind, but instead, try to act with my feelings
"Do you have any techniques for the dubbing process?"
Moromoto: I have a high pitched voice, so it can be difficult for me to make Chalice sound intimidating or violent. That's why I'm trying to lower the tone of my voice. I also did research by studying "monsters" such as the Hulk, Akuma from "Street Fighter II" and King Piccolo from "Dragon Ball Z." One time I even played the videos, and would try to voice the characters myself with the sound off, but there was still something wrong. What could it be…I don't know what Chalice's true form is yet, so my image may not be perfect. (Note: The actors have not been told where the story is going at this time.)
Ito: When it's my turn to "Henshin!," I'm trying to decide if it's better to change or to fight and further develop myself. Essentially, Chalice is supposed to be used to fighting, so I want to keep my methods in check. I'm so focused that I feel like I can see my opponent's movements, even when they've stopped. However, the tension is still high.
Moromoto: The way I say "Transformation" is different depending on if I'm fighting to protect Amane-chan or with my natural emotions. For Amane-chan, it's, "Henshin!" but naturally it's, "…Henshin" (lower tone).
"Did you face any challenges during filming?"
Ito: I'm not good when it comes to cold weather, so I almost cried during the snowy mountain shoot.
Moromoto: It was -15C (5F)! And when the sun went down, they brought out one of those giant fans! It kept spraying us with cold water! Man, I remember my face being scrunched up with anger (laughs).
Ito: When I did a test shot without the mask on, my hair ended up freezing. It wouldn't even melt when I put my head over the space heater, so I just had to keep it as is.
Moromoto: There was also the scene where Amane-chan's father gives Hajime the photo, with it being so cold I thought, "This guy, is he really going to die?!"
Ito: I'm bad with Winter, but I'm also bad with Summer too. When I wear a suit, my body temperature rises and my face turns bright red. My heart starts to race too and I think, "Ah, my life is getting shorter…"
Moromoto: It's good for Chalice though, isn't it? Blood rushing, a fast pulse, it's like an unleashing of the instincts.
Ito: But, when I get like that, I become quiet. In the Summer, Chalice becomes more like a domesticated cat (laughs).
Moromoto: Please keep doing your best~, I'm also prepared to risk my life for this role!
Ito: I also want to play the role of a Rider who will continue to remain in everyone's heart. Personally, it's frustrating to often hear people say, "Chalice looks like Gills (Agito)" (laughs), regardless, please continue to watch us in the future. We're going to give it our all!
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more on michelin stars
I genuinely think it's going to be an important plot point in s3 re: why exactly Sydney wants a star and why *one* specifically. I went and researched and discovered something I used in my fic, which is that one Michelin star restaurants are excellent cuisine that normal people can still afford. And that connected, for me, to what Sydney had told Marcus about how going out was so special when she was a kid and she wanted to share that kind of amazing thing with people:
We didn't really like eat out a lot growing up, so when we did, it felt special even if it wasn't.... I wanna cook for people and make them happy and give them the best bacon on Earth (1x08)
I'm so hopeful/convinced that the research they have with, like, Matty (the chef who plays Fak) right there on set, means the writers know that about what one star places can be like. And that it's meant to be part of this - more humane vision of excellence for Sydney, where their spot is AMAZING, but it's not a cruel kitchen culture, it's not only for the rich.
For her, it’s *part* of her vision, where she says:
“I think this place could be so different from all the other places we've been at. But, in order for that to be true, we need to run things different.“ (1x03)
But Carmy sees a star and all it means (all he’s ever known it to mean) as a repudiation of that kind of humanity. You say the word "star" and immediately Carmy goes "fuck stars" (2x01) as pure self-defense - because stars are just pain and suffering to him. They're NYC chef and everything that mess became.
He's so traumatized by the whole thing he doesn't think to ask the right questions: why do you want one? What is your vision for it? Why do you specifically want *one* instead of two or three? What timeline do you have in mind for getting there and how can we strategize on this together?
Instead, because he wants so desperately to please her, despite that instinctive, self-defensive "fuck stars" he relents and asks - okay, are you sure? Are you positive this is what you want? Really?? It's terrible. It's just dread and fear and throwing up every day before work. You really want me to give you this?
(I’ll give you anything you want)
He never asks the right questions. Just assuming the level of pain which is his only experience of this is what the thing IS--playing into that theme about how people only know what they're taught, only know what they are given, and if we are given pain and patterns of it it is so hard to even imagine things can be different and, when you can imagine it, still so hard to actually get there.
(It’s not a coincidence that the ASL sign is one of the few positive, healthy examples of kitchen culture Carmy witnessed - we only know what we’re taught, and it can be hard work to even figure out what “not shitty” IS let alone doing it)
So he's assuming all of that and it's like - if she's his CDC, does she want him to push her as hard as he was pushed? Push himself that hard again? He doesn't want to do either of those things. But that's all he knows. And she keeps saying this is what she wants. And he wants to give her everything she wants.
(In the same conversation she kept saying yes, this is what I want, she expressed admiration for the designer chef outfit he later buys her as a gift - he wants to give her everything she wants, even when it seems like a terrible idea he’s torn about)
I think this misunderstanding is intentional and it’s going to come out in S3. A one star restaurant fits so perfectly with what we know of Sydney’s goals and love for her work! And Carmy not able to even conceive of something better because of the patterns he’s stuck in and finding his way to her vision makes sense for him.
I think Carmy figuring out how this work can be joyful and humane is going to be a huge part of S3. Sydney not becoming lost in the high stress environment, not following in younger!Carmy's footsteps living a life of pure drive and dread, and Carmy finding that for the first time.
I do think that, given where they both end in 2x10, there’s going to be a period of conflict and a real bunch of issues for both of them - but with themes and ideas like this seeded into the story there’s so many ways to make s3 start out in a bad way and then really end in joy in a beautiful way?
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