get to know your fic writer asks: 6, 7, 8, 19? :)
♥
6. Do you have your work beta'd? How important is this to your process?
Extremely. I tend to shop for the right beta per project-- for ROTTMNT stuff (and probably 03 stuff lbr) it's @shadowbends as we share the same fondnesses and have the same horribly enabley little minds. But also when I write, a beta is very important for two things: first, they pick up on every time I use the same word three times in one sentence, can run a vibe check and suggest characterisation/pacing improvements etc. Second, they reassure me that what I have is actually worth publishing. Which...I know for the most part. But scarring memories of thinking something was good as a kid only to be told it was the most "awful thing I've ever heard" when read out mean I'll always want someone to rule out that minor paranoia. |D
7. How do you choose which POV to write from?
It depends on who has the most to say and who has the most ability to observe in a scene! And how they observe it. There's a scene I was writing from Casey's POV in NRFTW where the pacing was really off despite the urgency of what was going on (friend needed rescue elsewhere while murder attempt right here) and I eventually realised it wasn't working because Casey isn't the right person to go 'oh god/panic' about events he was at the start of and mitigated immediately-- so I switched to Splinter, who woke up to a bunch of screaming and went WTF. Instant improvement. (Sometimes, the best POV is someone who does not have all the facts and goes ??? ??? the entire time)
Sometimes POV is a very obvious choice (an entire chapter of Leo going 'injuries suck'. An entire chapter of Donnie and research.) And sometimes, I gotta admit, I go with whoever will be the funniest to hear the thoughts of. |D And for a multi-character fight scene, I tend to flitter between different POV because it helps move the pacing along and keep things frantic.
8. Do you prefer the beginning, middle, or end of a story?
Middle. The beginning is often a lot of pulling teeth, trying to get some kind of interesting introduction chugging along that will engage people until you can get to the meat of the story. The ending is... easier in some ways, hard in others, but also you're finishing up your sparkly project and that's depressing. But the middle is where the meat is, where all those scenes are that you dreamed up and can't wait to inflict on people, and the easiest to write because you don't have to worry about beginnings and ends.
19. What is the most-used tag on your ao3?
This requires research! [hold music plays]
Okay, so keep in mind that I undertag and write tags as I go and I have a lot of unfinished work.
Not including character/relationship tags, the answer is: Blood and Injury! Runner-up: Kidnapping
>_> I swear I haven't written that many kidnappings. Note that I don't deny the blood and injury.
Hurt/comfort came in third. Look, I am a simple woman with simple pleasures. (Also, most of these kidnap victims rescue themselves. It's a whole thing.)
Thank you for this hilarious chance at self-reflection because I really tallied tags and went "oh... huh. That sure is a pattern..."
Get to know your fic writer here!
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One of the biggest reasons I try to recruit all the characters in Three Houses isn’t just because I don’t want to kill them, but because if I do, I still have to go back to the monastery afterward. I still have to pass by their dorm rooms full of their belongings and know that’s where they spent their alone time and where they slept. I still have to pass by the spots they frequented the most. It’s not just the sad dialogue of characters reacting to the deaths, but passing by the spots I vividly remembered them hanging out at.
I realized this most in my first playthrough when I didn’t have the chance to recruit everyone and I accidently killed Raphael at Gronder. I didn’t have the enemy attack range turned on so I didn’t realize he was in range of attacking.
During an exploration, I was looking for Ignatz who was, unfortunately, in his dorm room... and I walked into the wrong room and into Raphael’s after he was killed and man that fuckin’ sucked! Feels bad but like, multiplied with big numbers, u kno??? ???
YES, IT’S A VIDEO GAME. YES, I HAVE HUMAN BEING FEELINGS ABOUT IT.
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I just want u to know that any time I listen to first light off hozier's new album it gives me Aisling/eoin vibes and I'm emotionally compromised xoxo
jesuS WEPT BESTIE YOUR MIND??? YOUR BRAIN??? YOUR INTELLIGENCE???
i'm listening to it for the billionth time and just. just??? ??? ? mister hozi.er did you write this song for them bc like, "darkness always finds you either way" ???? "but after this i'm never gonna be the same, and i am never going back again" LIKE CROW U FECKIN GENIUS IT'S LITERALLY AN ODE TO THAT FINAL NIGHT AISLING SPENT IN IRELAND??
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