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sugar-grigri · 7 months

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Hi there! Hope you are having a nice day! I really love your csm analyses and meta! It's specially great because I don't understand literary symbolism at all, I'm learning a lot. I was wondering if you had any thoughts on my boy Yoshida. What do you think is his role? Is he only an obstacle for the romantic relationship between Denji and Asa? In a world where every detail has a deeper meaning, why an octopus? Hope you have a great day!

The octopus trap

I think that if I asked every Chainsaw Man reader about Yoshida, most of the time I'd be told either "I have no idea what he's going to do" or, more precisely, "I keep expecting him to do something, but he doesn't end up doing anything".

You mustn't let your hair stand on end when you read remarks like that. Yoshida is my favorite character of Part 2, yet if I were to describe him succinctly it would be in exactly those terms.

When I say not to be annoyed by these remarks, it's because they're not the result of a lack of writing, a lack of development or even a depreciation of the character, these descriptions only underline the originality of Yoshida's writing.

Yes, it's surely worth clarifying what I mean by all this...

Let's take a look at things chronologically. Yoshida's first appearance comes just after Asa, who has just discovered she's possessed by the war demon, is unable to set foot inside her school, a victim of anxiety, school phobia and, above all, Bucky's death.

Yoshida suddenly appears during this scene. He is also quickly associated with Asa, as the demon-hunting club puts him in Yuko's and the protagonist's group. We all said to ourselves: great, something's going to happen between these two! She's dying of shame, so Fujimoto is bound to use this to create more interaction between them.

When Asa comes across her bullies, who have attacked her locker and shoes, only Yuko comes to comfort her, and Yoshida simply fades into the background. It's strange, because it was as if he had brutally hidden himself from the progress of the scenario and the reaction he might have had to this kind of situation. Keep this in mind.

Then Yoshida reappears in chapter 103, as if Fujimoto were accidentally placing an ink blot in the background, Yoshida simply blending into the background until he hits his target. For the reader, this creates a certain "ah yes, where the hell has he been?" situation, and the element of surprise is intensified by the fact that this is Denji's first appearance as a human in Part 2. This time, Yoshida doesn't disappear into the background, as if evaporated, he appears when no one was expecting him.

Put that in the back of your mind too.

Then, when he tries to put Denji's goal of a girlfriend into action, he introduces him to Asa Mitaka, whom we suspect, subconsciously or consciously, to be Chainsaw Man's love interest. So we're all thinking (myself included at this point), he's surely going to be the magnet between the two! Which turns out to be completely untrue, as Yoshida brutally declares that Asa has no business getting close to Denji.

This point not only shows that Yoshida's narrative function is hard to pin down, it also proves something else: he's not omniscient. He's not, as I've read, this absolutely perfect string-puller, since it's clear that he doesn't grasp until later that Asa may not simply be a young girl obsessed with finding a boyfriend, but a possessed one who might disturb the target he's watching: Chainsaw Man.

The aquarium was Yoshida's observation ground. Yoshida has no desire to be active, as evidenced by the telephone scene where, after Asa has been humiliated by his failure to call anyone, he shows Denji his phone, arguing that he can't get a signal anyway. Now I'll get to that line : "Do you think CSM would eat it for us ? The Death devil"

Whether it was making you believe that Yoshida is a genius string-puller, this line made you believe that the boy had something to do with the demon of death. Fujimoto wouldn't ruin so many mysteries surrounding one of the most anticipated demons so unskillfully. That's why it's necessary to interpret it differently. A line belongs to a whole, and this scene between Yoshida and Denji is not a scene that escapes its whole, on the contrary, it has consequences.

It serves to show two things: firstly, Yoshida is aware of Chainsaw Man's ability to erase other demons, which was surely reported by Kishibe who learned of it in chapter 84, proving firstly that the public hunters are now aware of this ability. Something that had never been said before. Then we come to the most interesting part. Yoshida makes it clear in this scene that they've been locked up for three days, and the cases illustrate how each of the students is dealing with their own mortality, with Haruka crying, Nobana flips out, another prefers to be physically active to keep himself busy, while Yoshida prepares to die. As for Denji, he's been through worse, and is cooler than the others.

Then Yoshida pointed out, "Do you think Chainsaw Man would eat the demon of death?" This triggers Denji's act of kindness, as he realizes that he can also "suppress", "devour" fears in his human form, by taking action. Denji has noticed that Asa is looking to be active; she's the one who offered her a date, so she's the one who has priority to receive comfort, so Denji comes to devour the fear that paralyzed the protagonist. All the more ironic given that the demon they were all really facing was the demon of famine.

I know everything I'm saying sounds disjointed at the moment, but hang on, I need to be a bit descriptive before I connect all this.

The same phenomenon of script feinting will occur, not to make it look like Yoshida will be a love rival, a friend of Asa, the magnet between Denji and Asa, or the demon of death.

No, this time, in chapter 133, Fujimoto makes it look like Yoshida will be a great antagonist by proposing Denji's horrible dilemma of either being human and living with his family or being Chainsaw Man without it. But it all falls apart when he realizes that Denji chooses both, leaving Yoshida completely out of his depth. This time Fujimoto erases all the mystique around this character, he's not the player who moves the pieces against Fami, he's just a mediator.

The same phenomenon occurs when he locks Denji into this normal life that doesn't suit him, placing him in Fumiko's hands, leading to one of the least "normal" chapters, chapter 137.

I think that with all this, you're beginning to grasp a certain idea: Yoshida's purpose is a narrative feint, he's a character with indecipherable eyes for us to place all our doubts and mysteries in. The questions just pile up, and we project them through Yoshida, who answers none of them.

So who is Yoshida ?

The only thing I can say is that he's a mystery. And when I say this, it's not to clear my name, as nothing can be said about him, because he is written as such and should be appreciated as such. I often read that his eyes, fully black like Kishibe's, are not only perhaps a sign of kinship but also a sign of deep despair. I think it's precisely in this way that we can miss the originality of these characters.

Kishibe is not placed in the deepest despair, what makes him so strong, what makes him still here, being practically the only veteran of the public hunters (did you notice how young the public hunters still were?), is that he has accepted and internalized the madness of the system, bows to it instead of fighting against it, but is not dominated by it as someone unreasonable would be.

Whether it's Yoshida's black eyes or Kishibe's, the latter are simply the eyes of acceptance of the system. That is to say, their pupils are no longer illuminated by that little personal glimmer, seemingly devoid of emotion, since they are simply a reflection of the darkness of the system, of what's going on through them.

Yoshida's eyes are the eyes of a mysterious system that constantly stares at the characters without responding to them.

And now you're probably wondering, Anon:

What about the octopus ?

This is surely the most interesting answer to Yoshida's question.

When you're looking for meanings for octopuses, your first instinct is to think of mythology, isn't it? Leviathan, Kranken, Akkorokamui, the octopus is the subject of a multitude of legends, whose interpretations are intertwined, creative, healing or destructive, beneficent or maleficent, or even the subject of great divergence from the public, cute? Or monstrous?

This follows on from the previous statement: the octopus is a being onto which all concepts can be projected, even if they are contradictory. Yoshida's narrative function is the same: we project whatever we can onto him without him acting on it.

What's the one piece of information you could give me with any certainty? The fact that he's a demon hunter, right? In other words, the only thing you could say about the octopus is the environment it lives in? No ?

Do you know how octopuses are caught ?

Have you heard of the Japanese octopus trap? Specifically, the takotsubo? In fact, they're not really traps at all, but a form of passive fishing in which simple pierced stones or clay pots are placed on the seabed. The octopuses then enter these pots to protect themselves, using them as shelters to protect their fragile bodies. Above all, when the pots are brought to the surface, the octopuses don't even try to escape, pressing themselves against the walls.

Yoshida acts like these octopuses, not fighting the system, but rather embracing its walls, thinking he's safe when in fact he's trapped.

Hidden within this obscure system, the octopus has no idea that it's not safe, but has headed for its own destruction.

Now the connections make themselves. The only answer those big black eyes can give is a reflection of the system.

Asa is rejected by her classmates, by this micro-society that is school? The system appears.

Fans cheer Chainsaw Man on, as society is increasingly forged around him. The system takes an interest and invites him for coffee.

As Asa is rejected after her second date with Denji, the system will only add to her loneliness.

Chainsaw Man is a being whose function is to eliminate fears? The system will remind him of this.

Is Chainsaw Man an idiot? Will the system still try to control him, even if it means inhibiting him?

What if we were to use the metaphor of the octopus trap to provide the opposite answer ? Yoshida sticks to the walls of the system.

What does the system do? It weaves itself around Chainsaw Man.

Is this such a good idea ?

#chainsaw man #csm #csm part 2 #yoshida hirofumi #yoshida #my thoughts #csm spoilers #denji #asa #haruka #habana #yoru #yuko #ask

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