Wealth As Worth: Blood is the Best Sauce (2023)

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Mei, i kling aber wia der Grosz

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"More than any other artist since Daumier, Grosz captured through caricature the political spirit of a particular moment. His vision of Germany between the wars has lost none of its power." - Michael Kimmelman

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The Menu (2022) dir. Mark Mylod

George Grosz - A Summer Day. 1940

George Grosz - Resting (1938)

George Grosz - A Summer Day. 1940

George Grosz (German, 1893-1959), United Nations Secretariat Building, 1950. Watercolor and pen and ink on paper, 19 1/8 x 26 1/16 in.

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https://x.com/GeraldGrosz/status/1704426429411139889

George Grosz Solar Eclipse 1926

George Grosz Model undressing 1942

GEORGE GROSZ / "MOONLIGHT" / 1936 [oil on canvas | 16 1/4 x 20 1/4"]

Woman Undressing, George Grosz, 1940

If painting aims to make every organ function as an eye, if it aims to make the very entrails see, and if music makes every organ and pore of the body function as an ear attuned to rhythm and melody, if, as Deleuze suggests, painting ever more deeply materializes the body while music spiritualizes it, this is because, through the various arts, the body is, for a moment at least, directly touched by the forces of chaos from which it so carefully shields itself in habit, cliché, and doxa, those movements of containment that render only predictable and preproduced sensations, not sensations that announce the future.

Elizabeth Grosz, from Chaos, Territory, Art: Deleuze and the Framing of the Earth