L'isola degli uomini pesce (1979)
AKA The Island of the Fishmen, Island of Fishmen, The Fish Men, Something Waits in the Dark, Screamers, Island of Mutations
87 notes
·
View notes
Rennee had to yell at her husband and her husband boyfriend to make up, while his other Husband and his kids watch. Lol
26 notes
·
View notes
A montanha dos canibais (Slave of the Cannibal God, de 1978) com a eterna bond girl Ursula Andress
3 notes
·
View notes
Diamanti Sporchi di Sangue/ Blood and Diamonds (1978), original concept artwork, Italian
Artist: Rodolfo Gasparri (1928-1981).
Unframed: 11 1/2 x 24 1/2 in. (29.2 x 62.3 cm).
Framed: 16 3/4 x 29 1/2 in. (42.5 x 75 cm).
Exceptionally rare. Original artworks rarely surface as the majority were destroyed.
This Italian crime film was written and directed by Fernando Di Leo. The cast includes Claudio Cassinelli, Martin Balsam and Barbara Bouchet. The film tells the story of a man, who once released from prison, seeks revenge on the gang he considers responsible for his arrest and five year imprisonment for robbery. The prize of which is a large hoard of diamonds.
9 notes
·
View notes
13 luglio … ricordiamo …
13 luglio … ricordiamo …
#semprevivineiricordi #nomidaricordare #personaggiimportanti #perfettamentechic
2022: Charlotte Valandrey, pseudonimo di Anne-Charlotte Pascal, attrice, cantante e scrittrice francese. Iniziò la sua carriera di attrice negli anni ottanta. Ottenne il suo primo ruolo a 16 anni, nel 1985, nel film A Parigi con amore. Dal 1991 al 2000 prese parte alla serie televisiva Il commissario Cordier. Nel 1999 si sposò con Oscar, da cui ebbe la figlia Tara; si separò nel 2002. Nel 2005…
View On WordPress
0 notes
MOUNTAIN OF THE CANNIBAL GOD (Sergio Martino, 1978)
“Why is everyone so scared of the Pooka?”“In their language, Rara Me means mountain of the cannibal god”
Well that explains it then. Why Susan (Ursula Andress, who was the first “Bond Girl” in Dr No), is tied up in the jungle naked, being smeared with cream by some local girls. Why her husband’s skeleton is being worshipped as a god because his Geiger counter is still ticking within his bones.…
View On WordPress
1 note
·
View note
The Great Alligator will be released on 4K Ultra HD + Blu-ray on May 28 via Severin Films. Inspired by the success of Jaws, the 1979 Italian killer gator movie is also known as The Great Alligator River.
Sergio Martino (Torso, All the Colors of the Dark) directs from a script he co-wrote with Ernesto Gastaldi (Torso), George Eastman (StageFright), and Mara Maryl. Barbara Bach, Claudio Cassinelli, Mel Ferrer, and Richard Johnson star.
The Great Alligator has been newly scanned in 4K from the original negative with English stereo and Italian mono sound. It features reversible artwork. Special features are listed below.
Disc 1 - 4K UHD:
Trailer
Disc 2 - Blu-ray:
Interview with director Sergio Martino
Interview with actress Silvia Collatina
Interview with camera operator Claudio Morabito
Interview with production designer Antonello Geleng
Interview with underwater camera operator Gianlorenzo Battaglia
3 Friends and an Alligator - Discussion with cinematographer Giancarlo Ferrando, production designer Antonello Geleng, and special effects supervisor Paolo Ricci
Paradise House: Christianity and the Natural World in The Great Alligator - Video essay by film historian Lee Gambin
Alligator Land - Antonello Geleng shares priginal production drawings
Trailer
At the opening of a tropical resort, a photographer (Claudio Cassinelli), an anthropologist (Barbara Bach), and an arrogant hotelier (Mel Ferrer) are besieged by hostile natives, obnoxious tourists, and a gargantuan river beast that intends to devour them all.
Pre-order The Great Alligator.
8 notes
·
View notes
L'isola degli uomini pesce (1979) - Italian Poster
AKA The Island of the Fishmen, Island of Fishmen, The Fish Men, Something Waits in the Dark, Screamers, Island of Mutations
37 notes
·
View notes
Viddying the Nasties | Mountain of the Cannibal God (Martino, 1978)
I am still very much in a jungle adventure mood, and for all the issues one could have with this movie, it very much hit the spot. Compared to the other cannibal movies I’ve seen, this one feels more lavish, thanks to the presence of name actors like Ursula Andress and Stacy Keach, as well as the handsome scope cinematography that nicely brings out the lushness of the environment. This means that this doesn’t feel quite as pungent as something like Cannibal Ferox, where the sheer ugliness of the material seems to overwhelm all other considerations, although this is far from lacking in the expected elements of extreme violence and animal cruelty. It’s just that this seems to build more of a narrative around them, and emphasizes the characters and their survival rather than acting purely as a geek show.
As for the animal cruelty, like Cannibal Ferox a lot of this the scenes are of animals killing and eating other animals and feel somewhat divorced from the thrust of the plot, although there are scenes where the characters get up real close. (Exhibit A: the cannibals in the climax feast on seemingly live animals and try to feed a lizard to one of the protagonists.) I will say that for the most part the movie doesn’t rub your face in it quite as much as some of the other entries I’ve seen. But it’s still pretty funny when Claudio Cassinelli, after saving Keach from a cobra, tells the others, “I don't kill animals.” If only the movie felt the same way. (Apparently he saved Andress from a cobra for real during the production using the same method.)
Cassinelli also spells out the subtext of these movies. “Animals only follow their instincts out of all living being. Killing and eating. Man, too, has the same instincts. To satisfy them he uses more subtle means.” Of course this is leaving out that these movies view the cannibals (often seen here with Zardoz masks when they leave their cave) as animals instead of people, although this one tries to cover its ass by showing you normal, non-malicious natives for contrast. This also pays lip service to imperialist critique, with the motives of some of the characters eventually revealed to be exploitative, but it’s a little half hearted.
This also feels closer to sexploitation territory than any cannibal movie I’ve seen except Emanuelle and the Last Cannibals. This is largely due to Andress, who the movie has tied up and slathered up by a pair of topless cannibal ladies like a pinup. This is followed up by a rather graphic scene of a cannibal woman masturbating, which is still well and good. And then it hits you with a scene of a cannibal man frantically thrusting into the behind of a large boar. Yikes! I will say that the emphasis on atmosphere in the earlier sections means that the feverish pitch of the climax, when it starts piling on the outrageous sights and sounds, has quite an impact.
5 notes
·
View notes
Krew i diamenty (1977, thriller) Claudio Cassinelli, Barbara Bouchet | F...
0 notes