The Green family dynamics are so interesting because like, Viserys is the father but due to his decay he seems more like the grandfather, whereas Otto is the Grandsire but seems to fill out the role of a father more, not only to his daughter but also her children, so he and his daughter are a mother/father unit but in some situations Alicent is treated like a sibling to her children (by Otto) and then you have the obvious Helaena/Aegon happening (siblings who are also husband/wife and mother/father to their children), but at the same time it seems like Aemond is the one trying to be the family's protector and attempting to step up as patriarch, with some of the scenes between him and Alicent giving off the vibes of equals rather than Mother and Son (like when they discuss Aemond finding Aegon) and his relationship with Aegon seeming like he's the big brother and not the other way around, in this essay I will-
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btw i love revenge stories i dont think anyone should ever move on peacefully. a bit obsessed with the way weissman went to the synagogue and rabbi and asks, "my choices killed a child. would god take mercy on someone like me?" and the rabbi says "it's not god's mercy you should look for. its the child's" and like you think that would spur this man into charitable activities and to maybe look out for orphans but instead he goes on a 24 hour revenge bender that ultimately ends in two revenge killings and his own death. what's better than righteous anger and wrath and love twisting someone into the worst but also a truer version of themselves <3
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carmy keeps on fucking up the budget numbers for repairs of the restaurant, sydney is right there correcting him every time
carmy enters the office, forgetting completely about his “good idea” that he didn’t write down
sydney enters the office, in the middle of a reassuring sentiment for morale, falls through drywall, carmy is right there when she forgets what she was saying, remembers for her, even finishes her sentence for her
just like that carmy remembers what the good idea was
it’s giving v much you’re the only one who keeps my head on straight, v much I’m not me without you, v much classic married couple, v much I know you I know you I know you I see you I’m here with you
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"I can't lose you" vs. "You're not going"
so many times that Mike expresses love for El or concern for her safety, he frames it on himself, and how losing her would impact him.
it's true that Mike's adolescence shouldn't have to be so heavily shaped by traumatic losses. it's true that El shouldn't be obligated to keep putting her life on the line. these two have this repeatedly clashing survivors guilt / hero complex thing going on that makes this all so complicated. I'm not painting a 13 year old boy as bad for not articulating a complex issue. this isn't an anti-Mike post.
what I'm focused on here isn't Mike's thought process but what El actually hears come out of his mouth, because that's all she has to go on.
and what she keeps hearing from him throughout the show is that his love for her, and wishes for her not to die, tend to sound motivated by fears about the emotional consequences for himself rather than concern for her wellbeing.
2x9. El, about to walk back into the building where she was imprisoned and abused all her life and use her powers to a potentially life threatening intensity with the burden of the literal world on her shoulders, has to spend her parting moment with Mike reassuring him that he won't experience loss.
3x6. El, for the first time in her life finally hears someone say they love her, and in the same breath the frame gets pulled back onto Mike's own fear of loss again, because again it's about her risking her life / using her powers. (not to mention, after it's all over and done without Mike having lost anyone, she tries to follow up on the I love you and he pretends he has no idea what she's even talking about)
4x9. El hears Mike elaborate on the "I can't lose you" concept at length while in doing so literally (ofc unintentionally) causing her to lose Max. his long awaited love declaration speech is focused mostly on himself rather than naming anything he loves about El beyond her abilities. which seems to be the moment it really clicks for El that this ain't it.
now consider El's response to Max's death.
there couldn't have been a more perfect opportunity to give her Mike's usual line, "I can't lose you!" but they didn't draw that parallel.
even in the privacy of the void, El doesn't speak on her own loss. her words are a direct response and reassurance to Max's last ("I don't wanna go, I'm not ready!" -> "You're not going"), even knowing she can't hear her for multiple reasons at this point. she listened to Max. she doesn't make it about herself. her concern is framed solely on Max.
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I'm pretty much done with TOH lol.
A braver and more energetic soul can try giving this show a constructive critique... because I will actually, wholeheartedly lose my humanity while writing out the script.
There is like... a problem this show has that permeates the whole thing: It says its going to do one thing, but then does something completely different. Like how the first two episodes of the series make you believe Luz is going to learn how her inability to separate fantasy from reality is actually inhibiting her growth as a person... only to make her a chosen one and to give her everything she ever wanted without Luz changing the way she treats people.
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"unless there's something else keeping you here" was such a sick line like he already knew. he knew she was involved with eleanor he saw max care for her after her fight with vane and lead her upstairs he knew something was there so why ask? what is he after?
is he trying to assess how committed she is to their plan? is he trying to get her to flinch away from it? is he waiting for his reflection to tell him this deep unshakable truth? what is he trying to come to terms with why does the camera linger on his reaction when he sees max show affection and care towards eleanor.
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*gently taps my hands on the table* okay let's do this one more time. "I will have you without armor" isn't Inej telling Kaz she will leave him if he doesn't solve his intimacy issues. it's her saying that he has been avoiding investing anything into their relationship for years and yet he still expects her to put her dreams on hold for him without ever trying to help her with the emotional labor of caring, and that she will not stand for it. she's not asking him to get over it, she is asking him to prove he wants to get better, hand in hand with her. we always forget Inej is also too traumatized for a typical romantic relationship huh
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