Albert Anker (Swiss, 1831-1910) • Still life: coffee and potatoes • 1897
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Francesco Hayez (Italian, 1791–1882) • Ballerina Carlotta Chabert as Venus • 1830 • Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento Provicence, Italy
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Carl Schweninger Jr. (Austrian, 1854-1903) • Verlorene Liebe (Lost Love) • Unknown date
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Marie-Desiree Bourgoin (French, 1839–1912) • Sarah Bernhardt Sculpting in Her Studio • 1879 • Watercolor and gouache over graphite • Metropolitan Museum of Art
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James Tissot (French, 1836-1902) • Hush • c. 1874
A very similar silk dress with lace and fringe and trimmings of silk flowers, to that worn by Tissot's violinist.
There is a short yet very interesting article about the history of this painting on The Victorian Web.
Detail
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Young Woman With Sword by Jules-Élie Delaunay (1828-1891)
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The Three Graces, 1830
By Edmund Thomas Parris
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Young Woman with Bird (detail), painted by a follower of Élisabeth Vigée Le Brun (1755-1842), unknown date. Oil on canvas.
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#Caturday camaraderie:
Bruno Liljefors (Swedish, 1860-1939)
Rapp and Johan, 1886
oil on canvas
H 70 cm (27.5 in) x W 85 cm (33.4 in)
private collection
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Anton Mauve (Dutch, Zaandam 1838–1888 Arnhem). Changing Pasture. ca. 1880. Oil on canvas, 24 x 39 5/8 in. (61 x 100.6 cm).
Open and available to all on JSTOR, courtesy of the Metropolitan Museum of Art.
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Adrien Moreau (French, 1843-1906) • Large Still Life with Parrot • 1873
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Carolus-Duran (French, 1837–1917) • Le Baiser (The Kiss), Self-portrait with his wife as newlyweds • 1868 • Palais des Beaux-Arts de Lille, Lille, France
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Alfred Stevens (Belgian, 1823-1906) • Woman Reading • Unknown date
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Alfred Stevens (Belgian, 1823 - 1906) • Camille Lemonnier in the studio of the artist • late 19th century
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The painting: Auguste Toulmouche (French, 1829–1890) • The Note • c. 1880-89
The dress: Duchess silk satin natural form ball gown, worn over a natural form corset, a chemise and one trained petticoat.
Credit: Natural form ball gown, the Toulmouche project
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