Tumgik
#(and also nothing) (paraphrasing mary oliver now)
yellowjackets-1996 · 4 months
Text
SORRY for nattravis posting but. i'm giffing and i just realized coach martinez is still alive on the tree branch and by trying to save his father travis cements his fate. he breaks the tree branch and his dad freefalls to the ground. travis with a father who isn't always good to him who dies in a way he wouldn't have if travis didn't put it in motion (except it was in motion before he got there). obviously nat is going to be obsessed with him. like. yeah that makes perfect sense
13 notes · View notes
junewild · 3 years
Text
tags masterpost
a couple of people have complimented me on my new tag system and a couple of people have asked me what tags go to what sort of content, so i thought i’d write up a little masterpost of what the tags mean, where they came from, and why they’re important to me! you’ll even get a sneak peek at a few tags that are very rare or have yet to be used 👀. this will be linked in my carrd when i get around to it. i’ve even tried to alphabetize them 😅 thanks for expressing interest, it’s very lovely of you all xoxo
#and i am close behind — home tag
a continuation of “the wild geese are heading home again” which is my nature tag. just for everything that makes me feel like i am coming home. 
#and this is the wonder that’s keeping the stars apart — quotes and words tag
from a poem by e.e. cummings. “and this is the wonder that’s keeping the stars apart / i carry your heart(i carry it in my heart)”. words are just hearts speaking to each other, after all. 
#and i was like *screams* — space tag
from the jenny slate drunk history nasa episode, because she somehow manages to sum up fully 80% of my feelings about the universe in that one sentence
#angstposting — disordered thoughts tag
literally just stream-of-consciousness breakdown-posting. probably block this tag. i go back and clean it out after every breakdown.
#but they are all good stories — media analysis/literature critique tag
hilary mantel (whose work i have never read) wrote that “some of these things are true and some of them lies. but they are all good stories.” anyway, that’s how i feel about taking apart stories and narratives and looking at them from the outside. 
#can you not hear the ocean in me — mental health and disorders tag
the non-breakdown version. from this poem, which i can’t find anyone but i think is a deleted inkskinned or caitlyn siehl one: 
“i am alive; 
can you not hear the ocean in me; 
are you not aware of the war i am fighting ; 
i am alive ; 
you cannot take that from me”
#checkmate nihilism — crafts tag
higgsboshark wrote a lovely post about how knitting is a great treatment for existential dread & now that’s all i think about every time i’m crafting. checkmate, nihilism. look at this thing that i am making with my hands. it exists and it will change someone’s life. 
#dumbposting — misc tag
for tag games and dumb comments and things that don’t fit in anywhere else. 
#fashion is instant language — fashion/body art tag
okay. IS this a cliche prada quote? yes. but also, one of my first classes in college was about art & society & the first thing that we learned was that the human body is the first & most primal canvas. what you do with your body is a statement, a language you are sharing with the people around you. i get very emotional about it. 
#felt rather than seen — poetry tag
YES i am a BASIC WHITE GIRL, thank you. the first half of the da vinci quote. “poetry is painting that is felt rather than seen / “
#fill your arms with the pink and white flowers — spring aesthetic tag
from one of mary oliver’s slightly less well known poems. 
“do you also hurry, half-dressed and barefoot, into the garden, and softly
exclaiming of their dearness,
fill your arms with 
the pink and white flowers,
with their honeyed heaviness, their lush trembling, their eagerness
to be wild and perfect for a moment, before they are nothing
forever”
#get in good trouble — activism/politics tag
are you really living if you aren’t making trouble for someone? write more letters. leave more voicemails. go to protests. join a mutual aid group. donate. there’s something you can do, even if it’s small. 
#i am building a world that is worth living for — moral living tag
slightly different from the activism tag bc this is more about what you/i can do in everyday life to make the world a better place. these are my own words, reminding me that to stay alive i have to build my own life and live in it. 
#i care to look on the outside like i do on the inside — gender/ sexuality tag
maggie stiefvater is a poet. 
#i have a magpie mind — happy tag
laurie graham’s version of the quote goes “i have a magpie mind, by which i mean i see and hear little things - photos, fragments of conversation - and store them away for future use,” and that’s what this tag is. just a lot of lovely things that i want to look back on. 
#i think i was a selkie in a past life — ocean/beach/selkie myth tag
someday i’m going to walk into the ocean and never come out again. j promised he would take me to a warm ocean where i can stand in chest-deep waves until i can’t stand any longer and i’ve never looked forward to anything so much in my life. 
#i wrote my own deliverance — creation/writing tag
this is not an admission of guilt. hamilton has a lot of words in it and these happen to be very nice. 
#it would be a merrier world —  food tag
because tolkien was right. 
#laughter for no cause — humor tag
funny things. half of a quote by louise glück. 
#let the wilderness engulf us again — discourse tag
i believe this is by christa wolf. anyway this is how i feel when i read Discourse. let’s all just get swallowed by the wilderness. who needs civilization anyway. 
#loveposting — affection tag
look, i’m just really gay and happy and i love my followers and my mutuals. let’s move on
#nothing is ever really lost to us as long as we remember it — memory/emotion tag
yes, i have read everything ever written by l m montgomery, why do you ask? 
#offspring of heaven firstborn — light tag
constantly debating about whether i should change this one. i just have too many quotes about light. and too many posts about light. and too much love for light. this one is by milton, from the third book of paradise lost, and i memorized the entire chapter as a teenager because my “history” “class” believed in memorization as a form of education. 
#our bodies are meant to hold other bodies — sex/eros tag
from that little comic by grendelmenz (?). i KNOW it’s about cannibalism i DON’T care don’t @ me to love is to consume
#seen rather than felt — painting/visual art tag
and here’s the other half of the da vinci quote. 
#she stood in desperate music wound — music and playlists tag
from “a crazed girl” by yeats. tbh i usually lie upside down in my bed in desperate music wound but this poem kept me going as a teenager
#simply because the world is beautiful — misc tag
i just think the world is lovely and i am glad to be alive in it. this is where the rest of the assorted content goes. 
#someday you will be old enough to read fairytales again — fantasy/gaming/scifi tag
cs lewis got one thing right. 
#stardust will turn into kindness — joy tag
okay. okay i am still weeping about this man and his chickens. this tag is for every small creature who brings me delight. https://everychickdeservesamother.com/2019/08/17/all-the-good-there-is/
#thank god for the months after may — summer aesthetic tag
i haven’t listened to ben rector since i was seventeen but this is a good quote anyway and summer flowers are the thing that keep me going through the winter. 
#the first sign of civilization is a healed femur — civilization/altruism/kindness tag
paraphrase of the famous (possibly apocryphal) margaret meade quote. i saw a criticism of it by the green brothers, who were like “but lots of people/animals show altruism without any connection to civilization (eg buildings and cities and record keeping systems)” and i deeply disagree with them. civilization doesn’t require monuments, only people coming together to build (metaphorically) something bigger than they could have done as individuals. humans aren’t the only ones on that path, just the ones who’ve gotten the furthest down it. 
#the great sweeping wind — autumn aesthetic
yes i am a shameless l m montgomery stan. anne of green gables is my kindred spirit. 
#the quick and the dead — fungi tag
from the bible. you know. we all sin, we’re all alive or dead or both. fungi don’t care.
#the race that knows joseph — kindred spirit tag
haven’t gotten to use this one yet. looking forward to when i do. 
#the wild geese are heading home again — nature tag
shortened version of mary oliver’s poem. 
#there is a history in all men’s lives — history/natural history/anthropology tag
shakespeare knew how to use words. everything is history and i am excited about ALL of it. when will someone admit me into a grad school???
#we are the children of an indifferent universe — community/fandom tag
but, like colin meloy says, we are also the inheritors of a wonderful world. i think it’s amazing how we look at the universe around us and build communities and find meaning out of sheer spite. also i have got to refine this tag set better i can’t just shove ALL fandom content into one tag. stay tuned
#we don’t love this world without reason — awe/joy tag
from catadromously’s comic. this is for things that make me go “oh.” when i see them. 
#we shape our buildings; thereafter they shape us — architecture/interior design tag
churchill can have one right. architecture is one of my favorite art forms & interior design is something i love looking at and doing. someday i’ll even be able to afford it.
#we will be better than we were — recovery tag
from (yet another) caitlyn siehl poem that reads: 
“love is quiet love whispers “it is okay, we will be better than we were” and we are. we are.”
and we are. 
#within me; an invincible summer — winter aesthetic tag
albert camus wrote that: “in the midst of winter, i found there was, within me, an invincible summer. and that makes me happy. for it says that no matter how hard the world pushes against me, within me, there’s something stronger – something better, pushing right back.” winters are hard for me, but i hang on anyway. 
#you have no idea the joy that is coming — love tag
guess who this quote is by? if you guessed caitlyn siehl, you are correct. 
#you pull out the wild in me - feral aesthetic
not feral, just… wild. i don’t know. i don’t think i made this quote up but i can’t find it anywhere else so maybe i did. i’m guessing it’s now-deleted inkskinned or bonemeadows. 
#you’ve got to be kind — misc humans tag
kurt vonnegut. because yeah. we’ve got to be kind. that’s the only rule. we’re just humans and we have to be kind.
6 notes · View notes
harrowdubois · 4 years
Text
okay, i said if there was interest i would think about making a post listing all the references i squeezed into the locked tomb fic i spent the last month or so writing, and now i’ve realised i don’t care if there’s interest because i want to be self-indulgent SO
under the cut is a (somewhat spoilery) chronological list of all the memes, vines, and cribbed tumblr posts, as well as homages to various books, tv shows, song lyrics, etc. that made their way into blessed with a wilder mind! 
(cw for suicide mention)
Tumblr media
this is of course a reference to the legendary bodybuilding forum thread where they did, actually, argue over how many days there are in a week (cw for ableist slurs in the thread)
---
Tumblr media
buzzfeed unsolved meme. i am dirt and i love to eat dirt
---
Tumblr media
this is so well-known it’s almost not worth listing it but oh my god they were roommates
---
Tumblr media
in itself, this isn’t a reference to anything in particular, but if you didn’t do this on your first read then i’d recommend taking another look at this scene and thinking about the specific wuthering heights/frankenstein/rebecca excerpts discussed by harrow and mercymorn but in relation to canon!harrow’s trauma/relationship with the body in htn :~) 
---
Tumblr media
also not really a reference to anything in particular but when i looked back over the fic for this post it struck me that the ‘sex panther’ phrasing was probably at least partially unconsciously inspired by the shoebox project (professor mcgonagall’s oiled man panther was a formative moment for me, truly)
---
Tumblr media
cw gross/unsanitary: it’s the tinder poop window incident. i mentioned this in the end notes of the fic as being what i had in mind for that scene but if it’s too gross for you (UNDERSTANDABLY) then feel free to Death Of The Author me to your heart’s content!
---
Tumblr media
i listened to a lot of orville peck while writing this
---
Tumblr media
 very very very loosely inspired by this clickhole article
---
Tumblr media
respectively: fourth of july by sufjan stevens / wuthering heights by emily bronte
---
Tumblr media
TWO BROS, CHILLIN IN A HOT TUB, FIVE FEET APART BECAUSE THEY’RE NOT GAY
---
Tumblr media
there was absolutely no need to stretch this across three paragraphs, and yet
---
Tumblr media
iconic
---
Tumblr media
i already linked to this one in the end notes of the fic itself, but it’s good, so here it is again
---
Tumblr media
 i can’t find the actual original post but it’s this fucking horrible thing 
---
Tumblr media
the last line is a reference to the secret history by donna tartt:
“Could it be because it reminds us that we are alive, of our mortality, of our individual souls- which, after all, we are too afraid to surrender but yet make us feel more miserable than any other thing? But isn't it also pain that often makes us most aware of self? It is a terrible thing to learn as a child that one is a being separate from the world, that no one and no thing hurts along with one's burned tongues and skinned knees, that one's aches and pains are all one’s own. Even more terrible, as we grow old, to learn that no person, no matter how beloved, can ever truly understand us. Our own selves make us most unhappy, and that's why we're so anxious to lose them, don't you think?”
---
Tumblr media
a lyrical double whammy!
from ‘last words of a shooting star’ by mitski: “they’ll never know how i’d stared at the dark in that room with no thoughts like a blood-sniffing shark”
from ‘a better son/daughter’ by rilo kiley: “sometimes in the morning i am petrified but can’t move/awake but cannot open my eyes” 
---
Tumblr media
*
Tumblr media
shout-out to maybe my single favourite video game moment, the encounter with the sky cat in night in the woods: “There is a hole at the center of everything, and it is always growing. Between the stars I am seeing it. It is coming, and you are not escaping, and the universe is forgetting you, and the universe is being forgotten, and there is nothing to remember it, not even the things beyond. And now there is only the hole... You are atoms, and your atoms are not caring if you are existing. Your atoms are monstrous existence.”
---
Tumblr media
“Nothing is ever fulfilled, not until the very end.” - rust cohle, true detective s1, this reference is VERY tonally dissonant because in context it’s actually grim as all hell but w/e w/e i couldn’t resist the shout-out
also harrow quotes from the goldfinch again here! i had the reference included before i read this post and realised tamsyn muir also quotes from the secret history in htn. terrible synergy 
---
Tumblr media
they are in fact all real. you’re welcome
---
Tumblr media
this one’s doing a lot of work lmao. it’s paying homage to this quote by tamsyn muir talking about the draco-in-leather-pants trope in relation to ianthe by loosely referencing drop dead gorgeous, the best drarry fic ever written, in which harry is part veela
---
Tumblr media
“It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.” - that’s right it’s another reference to the secret history, with a little bit of mary oliver (tell me, what is it you plan to do with your one wild and precious life?) sprinkled on top for flavour
--- 
Tumblr media
a small one, but it’s the goldfinch again: “And I feel I have something very urgent and serious to say to you, my non-existent reader, and I feel I should say it as urgently as if I were standing in the room with you...”
---
Tumblr media
my FUCKING cinnamon apple
 what if i... put my minecraft bed.... next to yours... aha ha just kidding.... unless?
---
[cw: suicide discussion in these next two]
Tumblr media
*
Tumblr media
robyn can have little a rust cohle quote, as a treat.
1. “I'd consider myself a realist, all right? But in philosophical terms I'm what's called a pessimist... I think human consciousness is a tragic misstep in evolution. We became too self-aware. Nature created an aspect of nature separate from itself. We are creatures that should not exist by natural law... We are things that labor under the illusion of having a self, that accretion of sensory experience and feelings, programmed with total assurance that we are each somebody, when in fact everybody's nobody... I think the honorable thing for our species to do is to deny our programming. Stop reproducing, walk hand in hand into extinction; one last midnight, brothers and sisters opting out of a raw deal.”
2. “This... This is what I'm talking about. This is what I mean when I'm talkin' about time, and death, and futility. All right, there are broader ideas at work, mainly what is owed between us as a society for our mutual illusions. Fourteen straight hours of staring at DBs, these are the things you think of. You ever done that? You look in their eyes, even in a picture, doesn't matter if they're dead or alive, you can still read 'em. You know what you see? They welcomed it... Not at first, but... right there in the last instant. It's an unmistakable relief. See, cause they were afraid, and now they saw for the very first time how easy it was to just... let go. Yeah, they saw, in that last nanosecond, they saw... what they were. You, yourself, this whole big drama, it was never more than a jerry-rig of presumption and dumb will, and you could just let go. To finally know that you didn't have to hold on so tight. To realize that all your life - you know, all your love, all your hate, all your memories, all your pain - it was all the same thing. It was all the same dream, a dream that you had inside a locked room, a dream about being a person.”
---
Tumblr media
ahaaa this one’s particularly rough. evil monkey no one alive dot jpg
“Later, that dozy embrace solidified in his memory as the single moment of artless, charmed happiness in their separate and difficult lives. Nothing marred it, even the knowledge that Ennis would not then embrace him face to face because he did not want to see or feel that it was Jack he held. And maybe, he thought, they’d never got much farther than that. Let be, let be.” - annie proulx, brokeback mountain
---
Tumblr media Tumblr media
a TRIPLE lyrical whammy!
- harrow’s words to gideon in the dream are a bit of a vague reference to the song ‘adventures in solitude’ by the new pornographers (”we thought we lost you/welcome back”) - gideon’s words to harrow are a reference to the song ‘blush’ by wolf alice (”you’ve got two hands to take all you can/but don’t take too long”) - what harrow texts to gideon is a line from ‘about today’ by the national, aka the most devastating song ever written (”hey, are you awake?/yeah i’m right here”...)
---
Tumblr media
i CANNOT find a clip of it but harrow’s repetition of “life is short... it’s short” was me paraphrasing from memory a line from pride (2014), because i am the worst
---
Tumblr media
spooky scary skeletons! 
“jail for gideon” is obviously a reference to the “jail for mother” tweet that tm also referenced in htn. so, not original in the slightest, but it’s a great tweet
---
Tumblr media
one of my favourite tumblr posts
---
Tumblr media
because naberius tern absolutely would watch rick and morty. he would. i know it in my heart. 
---
and that’s it, i think. hope you enjoyed this horrid little post and my horrid little fic!
28 notes · View notes
spaghetti-machete · 4 years
Text
TMA season 5 ending predictions
if everyone was jumping off a cliff would you do it? the answer is, I don't have a choice, Mother "Eight Legs McGee" of Puppets wants me to and therefore I also want to. everyone else is doing predictions why not throw my hat into the ring I'm callin this bad boy the "spider down the drain" theory. lemme give you a run down: - Anya Vilette being sent through the ripped seam in the shit $3 leggings fabric of reality in the basement of Hill Top Road? mama spiderlimbs just testing out the reality rip to see if it worked. sends Anya to the Institute as a gift and proof of experience. take that jonah. there's your blessing from the Web, stick it in your piehole - the Gang™ clamber up/crawl sobbingly to Hill Top Road and use it as a refuge. and it's weird, it kind of works but also it messes with them in a way that's not really better. outside is dangerous. inside is just another form of more concentrated, more scary dangerous. theyve walked into a spiderweb because everywhere else is taken. im not saying Jon is the Virgin Mary taking shelter in a stable to give birth to the Anti-Apocalyse, but im not not saying it - they start accidentally going through the crack in reality. at first its just jon, by accident, because he thinks he can control it. almost. he's wary but Basira is less wary, and decides to go through without him finding out. she comes back and this is when we, the listeners, find out - but it fucks her up, somehow, it messes with Basira, she's not really Basira Proper anymore. it's not the NotThem, but it's clear that she's evidently aware enough of her difference, and how she is supposed to be, and how she isn't that right now, for it to be distressing - eventually the climax of the story is (this is 3am im writing this cut me some slack) that the answer to Gerry's question - "are [the Fears] something we created, or are they the reason we're afraid? maybe they've always been here, maybe they turned up the first time something felt afraid" (paraphrased it is 3am) gets answered - the answer, to every single one, is yes. Jon gets sucked through the crack, he's closed off from the other side completely, and he's in this new world where the Magnus Institute doesn't exist because it doesn't need to exist. People are afraid but nothing feeds on that fear. There are no entities, no Avatars, no nothing. And what happens to a very very hungry Archive? An Archive that has a documented record of all the world's worst ebbs of every single fear a person could have? He starts bringing those fears to life himself. I don't know how, but seeing as Elias came out with the line "a living testament to people's fear" or some bullshit, it's clear that Jon isn't a passive record of these fears, he's actively involved in every single one of them. I mean - "the job I put everything into had trapped me into spreading evil" (Martin, Panopticon) - even the Archivist's assistants recognise that this is a thing that's happening and is possible. And what better, more satisfying end for Jon's emotional character arc than for him to be trapped in a new world, to have saved the old one somehow, but to have finally realised that the whole reason for his very existence is basically an ouroborous of fear that he cannot escape? that his timeline in space and reality is essentially self-perpetuating, that he'll never truly learn what the Mother of Puppets is, only that the Fears he chased for so long were ones he now brings himself to another world? I mean I almost feel like the Spider is nearing God in this situation. Every time an entity or an avatar talks about the Web, they downplay it so fucking hard that it's almost inconceivable that the Web wouldn't be pulling the strings of literally every entity at this point. The Hunt? trap you can't escape. "It didn't make me want it... just made me...need it" (Daisy, in the coffin) The Lonely? Peter Lukas describes falling into it (not literally) as if everything lined up so utterly perfectly. "I could scarcely believe that any God could line up so perfectly with my heart". The Vast? Very obviously everyone's Favourite Gay Uncle with Pizzazz Simon Fairchild literally fell into it. And it caught him. The sky caught him...like a web. it just kind of did. I mean, have we ever heard from a failed Avatar? one that didn't quite pass their SATs, their GCSEs, even the equivalent of a Fear BTEC PE? I don't know if it's simplifying it down too much, but in every instance, Avatars and their Kinder Horrific Suprise Happy Meals are the equivalent of spiders, webs and prey. And not always direct and unchanging comparisons, either. In this instance, was it Peter Lukas who was preyed upon and drawn in? Or was he the spider, when he made his very first victim disappear? Simply searching for a meal to feed another God without realising, or feeding himself? Did his desires and needs for Utter Loneliness develop from Shitall, Middle of Nowhere, Nonexistent Country? Or were they a gift bestowed upon him by the Mother of Puppets, ensuring she had enough playing pieces in the right colours to serve her endgame? As Oliver Banks said - easier to just do what she asks.
60 notes · View notes
thecorteztwins · 4 years
Text
These are all scenes from my longass ALT-MARAUDERS FIC PITCH and you don’t need to read the whole pitch because it’s huge and a fic in itself, but basically what’s going on is Xavier ordered Miss Sinister, Madelyne Pryor, Pyro, Haven, and the Shaws to work together as a crack team accomplishing bringing “home” mutants like the Marauders but probably also other stuff too. I don’t really care what their mission is though because it’s about their relationships. Also it looks like ALICE is now the adopted team baby, at least for Madelyne and Haven (maybe Pyro too, I like to think he looks out for her) sorry I don’t make the rules OH WAIT I DO AND I SAY SHE’S TEAM BABY honestly she really fits the theme/the team, given her history? So I’m down for it. Tagging @sammysdewysensitiveeyes since you showed interest in it and since it’s got YA BOY PYRO and @hexiva since you asked about it too, though no obligation to read it, or to read all of ‘em! I feel like you might like “Scientists” though, Hex. CONTENTS A Box Full of Darkness - Sebastian/Haven Canvas - Madelyne/Alice Scientists - Claudine/Haven Like An Old Married Couple -  Group Parties, Pleas, and Promises - Pyro/Shinobi Sea & Sky - Madelyne/Haven Awkward - Pyro/Sebastian Stories - Madelyne/Pyro Out of the Frying Pan - Sebastian/Shinobi Nightmare Dressed Like A Daydream - Pyro
*** A BOX FULL OF DARKNESS "Do you care at all for poetry, Mr. Shaw?” The ship had a small sitting room that also served as a library, shelves lining three of its walls. The wood, the carpet, the small chair, the atmosphere, all made one forget that one was at sea, and not in fact in the nook of some old college’s study. One had to wonder who had chosen the books. ”No, Ms. Dastoor, I can’t say it has ever appealed to me. Most of the arts do not, particularly the ones that are not visual in nature. I do not see the point of endless stanzas and pentameters to say in metaphor and allegory what could be said much more clearly and succinct in a single sentence of plain simple prose.” ”Then I hope you shall forgive me for sharing a bit---it reminded me of you, you see.” There was one in her hand. ”Ah, what was it? Something from the Decadent movement? Or perhaps some pretencious Bohemian lampooning the upper class from which he came himself? Dare I hope for Ozymandias, perhaps, and will it be Smith’s or Shelley’s?” He was smirking slightly. Perhaps he thought he was being funny. Or it might just be his face. ”You seem to know much about the subject despite a disinterest in it. I rather admire that you took the time to learn,” and she did sound genuinely approving, encouraging, “But, no---Mary Oliver, someone much more recent, and much more recently deceased. I am paraphrasing her here so that my meaning, my reason for seeing you in this, is not confused: Someone once gave me a box full of darkness. It took me years to understand that this too, was a gift.” He smiled wryly, “Is that how you see me, Ms. Dastoor, a box full of darkness?” “No,” she said, her gaze rising back up from the open pages to meet his, her large dark eyes unreadable as they drank him in, boxes of darkness in themselves, “And I do not agree that evil and suffering---if we must use ‘darkness’ to mean those things, which I also do not agree with, but is what I believe Ms. Oliver may have meant--is ever a gift, no matter what we may get out of it through our own power to come back from it...but I believe you see it this way, do you not?” There was no accusation in her tone, no disapproval. There seldom was. She was only asking, only observing. At least, Sebastian thought, that was what she wanted to seem like. He always suspected her motives were more, and that she was simply trying to disguise the fact she was trying to needle him, rather than making it pointedly obvious as, say, Emma, might. Coward---but then, he knew that of her. “Perhaps in less poetic terms, yes. I’m a practical man, Ms. Dastoor. I used to work in a steel mill. I saw how heat and pressure forged the worthless in the valuable, how the smelting process pulled the precious iron from the rest of the ore and shaped it through force into something useful. The same can be said of people---and I do indeed say it. You have heard me. Is that the darkness of which you speak?” ”The steel you speak of and the shapes it was forced into were valuable and useful...by the definitions of what the humans shaping it needed and wanted. But ore and iron and metal and stone, all these have no intrinsic value, or lack there of. There is no objective difference in the value between steel and granite, glass or diamond, gold or plastic. Thus, too, I believe that when it comes to people, you are deciding what is valuable according only to your standards. But is there objective worth to your perception of strength over your perception of weakness, beyond what is merely your perception?” And yet again, her voice was calm, not accusing, merely observing and asking. Sebastian returned, just as calm, if slightly smug, “Is there objective value in your perception of kindness and morality, Ms. Dastoor, beyond that it is merely your perception?” “I believe it has practical applications, but I have also never claimed an objective standpoint in our discussions, have I? Whereas you have, if I am recalling corrective,” Again, there was nothing aggressive in her tone. She was polite as could be. “I have and I do, but if I am to have it be put to a test of authenticity, I must require you to subject your own beliefs to the same scrutiny. It is not fair for the burden of proof to only fall on my shoulders.” Still also calm, still slightly smirking in his turning around on her. “That is quite true. I apologize,” she relented, ”But, to my original point---while I may disagree with Ms. Oliver’s sentiment, is it not one that appeals to you, one that you share?” Sebastian, too, relented with his smirk becoming a smile, “Yes.” The smile widened, knowing and amused,
“And despite your claim of not sharing the poem’s sentiments, I believe you see me as your box of darkness---and you are excavating me in search of some gift.” He put one hand in his suit pocket and began to depart, though he turned once, the smirk returned, and said, “Do let me know if you find it.” *** CANVAS “It doesn’t matter anyway,” said Alice, interrupting Madelyne’s angry rant, “I’m not real.” Madelyne Pryor had just explosively dragged the girl away from Claudine, insisting that the child shouldn’t have to see that...that...MONSTER...at any point on the voyage home. And if Haven hadn’t stopped her, she’d have ensured that Alice wouldn’t have a chance to, by KILLING the other woman, whom Madelyne now realized was aptly named “Miss Sinister” for fare more than her looks. She might still do it... But first--- “Don’t give me that!” Madelyne suddenly rounded on the girl she had just been comforting, been supporting, been swearing she’d never have to see her abuser---that was what it was to breed and clone someone just for the sake of their violation, abuse, beyond abuse!---again. But Alice had hit a nerve. And for the same reason Madelyne Pryor had so much empathy for her, she now had ire too. Madelyne’s snapping did, at least, stop Alice from crying. She’d been about to start, but the shock of Madelyne’s sudden change halted her in mid-tear. “You’re made of real flesh and blood, right?” Madelyne demanded rhetorically, “And you have thoughts and feelings right? Well you're real! The flesh being shared doesn't make it less real, just not unique. So you’re no less real than someone’s identical twin. And even they’re not really copies, because they have different personalities. So the only way you could be a copy---which you’re not---is if you had the first Alice’s same genes AND same thoughts and personality and everything! And you don’t, right” “Um,” Alice sniffled, a little afraid to correct the woman, who was so fierce whether she was defending Alice or berating her (or at least, it seemed like that was what she was doing...Alice wasn’t sure), “Actually...actually...I get all the memories of the previous Alices, so...so....I am a copy, actually...” “Oh,” Madelyne felt her argument just get ripped out from under like a trick rug someone had pulled. Her empathy came flooding back from the girl...and shame for shouting at her. Especially since she knew who she had REALLY been shouting at. “Well...” Shit, what did she do now? She’d just as good as told the girl she WAS a copy! How did she salvage this now? Come on Maddie, she told herself, What did you need somebody to say to you when you found out? “Listen, Alice,” she put her hands on the girl’s shoulders, firmly but gently. Her tone matched. “Yeah, you’re a copy. So am I. But we’re still real people, for all the reasons I said. No one gets to treat use like Claudine---or Colcord---treated you. No one should, anyway. It DOES matter. Being a clone, a copy, it doesn’t make you less alive. And so what if you’re a copy? You’re still YOU. You become more and more your own person with every moment you’re alive. Think of it like...like...” A Xerox. It was what she had compared herself to when she’d told Jean what she was. A Xerox that lost a lot in translation. What memories she’d had were either lies manufactured by Sinister...or worse, remnants from Jean that had bled into her mind when the Phoenix brought her to life. “Think of it like a Xerox machine, okay?” she said, more gentle than ever now, voice soft, and little tears of her own welling up, “When it first comes off the copy machine, yeah, it’s a duplicate...but then you can draw on it. You can write on it. You can crumple it up or throw it in the bin, or you can paint over it until it’s something new entirely on the paper. It’s up to you. It won’t stay a duplicate for long though. Either you can change it...or someone else will. But it’ll happen either way. And you know what?” Madelyne put a hand on Alice’s face, looking into her eyes, “I bet you can paint a real masterpiece.” *** SCIENTISTS “Are you alright, Claudine?” Madelyne had whisked Alice off. Haven had been going to do that originally, but since Madelyne had stepped in, Haven would leave it to her. She didn’t need to be the hero every time, and Madelyne...Madelyne had much in common with Alice. She might be better for Alice. And Alice might be good for her. But Haven’s next concern after Alice and Madelyne was Claudine. Claudine was the victimizer, yes. She had done awful things to Alice, to the Alices before her, to the other children. She had also been a victim too, and no one else here had pity for her now that they knew what she’d been besides that. No one else but Haven. “No moral outrage, Radha?” Claudine smirked slightly. She’d retreated to her lab, and it was hard to tell if she’d been expecting Haven to follow or not. “Of course,” said Haven calmly, “It horrifies and revolts me that those girls were bred only to be used as their hosts, their entire personalities, their souls, displaced for yours. Horrifies and disgusts me. Just as it horrifies and disgusts me, on just as deep a level, that the same was going to happen you if you did not escape in such a way.” “So because I was in danger of something terrible happening, you can excuse what I did?” Claudine sounded curious, mocking somehow, tapping one red-pink nail against a porcelain cheek. “Not excuses,” said Haven still calmly, “But I understand. And I still care if you were hurt just now.” “It’s more than that, isn’t it though?” said Claudine, still sounding amused, “You want to see if I’m wracked with guilt or not, if I hate myself. You want to see if I’m remorseful or tortured like you, like you want me to be maybe. Like you hope I am because it proves I must have some good in me, and you can comfort me and feel good about that. And if I’m not remorseful at all, you want to see why that is, if it’s because of Sinister or if it’s just me. And then if it’s just me...you want to figure me out too. Like you do with dear Sebastian.” Haven blinked, her sole sign of surprise, “That’s quite a lot of conjecture, Claudine. But...you are not incorrect, no. We do like to divide things neatly into victims who could do nothing, who had no power, and the victimizers who are wholly monsters...but that’s not wholly true, is it? Sometimes, the victims can do something. And sometimes, the only thing they can do is a monstrous thing. They’re caught in a Catch 22---either they don’t do the one thing they can, and thus will feel they are to blame for what happened. Or they do it, and they must live with the guilt. I can’t tell you if you were right or wrong Claudine, because---” “---sometimes there is no right or wrong, because the entire situation was wrong, and that’s not your fault.” Claudine finished, “I’ve heard how you talk with the kiddies, Haven. Like those little ones we pulled out of the fight pit. Or the one who pushed his friend forward at the flesh market so he’d get taken instead. You’re just oh so understanding, aren’t you? Seeing things from all sides.” “I would hope so. I certainly try to be. But, I admit, I’m not seeing something right now...why do you say that with what sounds, to me, as a mocking tone? Am I misinterpreting you, Claudine?” “A bit. I’m not mocking you, really I’m not---but I am teasing a little. It’s just so funny, you know?” Claudine’s index finger was next to her smiling mouth, “How you’re always thinking, always watching, and how I’m the only one who notices. What do you think the others would think, if they knew?” “I��m afraid I’m still not understanding you, Claudine. Would you mind helping me by putting it a bit plainer?” “Ever so polite. Come on now, Haven---as well as you know people, you must know they don’t like being put under a microscope. Everyone likes the IDEA of someone who “gets” them, who knows just what they’re feeling and what they need without them ever needing to open up all their vulnerable little insides like clams willfully tearing themselves out of their shells...but when it actually comes along, they don’t like it. Especially if it doesn’t feel earned, or specific to them. Because when they say they want that, they’re thinking of a partner, a lover, one single person who knows them that well because they’ve been with them that long, and love them, just them, that much. But telepaths like me, we get all that without having to see them as special at all. We don’t have to love them or spend time with them to KNOW them. We don’t have to open ourselves up in exchange. That’s why people don’t like us. And that’s---” She stepped close to Haven and bobbed her fingertip just above the other woman’s nose, “---why they wouldn’t like you. Oh yeah, you’re great when you’re sensitive and empathetic and all that, when you just know when someone needs a cup of tea or a shoulder to cry on...but it’s only to a point. Underneath all that soft silk and sweet words, you’re a lot like me---a scientist. We see the data. We gather it. We examine it. We analyze, we classify, we theorize. People call Xavier creepy these days but I think he’s just finally being honest.” She picked up Haven’s right hand, and raised it up, Haven allowing her. “So,” Claudine met her eyes, still smiling, “When are you going to be honest too?” Haven smiled back, with kind sincerity as always, “May I be honest now, Claudine?” “Of course.” Haven put her other hand on top of Claudine’s, sandwiching the unnaturally pale paw between her two soft brown ones, “Everything you say is accurate. But it’s also a deflection. You could have told me that you just did not wish to talk about Alice, you know. I would not have pried or pushed you. You know I never do.” Claudine laughed, and it was the laugh of someone who had just been proven completely correct. *** LIKE AN OLD MARRIED COUPLE “We’re going to need you to go undercover for this mission,” Xavier explained to the team, “It’s been decided that Sebastian and Haven will do best in this environment. Naturally, you will be outfitted with image inducers, and provided with all the false documentation required.” He slid a folder across the table to them, explaining, “You will be posing as husband and wife, Mr. and Mrs. King.” “King. I’m sure you thought that was very clever, Charles,” said Sebastian, picking the folder up and perusing it, “And I see our first names are...Abraham and Lakshmi. Is that a reference to something?” “Lakshmi is the goddess of which Radha is an aspect,” Xavier explained, “And Abraham...well, that just sounds slightly like Hiram, your middle name, or so I thought. I thought it might help the pair of you remember your identities, without being obvious to others.” “Well, thank you Charles. It’s good to know you put a man on the Quiet Council of whom your opinion is so low you think I can’t remember two names for a single night,” said Shaw, getting up and taking the folder with him, without excusing himself. The rest of the team follow suite, save Haven, who of course said the politest of goodbyes and thanked him for arranging the false identities. clever, and our first names “We’re leaving in the next five hours, so there’s hardly any time to prepare,” Sebastian said, plainly speaking to Haven even though he was looking ahead, not at her, “Ms. Dastoor, come with me so that we may discuss the details of our ruse.” Pyro watched the pair like a hawk as they went in a different direction from the rest of the crew. “Jealous, Pyro?” Claudine quipped, “I confess, I didn’t think Sebastian was your type...then again, he does have a certain resemblance to Dom I suppose...” Pyro was in no mood to play, however. “If he touches her I’m a-toast him from the inside out, see if his stinking GUTS are fireproof!” he proclaimed, a small jet of flame emanating from his wrist-shooter for emphasis. “Husband and wife...what’s Xavier thinking?! And she’ll be all alone with him and have to keep up the act if he does anything!” “Don’t sweat it,” Shinobi assured, “ I know my dad. She’s like ten years too old for him to be interested.” Pyro looked confused, “Isn’t she YOUNGER than him?” “Yeah,” said Shinobi. A look of disgust came over Pyro’s face. “Don’t look shocked,” Madelyne told him, “Don’t forget, he dated someone under ten once.” And that garnered...about the expressions you’d expect. Even from Claudine. “Me, you idiots! I was making a joke!” Madelyne clarified, seeing their shock and horror on their faces, “I’m technically like twelve years old max! God, you people...”  
Meanwhile, Sebastian and Haven’s conversation in the former’s ship office was not far off. “With all that covered...” Sebastian finished as the last of their act was hashed out, “I have to bring us to what will likely be the most difficult part of this for you. Ms. Dastoor, I am not sure what the norms are for married couples in public in your country, but at some point in the evening...I will most likely put my arm around your shoulders.” “I understand,” said Haven, with the solemn gravity required for such a thing. “There will hopefully be no need for anything else, but if dancing occurs, there is a chance that a hand on your waist will be required as well. Can you allow and “act natural” this without displaying any discomfort?” "This will be tolerable if need be, Mr. Shaw, though not preferable. Will your hand be on mine, outside of potential dancing?” Sebastian cracked a smile, amused, “Husbands and wives don’t hold hands, Ms. Dastoor. I’m shocked you’ve never noticed that. It’s far too intimate for a married couple.” “I’m afraid you lost me, Mr. Shaw. Too intimate for a married couple? Is this a Western peculiarity?” “Men don’t slap their wives bottoms, Ms. Dastoor, “Sebastian explained, “They slap the bottoms of waitresses and flight attendants when their wives aren’t there. Does that help illustrate it better? “Yes, I think I see, Mr. Shaw.” “We probably haven’t had sex in the last 25, 35 years. At least not with each other.” “Thank you, Mr. Shaw.” “ Our marriage bed is as dry as the Sah—” “Thank you, Mr Shaw.”           It was the first time that Sebastian had ever heard Haven cut him, or anyone, off. He would have taken offense from someone else, but he actually liked this, and smiled. He found it amusing he’d managed to get under her skin enough to prompt such a, for her, dramatic reaction. He’d have to make a note of this. *** PARTIES, PLEAS, AND PROMISES These Krakoa portals were truly a godsend. For many mutants, that was because the X-Men and other agents of Krakoa could now come to them easily and bring them to a safe place. For others it was because it enabled them to keep contact with their family and friends while also not having to leave what they felt was at last a place they could belong. But for Pyro and Shinobi...it meant bar-hopping from Manhattan to Moscow to Mexico! to Bulgaria to Bangkok to Taiwan to Timbuktu! In Manhattan, a cute guy with a nose piercing bought them beers and guided them through the city with his friends, boyfriends, and cousins til 5 AM when the guy’s cousin decided she really wanted spahgetti, so they all went to her house in the Harlem projects where she made them some and then they watched 90s hip hop music videos together. They stayed til 10 AM, then hopped a portal to Mexico, and went to a resort strip, where they got piss drunk again by doing shots with a guy covered in tattoos who might have also been involved with the cartels---Shinobi said he knew him from his dad’s black market business---and then Pyro got in a fight with the bouncer while Shinobi snorted molly in the bathroom stall. Got drunk again in Shanghai, fell off the bouncy dance floor, made friends with some Ukrainian tourists and went back to their hotel, walked in on an orgy, and when in Rome... Next thing they knew, they were in downtown Tokyko, drunk again, running on foot from the Japanese police, each of them holding a marijuana plant in a pot, laughing uncontrollably. Shinobi grabbed Pyro’s hand and they phased through a wall, only to fall down through thin air into an underground parking garage. Their potted pot plants shattered as they hit the concrete, and this just made them laugh more despite their own bruised tailbones as they lay there between a couple of cars. Eventually, when the giggles ran out, Shinobi slurred, “Man, I’m so glad...so glad our last night is awesome.” “Wha?” Pyro said, not sure he’d gotten that right. He was pretty boozy right now, after all, “What’d you mean, last night?
"Well, I, uh,” Shin said, obviously uncomfortable, “I decided...if I can’t hang out w’you anymore...gonna make the last time a good time.”
”Wh--” Pyro started, then his expression soured, “It’s yer dad, isn’t it?”
No answer.
”I knew it! He told you...tol’ you you couldn’t...be mates with me no more...that it?”
Shinobi mumbled.
”Listen Shin...forget him! You a grow...grown man! Y’don’t have to do what that old douchebag says! He’s just a...just a cunt, a right cunt, y’know? Fucking cunt...” Pyro wobbled back and forth, so vehement was he in his support.
”Well, we’re workin together now...” Shinobi said weakly.
”Yer workin WITH him though not for him! And why’re you even doing that? C’mon, he he wasn’t any good to you why should you do anything for him?”
Shinobi looked shocked, then angry, demanding, “How d’you know that?!” "Pfft, I’m not as thick as your old man thinks, you know! I can pick up a hint or two! Especially when it’s you telling me.” Shinobi looked shocked again, and Pyro, still swaying in place, clapped him on the back and explained, “Ah, I don’t expect you to remember but you’ve said a few things when you were as full as the back of a plumber's ute.Don’t worry, weren’t nothing too personal, no specifics, so don’t look so scared alright?” Pyro knew how it was to want to keep some things private, things that hurt, and even drunk he was trying to be sensitive to that, sensitive as someone like him could be. He continued, “And anyway, would have still guessed. He’s such a right bastard to everyone, can’t imagine him being some warm old papa bear behind closed doors. “He’s---” Shinobi started, about to tell Pyro about just how horrible his father was, and then remembered how ‘sympathetic’ Warren had been, and instead went back on the defensive, “Well it’s none of your business!” Pyro shrugged, not deterred, “Sure it’s not but I’m a journalist, so what do I care? It’s been my job to go where I’m not wanted. And you can do what you want, Shinobi me mate, but you can’t expect ol’ St. John to just keep his trap shut on anything, you know that. Calls it likes I see it, me. Thought you liked that.” There was a sobering silence between the pair for a moment, sitting on their butts in the silent garage while the noise of the Tokyo nightlife sang beyond the concrete walls of what they were missing. “Don’t...don’t tell him I said anything,” Shinobi said at last. Pyro promised him he would not. For he heard the plea in his new pal’s voice. *** SEA AND SKY (Context: Happens just after THIS) “Haven?” Madelyne arrived to the rescue, praying she wasn’t too late. She’d thought she was when she saw the wreckage, but she also saw Haven within it. And she wasn’t lying there like a body, she was sitting up, kneeling over...something. “Haven, thank god! Are you injured? Stay right there, I’ll come over and help---oh dear lord.” As Madelyne had begun to move forward, she’d seen what Haven was kneeling over, its half-charred head in her lap. “Is he---” “Yes,” said Haven, calmly, sadly, distantly. Madelyne didn’t ask how; it was obvious, the explosion killed him. She’d thought his powers would protect him from that kind of thing; it must have been specialized to combat that. Freaking Pierce. She didn’t bother to question how Haven was alive, but if she had, she’d assume maybe it was something also designed only to kill humans and Haven had been in a safe place during the explosion and then found Sebastian’s remains after. Something like that. “Alright, come on,” she said gently but firmly, taking Haven by the arm, trying to pull her up, “There’s nothing you can do for him now. He’ll be reborn on Krakoa by the time we go back to pick him up anyway. Wait, what are you doing? Haven, put that down, that’s disgusting!” Haven was carrying the...torso. She was tenderly cradling the great hunk of lifeless meat, needlessly supporting the neck and head as one would for an infant. The sight out Madelyne in mind of a bizarre Pieta scene. Madonna of the Charnel House.             “Haven, he’s dead!” “I know, Madelyne, I know. But isn’t it...wrong to just leave a body here? I know he will have a new one on Krakoa, but it still feels obscene to leave the old one unburied, unconsecrated, uncared for.” “Haven...” Madelyne started, not sure what to say. And she thought of something she never had before. What had happened to her body? Her first one? The original? The one that died at the end of Inferno? She’d come back first as a being of pure psychic energy disguised in a human form, a very solid ghost, essentially. That was all she was for a long time, walking and talking and fucking, all while TECHNICALLY still being dead. It was only recently that she had really become flesh and blood again, Jean Grey’s DNA spliced by Arkea into the body of a woman named Ana Cortes, altering the physical appearance of the young Columbian into that of the redhead and allowing Madelyne Pryor’s consciousness to take up residence in it...meaning Madelyne was still, as ever, occupying a body that wasn’t really her own. And her first hadn’t been her own either, just a copy of Jean’s, but she wondered now, what had been done with it? Knowing the X-men, they gave her a perfectly proper funeral. Maybe they even cried. But she wished, perverse as it seemed, that they had thrown her out with the garbage, had the HONESTY to treat her in death as they ultimately had in life, than PRETEND that they really saw her as a loss. She knew they didn’t. Even the ones who knew her FIRST, Rogue and Psylocke and Longshot, who had met her BEFORE they met Jean, even they had wanted that witch instead of her at the end.... “Yeah, okay, just...just put it somewhere it won’t...rot,” she said uneasily, “And we’ll call Sebastian when he...when he wakes up. See what he wants to do with it.” It should be, Madelyne felt, his choice, and Haven agreed. When he did get the call, his reply was firstly being rather disgusted they had kept it, and then, without any emotion, said they should just thrown the “damn thing” overboard. “Funeral at sea then,” said Madelyne as she turned off the phone, “You want to do the honors, Haven? Since it was your idea.” Not like anyone else wanted to be a part of it. Well, except Shinobi, who had suggested launching it like a cannonball and then having Pyro set it aflame in the sky.  They thought they were funny. “Would you mind helping me terribly, Madelyne?” Have asked, “I’d rather lower it down gently, and if your telekinesis could that, I would appreciate it...but I also understand if you don’t wish to touch something so gruesome, even psychically.” “I’m not squeamish,” Madelyne smirked. As she performed the task, she noticed Haven was silent. “You’re not gonna...say a few words, or anything?” “Mr. Shaw has told he isn’t religious, so I don’t think he would want it. And he isn’t...well, he isn’t dead. So what does one say, really?” “Hell if I know,” said Madelyne, “It’s funny---I’ve been dead a lot, you’d think I would be an expert on it.” As she began levitating the chunk of meat that once house Sebastian Shaw’s mind and soul, if he had the latter, she continued, “I never even thought about what should be done with my body...which isn’t really even mine now actually, don’t ask...I guess cremation is most appropriate. Fire, you know. It’s kind of my thing, whether I like it or not.” “I’ve always wanted a sky burial, myself,” said Haven. “I’ve never heard of that,” Madelyne sounded very interested. The word ‘sky’ had piqued her interest as a former pilot. “It’s a practice among my mother’s people, the Zoroastrians, as well as many other people, such as Tibetans. The body is placed on a mountaintop to be decomposed naturally by the elements and the animals. In Ancient Zoroastrianism specifically, it was placed on the Dakhma, the Tower of Silence, to be desiccated by the sun and consumed by birds of prey. I realize this sounds ghastly to a Western point of view, but--” “No, no, I get it. You’re just...going back to nature, becoming a part of everything else again, right? That sounds like your kind of thing.” Haven smiled at her, “It is.” Below, the body gently broke the surface of the waves, and Madelyne released her hold, allowing it to sink. “I guess that’s sort of what we’re doing here. Just with fishes instead of birds. Me though...that’s not for me. I don’t want to be a part of everything. Not when I’ve fought so hard...to just be ME.” *** AWKWARD “Hey! You got a problem with me, fuck knuckle?!” Calmly, Sebastian turned his head in the direction of the insult just hollered at him from the the far end of the deck, “Why, several, Mr. Allerdyce. Though most of them stem from the back you quite clearly have a problem with ME.” The Australian was drunk, but Sebastian knew from experience that the scrawny little bastard didn’t need THAT to be rude and belligerent, in particuliar rude and belligerent to Sebastian. Sebastian could ALMOST appreciate the balls on him, if only he could back them up. But without his fire to intimidate---and it could not intimate Sebastian---he really was just like one of those irritating little rat dogs peeking from ladies’ purses to bark challenges at true canines. “You’re damn right I do!” Pyro returned, “For starters, you’re---” And then continued with a really rather impressive listing of all his opinions on just what made Sebastian Hiram Shaw, Black King of the Hellfire Club---er, Trading Company---just such unbearable company. Sebastian listened in a detached, blaise manner, quite unruffled by the display of uncouth unruliness, and ready to simply throw the fool overboard should he come close enough to grab. “And on top o’ all that, yer a homophobe to boot!” What. Sebastian blinked. Nothing else had surprised him in the entire rambling rant, but this? This he had not seen coming. “Come again, young man?” “You heard me! Don’t think I don’t know why you’re always tryin’ t’get between me and your son! You don’t want him catchin’ the gay any worse than he’s got, eh?” Sebastian stared at him for another moment. Then, the corner of his mouth twitched, and he turned away, and put his fist up to his lips, as though stifling a cough, “Excuse me.” Did that fucker just laugh?! Pyro wondered. “Excuse my boot up yer arse, you old dicknob! Listen, it’s 2020, and you can’t get away with---” He is laughing! He was indeed. Pyro had not been prepared for this. “Hey...hey what’s so damn funny, huh?!” “Nothing, nothing,” Sebastian waved a hand, but it was clear from his voice he was still trying VERY hard not to laugh again, “Please, do go on about my bigotry. After all, I’m very conservative when it comes to sexual practices, as I’m sure you know.” Something begin to click in Pyro’s intoxicated mind. Something that suggested...he might have made a mistake here. And an admittedly pretty hilarious one. “Oh god yer in the fucking Hellfire Club, “ he muttered, dragging a hand down his face, “Of course you don’t care about that...” “Well, it was funny though,” Sebastian said, and the bastard was actually SMILING, “Thank you, Mr. Allerdyce, I haven’t been that tickled all week. But, no, I know about my son’s egalitarian predilections with regards to sex and gender----he inherited them from me, after all.” Oh. Oh god. Of all the things Pyro HAD NEVER WANTED TO KNOW OR IMAGINE. A moment ago, Sebastian had been planning to throw Pyro overboard. But now? Now Pyro was considering just doing it to HIMSELF. *** STORIES       “And then I got to Cambodia and let me tell you---food is great. People say don’t ask what’s in it but me, I got to ask---it’s my job, see---and yeah, they eat things ‘Mericans never would, or most Aussies, but I say, why’re we judging? We eat pigs and those’re way more intelligent than spiders or half-hatched duck eggs, seems we’re the savages for that, y’know? Not that I’m givin’ up pork any time soon but you know what I’m saying?” Pyro and Madelyne were sitting on the ship’s edge, watching the sun go down over the water, sharing a few beers, talking about what they’d done before all this. “You don’t look like you ever ate pork in your life, string bean,” replied Madelyne, “ But yeah. You say Cambodia? What part?” “ Senmonorom, capital of Mondulkiri Province.” “No kidding! I dropped cargo off there once!” Madelyne exclaimed, “When I was a pilot! Spent the whole rest of the day there since I had the time. Couldn’t understand a word but I loved the---oh no, hahaha, I loved the food!” “Ha! I’m sure it was just noodles you got, love.” “Mmm...pretty crunchy noodles, then...” She paused, and looked pensieve, more serious, “It’s crazy. I can really remember the texture. Not the taste though. He must not have known what it tasted like.” “He?” Pyro asked. Madelyne was suddenly sober in more ways than one, as she explained, looking away, “I never went to Cambodia. I never flew that plane. That cargo never existed, and neither did whatever I ate.” “Well, y’don’t need to lie to me get me to like you, Madelyne.” “No, you don’t understand---they’re not lies. I mean, they are, but---they’re not to me, I---but they are---I hate them, but I forget that they’re not---” She was clutching her hair now, and  looked distressed. “Whoa, whoa, hey there mate, what’s the matter?” Pyro placed a hand on her back, trying his best to calm her down, something he wasn’t great at even for himself, “Listen, Maddie...I been through some crazy shit. And I heard crazier on Krakoa from people. We mutants...or, people who are, I dunno, mutant-adjacent like you...we live weird lives. You don’t GOTTA tell me but I’ll believe you.” Madelyne took a  deep inhale, “It’s not that. I know you’ll believe me. It’s just...I never really talked to anyone about it, you know?” Pyro was uncomfortable now. He braced himself. He didn’t like going deep, he wanted everything to just be fun and casual. But he wasn’t going to run away or brush it off either. He owed his friends better than that; when he’d been on his last legs with the Legacy Virus, his friend Avalanche had been everything. He knew their value. Madelyne, too, needed to amp herself up for this. “So you know I’m a clone, right? Of Jean Grey?” “It’s come up, yeah.” “I was grown to full adulthood in a...in a vat, basically. But Sinister---the man who did it---didn’t want me to KNOW what I was. Would spoil the plans he had for me and...for me and Scott. So he gave me some false memories. Mostly I had “amnesia” but I could remember being a pilot. To explain the memories of flight and fire that I got from Jean----what memories don’t come from him, are from her. Well, the Phoenix actually...it’s complicated.” “Yeah, I’m getting that. That’s rough, buddy,” oh god he sounded like an idiot, “ But in my book, you still went to Cambodia.” He was answered with an eyebrow quirk from his friend, and so he elaborated, “Look, I’m a journalist, and I’m a writer, and I...I write stories. Even when it was something true, I’m still making a story about it. And when I make it up entirely, it’s as real a story as when I wrote the one about the real event. Ah fuck, I can’t talk, can write a damn novel but I fuck up all the words when I try to SAY it...look, Maddie, what I’m saying is,” He put a hand on her shoulder, “When I met you, it wasn’t who you are now, or who you were when you came out of that vat. It was some human bird running with the X-Men in Dallas. Yeah, I noticed you looked a hell of a lot like Jean and I thought that was who you were the whole time. Then I saw the broadcast they made, where you talked to your husband---shit, wait, he married you and Jean, what the fuck---telling him to find your baby---oh fuck I’m just realizing why you’re so mad at him, holy hell--before you gave up your life to save the world. That’s who I remember. And your memories, real or fake, well they’re a part of you, they’re your stories. Stories...they make us who we are. And even if they were made up, who you are, what you did, isn’t. You’re a story, yeah. So are we all. Fuck I’m really mangling this but you know what I--- oh.” Madelyne was hugging him. Holy shit. Well, he must have done something right, then. Damned if he knew what, though, he thought he’d fucked it up royally with that Trump-level rambling. And when she released him, she looked up at his shocked face, and said, “St. John?” “Y-yeah?” “Eat some damn pork. You really ARE a string bean.” *** OUT OF THE FRYING PAN Sebastian Shaw was indeed generally immune to explosions. And also to fire. He simply absorbed the thermal energy, rendering it harmless to him, if annoying. Afact that a certain Australian had exploited mercilessly. But Pyro was not here now, and so he could not stop the blaze that Shinobi was trapped in, that Sebastian had escaped but Shinobi had not yet. He’s not out yet, Sebastian thought nervously as he watched the blaze, waiting, Must be unconscious, must have hit his head, the fool, idiot boy, told him to stay in super dense form, stupid stupid stupid child He’d burn to death, if smoke inhalation didn’t get him first. He would die, and be reborn on Krakoa. It would be fine. And the suffering, the death, would serve him right, for being so foolish as not to listen to his father, to do the sensible thing and stay dense, why had he let himself get caught there? If you were weak enough to die, you deserved it, deserved it for KEEPS. Sebastian could say that, and admit it applied to him too. He would not DENY the second chance given to him by Krakoa, but nor would he pretend that Emma didn’t earn his death by virtue of being ABLE to do it. If you could do it, if you did do it, then it was within your rights to do it, was how Shaw saw things. Right of power was the only right that mattered, and you did no favors by RESCUING someone, you only prolonged their weakness. Any moment now, he thought, Any moment...if he’s going to make it out, it will have to be soon. There was a horrible cracking as a wood beam crashed down into the flames. The building was coming down. And Sebastian Shaw’s feet were suddenly moving. But was it by his deliberate decision? Or his own accord? He didn’t know. He sprinted into the structure, careful not to let his body bash through what supports remained---it might not hurt him but it would crush Shinobi if the boy was still alive---heedless of the fire, though the smoke stung his eyes, and he knew he was not immune to the effects of breathing it. If he was going to do this foolish, stupid, NEEDLESS thing, he had best do it fast. He scanned the room through the gray haze, and caught a glimpse of purple obscured by some rubble. He tossed it aside, digging through it like a terrier on the scent of a rabbit, until he found his boy, unmoving but still breathing, and hauled him from the wreckage. His body hair sizzling against his heat-proof skin, the sweat turning to steam the moment it left his brow, he gathered the limp form of his son into his arms, and ran from the flames, this time not caring about the beams he knocked aside, ran right through as though they were as intangible as Shinobi could be. When they were out, and a safe distance away from the blaze, Sebastian laid his son down, and waited for him to wake up. As soon as Shinobi did, as soon as his eyes opened, and he began to speak, and to realize what had happened, to start to express his shock at the fact his father had just saved his life at risk to his own... Sebastian’s fist landed against the boy’s ashy face. And again. And again. Until Shinobi was dead. He left the battered corpse where it was, and begin making his way to find the other Marauders, and tell them they needed to head back to Krakoa when most convinient, that Shinobi had died and would be waiting there. And when they arrived and picked him up, Sebastian knew he would have the good sense to say nothing to anyone. And he’d have a talk with him about the importance of handling oneself in such future situations. He really did try with the boy, dammit, but there was just no teacher like experience, he supposed. And painful experience worked best. *** NIGHTMARE DRESSED AS A DAYDREAM
"Look it’s the Marauder!” everyone cried out in awe and admiration as Pyro entered the party. His grim, stoic expression, his majestic stride, were in contrast to the lascivious frivolity around him of the swimsuit-clad crowd, but this difference only made the girls come swarming to him faster. He accepted their fawning adulation, but only cooly, as it was just his due. He was, after all, the handsomest, most power, Supreme Mutant, and this was all normal and natural. It was only when he began passionately lip-locking with Jean Grey on the hood with Jean Grey that-- Wait, what? This was wrong. This was so wrong. It had to be a dream, but even then it was WRONG. He’d never had a dream of this kind about a woman in his life, let alone Jean Grey. And if he was going to, why would it be JEAN? That felt extra wrong, given that he was pals with Madelyne now, was this some kind of weird-- “GET OFF ME!” cried a man’s voice, and Pyro broke away from the embrace, looking up. Some several dozen feet away, Fabian Cortez struggling with an amorous Avalanche, who seemed to have been engaged with the same activity with the redheaded ‘Supreme Mutant’ as Pyro just had with Marvel Girl...and Dom was wearing the same outfit Jean was. “Oy, what in the--” Pyro started to demand, when suddenly a huge head ---Mr. Sinister’s head, specifically-- erupted from the ground. It was bedecked by yet more scantily clad girls, with a throne on top it in which sat Claudine, being accosted by them, and she looked as confused as Pyro and Fabian were, confused and horrified. Then the rain began, endless rain, and Pyro was all alone, all alone in the mud as the rain came down, rain and pain, so much pain, coming from parts of his body he’d never had in his life, his womb, his-- “All right, that’s quite enough of that!” the voice of Emma Frost echoed throughout all of existence, and the lights came back on in the world again as Pyro woke up. “Freakin’ kids,” he muttered, as he realized what had happened. There was a baby telepath in the latest batch of rescues, and the little bugger had gotten their dreams all mish-mashed together. Happened more than once before. Grunting, he turned over, and went back to sleep...though a little uneasy this time. He wondered, who had that last part come from?
11 notes · View notes
firstdraftpod · 4 years
Text
Courtenay Hameister Asks: What is Objective Truth, Anyway?
First Draft Episode #227: Courtenay Hameister
Courtenay Hameister, debut author of memoir Okay Fine Whatever: The Year I Went From Being Afraid of Everything to Only Being Afraid of Most Things, and former host, co-producer and head writer of Live Wire Radio.
Links and Topics Mentioned In This Episode
Books by Beverly Cleary (author of Ramona Quimby, Age 8, Beezus and Ramona, and The Mouse and the Motorcycle) and and Judy Blume (author of Are You There, God? It’s Me, Margaret, Forever, and Tales of a Fourth Grade Nothing) and The Crystal Cave series by Mary Stewart were some of Courtenay’s favorites growing up
Create More, Fear Less is an organization in Portland Courtenay volunteers with that works with anxious kids
While Courtenay went to New York University, she had the chance to work with legendary comedy group The State. The State — made up of Kevin Allison, Michael Ian Black, Robert Ben Garant, Todd Holoubek, Michael Patrick Jann, Kerri Kenney-Silver, Thomas Lennon, Joe Lo Truglio, Ken Marino, Michael Showalter, and David Wain — was formed in 1998 and had a self-titled comedy sketch show on MTV from 1992-1995. You can learn more about the history of the group in The Union of the State by Corey Stulce.
Members of The State went on to create Reno 911, which is coming back!
“The 7,000 Dollar Pyramid,” is one of The State’s sketches that Courtenay remembers Robert Ben Garant writing
Writing Movies For Fun and Profit: How We Made a Billion Dollars at the Box Office, and You Can, Too! by former State members and co-writers Thomas Lennon and Robert Ben Garant
The Joan Didion quote Courtenay paraphrases is, “I don't know what I think until I write it down.”
Some of Courtenay’s favorite guests from her many years of hosting Live Wire include: comedian, storyteller, director and actor Mike Birbiglia, who is best known for Sleepwalk With Me, which was also a comedy special and a New York Times bestselling book, Sleepwalk with Me and Other Painfully True Stories, and his new comedy special, The New One is also going to be a book, coming out in May 20202, The New One: Painfully True Stories from a Reluctant Dad; Carrie Brownstein, guitarist with Sleater-Kinney (who have a new CD in 2019, The Center Won’t Hold), co-creator and writer of TV show Portlandia, and author of memoir Hunger Makes Me a Modern Girl; director Todd Haynes (who has directed Velvet Goldmine, Far From Heaven, and this year’s Dark Waters; Cheryl Strayed, author of Tiny Beautiful Things: Advice on Love and Life From Dear Sugar and memoir Wild: From Lost to Found on the Pacific Crest Trail; and David Rakoff, humorist and author of Fraud: Essays, Don't Get Too Comfortable: The Indignities of Coach Class, The Torments of Low Thread Count, The Never- Ending Quest for Artisanal Olive Oil, and Other First World Problems
Courtenay’s friend Daniel H. Wilson wrote Robopocalypse: A Novel (which was optioned by Steven Spielberg, but after some delays has now been thrown over to Michael Bay) was the one who introduced Courtenay to his agent, Laurie Fox, who is an author in her own right, of The Lost Girls: A Novel and My Sister From the Black Lagoon: A Novel of My Life.
Jean Garnett at Little, Brown was Courtenay’s editor
Courtenay super recommends Sleepwalking with Einstein by Joshua Foer (and, oh my god, would you look at that, he also has a TED talk!)
The Oprah and James Frey controversy which exploded over his memoir, A Million Little Pieces, is an inevitable reference point for a conversation about what “truth” means in the memoir category
Courtenay’s recommendation for David Carr’s memoir, Night of the Gun: A Reporter Investigates the Darkest Story of His Life. His Own, was so persuasive that I bought the audiobook that night!
I admit to being a complete comedy nerd, and having recently mightily enjoyed John Hodgman’s collection of personal essays, Medallion Status: True Stories From Secret Rooms.
Jennifer Pastiloff (author of On Being Human: A Memoir of Waking Up, Living Real, and Listening Hard) and Lidia Yuknavitch (author of memoir The Chronology of Water and Verge: Stories, out Feb. 4, 2020!) teach a class called “Writing and the Body” that incorporates yoga and writing to enrich personal stories.
Humor writer Steve Almond, author of Bad Stories: What Just Happened to Our Country? and William Stoner and the Battle For the Inner Life: Bookmarked.
Writers Samantha Irby (author of We Are Never Meeting in Real Life: Essays, Meaty: Essays and omg she has a new one coming out this year, Wow, No Thank You!) and Jenny Lawson, aka The Blogess (author of Let’s Pretend This Never Happened: A Mostly True Memoir and Furiously Happy: A Funny Book About Horrible Things), were bloggers before they had books, and they indicate the kind of conversational writing style that Courtenay tends to naturally align with in her writing
Elizabeth Gilbert’s 2009 TED Talk, “Your Elusive Creative Genius”
Dan Harris, author of 10% Happier Revised Edition: How I Tamed the Voice in My Head, Reduced Stress Without Losing My Edge, and Found Self-Help That Actually Works--A True Story, and Meditation for Fidgety Skeptics: A 10% Happier How-to Book
Susan Cain, author of Quiet: The Power of Introverts in a World That Can't Stop Talking and her TED talk on the subject of introverts
Courtenay admires Michael Ian Black’s evolution as a writer. Especially significant to her was his honesty in the memoir Navel Gazing: True Stories of Bodies, Mostly Mine (But Also My Mom’s, Which I Know Sounds Weird). His newest book, A Better Man, tackles toxic masculinity in the form of letters to his son as he goes off to college.
I have always dreamt of being able to link to an article about Jeff Bezos’s dick pics (just kidding but here we go): this incident was wild - The National Enquirer allegedly tried to blackmail Jeff Bezos, threatening to release intimate pictures of him unless he paid up. Instead, Bezos released the pics himself and told them to screw off. It was wild. It was great.
That incident calls to mind So You’ve Been Publicly Shamed by Jon Ronson
“To Fall in Love With Anyone, Do This,” the Modern Love essay by Mandy Len Catron, references Dr. Arthur Aron’s study, which included 36 questions to generate intimacy. (And hey, look at that, Mandy has TED talks about love stories, too!)
I want to hear from you!
Have a question about writing or creativity for Sarah Enni or her guests to answer? To leave a voicemail, call (818) 533-1998.
Subscribe To First Draft with Sarah Enni
Every Tuesday, I speak to storytellers like Veronica Roth, author of Divergent; Linda Holmes, author and host of NPR’s Pop Culture Happy Hour podcast; Jonny Sun, internet superstar, illustrator of Lin-Manuel Miranda’s Gmorning, Gnight! and author and illustrator of Everyone’s an Aliebn When Ur a Aliebn Too;  Michael Dante  DiMartino, co-creator of Avatar: The Last Airbender; John August, screenwriter of Big Fish, Charlie’s Angels, and Charlie and the Chocolate Factory; or Rhett Miller, musician and frontman for The Old 97s. Together, we take deep dives on their careers and creative works.
Don’t miss an episode! Subscribe in Apple Podcasts, Spotify, Stitcher, or wherever you get your podcasts. It’s free!
  Rate, Review, and Recommend
How do you like the show?
Please take a moment to rate and review First Draft with Sarah Enni in Apple Podcasts, Google Play, or wherever you listen to podcasts. Your honest and positive review helps others discover the show -- so thank you!
Is there someone you think would love this podcast as much as you do? Please share this episode on Facebook, Twitter, Pinterest, or via carrier pigeon (maybe try a text or e-mail, come to think of it). Just click the Share button at the bottom of this post!
Thanks again!
Listen now!
0 notes