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#”this is a settings project”
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My favourite thing about doing independent reading is, after handing in an assignment, imagining my teacher sorting through a pile of graphic novels and romance stories then just seeing “I HATE HENRY WOTTON AND I WANT HIM DEAD” 
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soapyakships · 1 month
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ESCAPE FROM THE RAINNN
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transmascskywalker · 11 months
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every time a movie from the 80s looks better than an ultra high budget 2023 disney project an angel loses its wings and fuckjng dies on impact
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ihatebrainstorm · 1 month
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Quick little thingy I made for an assignment,, The sheer blood boiling turmoil this assignment gave me last week holy crap ToT
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xulips · 2 months
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happy (late) trans visibility day!
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sana5353 · 4 months
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zgatotoon · 3 months
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⚔️
I was waiting for the Pjsekai acc on twt to drop Mafuyu's card before posting this! But I'm sorry if you saw this before the set...
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axoqiii · 5 months
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NEW LEAKED SET IS SO PRETTY??? i love you akiyama mizuki
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starwarjotta · 1 month
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kissy codywan (I'm a bit late but this is absolutely for @dontbelasagnax's codywan kissing agenda)
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eggslads · 2 months
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♠️👑
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heartorbit · 7 months
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can i get a magical girl set please
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chibigaia-art · 4 months
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that part in 'a sad farewell' where they're all sleeping on the train and Rui is thinking abt how much he loves them... thats all
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soapyakships · 1 month
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me when i fall in love with the prince im protecting
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jopkajabki · 10 months
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mizooker cheeseburbger
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arrowsneo · 4 days
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Gordon cringe compilation #12
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yabakuboi · 7 days
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"Are you going to break my heart?"
Eddie almost drives them off the road.
It's late, nearly 2 am, and the country road is narrow and winding, and this thing between them, fingers twinned above the gear shift, radio turned down low, Stevie Nicks singing to them softly, is new. Eddie wants to live in this moment forever, wants the smell of lake water and dying August heat to live in their clothes, wants the warmth of first kisses and whispered confessions to last in tingling sparks in their skin, the memory of touch to be permanent. It won't be, it'll all fade, but Eddie can visit it again, rewrite them into the cotton and the softness of Steve's mouth.
It's late, and this is new.
"It's okay if you do," Steve says, so quiet. He's holding on to Eddie's hand like he's dangling off a cliff. "I can handle it. I'd just like a heads up, so I can prepare."
Eddie almost feels guilty, basking in his joy when Steve was sinking into something else. He thinks, if he were a kid still, if he hadn't died, hadn't lost everything and managed to get it all back, he'd be angry. But he's not. He's not, and he did, and it's late and this is new—but it's not unfamiliar. The same, but more, an extra free scoop with whipped cream and sprinkles, a cherry on top.
"You trust me?" Eddie asks. He rubs his thumb along Steve's knuckles, feels the scars under his skin, little tears in someone so perfect.
"Of course," Steve croaks. Eddie can't look at him, because the road is dark and narrow and winding, and he has to get his boy home safe.
"And I trust you," Eddie says, brings Steve's hand up, presses a kiss like a seal to his skin. "And I love you, and you love me. I got you."
Steve's quiet for a long, long moment. Eddie can tell he's watching him, so he presses another kiss to Steve's hand, lets his lips linger on hard tendons and dark veins. Kisses in his promises to the place they're linked together.
When he speaks again, it's soft, and Eddie can hear the love, living and leaving in the air between Steve's teeth.
"Okay," he says, giving Eddie everything. "You got me."
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