returning to the void
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"They are acting out for 13 years the possibility of going back to that hotel room to find again that beautiful moment of burgeoning desires and innocence. And at the same time, to feel at ease with one another, the way they were there. So, throughout the entire arc, that’s what they’re trying to do. And finally, with the rivalry at that heightened level, the triangle finally found itself sitting in the same place, but now on the court. I needed to get this very, very visually amped up and really immersed for the audience to understand how much it meant for them not to win over the other, but to be back together, all of them.”
CHALLENGERS (2024) dir. Luca Guadagnino
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Beauregard Lionett (M9 portrait 4/10)
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one of the chocolate guys videos appears on your dash. you pause your scrolling to watch it, trying to guess what he’s making because this doesn’t seem to be one you’ve seen before. as the video goes on you get more unnerved and impressed — he seems to be making a whole human being this time, and it’s uncannily realistic. it’s even filled with candied fruit and sweet pastries in place of organs, red velvet cake and a cherry reduction making up flesh and blood beneath the chocolate. but something feels off. the person he’s making seems strangely familiar. upon the final reveal, you know why. amaury guichon has created a perfect replica of you
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the monster beyond the veil
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Hey did you know they flirt with you on dating apps?
Wild thought. How did I not think this through
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Best of Asterix FINALS
Asterix & Obelix: Mission Cleopatra (live action) vs The Twelve Tasks of Asterix
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Challengers (2024)
D. Luca Guadagnino
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