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NOSEX
"a still is not a film. it lacks the dimensions of time and movement
— indispensable components of film art — and represents only a
small fraction of a single second of a given motion picture." — amos vogel, film as a subversive art (1974)
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1. David Cronenberg’s Videodrome (1983) from 2-3-2
2. “Nothing is real until you put it in the VCR.” J.G. Ballard, Seconds magazine, 1996
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SOUTHLAND TALES (RICHARD KELLY, 2006)
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SOCIETY (BRIAN YUZNA, 1989)
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BEAUTY AND THE BEAST (JURAJ HERZ, 1978)
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DAGON (STUART GORDON, 2001)
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BABY IT’S YOU (JOHN SAYLES, 1983)
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WE WON’T GROW OLD TOGETHER (MAURICE PIALAT, 1972)
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SLOW MOVES (JON JOST, 1983)
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THE KILLING OF A SACRED DEER (YORGOS LANTHIMOS, 2017)
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CHOOSE ME (ALAN RUDOLPH, 1984)
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MOTHER (BONG JOON-HO, 2009)
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THE PATSY (JERRY LEWIS, 1964)
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DADDY LONGLEGS (JOSH & BEN SAFDIE, 2009)
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GIRLFRIENDS (CLAUDIA WEILL, 1978)
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MESSIAH OF EVIL (WILLIARD HUYCK & GLORIA KATZ, 1973)
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AGATHA AND THE LIMITLESS READINGS (MARGUERITE DURAS, 1981)
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