heaven is not fit to house a love like you and i

hozier giving us a FULL HOUR of music is proof everything is gonna be okay

Me rn

[emerging from the hozier song covered in blood] anyway,

Untitled Portrait by Adam William Hawil This artist on Instagram

mutuals i am rubbing my head against u like a cat and biting u again and again and again and again

if you’re ever in doubt about what pov to write a scene from, a good rule of thumb is to pick the person who knows the least about what’s going on. lots of pros!

you automatically have some level of tension in the scene, as they either struggle to figure out what’s happening or completely fail to notice it

if they know as much or barely more than the reader, the reader is learning things alongside them, which will help make exposition feel more natural

if they know less than the reader you now have dramatic irony! great for humor and/or agonizing tension

helps you keep secrets from the reader longer, since your pov character doesn’t know them either. (I mean you could also just carefully omit major info and pretend you thought it was obvious. see the Queen’s Thief series for several examples that span a whole novel!)

helps add a fun little mystery for the reader as they try to figure out those secrets (fun little mysteries are great attention hooks!)

“what’s going on” can mean anything btw, it could be the plot or the worldbuilding or another character’s motivation or the location of the buried treasure.

for best results, think about what each character in the scene wants to get out of this scene, and then pick the pov of the person who has least control over/knowledge of whether they get what they want. failing that, figure out which character has the most important secret that’s affecting the course of the scene, and write from the pov of someone who doesn’t know the secret. (the secret can be stuff like “I’m in love with you,” “I’m a spy for the spider queen,” “I’m the one who stole the muffins,” just whatever’s adding an undercurrent of tension to the conversation.)

this rule won’t be right for every occasion and you should trust your gut, but it’s served me well for years, so I encourage all you writers to consider it when figuring out how to approach a scene :)

omg ok put in the tags a food that makes u feel like life is worth living when you eat it. like u eat it and it’s soo good and everything’s fine actually

do you see? do you see? do you see?

I love the symbolism here. In Gojo's panel we see a black fish and in Japanese culture black fishes represents negative energy. Whereas in Geto's panel we see a white fish and white fishes represent power and strength.

I love how mappa included the opposite fishes for both of them; the black fish is similar to Geto's cursed technique (how he swallows negative cursed energy) and the white fish is related to Gojo and how he becomes more and more powerful over time.

ok thats enough sun now. turn that temperature down brother

for science this time!

There’s something about the sun on the sea

[niccillustrates]

actually, poisoning the people and land with toxic weapons is great, as long as it's Our side doing it

i've seen this with urls but not with icons, so...