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Turnabout Holiday Clarification
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unnamed, a recourse
You call him dear and he agrees to it without hesitation.
It takes a few seconds for him to realise what he’s done. But it’s too late—his mouth is already running off—he’s asking you for nicknames. 
A sly grin breaks out onto your face. You’ve caught him off-guard and you’ll take as much as you can get.
You suggest things like darling, honey, sweetie, beloved and all those affectionate pet names lovers share (which the two of you are most definitely not… Yet. Argh! Focus!), and he says yes to every single one of them because he’s a fool digging his own grave; but the most damning one of them all, the one that nearly sends him reeling, fevers his face profusely to the point of dizziness, and makes him want to choke you just to get you to shut up and stop teasing him (because that’s all this is to you, isn’t it? Some game to toy with him!), the last of your exhaustive list is: my heart.
All the thoughts in his head stop like waves crashing against rock.
Your grin, which he previously thought malicious, over the course of the conversation, has become a small, fond smile.
“Is that alright?” you ask. You lean in close and whisper into his ear, “My dear heart.”
Of course, he silently agrees, anything for you. Anything for you. And then he shoves you off him and stalks away. He half-remembered the presence of Paimon and Lesser Lord Kusanali but he can feel their eyes boring into his back all the more now. You were too close for comfort just then. If he had let you linger in his space any longer, he might have… might have… 
How embarrassing.
You’re foolish to ignore the signs—or perhaps you’re pretending not to notice for his sake? What with his newfound freedom and autonomy—of what magnitude a scale his feelings for you are.
(Wouldn’t that be nice. A pair of fools. A wanderer and a traveller. How perfect.)
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Small extra commentary for my Nobara x Reader fic: While I was writing it, I knew I was going to have to approach The Soul Touch and, while cruising the internet (as you do, either looking for inspiration or momentarily tapping out), I figured—yeah it’d be cool and all if she ended up with an eyepatch but nah, let’s go for a skull replacement. 
So I did:
Bone is a special material. [...] Bone, like the soul, contains an essence of sorts, it’s one of the few natural conductors of negative energy humans can have.
Your point: bone is not easily replaced.
[...]
You know what you’re doing.
You’ve had to do this a few times before.
It will work.
But exactly just whose skull?
Yeah, I went and made it OG!Sukuna’s but whatever.
End result? Nobara gets an healed and an extra pair of eyes, courtesy of Reader.
I guess I wanted to just dip my toes into body horror. Implied or explicit. 
I don’t really have a lot of experience when it comes to writing in general; usually, I focus too much on a character’s headspace and forget about their immediate surroundings. It makes things seem clunky to me, both when I’m in the middle of writing and reading things over. But with this fic, I tried to rectify that, if only a little.
I’m not sure if I succeeded. 
... I’ve rambled on too long.
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Conversation
state of my current wip
reader: *sad clown noises*
also reader: i'm this CLOSE to chucking you into the void
megumi: wtf did i do to deserve this
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i’m telling myself right now a three-way crossover between yu-gi-oh, hikaru no go and shiori experience would be too powerful for the pure chaos it would create but yumekui kenbun and jujutsu kaisen are knocking on my door asking for a place to hide and tsubasa reservoir chronicle is there too with its whole slew of wft-ness and i—
in other news, bodily possession.
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to be [a]sundered
Summary: Kugisaki Nobara is blessed. She will never know.
Relationship(s): Kugisaki Nobara & Reader, Kugisaki Nobara/Reader
Note(s):
Here’s the link to read this on AO3! (You know the drill, extra tags, different notes, the format I intended, etc. Oh. And the comment section.)
There’s manga spoilers in this fic alongside headcanon.
So far, out of my menial amount of JJK fics, this one has probably been the most enjoyable to write. With Nobara’s background I can play around because it’s just there.
|||
“I’m going to Tokyo,” she says. Come with me.
“No.” Can’t, sorry.
Mahito touches her soul.
Kugisaki Nobara is blessed.
She will never know.
The first time she introduces you to her friends, Saori nearly gouges your eye out with a sugar spoon and Fumi spills the contents of her cup across the table.
“I have cake,” you say, offering a cutesy box to Saori who’s still got the sugar spoon trained on you. “It’s baumkuchen. An old acquaintance gave it to me for free but I figured it’d be too much for just one person.”
Nobara, giggling, just offers you a seat and asks for more tea.
On the outskirts of the village there is a shrine.
They say it houses a god that blessed their lands long ago and watches over them to this very day; they hold a celebration in its honour every year, a small share of the harvest season’s best crop is offered up to appease the god.
Her grandparents say it houses a malevolent wonder-terror who feasts on the soul of its worshippers once the sun goes down; her grandparents say the aforementioned god and malevolent wonder-terror are one and the same, born from a wish made by humans.
You laugh when she tells you the crap people have come up about your home. (You appreciate the free food, though.)
You are not a god or something malevolent. You’re you.
Not quite divine but too powerful to sniff at.
Humans cannot see or sense you. Not even those who can bottle their negative energy, the ones you occasionally see passing through the village. Usually, you have to will yourself into existence. But she can regardless.
Spirits, the weak and strong, good nor bad, fear you. Your presence sets their survival instincts off, running immediately when you try to approach them. She has to give chase and incapacitate them for you when the hunger becomes agony.
You taught her well, it seems.
Too well.
Mahito touches her soul and it burns, burns, burns.
-
Kugisaki Nobara was barely old enough to be out on her own, but her grandparents trusted her to stay safe. The village was small, everyone knew each other, word spread fast, so if something happened to her on her small excursion… Well, no one would come looking for her, would they?
It was a lie when she said she was just going out to play with friends at the park.
Nobara didn’t have friends.
All the other kids were boring. She didn’t like their company. Whenever there was a big gathering, she’d try her best to avoid them and hide from the adults in bushes.
Despite knowing this, her grandmother let her go.
She hated being cooped inside with nothing to do and today was perfect! The humid air made her clothes stick to her skin but at least the wide-brimmed straw sunhat she snatched from her grandfather’s shed protected her from the sun’s wrath. It meant her peers would be over at the river halfway across the village; people wouldn’t go back to working on their fields until it cooled down a bit later in the day; they wouldn’t see her; and she’d be on her lonesome.
She wanted to laugh to herself. Everything was coming together.
Finally, she could check out that place she’s been meaning to visit ever since she first heard of it: the derelict shrine.
Her grandmother warned her to stay away from it, lest she give her name away by accident to the being living there and have her life stolen, but Nobara, inwardly, thought it was a load of cow dung. She’d die? Hah?! It was all superstition! (She would never admit it did spook her a bit.) Besides, things like vampires and witches and ghosts didn't exist in the first place. She’d be fine.
Humming with a skip in her step, Nobara made it to the shrine in due time.
“Hello?”
“Why hello there!”
She took everything back.
You had to be a ghost with the way you snuck up on her soundlessly. You kept insisting you weren’t. You glided along the floor.
You had to be a ghost. And now you were serving her snacks and tea. Inside the shrine. Inside what was, supposedly, your home.
“Why don’t I believe you?” she voiced aloud.
You stared at her, face deadpan, and poured hot water over your hand. She watched your skin scald. “Does this answer your question?”
Kugisaki Nobara at five years old was a bit of a skeptic, contrary to her personal beliefs.
“No. Not really.”
-
11:25 PM →
You emerge from the gaping hole where her left eye was blown out alongside a good chunk of her head, something writhing and fierce and oh-so familiar.
Ah. Right. This feeling; this foreign dread dawning upon him, piercing Mahito innermost; your dull but irritated eyes trained on the cursed spirit akin to a lizard eyeing up a cockroach. You’re like him, possessing a soul that absolutely cannot and should not be touched.
Shit—that means she too—
Hahahahaha.
You don’t even need to spare him another glance. You know what he’s thinking. You know what he’s done.
You won’t be as lenient with him as Sukuna was.
But here’s the thing. Although a student may surpass their teacher one day, the teacher might not relay all that they know to the next generation to ensure the safety of their student and those around them. However, Mahito is nothing to you. Itadori Yuuji, on the other hand, is important, so you grab him and throw the boy behind you.
“Reverberate,” you intone, bearing the exact same wounds as her.
His senses are heightened a thousandfold, but not nearly are they even close to yours.
You shove a nail of hers into yourself, saying, “Plunge.”
It hurts. It hurts, it hurts, ithurtsithurtsithurts, hurtshurtshurtshurtshurTshURtsHURTS.
“Quietus.”
“We’re soulmates, you and me.”
She bursts out laughing. “Like from those cheesy dramas?” Nobara asks. Because. She needs to know. Whenever she’s around you, everything feels… right. It’s hard to articulate. Her heart doesn’t rush when you graze her skin but the particular spot where contact was made always tingles with a reassuring warmth; you’re real, not a fabrication of her imagination. She doesn’t fantasise about you like the way her peers do with the object of their affections. Your very presence makes her comfortable. “Are you having second thoughts?” she jeers, poking you hard in the ribs. (She’s still bitter about your decision.)
The intended jab has no effect.
“No,” is your reply. “What I mean is that your soul and mine are the same. If something happens to you, I’ll know.”
“What? You think I’m gonna be some part of a demonic summoning ritual where I’ll be a human sacrifice?”
“Time and distance makes no difference.”
“So if I just say the word…?”
“That… that’s not what I…” You sigh and scrub the gunk from your eyes.
How are you supposed to explain the whole situation to her?
Oh, yeah, about a couple aeons ago there was a being who tore themself in two—one part immortal, the other mortal—in order to understand their reason for existing. Their immortal self would be stagnant and observe their mortal self who would continuously live, die and reincarnate, until the latter, under their own volition, sought the former out and then a conclusion would be made between the two on whether or not they would remain as separate entities or rejoin together as one again.
Your original self (you and her; her and you) wasn’t great at planning ahead, that is plain to see. They didn’t think about the consequences, they just wanted an out. And fast.
Well look at you now. Distorted beyond reason. You’re an exercise in self-destruction. You stopped considering it being a miracle that you could wake up every morning by yourself and do what you wanted: the novelty was short-lived. You want to die but you’re at the point where it’s easier to convince yourself you do not than to focus on how you will off yourself somewhere that no one (and nothing) can find your undecayed corpse because the company you keep will become worried if you let the happy facade slip.
“Never mind,” you mutter.
-
She was ten when she first saw the skull.
It tumbled from your billowing sleeve as you rummaged around your pockets, rolling to a stop at her feet.
She lifted it up. “Whose is this?”
It was a weird skull, not like those she’d seen in her textbooks. She thought of asking Fumi about the skull later, when school started back up, but the idea was literally snatched from her mind when you saw exactly what she was holding.
In your hands, the skull seemed smaller. Inconsequential. Another another weird quirk of yours: carrying around random things. Maybe it was a model? You told her to forget about it and stowed the skull away—back into your sleeve—and dragged her along the beaten path you insisted on walking.
The next time, she was thirteen and helping you clear up your home. Fumi was there too.
They’d been going through a closet stuffed full of old junk and out the skull tumbled, right into Fumi’s lap. Rightfully so, her friend screamed. It took you several minutes to calm the poor girl down, her view of you now askew. Nobara was on your side when Fumi tried convincing you whomever the skull belonged to deserved a proper burial out in the forest and you refused.
No matter how hard she tried, you would not budge.
And that was that.
(From then on, whenever you made yourself visible to Fumi, she regarded you warily before seeing the way you looked at Nobara like she hung the stars and the moon.)
The last time the skull made an appearance in her life, Nobara had just turned fifteen.
A strange pair of men were at her door at the crack of dawn, rousing her grandparents, which prompted them to drag Nobara out of bed at such a god-awful time of the day. They all sat at a table soberly, discussing her future while Nobara found her attention gravitating to you.
You were playing with a stray cat in the garden, its stomach presented to you eagerly so soon after it deemed you safe, and making the most disgusting cooing noises she had ever heard to it with a dopey grin.
It was only at the call of her name that her head snapped back forward.
Yaga Masamichi was a strange one, tinkering so openly with a corpse in front of her deeply superstitious grandparents, but, strangely enough, it was his companion, a shock of white hair and bandage, that caught her eye. The young man was looking your way.
Not at the cat pawing up at thin air. Oh no. The blindfolded stranger’s gaze was dead set on you; she saw his brow raise minutely as Yaga and her grandparents continued talking, her tools of trade that was cobbled together from old sheds and the local hardware store bared flat on the table; she watched him watch you rub the cat’s belly before you lifted it high into the air like a parent would to their child. It was obvious what the situation playing out was: you had caught on to the stranger’s sighting of you long before she did. To emphasise the fact, you even babbled to the cat, “Higher, higher! Oopsie-daisy!!” before letting it back down and nuzzling it against your face, affectionate and close.
Yaga only noticed the change in atmosphere when the cat’s meows suddenly went quiet. But the other one (white hair, bandages, feels wrong, rotting flesh and fresh) grinned, slapping an enrollment form on the table.
“You. Leave that thing behind when you come to our school,” said Gojou Satoru, his introduction earlier all pomp and a wellspring of positive energy memes a stark comparison to now as he continued watching you, all but ignoring her grandmother shouting up at him to stop spouting nonsense.
(“What drivel! My granddaughter surely won’t—”)
She went back to spacing out in your direction.
Without hesitation, you dropped the cat into your gaping maw and swallowed it whole in one gulp. The first cursed spirit you managed to catch by yourself. Your ability at masking your aura was improving. That was good.
The skull peeked out of your hoodie’s pocket, the many orbits winking at her.
Screw the rules, you were coming with her whether the bureaucracy liked it or not.
-
At this rate, she’s going to die for sure.
You know what to do.
You’re one and the same. If Mahito touched one half of your original self and corrupted it, reason dictates that giving her body (the container) yours will fix her. But there’s a problem.
The implosion practically ruined her chances of survival, reducing it to null.
Not even a high grade sorcerer could hope to reverse the damage. Bone is a special material. Bone takes time to be cultivated or to grow. For a jujutsu user, especially, a substitute of different material won’t cut it. Bone, like the soul, contains an essence of sorts, it’s one of the few natural conductors of negative energy humans can have.
Your point: bone is not easily replaced.
Kneeling over Nobara, you grab from the air the object you were entrusted with over a millennium ago for safekeeping.
“Oi, oi, oi, you. You. Freak-god-thing.” You regard Itadori Yuuji with disdain. Or rather, the lone eye and accompanying mouth that’s on his cheek. “Is that what I think it is.”
“What? Are you objecting? Or worse—obstructing?”
“I don’t know about you or the brat, but you’re gonna fuck up the girl if you do that.”
“And since when did the King of Curses grow a heart?”
“I fucking didn’t, you prick.” The eye manages to scowl without a brow. “I’m just saying… You are sending her to condemnation.”
“Says the finger shagger,” you retort. The mouth disappears; Itadori Yuuji has an indescribable expression on his face but you know he won’t try and stop your hare-brained idea, he wants what you want.
You know what you’re doing.
You’ve had to do this a few times before.
It will work.
“Hello?”
A child? Who in their right mind would—
You freeze in your tracks. It’s them, your mind exclaims. It’s them. Them. Them. Them.
… Her.
You walk up behind her, beaming.
“Why hello there!” you chime, so, so happy.
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begrudging (love-)blindness
Summary: You are, to him, unquestionably, terrifyingly lovely.
Relationship(s): Gojo Satoru & Reader, Gojo Satoru/Reader
Note(s):
Here’s the link to read this on AO3! (You know the drill, extra tags, different notes, the format I intended, etc.)
Personally, I think this is hot garbage in terms of structure and pacing (it’s loosely all strung together is what I’m saying, but I just needed to get it off my chest before I wrote anything else. Yet... I guess I had fun? Yeah. I did!
There's spoilers from the manga mixed with headcanon.
I still hate spacing and formatting on Tumblr, it sucks. Please, please, please, this is for your own good, click the AO3 link, this fic is such an eyesore on this platform.
|||
There’s a tug at your chest, sending you hurtling backwards and into something hard. A wall. Tiles. Smooth.
The heavens and the earth view one another through a layer of haze of light at night.
There are thousands of people gathering, their footsteps thundering echoes in your ears. Their chatter is a constant hum in the air. It stinks of sweat.
(“The train will be arriving soon. Please stand behind the yellow line—”)
You sigh.
“Dammit, Satoru! A little warning would be nice,” you hiss to the man. You hear him whisper something back but his voice is swallowed up by the crowds and then he, too, is consumed.
You feel him wander farther away from you; not left with much choice, you follow him. And down, down, down you go.
You pause when there’s an invisible wall blocking your path of his own making. “Hey!!” you shout, starting to scream expletives at him from the top of his lungs and he doesn’t look back.
A few seconds pass. The people, these poor, clueless civilians who just want to go home for the night are like sardines in a can, their bodies pushing and shoving. For space. For air. Requiring neither, you phase through the wall and the remaining levels to catch up to him, the thoughts going through your head solely focused on figuring out why he has let you out. He wouldn’t do something like this without warning you beforehand.
Why now? What now?
You pull out from the shadowed cracks of the feeble curtain set up along the fifth floor underground, suddenly feeling a heaviness you hardly ever experience. You run a cursory swipe over his teeth; the blood in the air is fresh, there are more civilians down here than up above, more sardine-ing (their presence is fading away, the above platforms’ panicked din becomes extinguished, it’s ghastly quiet, a moment frozen in time), but no Satoru. Not physically.
He loves you, you know. (You don’t understand though… Why?)
It’s a burden, draining you of what vigour is left in your soul, barely just clinging on to this plane itself.
His love is a curse in itself, really.
"I don't want you to see me hurt," he had said often, back when you were children, oblivious to the power of those words until you got older.
What they meant.
What they did—to him and you.
Still as the wind, you stand together, hands brushing up against each other's, your fingers infected with poison where his is not; the calloused skin and scars shared between you weaving a tale for the ages that will never be told.
You’re both nineteen at heart but certainly not in spirit.
You lean against him, completely unseen, waiting for him to flick his finger back.
Waiting for him to obliterate the first person he thought he could trust outside.
He doesn’t. You disappear for another time, expectant.
His love is a burden and you're not sure where you would be without it.
If he hadn't looked your way, would you be the same person you are today?
It's frightening, these thoughts of yours, but he usually chases them off when he senses them bubbling to the surface. (You want him to be annoyed.) A casual grin and stance, a flick of his wrist, a rush of wind by your side, then the phantom pressure is gone, yes, gone, however—it's never banished completely. It never can be.
You don't remember the colour of his eyes but there's a memory of you claiming they looked like marbles, buried somewhere (somehow), in the back of your mind. Like the marbles you'd smash glass bottles to obtain, their fizzy contents only drained seconds beforehand; stubby, sticky, small fingers sorting through the shards, squashing ants in the process.
Those very same fingers, now, haven't changed a bit, save for the chipped nails and whatnot duress they’ve sustained throughout his life.
You use them to push the blindfold up to his forehead, taking in the surrounding sights.
Why now? The fact that you can feel them, his fingers and everything else—that’s a bad sign. A very bad sign.
You breathe, inflating the faux lungs.
Finally, you see it. The reason why you’re walking and talking and fully corporeal.
You gulp at the living corpse, its stitches wonky and fresh. Cerebrospinal fluid spills from its face in fat droplets and lands upon the clothes of a dead man. Disgusting.
“So I was right in the end,” you say, more for yourself than anyone else. “You’re not Suguru.”
(Satoru owes you a thousand yen. You told him to burn the body immediately. Or, you know, the usual. But what’d he do instead? He went and passed it off to a third party! Man, why’d that old hag have to kick the bucket so soon… If she was still around she’d probably kick Satoru’s dumb ass for trying to be decent.)
“How are you free?” Not-Suguru asks.
The real Suguru wouldn’t ask about your appearance. He would make a comment about how the temperature has dropped and burrow into his collar. He wouldn’t question things.
The real Suguru never acknowledged you, but he knew there was something in the corner of his eye that took the image of his friend and laughed alongside them when they pulled their antics during missions.
The real Suguru is gone.
Who the hell knows where Shouko is.
Yeah. A little warning would have been nice. Real fucking nice.
There’s a cube with a dozen eyes between the two of you, the crater on the ground betrays its unassuming weight. Satoru’s muted presence, a shrunken pearl of light, emanates from the cube.
Not-Suguru follows your line of sight to it.
Giving him an answer would be a waste of your time.
You can’t, they say.
Young master, please, don’t go there, implores the servants and guards.
The elders, his grandmother especially, tell him not to enter the storehouse tucked away in the garden behind an avenue of camellia trees because that’s something they’ll discuss when he’s older.
He doesn’t listen to them, the curiosity of a three-year-old child cannot be satisfied by mere words. (“Let this be known,” the gardener says in his defense, one cold summer’s day. It is raining outside. His grandmother shoots the only person in the compound that doesn’t treat him like a blind fool with a withering glare. He does not see them again until—)
What’s in the storehouse?
A library of cursed objects? Spiritual remnants, artefacts, texts, poisons, weapons?
Maybe the mummified corpse of an ancestor whom they keep around to ward off evil?
Perhaps a curse, frozen in time forevermore?
Maybe it’s nothing and the adults are all in on some kind of elaborate hoax, he figures. Mm, yeah. Sounds about right. No one else knows about the storehouse.
It’s old and earthen. Wild plants curl the walls to one side and splotches of moss grow on the tiled roof. Where the sun hits least is pristine. Clean. He wonders if that’s where the wards are placed, out of sight, out of mind.
Oh.
Standing in the entrance of the open door with bare feet, at the threshold of the aged structure, fulfilling his desire, he learns why they wanted him to remain ignorant.
It’s a child. (A human…? This whole situation is off.) A kid his age. He can’t tell whether or not they’re older or younger. They might be a bit taller, though.
No, he wants to shout, this can’t be it! He stomps his foot. That’s cliché! Boring, boring, boring! Again, he strikes the ground. Ugh, whatever—
A sigh escapes the emaciated figure sitting in the darkness, hunched over themself against the wall of the bare storehouse.
“Ah, my f̶̥̍r̵̝͐̏i̷̳end,” they start, softly. “M̶̹̦͒y̸͍̮̋̚ f̸͉̓̋r̴͇̦̕ǐ̴̦͇e̵̫͠n̷̢͉̅̓ḍ̸̅, my very dear, old friend. You have returned.
“My e̷̳̭̿y̶͈͂e̷͔̭̎͘s̴̭̄̊, have you come to give them back? Ask for several others?
“I have waited for you, as promised. Come. Closer. Please. I do not know how long has passed since I last gazed upon your visage. Do not be afraid.
“I no longer lust for flesh as fervently as before, I will not ask of y̸͖͔̒o̵̳̍u̵͍̘̓ ą̴͕̈́n̵̫̓d̸̛̳͛ y̵̻͑̎o̵̖̥͒͌ų̴͋̐r̵̦̩̓s a sacrifice to please me.”
Their voice is garbled, the resemblance to a broken radio off-pitch jarring his reaction time, a music box opened underwater gurgling, ghosts beat to the rhythm of the blood in his ears and titter buried mysteries.
In the corner of his eyes distant stars burn, galaxies explode to life and die repeatedly, the vast cosmos is shredded apart. Universes are swallowed whole. The plane he stands upon bends to the will of the one whose gifts he uses carelessly to play the role of a deity and dictate the balance of the world.
People have said [they] reflect the very heavens.
His faith wanes.
.
a trio of ragtag orphans,
escapees, survivors and starved,
on the verge of being
no better than beasts,
happen upon a traveller taking respite from the winding roads.
a foreigner no doubt
they guess from the strange hued garb;
rest, everyone around these parts,
they know comes not
easy to scum, scoundrels, sinners and
deceivers alike.
.
.
.
mad ones, rushing to death
—without protection i must add—
oh my darling children, you are!
consume my flesh,
defend those unseeing,
purge the blight
and you shall witness
my return before long, indeed?!
.
They do not move and neither does he.
What he assumes to be their head tilts ever so to the side, gauging him, this fool of a boy trespassing on their domain. This part of the garden, the little boy realises too late, is theirs.
This, the storehouse and now him.
(—the gardener finds him sprawled out on his back come dusk. They help him to his feet and dust him off, the sparkle in his eyes an unusual occurrence; they ask their precious young master what happened and he points them in the direction of the doors sealed shut.
“I took a peek inside,” he lies. Children are supposed to do that, right?
“And what did you find?”
“Nothing.” The gardener knows he’s a bad liar.
“Good. Now come.” They lead him away from the path of the camellias. “Lady Mitsue has been beside herself over you, mister.”
His grandmother hasn’t. She probably knows what he has done and will instruct him to feed the council what they want to hear. My son was too soft, she asserts before and after every meeting with those windbags.
You have to do better.
And his father is dead, so only time will tell who’s right.)
He starts having weird dreams (memories?) several days later.
Trying to ignore them doesn’t work.
Every waking moment is subject to gore.
He has to resist the urge to scratch his own eyes out while he trains.
In the world beneath his eyelids, there are shadowy figures claiming it best he is blinded and locked away and fed what no other soul could hope to consume without issue. And just as they force open his jaw—every night, every time—he wakes up.
Satoru doesn’t know what to make of it. Doesn’t know what to make of you.
One day, he dreams of years of living without sunlight causing you to screw your not-eyes shut and look away upon the opening of a door into your domain. When you recover, you turn to the door, the emotion of curiosity tugging for your attention out of the myriad of beings you’ve eaten.
Standing at the threshold, ethereal, desperate and short of breath, is a young man. In his arms is a woman, his wife, you presume. They’re stark shades of white, binary stars of a celestial system long dead.
You smile, recognising them in an instant. “Ah, my old friends, children of my children’s children a dozen times over, tell me, what is it you wish for?”
“My wife and our child,” says the man, “please, I beg of you, save them!”
Oh? A healing? It’s been quite some time since that was last requested of you.
You skitter to the pair’s side and shut the door gently behind them, ushering them further in.
You click your not-tongue at the woman’s state, wondering why no one thought to come to you earlier. If they did, the price they’d have to pay would be much less than what you’re about to tell the man. Humans are such prideful creatures, Satoru knows this, but he can’t help but feel tense as you instruct the man to lay the woman down and state your cost.
First, he opens his mouth. Then it shuts. Opens. Shuts. The man regards his dear wife with something Satoru has never seen before in the eyes of those around him.
His reply?
“I accept—”
A harsh smack to the head disrupts the memory; he looks up, unsurprised to meet his grandmother’s gaze, wrinkled eyes so very much like his own piercing his soul.
“Being distracted in the middle of a fight is unbecoming of you, boy,” she says. “What seems to be the matter?”
He can’t tell her.
He stays silent.
“Satoru.” She raises her hand, fingers crossed, indicating the void’s opening. “We Gojou pride ourselves on our ability to adapt. That is why, in fact, I say my son was too soft. He could not accept that he would lose my daughter-in-law and the child she carried in her womb to common illness. He could not accept that it was impossible to cheat death. He could not accept the position he was placed in. And for that, he died and of the aforementioned two, only you lived. Do you understand?”
No. He doesn’t want to understand.
What is adaptation if they’ve yet to rid themselves of and bow down to your constant presence? Is that not their most fatal flaw?
You eat them.
One life in exchange for another; you told his father it was the only way.
You were given the corpse of his mother a hundred days after his birth by the elders.
Every Gojou after death, you grind their bones between your teeth and their flesh rots at the bottom of your belly. Their soulful essence fights for dominance against the forces of the innumerable curses the clans feeds you—the hate, the sentiment, the sheer bursts of techniques and mighty powers clashing, click, click, click—you embody and absorb the aftermath of each childish scuffle, playing the bored jailer adjudicator. Corpses, tools, objects, energy and flesh. It’s how you’ve lived for so long without light or human thought to taint you: the jujutsu world’s dirty little secret, waste disposal.
You are, to him, unquestionably, terrifyingly lovely.
He loves you for that one reason.
A means to an end, forever.
(The boy, a few days shy of his fourth birthday and inauguration, does not know what love is. He thinks he does, having read the definition in a dictionary in order to familiarise you with modern speech, but love is not a word to be thrown around lightly the way he does.)
“I do,” he lies again, this time, to himself. “I understand everything.”
His sight is black.
He pushes back against the current, against instinct telling him to relinquish control and reaches forward for the dream that he was ripped from.
Your true form towers over his mother’s prone form, dripping ichor and the fluid of loose entrails all over. His father stays seated even when you lift an arm to draw blood, the man facing you without a trace of fear.
“I accept—but on the condition that my child receives your protection.”
“My p̶̹̽r̴̽ͅo̵̠͐ť̷̬e̶̺̊c̶̻̒t̷̙͑i̵̮̓o̶̱n̷̖͂?” Do they not teach the younger generations what that entails?
“Yes. My ancestors wrote that you were a benevolent being in a past life. That you were a kind-hearted human who accidentally drank poison before being found and buried alive, condemned and reviled, forcing you to become what you are now. Does that still not hold true?” His father’s face is hopeful.
It doesn’t. But who are you to tell him that? That ‘benevolent being’ never existed in the first place. You’ve always been this.
The vivisepulture part was true, but the beginning? Debatable. Your memories of ‘being human’ are foggy; you’re not sure if they’re real or someone else’s. Satoru’s is the clearest thus far because you abide within him. And he’s young, there’s little to garner.
What other nonsense has been made truth in the time you have withdrawn from the world?
He wants to go down that rabbit hole.
You grab the cube and run, warping reality in your wake.
You are many things.
Alive, you are first; secondly a parent, a teacher and a friend; cursed thrice times over; quarter something-something or rather by this point; and last, your hollowness complements the damned hallowed.
You are Gojou Satoru but not.
His skin peels off in delicate scales from the speed you’re going.
The first and last time you puppeteer his body, Satoru invokes his father’s contract with you for the second time in his life.
Like the first occurrence, it happens by accident.
(The first occurrence is a stain on your memory.
Mitsue looked her grandson in the eye and tasked him with a futile quest, one that would decide the future headship of their clan. You personally thought such practices outdated but you held his tongue and grit his teeth, faking laughter for the audience they had.
She reminded you too much of your youngest, both in the way she cobbled herself together and how she suspended time long enough to catch a glimpse of you hunched beside him, flickering in and out of her void domain with the ease of a toddler climbing free of their crib.
Beautiful and deadly.
He nearly died.)
He is unaware of the finer details, but where his consciousness ends at getting a scalpel to head, it rouses again with him standing before the man who has the blood of Satoru’s friends on his hands and left him to bleed out undecapitated.
On a high from escaping Izanami’s clutches, he sprouts math and whatever nonsense off the top of his head and ragdolls up, down, across and through the air.
He feels like a being higher than the gods. Doesn’t mean he is, though.
He’s barely in control.
Violent swashes of red and blue fill the sky. He sees beyond his opponent rising from the earth the heavens condemning his breaching unto their space.
“Hey, stranger, did you know purple was her favourite colour?”
“Whose?”
|
“Satoru.”
“Hm?”
“You are Satoru, right?”
“Yessssss?”
“You… you’ve got a bit of…” Suguru gestures vaguely around the lower half of his face.
“Oh.” You rub the corner of his mouth with the pad of his thumb and see it come back tinged pink. The drying drool on his sleeves is used to rub the rest of the blood away. “Thanks.”
“Have you found her?”
“Amanai? Her body?” Suguru flinches. Your gaze is drawn to the cultists clapping. “Yeah, I did. Sorry.”
“What are you apologising for?”
“I don’t know,” Satoru says. “I feel like killing these people. Should we?”
“Why?”
“I’m still h̸͓̟͐u̴̦͗n̴͇͈̅͛g̵͔̒̕ŗ̴͕͂͘y̸͚͍͘͘.” Two wasn’t even a snack.
“I’m angry that we failed too. But we can’t do anything now, it’s out of our hands.”
|
Several days later finds him back at the entrance of the storehouse, none the worse for wear.
In the shadow of the building grows a lone weed.
“It’s changed.”
“Of course it has.”
“Will I end up like them?”
“Yes.”
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Text
yesterday’s overwhelmed us ||| 1
Summary:  Why stay (forever) alone when you can suffer the rest of your life for them for company?
Relationship(s): Itadori Yuuji/Reader, Sukuna | Ryoumen Sukuna/Reader, Itadori Yuuji & Sukuna | Ryoumen Sukuna
Note(s):
You can also read this, where I originally posted it, on AO3 here! (Plus there’s extra tags over there too, hahaha.) Tumblr’s a bit funky with placing spaces, y’know?
This is part one of a drabble collection (series?) that I’ve decided to cross-post this for whatever reason my brain came up with, so here it is! I hope you enjoy reading this.
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You encounter the human-looking entity by accident.
Their prison is enshrined by yellowing paper seals and wisteria with petals that have long ceased to be pure and several torii crafted from holy wood.
Despite how long it’s been since they have possibly had contact with the outside world, you find it curious that they wear clothes modern to your standards. Most of the sentients you’ve encountered up until now clad themselves in impractical garb, whereas some have completely forgone the practice of clothing their outward appearance, yet their wrinkled uniform is anything but strange.
(The human’s name is Itadori Yuuji.
The demon’s name is Sukuna.)
Itadori Yuuji says you’re the first to use plural pronouns in regards to them. Like they’re not two separate beings sharing the same body.
“But why shouldn’t I?” you ask. If the stories are true, they’re one and the same. An existence that shouldn’t be but… Is. As they are. Right? “Am I not addressing the both of you regardless of who’s in control at any given moment?”
The only way to differentiate between them is the timbre of their voices. You can’t refer to Itadori Yuuji as ‘he-slash-him’ and Sukuna as ‘it’ in good conscience; they’ve stopped being mortal for millennia, neither human nor demon. They are not divine. All you have is luck, however, even that is disputable.
Having luck means you should have died out with the rest of humanity.
Not condemned to an eternity of barren wastelands—a constant struggle to survive, a state of indefinite soul-searching, a life unwanted and unwarranted—this new world.
“Then be mine,” they say with Sukuna’s tone. Be ours. Stay. Don’t go.
I want you.
You.
You, who slept through the end; you, no longer human but an eldritch essence taking the form of one; you, nameless and lost; you, alive; you, dead; you, nothing; you.
You.
You.
You.
“Huh. You know, you’re an interesting one. No one’s ever said that to me before.” You approach their cell, the barrier between you and them shimmering in plain sight the closer you get. A finger traces the ancient characters inscribed upon the barrier, the false skin fizzling away by the second, your sense of pain the same as you last recall, and a warm numbness crawls up your arm at a snail’s pace. “Is this what they call love at first sight?” you tease, smiling.
They recoil from your touch. “Wh-What are you doing?!” Itadori Yuuji shrieks in disbelief despite Sukuna forcing them to continue watching you burn alive.
Well.
It’s a start, isn’t it?
You managed to caress their cheek.
The pure fascination you see awash their face is pretty: four eyes wide, two pupils dilating, mouth wide open and taut, half-europhic, half-terrified. Oh so very very pretty. When was the last time another touched them without animosity?
You can free them later.
Maybe never.
Their many lips will mirror your expression soon enough—perhaps Sukuna more so than Itadori Yuuji, but still… They offered and you will happily accept.
(You draw your hand back, sated for now, but sooner or later you’ll come back wanting more, more, m̴̡̲͇̼͒̈̏o̸͉̥͝ŕ̸̡̮̻̻͝e̷̞̅.)
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