Multifandom. 23. Header & pfp by me. I draw and write and edit when I need serotonin. This is my main so I follow from here, but my reblogs might be from my sideblogs
Finally finished this wip after months of not painting anything concrete. Anyways here's this autistic creature that kinda invaded my brain in spite of never even playing the mf game. Influence of tumblr mutual peer reblogs is something noone prepares you for
DO NOT REPOST ANYWHERE OR USE THIS FOR AI. I WILL REPORT YOU.
The final Ken war turning into a dance battle is another example of how the film explores toxic masculinity and how dismantling it helps men form deeper emotional bonds. The Ken’s are not a united force. They allow jealousy and competition over the Barbie’s to get in the way of their relationships with one another. This is one of the reasons why they’re so hurt by the Barbie’s lack of interest, as the only form of praise or attention they get is from them. This plays into the issue of men not allowing themselves to be emotionally vulnerable with their male friends, and instead often pushing their turmoils onto women in their life. And when these women can not or will not shoulder their emotional burden they lash out.
The Ken’s go to war in a traditionally masculine way, with horses and weapons. But it isn’t until they start their dance battle that we see them stepping back away from toxic masculinity.
The Ken’s initially dance in competition, which is reminiscent of the former dance sequence in the movie. At Barbies dream house the Barbie’s dance together in unity, with love and admiration for one another. They are basking in their sisterhood and having fun. Meanwhile the Ken’s dance with the intention to impress the Barbie’s. They are in competition with one another, dancing in unison but not as one.
In the final dance battle this changes. The Ken’s begin to dance together, in unity. And we see as they begin to look at one another as genuine friends their actions become softer and more emotional (eg; kissing eachother on the cheek and hand holding). They are no longer mimicking the men Ken had read about, and instead allowing themselves to form the healthy, emotional friendships men are often discouraged from having. Under patriarchy men lose the chance to be caring and loving with their friends. They are told to bottle up their emotions and not express their feelings in a gentle manner. Being deprived of this emotional depth hurts men and their future relationships. And it is why the Ken’s are only able to begin finding acceptance in themselves and their identities once they allow themselves to be open with people other than just Barbie.
man supernatural might be bad but also ill be damned if thats not the most american show ever. like theres movies and tv that've tried to be this american but 99% have failed. you watch a particularly good episode of supernatural and suddenly you feel the hours of highway winds against your skin and theres more asphalt road than livable terrain for miles and you eat the best meal of your life at a pit stop and you havent gone to church since you were a kid but you still think about praying sometimes and you split a 6 pack with someone you love and a few too many people around you have guns and the land around you is so big when youre right in the center of it you feel like it could swallow you up and you know for a fact theres an unimaginable amount of mythology just beneath the surface. and then you watch the next episode where sam kills paris hilton or something
the mortal instruments was a wild ass series. gay wizards. cunty vampires. angels nailed to basement floors. the heroine's father claims her boyfriend is his long lost son for like two or three books. werewolves run a chinese restaurant.
I wish more people understood how fucking hard Legend of Korra was actually censored. It's not "LGBT bait" it was CENSORED and the writers had to fight hard just for Korra and Asami to HOLD FUCKING HANDS
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high-warlock-of-brooklyn
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