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ANOK YAI at the 2024 Met Gala (May 6, 2024)
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Celebrating finishing finals by drawing some Vietnamese Uncles
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White muslin wedding dress with whitework embroidery, ca. 1807
From the Victoria & Albert Museum
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Two great Tintin fans: the grandfather and little son, Rully, France, 1952 - by Janine Niépce (1921 - 2007), French
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all of castafiore's outfits in the castafiore emerald
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Arnold Böcklin - Under the arbor (ca. 1891)
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Amrita Sher-Gil - Sumair (1936)
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moss-inspired abstract peice !! took me ages but im proud of it :]
close ups:
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I'm curious. To your knowledge, is there any substantial research on online linguistics? You know, the way people talk on the web, the development of online-specific sociolects, the different ways people convey emotion and tone online, etc?
you are SO in luck, my friend.
there is a whole open-access journal for just this topic, language@internet
and if you don't want to comb through individual articles or are more into a general overview, check out the book because internet
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Musée des Beaux Arts
by W. H. Auden
About suffering they were never wrong, The old Masters: how well they understood Its human position: how it takes place While someone else is eating or opening a window or just walking dully along; How, when the aged are reverently, passionately waiting For the miraculous birth, there always must be Children who did not specially want it to happen, skating On a pond at the edge of the wood: They never forgot That even the dreadful martyrdom must run its course Anyhow in a corner, some untidy spot Where the dogs go on with their doggy life and the torturer’s horse Scratches its innocent behind on a tree.
In Brueghel’s Icarus, for instance: how everything turns away Quite leisurely from the disaster; the ploughman may Have heard the splash, the forsaken cry, But for him it was not an important failure; the sun shone As it had to on the white legs disappearing into the green Water, and the expensive delicate ship that must have seen Something amazing, a boy falling out of the sky, Had somewhere to get to and sailed calmly on.
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Jaroslav Panuška (Czech, 1872–1958) - Meluzína
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Dundee, Scotland.
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EMMA. (2020) dir. Autumn de Wilde
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