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floriograph-y · 1 year

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I'm gonna go home and watch "Two Clown Noses" one hundred times.

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floriograph-y · 1 year

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I need to be with this man so bad i need him in my life i want to be with him can more people be in love wiyh him i need fanfic even if its his daily life i am on my hands and knees whatever he wants i would do for him please write fanfiction before i do it myself

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floriograph-y · 1 year

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As an OG bee and puppycat fan, nothing is funnier to me then the late episode reveal that Crispin and Bee used to live together and go on secret dates

Like for the last 9 years people have been argueing over Deckard × Bee and Bee × Puppycat , and the writers are like *clown honk* here comes a very grumpy circus boooyyyy

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floriograph-y · 2 years

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Not a single brain cell between the five of them

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floriograph-y · 2 years

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reblogging for the tags but also the use of the word feral

‘yeah luke introduced you to rock’ is such a throw away line and yet it’s the thing that makes me most feral about this show

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floriograph-y · 2 years

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LUKE PATTERSON | 1x06 “Finally Free”

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floriograph-y · 2 years

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Julie And The Phantoms: 10 Questions Left Unanswered

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floriograph-y · 2 years

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Hi, it’s actually Julie and the Phantoms.

Julie and the Phantoms (2020) | created by Dan Cross and David Hoge

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floriograph-y · 2 years

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Close my eyes and feel my chest beating like thunder

This is the first part of a one-shot! You can the whole piece one AO3

Julie closes her eyes in the middle of her line, and Luke watches from the auditorium seats. It’s the Nunnery scene, and Ophelia is speaking in the moments between Hamlet’s (Luke’s) exit and King Claudius’s (Alex) and Polonius’s (Bobby’s) reentry. Julie is auditioning, though most of the parts were cast last week. Mrs. Harrison, high school English teacher and volunteer community theater director, was hellbent on finding the perfect Ophelia, and finally, Carrie (Queen Gertrude) convinced her on-again-off-again friend Julie to audition for the part. She promised Mrs. Harrison that Julie is amazing, and Luke didn’t miss the jealous roll of Carrie’s eyes as the words left her mouth. Luke is pretty sure Carrie wouldn’t have brought up Julie at all if Ophelia didn’t die before Queen Gertrude.

Based on the sparkle currently present in Mrs. Harrison’s eye, Julie has the part. At least, Luke hopes this is true. He’s never seen Julie so confident before, and she killed the small monologue. He can’t wait to see how she handles Act IV Scene V.

Luke doesn’t know Julie Molina that well. He knows she’s friendly with Alex, his bandmate in Sunset Curve — or as Julie constantly miscalls them, Sunset Swerve — and that Reggie, one of his other bandmates, has a ginormous crush on Carrie. And they get thrown together every so often, only being a year apart at the local liberal arts college, but every time it’s almost just the two of them — Alex hurrying away from the conversation to meet his boyfriend or Reggie and Flynn sneaking off to pull a prank that Julie would disapprove of — Julie finds an excuse to leave. He thought for a while that she might hate him, but Alex says she just takes time to warm up to new people. Reggies says she’s just skittish. Bobby, the final member of Sunset Curve, thinks she’s just weird. Lately, Luke tends to take Bobby’s sullen opinions with a grain of salt.

Mrs. Harrison starts clapping as Julie finishes with, “To have seen what I have seen, see what I see!”

Luke, Alex, and Reggie — Guildenstern — clap along with her, while Carrie files her nails, Bobby slouches in his seat, Nick — Laertes — looks to be half-asleep — and Flynn — Rosencrantz, costume designer, and Julie’s best friend — just sits with her head in her hands and an amazed smile on her face. Once Flynn realizes the scene is over and she can stop fawning, she lets out a few loud cries of admiration.

“While I’m sure the part is yours, I’d like to try you out opposite Luke to see your chemistry. Have you read over act three scene two?” Mrs. Harrison asks.

Luke would call her Marci — her first name, and what everyone else calls her — but he grew up in the area and had her for tenth grade English. She’ll always be Mrs. Harrison to him. She’s the one who got him into community theater during high school, and he’s been participating on and off ever since.

He met Reggie and Alex in college, but he’s known Bobby since they were kids running around with blow-up guitars that were supposed to be pool floaties.

Alex met Carrie a little under a year ago, towards the end of last year, their junior year of college; she was a freshman and had just started dating Nick, a fellow freshman, and was rooming with Julie and Flynn, also fellow freshmen. Carrie latched on to the community theater right away, bringing Nick and Flynn along with her. This is the first time Luke has seen Julie anywhere near his old high school’s auditorium.

“Yes,” Julie answers in the quiet voice he has come to associate with her.

Luke is fascinated with how immediately the confidence fell away.

“Luke?” Mrs. Harrison gestures to the stage.

Luke grabs his copy of the script, jogs up to the stage, and jumps up instead of taking the stage, energy already taking over his body. He smiles at Julie, but she just stares at the floor, her booklet already turned to the correct scene.

“Julie,” Mrs. Harrison starts, “can you grab that chair from upstage? I’d like to see you two act it out physically as well.”

Julie looks behind her, walks to the chair, and drags it back to where Luke is standing. The chair squeaks against the stage floor that Julie can’t seem to look up from. She sits, eyes still downcast.

“We’ll take it from ‘Come hither, my dear Hamlet’ and end with, ‘Nay, ‘tis twice two months.’”

Luke nods. He sees Julie do the same, and moves to stand above her. She’s seated so her side is to the audience, this way Luke will never have to have his back to them.

Mrs. Harrison reads, “Come hither, my dear Hamlet, sit by me.”

“No, good mother,” Luke says to the audience before turning to Julie, “here’s metal more attractive.”

Luke gets down on his knees before he begins the next line, and as he speaks, he lets himself fall further, towards Julie’s feet as he looks at her face, a sly smile on his face. He asks, “Lady, shall I lie in your lap?”

The change in Julie’s demeanor is instantaneous. She goes from looking at the floor just next to Luke’s face to actually looking at Luke’s face, and her features soften as her confidence grows.

“No, my lord,” she responds with an even measure of indifference and irritation in her tone.

“I mean, my head upon your lap?” Luke rectifies as he lifts his head once more, moving toward her thighs.

Julie looks away from him, facing straight in front of her, but a hand lightly moves his head away. “Ay, my lord,” she says.

Luke rises, steps behind her chair, grabs the back, and turns the chair so it is now facing the audience. He drops his mouth to sit next to her ear, and asks in more of a drawl, “Do you think I meant country matters?”

Julie’s back straightens, but her gaze does not waver from the air in front of her.

“I think nothing, my lord.” Her words become slightly more laced with irritation.

Luke crouches next to her, as there are no more chairs on the stage, and faces the same direction she is. He lets a smirk play on his lips as he says, “That’s a fair thought to lie between maid’s legs.”

Julie’s head drops to check her script, but she keeps her gaze there as she asks, “What is, my lord?”

“Nothing,” he says quickly, raising his chin, keeping the smirk plastered on his face.

He sees Julie turn to face him in his peripheral, and he moves quickly to meet her gaze. She is unfazed by how close their faces are, but he is almost mesmerized by the intensity shining in her eyes. He gulps, waiting for her line, heart beating so loudly he thinks she can hear it, but she holds his gaze a moment too long, making him uncomfortable. He thinks this is the goal, and so he counters it by letting his eyes slowly move down and up, taking in every detail of her body beneath her nearly-sheer, white, anklet-length, spring dress.

“You are merry, my lord,” she says slowly once his eyes come back to hers.

“Who,” he draws out, once again meeting her in tempo and emotion, “I?”

“Ay, my lord,” she returns.

She raises a brow before returning her stare to the audience.

“Oh, God, your only jig-maker,” Luke says, still smiling, but then lets the smile fall. He looks away from Julie, once again following her gaze to the audience. “What should a man do but be merry? For, look you, how cheerfully my mother looks, and my father died within’s two hours.”

Julie, again, looks at him, he can see it, but he does not meet her gaze. He can’t see her face as clearly, but he knows she’s perfectly portraying an almost-hidden worry. She has to be.

“Nay, ‘tis twice two months, my lord.”

The scene is finally over, so he turns back to her, but she’s already looking at the stage floor, her face completely void of the confidence he was just facing. He knows Mrs. Harrison is going to cast her as Ophelia, and he is grateful. He thinks there’s so much more to Julie Molina than he previously thought. He wants nothing more than to stay on this stage and find it.

#julie and the phantoms #luke patterson #julie molina #jatp juke #julie and the phantoms juke #sunset curve #sunset swerve #juke #oneshot #college!au #community theater!au

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floriograph-y · 2 years

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"My child is completely fine" your child is emotionally attached to a piece of media aimed at children

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floriograph-y · 2 years

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