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Writing Rage: How To Make Your Characters Seem Angry
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Anger is a powerful emotion that can add depth and intensity to your character's personality. If you're facing issues realistically expressing your characters' rage, here are some quick tips to help you get the ball rolling. Whether your character is seething with quiet rage or exploding in a fit of fury, these tips will help you convey their emotions vividly to your readers.
This is blog one in my writing different emotions series. Go check it out to explore more emotions!
Facial Expressions
Furrowed Brows: Describe the deep lines between their eyebrows, signaling frustration or intensity.
Tightened Jaw: Mention their clenched jaw, indicating suppressed anger or tension.
Narrowed Eyes: Highlight how their eyes narrow, showing suspicion, irritation, or anger.
Raised Upper Lip: Note the slight curl of the lip, suggesting disdain or contempt.
Flared Nostrils: Describe how their nostrils flare, indicating heightened emotions like anger or aggression.
Body Language and Gestures
Crossed Arms: Show their defensive stance, portraying resistance or defiance.
Pointing Finger: Describe them pointing accusatively, conveying aggression or assertion.
Fist Clenching: Mention their clenched fists, symbolizing anger or readiness for confrontation.
Hand Gestures: Detail specific hand movements like chopping motions, indicating frustration or emphasis.
Aggressive Posturing: Describe them leaning forward, invading personal space to intimidate or assert dominance.
Posture
Tense Shoulders: Highlight their raised or tense shoulders, indicating stress or readiness for conflict.
Upright Stance: Describe their rigid posture, showing control or a desire to appear strong.
Stiff Movements: Mention their jerky or abrupt movements, reflecting agitation or impatience.
Eye Contact
Intense Stares: Describe their intense or prolonged gaze, signaling confrontation or challenge.
Avoiding Eye Contact: Note how they avoid eye contact, suggesting discomfort or a desire to disengage.
Glaring: Mention how they glare at others, conveying hostility or disapproval.
Dialogue
Raised or strained tone with variations in pitch reflects heightened emotions.
Short, clipped sentences or abrupt pauses convey controlled anger.
Use of profanity or harsh language intensifies verbal expressions of anger.
Volume increase, from whispers to shouts, mirrors escalating anger levels.
Monotonous or sarcastic tone adds layers to angry dialogue.
Interruptions or talking over others signify impatience and frustration.
Aggressive verbal cues like "I can't believe..." or "How dare you..." express anger explicitly.
Reactions
Physical Reactions: Detail physical responses like increased heart rate, sweating, or trembling, showing emotional arousal.
Defensive Maneuvers: Describe how they react defensively if someone tries to touch or talk to them, such as stepping back or raising a hand to ward off contact.
Object Interaction
Aggressive Handling: Show them slamming objects, throwing things, or gripping items tightly, reflecting anger or aggression.
Use of Props: Mention how they use objects to emphasize their emotions, like slamming a door or clenching a pen.
Descriptive Words:
Verbs:
Roared with fury, expressing unbridled anger.
Snapped in frustration, indicating sudden irritation.
Shouted angrily, releasing pent-up emotions.
Glared fiercely, showing intense displeasure.
Slammed objects in rage, symbolizing anger's physical manifestation.
Grunted in annoyance, displaying impatience.
Raged vehemently, portraying uncontrolled anger.
Adjectives:
Furious and incensed, conveying intense anger.
Seething with rage, bubbling beneath the surface.
Livid and fuming, exhibiting visible anger.
Agitated and irritated, showing growing impatience.
Enraged and wrathful, expressing extreme anger.
Vexed and irate, indicating annoyance.
Infuriated and incandescent, highlighting explosive anger.
Looking For More Writing Tips And Tricks? 
Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 
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Horses: Since There Seems To Be A Knowledge Gap
I'm going to go ahead and preface this with: I comment pretty regularly on clips and photos featuring horses and horseback riding, often answering questions or providing explanations for how or why certain things are done. I was a stable hand and barrel racer growing up, and during my 11 year tenure on tumblr, Professional Horse Commentary is a very niche, yet very necessary, subject that needs filling. Here are some of the literary and creative gaps I've noticed in well meaning (and very good!) creators trying to portray horses and riding realistically that... well, most of you don't seem to even be aware of, because you wouldn't know unless you worked with horses directly!
Some Of The Most Common Horse + Riding Mistakes I See:
-Anybody can ride any horse if you hold on tight enough/have ridden once before.
Nope. No, no, no, no, aaaaaaaand, no. Horseback riding has, historically, been treated as a life skill taught from surprisingly young ages. It wasn't unusual in the pre-vehicular eras to start teaching children as young as 4 to begin to ride, because horses don't come with airbags, and every horse is different. For most adults, it can take months or years of regular lessons to learn to ride well in the saddle, and that's just riding; not working or practicing a sport.
Furthermore, horses often reject riders they don't know. Unless a horse has been trained like a teaching horse, which is taught to tolerate riders of all skill and experience levels, it will take extreme issue with having some random person try to climb on their back. Royalty, nobility, and the knighted classes are commonly associated with the "having a favorite special horse" trope, because it's true! Just like you can have a particularly special bond with a pet or service animal that verges on parental, the same can apply with horses. Happy horses love their owners/riders, and will straight-up do their best to murder anyone that tries to ride them without permission.
-Horses are stupid/have no personality.
There isn't a more dangerous assumption to make than assuming a horse is stupid. Every horse has a unique personality, with traits that can be consistent between breeds (again, like cat and dog breeds often have distinct behavior traits associated with them), but those traits manifest differently from animal to animal.
My mother had an Arabian horse, Zipper, that hated being kicked as a signal to gallop. One day, her mom and stepdad had a particularly unpleasant visitor; an older gentleman that insisted on riding Zipper, but refused to listen to my mother's warnings never to kick him. "Kicking" constitutes hitting the horse's side(s) with your heels, whether you have spurs on or not. Most horses only need a gentle squeeze to know what you want them to do.
Anyway, Zipper made eye-contact with my mom, asking for permission. He understood what she meant when she nodded at him. He proceeded to give this asshole of a rider road rash on the side of the paddock fence and sent him to the emergency room. He wouldn't have done it if he didn't have the permission from the rider he respected, and was intelligent enough to ask, "mind if I teach this guy a lesson?" with his eyes, and understand, "Go for it, buddy," from my mom in return.
-Riding bareback is possible to do if you hold onto the horse's mane really tight.
Riding a horse bareback (with no saddle, stirrups, or traditional harness around the horse's head) is unbelievably difficult to learn, particularly have testicles and value keeping them. Even professional riders and equestrians find ourselves relying on tack (the stuff you put on a horse to ride it) to stay stable on our horses, even if we've been riding that particular horse for years and have a very positive, trusting relationship.
Horses sweat like people do. The more they run, the more their hair saturates with sweat and makes staying seated on them slippery. Hell, an overworked horse can sweat so heavily that the saddle slips off its back. It's also essential to brush and bathe a horse before it's ridden in order to keep it healthier, so their hair is often quite slick from either being very clean or very damp. In order to ride like that, you have to develop the ability to synchronize your entire body's rhythm's with the rhythm of the horse's body beneath you, and quite literally move as one. Without stirrups, most people can't do it, and some people can never master bareback riding no matter how many years they spend trying to learn.
-You can be distracted and make casual conversation while a horse is standing untethered in the middle of a barn or field.
At every barn I've ever worked at, it's been standard practice with every single horse, regardless of age or temperament, to secure their heads while they're being tacked up or tacked down. The secures for doing this are simple ropes with clips that are designed to attach to the horse's halter (the headwear for a horse that isn't being ridden; they have no bit that goes in the horse's mouth, and no reins for a rider to hold) on metal O rings on either side of the horse's head. This is not distressing to the horse, because we give them plenty of slack to turn their heads and look around comfortably.
The problem with trying to tack up an unrestrained horse while chatting with fellow stable hands or riders is that horses know when you're distracted! And they often try to get away with stuff when they know you're not looking! In a barn, a horse often knows where the food is stored, and will often try to tiptoe off to sneak into the feed room.
Horses that get into the feed room are often at a high risk of dying. While extremely intelligent, they don't have the ability to throw up, and they don't have the ability to tell that their stomach is full and should stop eating. Allowing a horse into a feed/grain room WILL allow it to eat itself to death.
Other common woes stable hands and riders deal with when trying to handle a horse with an unrestrained head is getting bitten! Horses express affection between members of their own herd, and those they consider friends and family, through nibbling and surprisingly rough biting. It's not called "horseplay" for nothing, because during my years working with horses out in the pasture, it wasn't uncommon at all for me to find individuals with bloody bite marks on their withers (that high part on the middle of the back of their shoulders most people instinctively reach for when they try to get up), and on their backsides. I've been love-bitten by horses before, and while flattering, they hurt like hell on fleshy human skin.
So, for the safety of the horse, and everybody else, always make a show of somehow controlling the animal's head when hands-on and on the ground with them.
-Big Horse = War Horse
Startlingly, the opposite is usually the case! Draft and carriage horses, like Percherons and Friesians, were never meant to be used in warfare. Draft horses are usually bred to be extremely even-tempered, hard to spook, and trustworthy around small children and animals. Historically, they're the tractors of the farm if you could afford to upgrade from oxen, and were never built to be fast or agile in a battlefield situation.
More importantly, just because a horse is imposing and huge doesn't make it a good candidate for carrying heavy weights. A real thing that I had to be part of enforcing when I worked at a teaching ranch was a weight limit. Yeah, it felt shitty to tell people they couldn't ride because we didn't have any horses strong enough to carry them due to their weight, but it's a matter of the animal's safety. A big/tall/chonky horse is more likely to be built to pull heavy loads, but not carry them flat on their spines. Horses' muscular power is predominantly in their ability to run and pull things, and too heavy a rider can literally break a horse's spine and force us to euthanize it.
Some of the best war horses out there are from the "hot blood" family. Hot blooded horses are often from dry, hot, arid climates, are very small and slight (such as Arabian horses), and are notoriously fickle and flighty. They're also a lot more likely to paw/bite/kick when spooked, and have even sometimes been historically trained to fight alongside their rider if their rider is dismounted in combat; kicking and rearing to keep other soldiers at a distance.
-Any horse can be ridden if it likes you enough.
Just like it can take a lifetime to learn to ride easily, it can take a lifetime of training for a horse to comfortably take to being ridden or taking part in a job, like pulling a carriage. Much like service animals, horses are typically trained from extremely young ages to be reared into the job that's given to them, and an adult horse with no experience carrying a rider is going to be just as scared as a rider who's never actually ridden a horse.
Just as well, the process of tacking up a horse isn't always the most comfortable experience for the horse. To keep the saddle centered on the horse's back when moving at rough or fast paces, it's essential to tighten the belly strap (cinch) of the saddle as tightly as possible around the horse's belly. For the horse, it's like wearing a tight corset, chafes, and even leaves indents in their skin afterward that they love having rinsed with water and scratched. Some horses will learn to inflate their bellies while you're tightening the cinch so you can't get it as tight as it needs to be, and then exhale when they think you're done tightening it.
When you're working with a horse wearing a bridle, especially one with a bit, it can be a shocking sensory experience to a horse that's never used a bit before. While they lack a set of teeth naturally, so the bit doesn't actually hurt them, imagine having a metal rod shoved in your mouth horizontally! Unless you understand why it's important for the person you care about not dying, you'd be pretty pissed about having to keep it in there!
-Horseback riding isn't exercise.
If you're not using every muscle in your body to ride with, you're not doing it right.
Riding requires every ounce of muscle control you have in your entire body - although this doesn't mean it wasn't realistic for people with fat bodies to stay their weight while also being avid riders; it doesn't mean the muscles aren't there. To stay on the horse, you need to learn how it feels when it moves at different gaits (walk, trot, canter, gallop), how to instruct it to switch leads (dominant legs; essential for precise turning and ease of communication between you and the horse), and not falling off. While good riders look like they're barely moving at all, that's only because they're good riders. They know how to move so seamlessly with the horse, feeling their movements like their own, that they can compensate with their legs and waists to not bounce out of the saddle altogether or slide off to one side. I guarantee if you ride a horse longer than 30 minutes for the first time, your legs alone will barely work and feel like rubber.
-Horses aren't affectionate.
Horses are extraordinarily affectionate toward the right people. As prey animals, they're usually wary of people they don't know, or have only recently met. They also - again, like service animals - have a "work mode" and a "casual mode" depending upon what they're doing at the time. Horses will give kisses like puppies, wiggle their upper lips on your hair/arms to groom you, lean into neck-hugs, and even cuddle in their pasture or stall if it's time to nap and you join them by leaning against their sides. If they see you coming up from afar and are excited to see you, they'll whinny and squeal while galloping to meet you at the gate. They'll deliberately swat you with their tails to tease you, and will often follow you around the pasture if they're allowed to regardless of what you're up to.
-Riding crops are cruel.
Only cruel people use riding crops to hurt their horses. Spurs? I personally object to, because any horse that knows you well doesn't need something sharp jabbing them in the side for emphasis when you're trying to tell them where you want them to go. Crops? Are genuinely harmless tools used for signalling a horse.
I mean, think about it. Why would crops be inherently cruel instruments if you need to trust a horse not to be afraid of you and throw you off when you're riding it?
Crops are best used just to lightly tap on the left or right flank of the horse, and aren't universally used with all forms of riding. You'll mainly see crops used with English riding, and they're just tools for communicating with the horse without needing to speak.
-There's only one way to ride a horse.
Not. At. All. At most teaching ranches, you'll get two options: Western, or English, because they tend to be the most popular for shows and also the most common to find equipment for. English riding uses a thinner, smaller saddle, narrower stirrups, and much thinner bridles. I, personally, didn't like English style riding because I never felt very stable in such a thin saddle with such small stirrups, and didn't start learning until my mid teens. English style riding tends to focus more on your posture and deportment in the saddle, and your ability to show off your stability and apparent immovability on the horse. It was generally just a bit too stiff and formal for me.
Western style riding utilizes heavier bridles, bigger saddles (with the iconic horn on the front), and broader stirrups. Like its name may suggest, Western riding is more about figuring out how to be steady in the saddle while going fast and being mobile with your upper body. Western style riding is generally the style preferred for working-type shows, such as horseback archery, gunning, barrel racing, and even rodeo riding.
-Wealthy horse owners have no relationship with their horses.
This is loosely untrue, but I've seen cases where it is. Basically, horses need to feel like they're working for someone that matters to them in order to behave well with a rider and not get impatient or bored. While it's common for people to board horses at off-property ranches (boarding ranches) for cost and space purposes, it's been historically the truth that having help is usually necessary with horses at some point. What matters is who spends the most time with the animal treating it like a living being, rather than a mode of transport or a tool. There's no harm in stable hands handling the daily upkeep; hay bales and water buckets are heavy, and we're there to profit off the labor you don't want or have the time to do. You get up early to go to work; we get up early to look after your horses. Good owners/boarders visit often and spend as much of their spare time as they can with spending quality work and playtime with their horses. Otherwise, the horses look to the stable hands for emotional support and care.
So, maybe you're writing a knight that doesn't really care much for looking after his horse, but his squire is really dedicated to keeping up with it? There's a better chance of the horse having a more affectionate relationship with the squire thanks to the time the squire spends on looking after it, while the horse is more likely to tolerate the knight that owns it as being a source of discipline if it misbehaves. That doesn't mean the knight is its favorite person. When it comes to horses, their love must be earned, and you can only earn it by spending time with them hands-on.
-Horses can graze anywhere without concern.
This is a mistake that results in a lot of premature deaths! A big part of the cost of owning a horse - even before you buy one - is having the property that will be its pasture assessed for poisonous plants, and having those plants removed from being within the animal's reach. This is an essential part of farm upkeep every year, because horses really can't tell what's toxic and what isn't. One of the reasons it's essential to secure a horse when you aren't riding it is to ensure it only has a very limited range to graze on, and it's your responsibility as the owner/rider to know how to identify dangerous plants and keep your horses away from them.
There's probably more. AMA in my askbox if you have any questions, but that's all for now. Happy writing.
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Underrated Bakudeku fics rec
I tried to rec fics that I like and thought deserve more attention, so ofc this is just my personal preference. Most of them are rated T, but I encourage all of you to read through the tags, warnings, and summary.
They are all complete or one-shots.
-A Time For Love by spiketheespiegel
Older bkdk, this fic has a very good characterization, that is 100% what I imagine more mature bkdk to be, they are also teachers which is always great.
-Straight from a Shoujo Manga by myheartslikepaper
The student fair fic you didn't know you needed
-Here's Your 'Thank You' by humdrum_hummingbird
Spidey Deku, you know how that goes, and it also has the iconic kiss, if you know what I mean
-You Felt Like Mine by Jenanigans1207
Amnesia fic, is truly lovely, bkdk are a hero duo
-I'm coming for you by earlgreyson
This one is sooo good, if you don't read any of the other fics in this list that's ok but you HAVE to read this OMG. Deku mysteriously disappears and Bakugou is the only one that remembers him
-headlines by dabibones (ofvulcan)
Short but effective kiss after a stressful situation
-Don't even think about it by Anonymous
Katsuki can hear Deku's thoughts
-Sweet Sweet Kacchan by heartnut
Another amnesia fic, I know, but it's just too good and I looove this trope
-I've seen the way you look at me by bubblegumbee
The pinningggg
-Not like I do. by Unoutan
Angry Deku is so soudhvnoehirvufbgv
-shipwrecker by sorethroat
Serving some truth serum realness
-2:19 A.M. by serotonindealer
Conserned Dekuuu, good ole angst with a happy ending
-Don’t run away on the first try by Unoutan
Funny with a side of feelings
-I didn't know you were so pretty by Mickeyymouse
Fem! Bakugou because I love that shit
-Sexy Little Copycat by Quirkyasfok
It's funny and very interesting for some reason. Mentions sex, but no description and rated T
-Bakugou Katsuki, you smooth motherfucker by thatpinkbetch
It's just a good fic, nothing else to add except Fluff!!!
-Love and Literature by Fawn_Eyed_Girl
Short and sweet, a really good meet cute
-Thirst Trap by EquinoxSolstice
The big three read thirst tweets, which is fucking amazing, rated M for obvious reasons
-Keep Your Eyes on Me (I'll Drown Out the Rest) by TargaryenJedii
Another Social media fic, and the consequences, and more importantly supportive Bakugou
-Chasing A Comet by BlueSinner
Quirkless Analyst Deku AU, which ofc is cute and investing plotwise
-Kacchan and the Drunken Tattoo by Tremere1
This one has just the right amount of drama I need
-You're Not Allowed to Die by TargaryenJedii
Lovely take on cannonverse
-walkin' on sunshine by AmaryllisPetals (rainboweuphoria)
In denial Bakugou
-A Million Extras in the Sea by Yonkai
Dating program angsstttt
-Study Session by setsujoumayu
This one gave me the feels, which ones? I don't know but I enjoyed it
-How To Train A Hero by Mycreativewritings
The how to train your dragon AU I know you needed
-Of What ifs and time machines by Maru_Chan
this one will never get enough attention, it's one of my absolute favorites, maybe because it has my favorite trope Time Travel, but whatever I just had to add it
Ok! That's it for now, but believe me, I have so many bkdk fics I would love to share. If you guys like this and would like me to make another list let me know! I also regularly make a bakudeku fanfic of the day on my Instagram because yes, I read bkdk fics every day, just so I don't miss a good one.
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it's a story about hands (reprise)
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Yeah, okay, today's the day.
I gave my blog that title for a reason, you know, and it has loomed over me for years because the hand motif is absolutely everywhere and you could go on about it forever.
Maybe that's something I'll never actually attempt to do, but this chapter, we reached a breaking point.
Before I continue, I need to give a big, big disclaimer: I do not have a physical disability, so I'm not able to speak about that from the standpoint of representation as a first-hand perspective. I have at least listened to enough disabled people to know that fictional characters who become amputees only to miraculously gain their limbs back is, um, a trope. Disabled people in general being "healed" is a conception we would really prefer to avoid here. Not to call people out, but I don't think we're giving enough space to acknowledge that.
I don’t feel comfortable making the judgement call about what should happen. I’m leaving that open. I also don't want to downplay people's emotional reactions. Honestly, I don't know if I can accurately define the line between acknowledging real pain vs. ableist pity. But I’d like to talk about the possibilities of what could happen. Other characters have definitely gotten permanent disabilities as a result of their hero work, or even just the side effects of their quirk. But, for better or worse, I don't think this case is really about representation. Not that Horikoshi won't do that justice. He might. What I'm saying is that's not his purpose for having Izuku lose his arms. It's meant to be symbolic, so we can explore what it means. The other thing I’m keeping in mind here is that Horikoshi is notorious for playing with our expectations, like, alllllll the time. I mean, just take a few chapters ago for a classic example. Eri appeared at the end, and we all assumed she was about to take some sort of action to save someone with her quirk. Then, immediately following, we were given an explanation for why that wouldn’t be happening. And now it’s clear he wanted to do that “fake out” not just as a silly cliffhanger prank, but specifically so we would know not to suspect that Eri could be the miraculous solution to Izuku’s loss of his arms. Rest assured, there is no easy way out of this.
The expectation at play in this particular instance is an old one. It’s very understated, but its subtext has burned so brightly, you’d be a fool not to notice it. It sits with anticipation like one half of a call and response. Man, I was so certain. Lots of people still are. I was really looking forward to printing the panel where it happened onto a t shirt and wearing it proudly. All the hand motifs in this story radiate thematically from a single moment, the one that started it all for Izuku.
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It raises all kinds of questions about the act of saving, who needs saving, why, what does it mean, what are the dynamics of power, politics, honesty, exploitation, compassion, pity, disdain, sacrifice. Katsuki has dealt with many of these since he first rejected Izuku’s hand. While Izuku was the one who was convinced Katsuki would keep on rejecting him…
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…Katsuki was the one who kept that moment in his mind all these years and eventually came to regret it.
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Katsuki is the one yearning for that hand-hold, the one who has imbued it with so much more weight than it ever originally had. Izuku, in contrast, does not allow himself to dwell on what he wants. To illustrate this difference, we need to look at another piece of foreshadowing:
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Ugh, do y'all remember when lots of folks were complaining about how there never seemed to be actual consequences for Izuku's destructive treatment of his own body? I don't blame them, I was concerned and confused about it too. There were several "fixes" along the way. Recovery Girl healed him, but left a physical reminder. Then he started training to fight with his legs… sometimes. Then he got support items. All of these were unsatisfying non-conclusions because they didn't present Izuku with a lasting enough impression to change in a meaningful way. They didn't address his core, his origin.
Of course, that all changed this chapter. Now it looks like our frustration was inflicted intentionally. With the current context in mind, all of these moments look more sinister, like this day was always gonna come because they kept putting bandaids on a deep emotional and psychological wound. The problem is pretty much spelled out for us here:
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As Katsuki put it, he just doesn’t take himself into account, ya know? He doesn’t care what happens to him. And he lies about it, to keep others from worrying, to keep them safe. To keep them from returning the favor and putting themselves in harm’s way for his sake. His motivations are noble,
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…but what about the little boy inside Izuku? Who saves him?
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This is all about Izuku giving himself up to the point that he literally has no more to give. The thing is, I bet he saw this coming. He knew his limits and decided to keep going anyway, because his personal safety and wellbeing are not important. Now that way of thinking has come back to bite him because the fight isn’t over yet, and he’s already made his sacrifice. So now we know who will be more distraught over this. Not Izuku—Katsuki.
It’s not about Izuku becoming disabled, it’s about how Katsuki wanted to use the intertwining of their fingers to communicate that he would never let go. Never stop valuing him most. Never let himself make the mistake of rejecting him again. Never let Izuku be so reckless with his life. To say: “we are in this together.”…if only Katsuki believed he deserved to be able to say such things. To reach out his hand would have been the ultimate way to simply imply them and let Izuku be the one to decide. Then, to feel their hands clasped together would be more than either of them dared hope for, but so beautiful, so right. A moment they’ve waited their whole lives for.
Yeah. That’s what we were expecting. We’ve been so comfortable. Horikoshi gave us all the signs. He tempted and teased us over and over. BUT. You know he does this thing were he gives us a desirable, completely plausible and simple thing to look forward to, and then he snatches it away. And THEN he replaces it with something much better, something we were not expecting at all because it seemed too good to be true. That’s exactly what happened when Himiko snatched Izuku away, and we were robbed of the chance to see him and Katsuki fight together. In hindsight, though, I’m glad things went a different way because now there’s so much more depth and angst on display. Likewise, in the present moment, we may consider how, as one door closes, another opens.
As wonderfully meaningful as the hand-hold would have been, perhaps it is still too simple a resolution for Izuku, for his and Katsuki’s relationship. Tbh, it could have been done like 100 chapter ago. At this point, there’s so much more potential. There are a couple of ways it could go. If Izuku stays armless, Katsuki will be forced to use other methods to get his point across. He’ll have to do something else, or say what he means, or both. Yes, I’m talking about what you think I’m talking about. If I say it, I just might jinx it (lol), but I mean it. I’m being serious. Either way, if Izuku did get his arms back in the end, I’m sure that it wouldn’t be an easy fix. It would be hard-won against Izuku’s self-destructive mindset, and/or by Katsuki’s conviction. Again, I say this knowing it is not meant so much as a representation of disability, but as a representation of Izuku’s greatest character flaw taken to the extreme. I know this might sound harsh, like, hasn’t he been through enough? I get that, but… I’ve said it before and I say it again: Izuku is stubborn as hell.
I wish I had a resounding final note to end this on, but I kinda don’t. I’m not sure what’s best. Now we just have to wait and see what Horikoshi has in mind.
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Writing Morally Gray Characters
Morally gray antagonists and heroes can bring up many interesting questions about your story's theme and plot. Yes, your hero does want to save the world, but resorts to cruel ways of bringing peace?
Being morally gray can also mean that the character is highly goal- oriented and values efficiency and success over anything.
Deceiving Appearances
As is true in real life, a person's intentions aren't always obvious. A character, their title, background or really just how they look might at first indicate they're the hero type but surprise - they're not.
By hiding ulterior motives behind more apparent ones, you can add depth to your morally gray characters. Appearances can be deceiving, and that makes for a juicy read.
Morally Gray vs. Villains
Morally gray characters and villains are not strictly one and the same. Yes, there is overlap-they can be villains-but the distinctions are there nonetheless.
I don't think having a dark past to provide motivations for morally gray characters is too effective. They do intend to harm others, and sometimes, that's just the way they are.
Recognition
Your morally gray character should recognize that their choices can cause harm, intentionally or otherwise.
Although he's willing to risk the chance in his pursuit of knowledge, he does actively recognize that his actions can result in negative consequences. He sometimes acknowledges this before he does something, and sometimes only in hindsight.
Remorse
They must understand and experience remorse. When the consequences of their actions wreck and story world and kills people around her, she would certainly have regrets and even struggle to undo what she did.
The point here is, she won't regret until she has already caused the wreckage.
Redemption
Finally, when even they feel things have gone too far, your morally gray character must seek redemption however that manifests itself in your story.
For all their logic and reasoning, they are not without feeling. They can grow to care for other characters and go out of their way to help them at times, even save their life.
If you like my blog, buy me a coffee☕ and find me on instagram! 📸
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escadolle ¡ 2 months
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Pairing: Tomura Shigaraki x F!reader
Warnings: Stalking, kinda yan behavior, dubcon, breeding / desire for pregnancy, light biting
Wordcount: 1.5k
Notes: Reupload. Selfship coded
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He comes late at night, roams the halls of your apartment like a shade as if he couldn’t navigate it with ease in the dark. 
Like he hasn’t done it religiously for who knows how many months now. 
You think it’s been six. 
Not that it matters, none of it matters when Tomura lets himself into your life and he makes it clear he has no intention to leave. Demonstrating that fact each time he sneaks into your apartment. 
Or your friend's apartment. Or your childhood home when you visit your parents out of town. 
Wherever you go, he’s always there. Always finds you. It’s almost comforting. Familiar when you stir from a light sleep at the barely audible creak of your door, already partially awake because, by now, you can recognize his footsteps even when they don’t make a sound. 
You should really be alarmed when you become aware that you aren’t alone in your home, especially when you know the uninvited guest was a wanted criminal. But you aren’t, haven’t been since the first day you’d brought him home after a bad fucking day at the office. Having met a random man at a hole in the wall bar you wouldn’t normally go to but you knew if you’d gone anywhere else you were likely to run into someone you knew. 
You’d just wanted to be alone, then as the liquor burned your throat and warmed your chest you’d wanted anything but. Choosing him because he’d been a quiet constant in the seat one over from you, close but not too close. 
And that’s how Tomura has always stayed. Close but not quite, even as he slips into your room now, closing the door behind him. Shedding his crimson duster to hang on the hook on the back of your door that you’d put there specifically for him; only for him. 
Shoes already kicked off at the front door after only four times of complaining about the mud his ratty sneakers tracked through your house. Though he still makes his mess, bunching his shirt to tug over his head and toss to some corner of your room he’ll grumble over as he searches for it in the lowlight of just before dusk. 
His pants and boxer briefs crumpled in a pile at the foot of your bed before he climbs inside, wrenching the covers away from you just to hear you whine. Tomura already knew you were awake, you’re always awake by the time his shirt comes off. 
“Why are you wearing that?” Voice coated with a tinge of annoyance for the extra layer he has to shed before he can feel the warmth of your skin. Though there’s a bloom in his chest that tugs the corner of his lip into a smirk as his hands carefully slip beneath the shirt, his shirt, to run up your torso. Straddling your knees to appreciate the curve of your ass as he does so, smirk splitting wider at the way you arch when the fabric pools at his wrists the higher upwards he ventures before pulling it over your head completely. 
“Because it’s cold Tomura.” 
You turn your head to look at him from the corner of your eye, face still in your pillow as you come back to the mattress. His index dips beneath the seam of your underwear, tracing along the swell of your cheek until it reaches the elastic band that hugs around your pelvis, snapping the band. 
“But only panties?” 
Tomura stops you from turning with his palm settles to the center of your back, intent to keep you in this position for what he wants to do. You groan, opting to prop up on your elbows instead as he starts to work the lace down your legs. 
“I’m not gonna wear pants in my own house, especially not while I sleep.” 
That makes him chuckle, like he already wasn’t more than aware of that with each visit. He knows you don’t like the feeling the fabric causes to your skin. How it bunches when you toss and turn in the night, always settled in a way that wakes you from an already restless slumber. 
“Not like you get much sleep when I’m here anyway,” his voice drops an octave, velvet sin as he adjusts your bodies with ease. Lifting your hips as he presses his pelvis to the plump flesh of your backside, semi-hard cock brushing your sex before it pokes at the apex of your thighs. 
You sigh instantly, lids fluttering at the feel while your body relaxes, choosing not to respond to his statement. It was true anyway, you didn’t count the intermittent naps between his desire throughout the night. He liked to make the most of his time and you liked the unmitigated pleasure he provided, a giving lover despite his selfish tendencies. 
His breath catches in his throat for a moment, swelling his chest as your legs spread to let him slot his cock between your folds. Rutting lazily like he wants to re-familiarize himself with you, hardening with each stroke he punctuates with a soft exhale. Fingers gripping into the fat of your ass as your wetness grows, speeding up the process by snaking one hand around your front to find your clit. Index and pinky fingers spreading your lips while his middle and ring roll methodical circles into the hardening bud. 
Pressing with intent to pull more pretty sounds from you that your pillow can’t muffle, chuckling as you mewl when his flushed tip catches at your entrance. Tomura grasps the base of his cock to keep himself aligned, moving back to your hip to pull you back into him as he shoves in one thrust to make you moan. You like the burning stretch, even with some more foreplay than usual, the sudden fullness urging you to fist the ends of your pillow. 
His pace is slow at first, long strokes because he likes to watch how you take him before he’s lost in the pleasure and overtaken with the need to cum. Watching like he’s mesmerized by the silvery strings your cunt coats him in before Tomura wants to be closer. Changing his rhythm to quick ruts paired with frantic swiping to your clit to force your first orgasm from you, slowing back to his leisurely speed once more. Leaning away once more to admire the creamy ring that’s gathered at the base of his cock. 
You know he’s teasing for now, it means he has time to stay tonight. Secretly it makes you happy, makes you smile into the plush material you clutch for dear life when he cants his hips and runs his fingers along your spine to put you into the arch he likes. 
The room fills with the sticky sound of your sopping cunt greedily taking everything Tomura has to give, his grunts mingling sinfully with the clap of skin on skin. Your moans a sweet background noise for him as his fingers thread into your hair to pull you from your pillow, your walls convulsing around him tightly that steadily has him losing his composure. Gritting his teeth while sweat slicks his ivory locks to his temples and throat as that telltale tightness in his lower abdomen guides him now. Leaning down to to mold to your body as he takes on his faster pace once more. 
Tomura drags you to the edge again as he chases his release, sigh exhaled heavily from his nostrils to fan against the nape of your neck as you arch into him. Pressing your chest into the mattress like a feline giving a full-bodied stretch as he pulls your hips to him in time with each of his pointed thrusts. 
He’s close, hastening the hurdle to his demise with the thought of filling you full, of giving you a tangible reason to eagerly await each of his visits. Tomura lets his hand slide from your hip to the soft pouch of your lower abdomen, carefully pressing four fingers into the flesh and his eyes roll at the thought of it being solid. 
Of a belly round with the child he put there. 
Tomura’s teeth sink into your shoulder to quiet his groan at the thought. Shuddering overtop you as his hips stutter with his release while you moan, long and relieved, muffled into your pillow as he paints velvet walls in sticky white. Rutting slowly into you, the resounding clap of his pelvis into the fat of your ass quieted to only the squelch of your full cunt, to prolong the feeling of closeness and the fleeting euphoria before he has to leave again.
But you don’t worry, he’s always been good about coming back to you, even before you’d started wanting him to. Sharing the same twisted hope to give him something besides a warm bed and tight cunt to come back to. Both of your fingers lacing loosely together, seemingly innocuous, over your stomach when he lays you both on your side, still nestled in your heat for a moment of rare intimacy. 
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kacchan telling izuku that his body moved on his own is fucking crazy. like not only did kacchan remember izuku saying that all the way back from the sludge-villain incident but he’s also confirming that izuku’s crazy, boarder-line suicidal intensity is a two way street. it’s not just izuku who is insane about kacchan it’s mutual insanity. kacchan’s body moved on its own. he was helpless but to throw himself into the line of fire when he saw izuku was in danger. he didn’t think about it. he didn’t choose to do it. he didn’t have a choice. it was as if izuku was a piece of his own soul. katsuki instinctually needed to protect him above all else, even at the cost of his own life
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this is kinda half-baked but whatever. shoves my old scream1996 bkdk au at u.
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escadolle ¡ 3 months
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Studying manga textures + drawing unhinged teens. Blackwhip is surprisingly relaxing to draw?
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Writing Tip Blogs Rec List!
Just a short list of some of my favorite blogs for writing tips and advice!
@aquestionofcharacter – character building
@asexualadvice – asexual resources
@authors-haven
@clevergirlhelps
@daddigabi
@disabilityinkidlit – disabilities 
@diversitycrosscheck – diversity
@elumish
@fictionwritingtips
@fixyourwritinghabits
@fuckyeahasexual – asexual resources
@fuckyeahcharacterdevelopment – character building
@heywriters
@howtofightwrite – combat and fighting
@howtowritelgbtfiction – LGBT+
@its-a-writer-thing
@kyla-writes
@letswritesomenovels
@lizard-is-writing
@plotlinehotline
@simplyoriginalcharacters – character building
@slitheringink
@thecharactercomma – character building
@thewritershandbook
@writersrelief
@writersyoga
@writerlydays
@writingdotcoffee
@writingquestionsanswered – specific questions
@writingwithcolor – diversity
@yourbookcouldbegayer – LGBT+
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escadolle ¡ 3 months
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TW: yandere, classism, degradation, possessiveness, obsessiveness, blackmail
gn reader - feminine clothing (jewelry: earrings, necklace)
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Thinking about your rich boyfriend…
Rich boyfriend – who buys you clothes and jewelry every time you have a date, even when you tell him you feel bad receiving them all – that you have nowhere to wear such nice things – that a simple date is really more than enough. 
Rich boyfriend – who ignores you with a smile and shake of his head, asking you how you expect him to stop when you’re just the absolute cutest? Looking at him with those moon-big eyes, humble crinkle between your brows, and your lip tucked nervously between your teeth to keep from gawking. 
Rich boyfriend – who orders for you at all the restaurants he takes you to because he knows you’ve never been anywhere like it. Looking so adorably lost in your seat, flushed when staring at the menu written in a language you can’t read – knowing even if you could, you still wouldn't know what any of it meant. You’re so, so, so precious – eyes peeled like you’re a pet who’s just been allowed at the table for the first time.
Rich boyfriend – who plays four instruments, speaks five languages, went to an Ivy League institution, and will inherit his entire family’s business being the spoiled only child that he is.
Rich boyfriend – who just loves the messy household you grew up in – loves how you and your siblings interact with each other, looking like a bundle of pups all crammed in the same cage at a pet store – how your childhood bedroom is the size of his closet – filled with all sorts of trinkets you’ve kept growing up – stuff that would usually wind up in the trash at his house – polaroids of you as a teenager, past boyfriends in kissing booths, prom pictures, concert tickets, and old rusty friendship lockets. 
It’s all so… He scoffs. The word for it escapes him.
Suppose he doesn’t quite recognize the pricelessness of sentimental value as opposed to something actually sellable – but he finds it cute that you do. 
Though, it bothers him to some degree as well… that you would value an old pair of earrings gifted you by your grandmother instead of the actual antique diamond pair he’d procured for you. After all, one was a real historic piece worth a fortune a Russian duchess had snuck into England during the war, and the other was old junk made by a noname jeweler.
Rich boyfriend – who chokes on his spit when you sit him down and tell him you want to break up – who thinks he’s misheard – that you’re joking, playing some uncultured game he’s never been exposed to, some ill-taste past-time only poor people do to escape their bitter reality. 
But you’re not joking… 
You’re breaking up with him…You.. You… broke trash of worker-class scum… you’re breaking up with him?
You give him back all his gifts in a cardboard box – telling him you’re grateful but that you truly don’t have any use for such things – that you think your worlds are too different to coincide. 
Of course, you refrain from telling him you think he’s a classist snob. You have a feeling it would have gone completely over his head if you’d tried anyway, so there really was no point to it.
Rich ex-boyfriend – who’s never been told no in his entire life…
Rich ex-boyfriend – who buys your street and plans on scrapping it to make brand new mansions in a project he dubs “cleaning up the slums” – evicting and putting you and your entire family out of the home you’d spent your entire life growing up in.
Rich ex-boyfriend – who thinks you’re crawling back to him when you schedule an appointment at his office – who thinks you’re going to come in with bleary wet eyes and grovel like the lowly peasant you are – let him save you from poverty and homelessness, make you his charity case – his pretty diamond in the rough who’s never quite able to wash all the coal off.
Rich ex-boyfriend – who trashes that same office when you leave after having given him the address to the pawnshop you sold the one pearl necklace you’d kept as a token of your relationship – telling him he should feel free to go down there and get it back – that you’re using the money to buy a better house and you just wanted to come and thank him for that. 
Of course, you wanted to slap him too – spit on his tie or maybe just take a piss on his desk – but you left it at that.
Rich ex-boyfriend – whose next move is to buy your family business, who hires a private eye to dig up dirt on you and all your family, burying you in fines from age-old petty crimes, gets you kicked from your scholarship.
Rich ex-boyfriend – who goes to that pawnshop and reports the pearl necklace as a stolen item and has the police arrest you. Spinning a story about how he thought you were a humble girl, only for you to rob him behind his back.
Rich ex-boyfriend – who comes to visit you in the custody suite where you sit cooped up with all the other wretched mutts on the cold concrete floors – scolding you for making him come down to a dirty police precinct, for having him breathe the same air as all the lowlives held up there.
Rich ex-boyfriend – who tells you he’ll make it all go away.
He’ll drop the charges, let your family keep their house – or buy them an even better one, whichever you prefer – he’ll even promote your family business and pay for all your siblings' education – he’ll give you everything. 
Anything you want, it’s yours.
But he owns you.
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BNHA – Bakugou, Shoto, Dabi, Hawks, Overhaul
JJK – Sukuna, Gojo, Naoya
HQ – Oikawa, Sakusa, Miya twins
BLLK – Reo, Rin
HxH – Illumi
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Resources For Writing Sketchy Topics
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Medicine
A Study In Physical Injury
Comas
Medical Facts And Tips For Your Writing Needs
Broken Bones
Burns
Unconsciousness & Head Trauma
Blood Loss
Stab Wounds
Pain & Shock
All About Mechanical Injuries (Injuries Caused By Violence)
Writing Specific Characters
Portraying a kleptomaniac.
Playing a character with cancer.
How to portray a power driven character.
Playing the manipulative character.
Portraying a character with borderline personality disorder.
Playing a character with Orthorexia Nervosa.
Writing a character who lost someone important.
Playing the bullies.
Portraying the drug dealer.
Playing a rebellious character.
How to portray a sociopath.
How to write characters with PTSD.
Playing characters with memory loss.
Playing a pyromaniac.
How to write a mute character.
How to write a character with an OCD.
How to play a stoner.
Playing a character with an eating disorder.
Portraying a character who is anti-social.
Portraying a character who is depressed.
How to portray someone with dyslexia.
How to portray a character with bipolar disorder.
Portraying a character with severe depression.
How to play a serial killer.
Writing insane characters.
Playing a character under the influence of marijuana.
Tips on writing a drug addict.
How to write a character with HPD.
Writing a character with Nymphomania.
Writing a character with schizophrenia.
Writing a character with Dissociative Identity Disorder.
Writing a character with depression.
Writing a character who suffers from night terrors.
Writing a character with paranoid personality disorder.
How to play a victim of rape.
How to play a mentally ill/insane character.
Writing a character who self-harms.
Writing a character who is high on amphetamines.
How to play the stalker.
How to portray a character high on cocaine.
Playing a character with ADHD.
How to play a sexual assault victim.
Writing a compulsive gambler.
Playing a character who is faking a disorder.
Playing a prisoner.
Portraying an emotionally detached character.
How to play a character with social anxiety.
Portraying a character who is high.
Portraying characters who have secrets.
Portraying a recovering alcoholic.
Portraying a sex addict.
How to play someone creepy.
Portraying sexually/emotionally abused characters.
Playing a character under the influence of drugs.
Playing a character who struggles with Bulimia.
Illegal Activity
Examining Mob Mentality
How Street Gangs Work
Domestic Abuse
Torture
Assault
Murder
Terrorism
Internet Fraud
Cyberwarfare
Computer Viruses
Corporate Crime
Political Corruption
Drug Trafficking
Human Trafficking
Sex Trafficking
Illegal Immigration
Contemporary Slavery 
Black Market Prices & Profits
AK-47 prices on the black market
Bribes
Computer Hackers and Online Fraud
Contract Killing
Exotic Animals
Fake Diplomas
Fake ID Cards, Passports and Other Identity Documents
Human Smuggling Fees
Human Traffickers Prices
Kidney and Organ Trafficking Prices
Prostitution Prices
Cocaine Prices
Ecstasy Pills Prices
Heroin Prices
Marijuana Prices
Meth Prices
Earnings From Illegal Jobs
Countries In Order Of Largest To Smallest Risk
Forensics
arson
Asphyxia
Blood Analysis
Book Review
Cause & Manner of Death
Chemistry/Physics
Computers/Cell Phones/Electronics
Cool & Odd-Mostly Odd
Corpse Identification
Corpse Location
Crime and Science Radio
crime lab
Crime Scene
Cults and Religions
DNA
Document Examination
Fingerprints/Patterned Evidence
Firearms Analysis
Forensic Anthropology
Forensic Art
Forensic Dentistry
Forensic History
Forensic Psychiatry
General Forensics
Guest Blogger
High Tech Forensics
Interesting Cases
Interesting Places
Interviews
Medical History
Medical Issues
Misc
Multiple Murderers
On This Day
Poisons & Drugs
Police Procedure
Q&A
serial killers
Space Program
Stupid Criminals
Theft
Time of Death
Toxicology
Trauma
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Deku - Midoriya Izuku
TW: NSFW, noncon, yandere
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Thinking about being childhood friends with Izuku, who’s always had a bit of a crush on you. 
You’ve always known, but you’ve never humored it. He’s your friend – anything else would just be awkward. If you had to put it in any other term, you’d say he felt more like a little brother.
You wish he’d allowed the two of you to grow apart – as normal people do.
There wasn’t really any reason for the two of you to stay friends after middle school. His quirk suddenly manifested, and he got into UA – became a pro-hero – and then the symbol of peace. And you were still… kind of just doing your thing – studying, working, struggling to pay rent – struggling to keep a date…
The two of you never had much in common anyway, and you never really knew what to talk about with him anymore – only knowing to ask him how his mother was. After all, you grew out of your otaku phase a long while ago – and otherwise, you felt out-educated in any and every conversation the two of you had with each other. You swear talking to him makes you feel like a toddler learning your first words – it’s humiliating, and you don’t understand how any of it’s remotely stimulating for him, either.
Still, he’ll text you when he has the time, asking if you’d like to meet up at a café – talk, catch up – and you, not wanting to be rude, always accept.
You’d gone wide-eyed the first time you’d met him after middle school. Jeez Louise – he’d had to have grown twice his size – jacked and scarred to no end. It only got worse over the years. Now, adults – he must be twice your size. Bigger even.
You blush now when he flirts with you. But not so much for the reasons he wants.
Honestly, it’s more uncomfortable than it’s flattering. It was Izuku, after all – Deku – no matter how little he resembled the crybaby from your childhood – he’d always be that same nerdy loser friend who’d chased after you ever since you first met.
He might have grown up, but his crush on you hadn’t.
His doe-eyed look of longing and adoration had always made you feel a little awkward – a little sorry for him. And now that he’s become a man, it’s only become even more… desperate… a little pathetic, actually…
Bedroom eyes that make you laugh nervously, pretending to brush it off as a joke but really wishing he’d just give it a rest already. Surely, as a pro-hero and public figure, he could get a date? One of the many screaming fangirls that pine for him everywhere he drags that awful golden cape he has on his shoulders. And if not any of them, then maybe a model. A movie-star even.
Why is he so hung up on you?
The funny thing is, you’d tried vying him of his crush by telling him about hook-up after hook-up, boyfriend after boyfriend – treating him like a girlfriend you could gossip with.
But it’s almost like he takes it as a challenge – talking and helping you through your relationships, giving his input and advice – just like a real friend would… only… always implementing something… something condescending, something suggestive, something saying you ought to be with him instead – he’d never treat you like that, he’d never do you wrong, you’d be taking good care of with him.
You’d made the mistake of saying you were struggling with a class at university – just to make conversation – just to talk about something trivial. But of course, he’d seen it as an opportunity – quick to offer his help, saying he’d taken that class as an extracurricular – just for a bit of fun, he’d said, light reading material he’d done on the side of his internship.
You don’t know why it’s so hard to tell him no.
Suppose it’s the possibility of being wrong – the guilt of thinking he has impure intentions when he’s supposedly the purest person in the world.
But you should have trusted your instincts.
“Please, Izuku-” You’d immediately restored to begging. Who wouldn’t? He’s a two-meter-tall monster of a man – jacked with muscles fatter than a bear.
Your phone’s been missing since you came back from the bathroom – your lips wet with his unwanted kisses – your neck sore from having his fist wrapped around it when you tried stopping him.
You’d only managed to break free after biting – blood salty in your mouth. You nearly vomited, choking on a mix of bile and fear.
Fuck – your legs are so weak, you might just buckle from the dread alone – feeling like a bunny snagged on fox teeth.
“You used to take me when we’d play wrestle... you remember?”
The comment is pulled out of nowhere.
He stalks you, a fond look on his face as though the two of you were reminiscing good old times. As though his eyes weren’t a nocturnal green like foxfire on the fen. As though he wasn’t radiating black whip – ready to snare you.
“Think you can take me now?”
You had your hands raised apprehensively – but the hopelessness took its toll and made your entire body shake on the spot.
Your only hope was to talk him out of it. If only you could think past the fear and string a sentence together that wasn’t along the lines of “Please-”
But something about that look on his face told you he wouldn’t listen to reason anymore. Not manic, not like a person who’d finally snapped – but controlled – resolute – and playful even. Nothing like you’d ever seen. Nothing you could understand.
“What’s wrong, hm?” He smiles, head tipped in that charming way that used to make you want to pinch his cheek. Now it just makes you sick to look at – swallowing thickly as you tack another step back away from it. “I’ll go easy – so don’t worry… I know it's not exactly a fair fight anymore…”
Your better judgment failed you – fight-or-flight kicked in, and you made a break for it. 
Budging into the couch on your way, it’s a messy scramble for the door – but you manage. Feeling feverish with dread and pumped full of adrenaline, you brush the cold handle with just your fingertips before something wraps around your midriff in a snug grip – pulling you back into the living room.
You’re lifted from the ground, kicking – now screaming – flailing in the air before you’re flipped on your back against the couch.
“Don’t be like that~” He murmurs. “Always so wishy-washy~” Voice in a low purr that makes you feel like coughing up your heart – squirming beneath him and his heavy hands as they paw your thighs beneath your skirt – manhandling you like nothing you’d ever imagine him to do.
Raking his fingers through the dough before squeezing your ass greedily – kneading his fat crotch against the thin fabric protecting your cunt. 
“Complaining about all your weak-dicked boyfriends as if begging me to come fuck you myself – yet such a flighty little slut when it comes down to it.” He sneers. “Let me help you out.”
One hand tugs your panties until they rip, whilst the other hand pulls up to grab your face – squeezing your cheeks to keep you still when forcing his kisses on you.
“After all… what are friends for?”
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Katsuki Bakugou X Secretary!Reader
Summary: Working as the secretary to the famous designer Katsuki Bakugou hasn't been easy - however you find out you have it easier than most. Soon after that, you find out why.
Warnings: 18+ MINORS DNI. Power Dynamic (VERY inappropriate boss/employee relationship). Swearing. Smidge of making-out. Bakugou probably gives off manipulative yandere vibes. Reader; wears a skirt, is called 'baby', otherwise is g/n (unless I've missed something T-T).
Listening to: 'Donatella' by Lady Gaga - "I wanna dress you up in silk taffeta, tailor these clothes to fit your guilt, what's your size?"
Masterlist || Ko-Fi
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The Bakugou brand was known all over the world. From Gucci to Balenciaga, Bakugou was a name everyone in the fashion industry respected - and when it came to the man behind it all, it was also a name to be feared. 
Katsuki Bakugou, with his grown wealth, fame, and the power that went with them, was practically a god on earth. 
You were the one lucky (or pitied) person chosen to work closely with him. A secretarial assistant job to none other than the man himself was a job so many people would die for. It was also a job many before you had almost died while enduring. No one had lasted longer than a year. It barely took a week for you to figure out why. 
Katsuki wasn’t just a diva, or a bitch (although he certainly was those things too) - he was the devil in Christopher Goodyear Welt’s. 
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By three months working under the blond tyrant, you had decided your life could be worse. You weren’t sure why all his previous assistants weren’t able to handle it - not until you walked into work this morning. 
Katsuki was already in his office - a situation you hadn’t come across yet since he had a strict nine-to-five schedule he adored - and was practically roaring at someone down the receiver of his landline. He had a temper on him, sure - he was as famous for it as he was for his designs - but you’d yet to see him quite this angry before. 
“You wouldn’t know corduroy if you spent your nine months in the womb with it!” you heard as you set your bag aside and hooked your coat up. “Get me Eijirou you shitty prick!” 
You settled at your desk, eying his shadow through the frosted glass as he paced back and forth as you powered on your computer. Your eyes flickered down to the phone on your desk - if you picked it up you’d be able to hear the person on the other end - however if Katsuki caught you eavesdropping more than you already where (not that you had much of a choice right now) you would be in a whole new world of trouble. 
“Put me on hold, I dare you.” Was the final thing Katsuki said before slamming the phone back down. It became eerily quiet. You barely dared to breathe. 
Hearing his footfalls softly stalk across the carpet of his office, you tucked your head down and opened a random email to look busy. 
“Where the fuck have you been all morning?” Your eyes rose to meet his vermilion ones. He had on that black button down that made his shoulders seem extra wide. For a moment words failed you - but you kicked your brain into gear quickly. 
“Sir, it’s only eight thirty?” 
“I’ve needed you here since six.” he said, leaning forward with a hand sprawled across your desk, looming over you in a way you had become quite accustomed to, and sending a dizzying waft of his cologne in your direction. 
“I was very unaware of that,” you said, almost apologizing, but then thinking otherwise. You had been learning quickly the things Katsuki liked people saying, and the things he liked less so. “What can I do now?” 
“Absolutely fucking nothing. You’re useless now.” he leant back, waving you off and sighing. “I need a coffee.” he said, turning on his heel back into the office. 
“Useless my ass - who else gets you coffee?” you mumbled, quickly clicking through the email so you didn’t forget to later. Katsuki could be an absolute bitch, but at least he hadn’t yelled at you specifically - yet. 
The little kitchenette across from your desk made coffee runs very easy - the only issue was that it still took a while. No instant or pod coffee’s for the great Katsuki. 
Ten minutes later and you were pushing the door to Katsuki’s office open with one hand full of cayenne pepper infused coffee, and the other holding the latest Vogue magazine that had just been dropped at your desk. 
You wordlessly placed the coffee on a coaster, and the magazine went from the table into his hands before you could even put it on the table. He likewise silently started flicking through the pages - but you had things to talk about. 
“What was the issue this morning?” You asked, straight to the point. He didn’t look up at you when he answered, instead stayed focused on the pages as he fingered through them. 
“Some extra who can’t get his head out of the twentieth century.” He said, taking a large mouthful of his drink. If he liked it he’d say nothing - often the only time he gave his opinion on things was when he didn’t like something. “He won’t call back.” 
“They always do.” You said, standing firm until you had the answers you sought - coming back to ask the same thing twice was such a hassle for the both of you. “I’d appreciate knowing what to say when he does.” 
“I don’t care,” he said, flicking the magazine down in exasperation to look up at you with a heatless scowl. “If it’s Eijirou you can patch him through, everyone else is a complete waste of time.” 
Your eyebrows raised in something akin to surrender as your hands smoothed down the fabric of your skirt. 
“Don’t forget your meeting with the seamstresses after lunch.” You said, then left to return to answering your emails and phone calls.
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You always took your lunches with Hanta - a seamster two floors below Katsuki’s office. You found him extremely chill after having to deal with your whirlwind of a boss. He was like your lifeline - better yet, he could keep secrets like it was nobody’s business. 
“I walked in this morning and I swear the glass for the whole floor was rattling.” you said, looking down into your cup of canteen-supplied orange juice. “If I wasn’t so sure he wasn’t going to hurt me I’d probably quit.” 
“You know I’m like ninety percent sure you’re his favorite.” Hanta said. Your eyes shot up to his, but he wasn’t looking at you.
“I doubt that would be hard,” you said slowly, “His past secretaries sounded super incompetent for a job this fast-paced.” 
“No, not just a secretary, but a person. I think your his favorite person in the whole world.” he said, tucking a stray hair behind his ear. “He can scream at me, hell he’s thrown punches at Kirishima, and he’s Kirishima - you though? He acts like you’re porcelain.” 
You felt your face scrunch up into a frown, and a huge smile cracked over Hanta’s face. “I can see why he likes you - you look just as scary as him when you make that face.” 
“Hanta Sero, you take that back!” You said, voice almost too shrill besides the hum of the lunchtime cafeteria rush. 
“I will do no such thing,” he said, leaning back in his chair, and crossing his arms and legs in a slow, cat-like manner. “I think it’s hilarious. Needed something new to tease you over anyway.” 
“I am simply going to ignore you then.” you said. You felt your face scrunch even more, before you took a deep breath to relax. “You don’t deserve my attention right now anyway.” 
Hanta huffed a laugh, leaning forward on his elbows. “I think we both know who really wants your attention, and I’m not going to be the person to fight him for it.”
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Katsuki’s afternoon meeting had gone smoothly - you thought that it must mean some catastrophic hurricane was due later that afternoon. Or maybe you’d get hit by a car on the way home. Either way, the pleasant meeting meant Katsuki was either in a really good mood - or a really bad one. 
On his way back into his office, he threw an order to call Eijirou at you over his shoulder, before throwing the doors open and entering his office. 
“It’s important.” he said, and that was where the conversation ended. When you dialed the number only to be met with the receptionist - not even patched through to Eijirou’s assistant Denki - you practically rolled your eyes. 
“I’ve got Marcel!” Silence was the stern reply. You’d spoken to him a few times - not the nicest guy in the world, so in your opinion Katsuki’s hatred of the man was valid/ You didn’t want to speak with him either, so you hung up. 
Then there was a call of your name. 
“Come here!” You sighed, but obeyed and walked around your desk and into Katsuki’s office. You were met with a sight that wasn’t foreign to you - but it made your heart stutter all the same. He was leant back in his chair, a large drawing pad against his folded knee, and a pencil pressed into his cheek. He was watching you closely as you walked in, red eyes partially covered by a set of half-rimmed reading glasses. 
Your boss was mean, but his looks could make the devil cry. 
“I am… Promoting you.” he said. You felt your mouth fall open in shock. 
“I - Sir, I don’t -”
“Katsuki.” he said, voice now as hard as his stare. “No more ‘Sir’. You call me by my name. Understand?” 
“Okay…” you said, voice breathless as joy swirled in your chest (finally, your hard work and patience had paid off!), “Katsuki.” 
At the sound of you saying his name, he declined further back in his seat, and smiled - wide and showing off both canines. 
“That’s much better,” he said, as if he’d been waiting for the change of title formalities, “Now sit down, we have a lot to talk about.” 
You went to sit at the chair in front of his desk but he shook his head, almost jumping to his feet like he’d had hot coffee spilled on his lap. His suddenness had you freezing. 
“No no, not there,” he said, waving the chair away with disgust, “Over there.” He pointed over to the chaise as if it was the most obvious place in the room to sit, then sat back in his own chair again. 
Turning, you took a tentative seat on the sofa, and looked across at him expectantly with your tongue between your teeth. His pencil had found a new home on the open page of his sketchbook, and you quickly realized he was going to be multitasking this impromptu meeting. However he was making little to no effort at starting this ‘talk’ he seemed so urgent to begin only moments ago. 
“So is there anything else to this promotion besides being able to call you ‘Katsuki’, or is that it?” you asked. His eyes flicked up at you, pencil stopped, and the side of his mouth quirked up, before his expressions changed completely to one of disapproval again. 
“There’s more.” he said. You could see how tempted he was to not say more, if only to push your patience and see just how far it went. “You probably should know about it, considering just how personal things are going to get around here.” 
You felt your heart beat pick up as he stood to stalk around the desk. 
“What do you mean?” 
“You’re going to need to find a new you, let's start with that.” he said, and pushed your shoulder back with the eraser end of the pencil. You fell back against the couch, and the pencil moved to guide one arm across the back of the chair - then crossed one leg over the other - then moved your other hand on top of your knee. Before you knew it you had been moved to pose like a sketching doll. 
Katsuki gave you a once over, looking very pleased with himself (or how easy you were to manipulate), then walked back over to his desk. The pencil started again. 
“You want a new secretary?” You finally heard yourself ask, voice coming out far too weak for your liking. 
“More like you need an assistant.” he said, attention clearly divided between whatever he was designing, and your conversation, “Your schedule is going to be a lot busier as of now.” 
“What do you mean?” you asked again. His head shook.
“If you ask that question again I’m going to have this conversation with you some other time.” 
“You do know how badly you’re explaining this ‘promotion’, right?” you asked, voice coming out a little harsher than you knew was appropriate. But being proper can be damned, you wanted answers. 
He just looked at you for a long moment with a knowing, albeit smug, smile. The sketchpad was dumped on his desk, pencil and glasses dropped on top. 
“I’ve been hit with a new wave of ideas.” he said, “They’re amazing. New. Iconic. These designs fly off magazine racks and clothing store hangers like nothing else before. I couldn’t tell where the inspiration came from, not until I thought of when it all started, and the only thing notable about that was you starting to work for me.” 
As he explained he stood slowly, came to stand before you again, now with the side of his leg pressed to your knees. Katsuki’s hand rose, and the backs of his fingers trailed across your cheek in a manner that was almost too soft, and too shy, to be an action coming from the harsh man before you. 
“I need you with me, everywhere, from now on.” he said, voice low, softer than you’d ever heard it before. “I need you with me, and I don’t know how else to make sure of it besides making it your job.” 
“Everywhere?” 
“Of course, what use is an artist without their muse?” You had to admit, that forked tongue of his was making your knees weaker by the second. Was he truly saying you inspired  him? 
“You couldn’t have just asked?” 
“I don’t need to ask,” his hand came down to grip your chin, thumb momentarily pressing on your bottom lip, “I get what I want.” Where his voice was getting stronger by the second, yours was sounding even weaker.
“Maybe I don’t want to.” 
“You don’t want to?” Katsuki asked, hand slightly releasing pressure on your chin - as if shocked at the thought of someone willing, and unafraid in telling him no. “Everyone wants to. Don’t you?” 
“No,” you said quietly, completely letting your heart take over, no matter what could happen after. “I do want to.” His face broke out into that same wolfish grin as before - his hand snuck around to the hair at the base of your neck and found a firm home there. 
“Then why not get paid for it while you do.” he said, an air of finality about the matter, and then leant down to capture your mouth in a searing, hard kiss. Hard enough that you could almost feel his teeth and jawbone trying to meld into yours - searing enough that you could feel heat swelling in your stomach and knees at how fierce and needy it all was. It took your breath away completely. 
After a few long moments - long enough to have your eyes fluttering closed and your lungs burning - he pulled away. 
Katsuki didn’t even look at you as he walked away, acting as if what he just did was a casual kiss on the cheek - while you were left feeling flushed on the sofa. Only once he sat down again with his sketchpad and glasses on did he look up at you. He licked his lips, as if making sure to taste whatever of you was left. His smile this time was very smug indeed. 
“See baby, now you look perfect.” he said, then went back to drawing. 
“What?” you asked, still breathless with your nails digging into the fabric of your seat. 
“The lighting in here is foul, absolutely horrendous.” He said, “You needed a glow about you. Now you’re all flustered. it's perfect. With you finally in front of me, these designs are going to be breathtaking - just imagining them on you -” he looked up at you, quite suddenly stopping his train of thought, before wordlessly returning to his sketch. 
From the way your heart felt like it was going to beat right up and out your throat you guessed he accidentally said too much. Had been too sentimental. Maybe Hanta was right - perhaps you were his favorite person. 
You took a deep breath and stood to leave - only to be stopped. 
“Where are you going?” Katsuki asked, voice almost a bark. “I need you here - you can’t leave now that I have you right where I need you!” 
“I need water.” you replied, awkwardly pointing towards the kitchenette with wide eyes as if you were a child caught doing something you weren’t supposed to. He shuffled in his seat, huffing. 
“Be quick,” he said. You could swear you saw the skin of his cheeks flush a tinge of pink as you turned away. He liked efficiency, and it was something you were pretty good at, but you hadn’t moved quite that fast before.
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When you had agreed to your ‘not-so-little’ promotion, you were sent home with a whole new list of Terms and Conditions and - the more alarming of the two - an NDA. 
With your lips still tingling from your apparent kiss from Katsuki, and your knees still weak, you weren’t able to do much more than graze your eyes over bits and pieces before deciding it was all okay. You should’ve taken the time to read it all. 
You should always read the fine print when making deals with the devil. 
The next day, almost as soon as you stepped into the building, you were met with Katsuki’s not-quite-other assistant, Mina, and whisked away to the seamstress floor. There you met Hanta, who himself had been up for the most part of the night - slaving over the newest design Katsuki procured as of just yesterday. 
When you were told to get into a change room and strip - the carcass of a new dress in your hands - you were just shy of shocked. 
“What - why?” 
“Like I know how the mind of Bakugou works.” Hanta said, waving his hand around tiredly, trying to push you to close the curtain. “You know normally I have models in for this sort of thing - I mean you definitely fit the bill. The measurements, the dress is practically made for you. But it’s weird to me too that he got his secretary to do this job instead.” 
“I’ve never done this before.” You whispered, clutching the covered mock-up to your chest.  
“You’ll be fine,” Hanta replied, just as quiet, with his hand ready to close the curtain on you, “I’ve seen it on a mannequin - it’ll look fantastic on you. Just be confident.”
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You tried your best to be confident - as pretty as the dress was, even unfinished with an unfinished hem and seams half-done - but it was leaving you feeling more exposed than you were used to. 
The small changing cubicle had a mirror on one side - what for you weren’t sure. You’d seen plenty of models walk out of them only to have most of it adjusted with pins and cut off with scissors - often by Katsuki himself. You supposed it didn’t matter how bad it looked - you’d get manhandled until it looked the way it was supposed to. 
With your hands smoothing the fabric on your hips - a nervous habit you showed too often - you took a turn in front of the mirror. It did look nice, even if it was only ivory muslin. 
“ - Taking so fucking long!” Quite suddenly Katsuki’s voice could be heard - and even more suddenly you felt a great need to curl up somewhere and hide. He’s going to see you like this. He’s going to hate it. You are not prepared for this. 
Your heart felt like it was going to beat right out your chest and leave a little blood trail all across the floor. 
A hand curled around one side of the curtain divider and pulled it back. You let out a small startled yelp, bringing up your hands to cover your chest as if someone had dropped glass over a marble floor.
It was him. 
“Oh shut up, no one else can see you.” Katsuki said, rolling his eyes before they laid on you in a hard stare up and down. He was right, besides the half-open curtain, you couldn’t see anyone through his broad chest and shoulders - not to mention the cheshire grin that was taking up half his face. “But I wouldn’t blame them for wanting a peek, give me a turn.” 
You stood gobsmacked - where you seriously still processing what was going on? - and watched as his hip cocked to one side and his hands landed on his hips below the huge coat over his shoulders. 
“You are starting a habit of forcing me to do things for you myself.” He said, taking hold of your hips and turning you slowly. His hands were warm as  they moved you around in a small circle, leaving almost a burning trail behind over your hips, lower back and stomach. “I’ll let you know that’s not why I decided to fuckin’ like you.” he said. 
His voice was soft, almost completely without its usual rough baritone. It shocked you, and as you looked over at him he wasn’t meeting your eyes - instead focusing on how a seam at your hip wasn’t seeming to sit how he wanted it to. 
“What?” you asked quietly, aware there were probably others outside - Hanta even - and you supposed both yourself and Katsuki didn’t really want to let other people know exactly what you were talking about. Especially since it definitely sounded more personal than Katsuki ever had been. 
“You did things for yourself. I liked that.” he said. Then, as if you didn’t just share what was most likely the most intimate moment of Katsuki’s adult life, he pushed the curtain back fully and grabbed you by the hand - exposing you fully to the handful of seamstresses waiting. 
With a few barked orders, a flurry of people were at your sides, making adjustments. The neckline loosened, waist was made tighter, the blade of a scissor made another slit up your legs on the opposite side to the one existing. Your hands almost rose to clutch at the fabric at your chest in case it all fell away. Katsuki's hands rose to knock yours away. 
“Don’t get in the way,” he mumbled, standing back. The others backed off too, apparently all taking a moment to look at what remained of the dress. “What do you think?” he asked, looking you right in the eyes. Your mouth parted, as if to answer, but the look in his eyes said he wasn’t even talking to you. 
“One of your best.” Hanta said, barely needed to look up from where he was taking final notes to read his long-time associate. “Probably will be once it’s done. Beautiful.” 
“You mean fucking divine.” 
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“You’re joking.” you said, carelessly holding the new dress in one hand as you stood angrily looking down at Katsuki. 
“Does it look like I’m joking?” he asked, looking at you over the rims of his glasses. 
He’d brought you back up to his office after the fitting downstairs, only to demand you change into another dress. The reason this time was completely unknown, and he was refusing to elaborate yet - worse, there was nowhere to change up here. 
You’d have to strip and change here (with him in the room), or out behind your desk (right in front of the elevator anyone could use). 
“I can’t believe…” you said, scoffing, now slightly gobsmacked along with your anger. “I’m not doing that.” 
“If you think it bothers me, you’re mistaken.” He said, standing slowly and leaning over his desk. “Get changed. If you’re so protective of your modesty you can run along into the kitchen, see if I care. Just whatever you do, do it quickly. You’re making me wait long enough as it is.” Then he reached across and squished your cheeks between his fingers, pulling you closer so you leant over the desk too. 
“If you really thought I was the kind of man to mix pleasure and professionalism then I’ve got news for you.” he said, wobbling your chin back and forth in his hold. “The only time you have to worry about that is if I invite you home, okay baby?” 
While half of you was wanting to continue to defy Katsuki, you knew you were treading a fine line. 
Letting out a huff, you pulled away, turned on your heel and held the dress out in front of you. It honestly wasn’t much more than a silk slip, but you’d had enough of an interest in fashion over your time to know this was very tame compared to many other dresses. Even compared to the one you wore not even an hour earlier. 
Grinding you jaw in thought for a moment, you thought ‘fuck it’. Katsuki said so already but you knew someone getting almost naked in his office wouldn’t bother him - why should you let it bother you too? 
The dress was thrown onto the chaise, and you pulled off your shirt as you slipped out of your heels. Your skirt shimmed off, and the dress came on. Despite refusing to look behind you to see what Katsuki was doing, you couldn’t help how your heart felt like it was going to beat right out of your chest. 
At least your underwear was matching, thank god. 
You were about to do up the zipper when he made it clear he had indeed been watching you. 
“No, take that thing off.” Your head whipped over your shoulder. 
“Excuse me?” If looks could strike someone dead, a lightning bolt would’ve shot right through that window into Katsuki’s back. “I am not getting changed again.” 
“No you bitch, I mean the bra. Take it off, it’s making the dress look daggy.” The way he said it made your face heat up. Duh. 
“You could’ve said that before I put this much on, you’d think you’d have known that before now.” You grumbled, shoving the sleeves down again to unclasp your bra and toss it aside. Turning around again as you did up the zipper, you looked at Katsuki again, and the red of his eyes seemed darker than ever. You wondered if you’d said something wrong. Then his lip quirked up a bit. 
“There’s my favorite secretary.” he said, and imminently tilted his head down to start sketching.
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escadolle ¡ 5 months
Text
People talk a lot about how reading is necessary for writing, but when you really want to improve your writing, it’s important to go beyond just simple reading. Here are some things to do when reading:
Note how they begin and end the story. There are a ton of rather contradictory pieces of advice about starting stories, so see how they do it in the stories you enjoy. Don’t only look at the most popular stories, but look at your more obscure favorites.
See what strikes you. Is it fast or complicated scenes with a lot of emotions? Is it stark lines? Pithy dialogue? What do you remember the next day?
Pay attention to different styles. It’s not just whether they use past or present tense, first or third person. It’s whether the writing is more neutral or deeper inside character’s heads. Do they use italics? Parentheses? Other interesting stylistic choices? Take the ones you like and try them out in your own writing. See what works and what doesn’t.
Keep track of how they deal with other characters. Do we see a lot of secondary character each for very brief periods of time or are there a couple that show up a lot? How much information do we get about secondary characters? Do they have their own plots or do their plots revolve entirely around the main characters? 
Count how many plots there are. Is there just one main plot or are there multiple subplots? Are the storylines mostly plot-based or character-based?  
Pay attention to what you don’t like. If you don’t like what’s going on in a book or even just a scene, note what it is. Does the dialogue feel awkward? Are the characters inconsistent? Does the plot feel too convenient or cobbled together? Does the wording just feel off? See if you can spot those issues in your own writing, especially when reading a completed draft or beginning a later draft.
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