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put “top 5” anything in my ask and i will answer ok go
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Volume 4 Special Edition Extras
These are the bonus artworks included in the special edition of Volume 4! Find them under the cut!
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cl: zuri
tl: red & naina
ts: tsubaki
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How Cherry Magic avoids romanticising self-sacrifice
Alright strap in boys, this is gonna be a long one.
Spoilers for the manga (mostly the english volumes but I will include a bit from vol 12. I'll mark it tho so yall may skip it if you don't want to be spoilered).
So in this one I want to examine how cherry magic does a great job at portraying self-sacrifice in a relationship as an actual flaw rather than a romantic ideal to aspire to. Very often you'll see characters in media putting their own needs aside for their lover. A lot of people will swoon at that because it is usually presented as proof of how dedicated they are to their partner and their wellbeing. (See... well the thai adaptation actually).
But what has pleasantly surprised me is how Toyota handles this in her manga.
Starting from the beginning, we all know the millions of things Kurosawa did for Adachi to get closer to him. After all, that is what's usually expected of him if we talk traditional gender roles. But one of the reasons Adachi even starts falling for Kurosawa is because of how he was for once able to do something for him.
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For someone with very low self-esteem, being able to help this super-capable perfect man is a big boost in confidence and also raises his own selfworth.
So now let's look at a few instances of selfless action and the consequences resulting from them.
First one is the disaster-date in volume 4
Kurosawa does his very best to choose activities that he thinks Adachi will enjoy. That is his primary concern.
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The effect this has on Adachi though is that the gap between them feels impossibly wide, only worseing his already low opinion of himself.
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Whenever Kurosawa does something big, it makes Adachi feel that much smaller. That's why he'd rather them be equals in everything instead of one giving more than the other.
Next is the argument they have in volume 8
Kurosawa attempts to, very selflessly, protect Adachi from his lowkey homophobic parents. He doesn't want them and their opinions to hurt Adachi personally, so he ends up lying to him to keep the peace. The effect this has on Adachi though is disastrous. At first he's just generally worried about why Kurosawa would even lie to him in the first place, but then they have that fight in their living room and you really get a good look at how negatively this affects Adachi.
The very first conclusion he jumps to is that he's not doing good enough for Kurosawa to feel secure with him.
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The next one is even worse, where he thinks he's not good enough in general. Both of these show how when pressed, he will default to blaming himself, believing that he is the problem first and foremost.
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And then, if all of that wasn't bad enough, this happens next:
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He's actually being self-deprecating again, something he hadn't done ever since Kurosawa told him not to in volume 5. And yes you can actually go back and check for yourself. Whenever he has negative thoughts after this point he's always pushing back.
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So there's an escalation happening here, one that is entirely caused by Kurosawa not sharing his burdens with him, by making their relationship unequal.
I think it also hurts him extra bad because they've had this argument before, just with their roles switched.
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So to him it must feel like Kurosawa is betraying the important lesson Adachi learned from that argument, which is that communicating with your partner is important, even when you feel like it might hurt them.
There's also something to be said about how most people would've probably stopped prodding when someone says "it's something I can't tell you", but Adachi knows that Kurosawa has a pattern of hiding his issues from him thanks to the mind reading, which is the whole reason they had that argument in vol 6 in the first place.
So, to summarize: Whenever Kurosawa acts selfless it takes a toll on Adachi's mental health. Because of his low self-esteem he needs to feel on equal terms with Kurosawa to be able to see himself as worthwhile. (And obviously he also loves Kurosawa and doesn't want to see him in pain just in general.)
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So after all that, surely Kurosawa would have learned his lesson, right? Surely he wouldn't just do it again, right?
... Spoilers for volume 12 start here ✨
So volume 12 is all about Kurosawa overworking himself because he's been assigned this big project by their chief to oversee their company's spot at a stationery convention. (I didn't look up whether or not that's a real thing but it is in the manga universe I guess lmao.)
Adachi tries to help alleviate his burdens with mixed success.
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(On the left he feeds Kurosawa because he needs to finish his work and doesn't have time to eat. On the right he tries to take a phonecall for Kurosawa but gets told that Kurosawa needs to hear it personally so relaying a message won't do.)
Then Adachi muses to himself how Kurosawa was always helping him out in the past and how Adachi can't do anything for him in return, especially since they're in different departments. He feels very useless, which is once again bad for his mental health.
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Later at home, he offers to at least take over the chores for the time being, but gets told that Kurosawa actually enjoys doing chores so there's no need for him to help.
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Kurosawa tells him that all he needs is Adachi to be close to him, while making out with him on the sofa. And right here we see how he only got half the lesson he was supposed to have learned in volume 8: In their fight Adachi told him that they should both be happy and he should share "all the hurt" with him, too. Well, the simple solution to that is not to see all his burdens as burdens, then he's not hurting and Adachi doesn't need to bother fussing over him! Win-win. Epic mind gymnastics 😎 (To be honest, I feel like this is actually very relatable to people that tend to give more than they take. We get so used to the weight of the burden that we don't notice it slowly pulling us down.)
So Adachi obviously notices what's going on and berates him about not having understood anything he said from that fight.
Throughout the volume Kurosawa gets more and more overworked, makes mistakes and is confronted with unexpected complications. He's very adamant about not asking anyone for help though, stating that he "can't be bothering his senpais any more than he already has" and that he's "doing this all for the sake of his future with Adachi".
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He also still has some hangups about people seeing him as just a pretty face, as you can see in that flashback in the second page. He constantly feels the need to prove himself to others, which prevents him from ever seeking out help.
So when he inevitably reaches his limit, Adachi is finally able to be there for him, being the only one that sees through his facade.
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(That hand kiss is so precious 😭)
Also, on that first page Adachi asks him whether or not he's fine, which reminds me of this panel from volume 6:
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He really knows him so well.
Emboldened by his husband, Kurosawa finally does ask for help and is, of course, met with understanding and sympathy.
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...
Spoilers for volume 12 end here ✨
So all this to say: Sometimes, when we try our best to be selfless and to protect the people close to us, we do more harm than good. Sometimes we cause harm to others (see volumes 4 and 8) and sometimes we cause harm to ourselves (see volume 12). It is of course a noble cause but it's not something to strive for at all times and can sometimes be actually counterproductive to what we wanted to achieve in the first place.
As someone who breaks themselves apart to help all the people around them, this aspect of the manga resonated very strongly with me and is probably the biggest reason I got so obsessed with this silly little BL romcom.
I know that this manga is not like, the best in quality. I know it's super niche and silly and cannot compare to the big popular mainstream manga with lots of depth and thought put into it, BUT.
A piece of art doesn't need to be "good" in order to resonate with people. You don't need to paint the mona lisa to reach someone and make them feel seen. You just need some sort of medium and a will to communicate something to the viewer. (Something an AI could never replicate but that is a whole other discussion.)
This manga reached me when I needed it and it communicated a message that resonated with me and that is all it needed to do for me to love it to the point of obsession. 💖
Finally I'm done with this essay it is so long oh my god. If you reached the end of this, I'm so sorry. I hope you enjoyed it tho.
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Does anyone have any recs where either the top or bottom is a total puppy?? I have found a few that I'm super in love with and I realize I need more. Anything that has a character like: Issac/Izzy (Till Our Lips Touch), Kurosawa (Cherry Magic), Wonyoung (Unintentional Love Story), Aiden (Bend Over Backwards), or Yohan (Sign).
Thank you in advance!!!
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Them
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Animal Hoodie
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if you stick to one version of cherry magic you are weak and will not survive the winter
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I read The Third Ending over the last two nights and ended up bawling like a baby. It was so, so good. I didn't like Seulie at the beginning, but by the end I adore his little soft yandere self. Joonie is a forever cinnamon roll that must be protected at all costs. All in all? New fave unlocked!
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Small things lost in translation
Hey so since we finally posted my absolute favorite twitter comic (if you haven't seen the post, u can check it out here) I wanted to explain a bit about the lost meanings in that last line, cuz it was kinda hard to translate.
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So this is the line in japanese: この可愛い人の心にふれられたから (kono kawaii hito no kokoro ni furerareta kara)
very literal tl: this cute person's heart (I) have been touched by because
which I translated as "... because I was touched by this cute person's heart."
"Kokoro" has 3 common meanings: heart, mind and feeling, so when he says he's been "touched" by it, it could be either of these meanings and they'd all still make sense, and I think that's beautiful 💞
Then there's "furerareta" which has 2 possible conjugations:
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The potential form translates to "I was able to touch" and the passive form translates to "I have been touched"
So Adachi is either saying he was able to touch Kurosawa's heart/mind (potential) (also throwback to the airport confession) Or he's saying he has been touched by Kurosawa's heart/mind (passive)
I used the latter version because it's more common with the に particle.
Since in the panels before he's talking about all the thoughts flowing into him, I took this as the more correct translation but it could go either way to be honest and I think that's on purpose, since "touch and be touched" is kind of a theme in the manga.
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So yea that's the little nuances that were lost in translation, hope yall liked this little japanese lesson c:
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Birthday gift 🚢✨
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CREDITS:
tl: red
cl & ts: naina
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krdc for that one redraw trend thats going around on twt rn 💘
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Tachibana & Kurosawa parallels that are making me go insane
Hey guys so I had some Thoughts that are not letting me go so I did some digging and now I'm gonna present yall with my findings. They are horrible. (Spoilers for volume 14)
So how this all started is me wondering if Kurosawa ever feels a little guilty about entering a relationship with Adachi, since things could've been a lot easier for him if he'd simply gone out with a woman (to him it would've been Fujisaki) instead. He often mentions Adachi could've been happy without him, after all.
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Then I remembered this bit from the end of volume 14 about how Adachi doesn't know how to deal with advances because Kurosawa was always intercepting them for him and decided to properly translate all of it.
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"Adachi felt guilty, but him not understanding the tactics of love or how to evade invitations is my fault. I don't want anyone to take him away, but I also don't want him to ever learn any of this. Of course I can't tell him that though."
Tactics of love, huh. You mean like...
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Giving little compliments... (The phrasing here is almost the same in japanese except Tachibana is using polite speech)
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Offering favors...
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Invading personal space...
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Going "hey you like this thing, why don't we do this thing together?" ...
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Helping out when they're weak and vulnerable...
You mean tactics like that? Man it sure is convenient that Adachi remains blissfully unaware of any of this huh. Okay So. Before you raise your pitchforks at me, yes there's obviously some nuance in all of this. Kurosawa is doing all of this to befriend Adachi, first and foremost. He wants to be closer to him because he loves him. Tachibana (as far as I can tell) just wants to get in his pants lmao Also Adachi's a Grown Ass Man and can definitely make his own decisions, and it's not like he got really manipulated either, since he could read Kurosawa's thoughts and intentions the whole time. I could still see Kurosawa having some self-doubts about their relationship though, if he ever realizes that he might have "manipulated" Adachi into a relationship that is objectively worse for him, considering the alternative of being with a woman and completely evading all the problems they've had with homophobia. Not to mention that Adachi is clearly good with kids and might want some of his own, which is something he can't have with Kurosawa, since adoption requires couples to be married in Japan and gay marriage is illegal, as we know. What if Kurosawa ruined Adachi's chances to lead a happy life, for his own selfish reasons?
...
Now, here come my truly insane speculations about vol 15 and how this could tie in with drama around Matsuura :)
So on that last page she's clearly approaching Tachibana, who, as we can read pages before, wants to get black-out drunk to forget all his romantic woes. Which means he will be very talkative to a nosy Matsuura. There's no doubt in my mind that he'll reveal literally everything to her, how he wanted to go for this cute, inexperienced coworker named Adachi and how he got told to back off by his big scary boyfriend named Kurosawa. "Oh yea they work together at Toyokawa. I even told him it's really risky to date coworkers, can you believe it?!" Matsuura just goes "Oh that is Interesting."
She might even try to get under Kurosawa's skin by drawing parallels to his harassment in vol 1 and him pursuing Adachi, since Kurosawa has a higher position in their company and earns more, and Adachi being inexperienced. One could easily construe this as a power imbalance between them. Throw into the mix the issue of being "forced into a relationship that's looked down upon by society" and the looming threat of their relationship being revealed to their workplace and Kurosawa might truly spiral, maybe even breaking up with Adachi, just to fulfill yet another parallel to Tachibana.
Man would that be fucked up or what haha
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Drawing them as omanjuu
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Volume 4 Extra Comic: Fujoshi's Pure Love Delusions
This is an extra comic from the booklet included in the original special edition of Volume 4!
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tl: red
ts: tine
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@toyotayou: It's getting hot again after the Obon festival #McDsInTheEvening
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Toyokawa employees
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