Peace and love

Daria anniversary poster for Mondo - April 2024 - pam wishbow

Dorothea Tanning - Harpie (1950)

Fallout 3 was well a flawed game but the tunnel snakes are such an essential part of the fallout world to me. Whenever i play enother fallout I'm like where's the tunnel snakes

diesel dyke i doodled to cheer myself up

More stories from hell (retail) today I was ringing up this lady and she goes oh I want to do part of this on a gift card and the rest on normal card and I go ok and then she hands me a folded piece of paper. I think oh OK it must be folded around the gift card, right? Wrong. It is a folded sheet of 8×11 printer paper with "$40" written on the inside in ballpoint pen. I go what is this. She says a gift card. I say this is not a gift card. She says yes it is. I say this is a piece of paper with "$40" written on it. She says "well it's a gift card." I say it absolutely is not. I am grinding my teeth. She says well I want to use it. I say you physically cannot do that bc it is a piece of paper. I cannot scan or swipe it. I apologize, as if this is my fault, and not because she is completely insane. I hate it here

i always end up not drawing or painting anything for months. if i'm employed it's bcs work sucks out strenght, if i'm unemployed it's because ??? the usual inability to start things and do them.

anyway i'm mad about it.

Landsknecht guy with circulatory and muscular system patterns

jaheira canonically being a deadbeat mother 27 payments behind on child support who when faced with the apocalypse sent one kid a cryptic seven word text that was like “sorry. get out” and then didn’t talk to them again because she was busy giving life advice and playing catch with the third bhaalspawn she found in the trash somewhere until the party stumbles on her house and kids entirely by accident is so captivating. what is her problem

theres this quote running around from jacob anderson where he talks about how historically black people have been removed from period dramas and how, as suggested by the interviewer (w/ blueiight embellishment ofc), the very few times black charas would show up in these period pieces theyd be side characters delegated to a raceblind narratively incoherent plot to placate an audience ashamed with / of the nuances of blackness. i rly like how he said louis’s character represents both a ‘black and very human story about a vampire… [Black people] do not usually have the opportunity to play such complex and fluent characters’. i think that brings to heart a lot of why this show has my heart, as an armchair historian and r.n. (dont ask what that stands for). u racebent characters in a way that coheres, situate ur black characters in a specific context, and the story never deludes us into thinking the mere existence of an interracial relationship is enough to end racism. in e2 louis literally says “fledgling sounds like slave, dont call me that” and e3 starts with louis telling lestat the history of dismembering runaway enslaved ppl & placing their bodies on the gates of of jackson square.. in his initiation to vampirism, louis is moved from the historically Black creole treme area he grew up in & is placed into lestat’s townhome in the very white, french, old quarter. vampirism as hes initiated into is a loving, powerful, cruel, and isolating existence for louis. bc of vampirism he is able to kill a racist person and not be lynched for it, hes able to echo the historical dismemberment on the alderman by placing his body on the st louis cathedral, but he is unable to kill racist groups & systems that initiate race riots. his connection to claudia in s1 is not so much by the oedipal, but by both their connection as lestat’s fledglings and as Black [creole] people placed in a part of the city largely alien to them both. this connection can be broken down even further. louis saw claudia as his joychild of sorts, ‘[his] redemption’ for his 5 years of pimping but a big part of her tragedy is that a child being made into a vampire cannot redeem anyone, much less redeem an individual from what was a historical inevitability. claudia is adopted into such a stature that she wouldve otherwise never reached by virtue of being made a vampire, but even then that is conditional. claudia is rendered inert from being anyone’s ‘wife’ forever trapped in the confines of immaturity as a ‘daughter’, only hoping at best to be louis’s ‘sister’ and isnt that resonant to bw.. she’s selectively infantilized both a child ‘meddling in the affairs of her parents’ , ungrateful, arrogant, and adultified - presumed powerful enough to ‘poison louis against [lestat]’ , taking on the role of louis’s ‘knight in vengeful white black’ .. the response lestat has to claudia is characterized by him continuing the cycle of abuse he once faced toward her and with a black claudia who was once a poor girl now adopted into this immortal luxury it takes on a racialized element. “bach is beyond you” and claudia bites back with “yes this french music is hmm. not made for these mongrel ears”. the absence of metaphor is striking!! literally the fact that this show does not shy away from the era its set in is why its so good.

i think the meds had the strongest effect on me for like two days perhaps. i still get all anxious at home or at work even when the main reason of this reaction isn't even there. lying in bed getting all tensed up bcs i'm thinking abt having to communicate that i'm leaving... eventually.

i did what i wanted to. but i haven't worked on repainting her face since so her eyes are still just a sketch. her horns need to be painted. then i have to make her a tail.

i should work again on my very fucked up yarrow doll... her face needs to be sanded and then repainted. i also have to sculpt horns and her floppy ears and i'm very clueless about shaping things... not looking forward to it. horns are pretty straightfoward and yet i couldn't get them done lol...

At some point in your life, you were taught that being slightly annoying is an unforgivable sin. Maybe it was by your parents or a teacher or a friend or a bully or an older sibling. But someone taught you that being slightly annoying is a crime punishable by death.

You must unlearn this.

You must accept that all people will be annoying at some point or another in their lives, maybe all of their lives, and that this is okay. It is okay for strangers on the bus, it is okay for children in the grocery store, it is okay for people on social media, and it is okay for you.

If you ever want to truly love your fellow humans, if you ever want to truly love yourself, you must have forgiveness for being annoying.