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witchlenore · 12 hours
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Surprisingly, this is not a Hitchhiker’s Guide to the Galaxy reference, but an actual fact. From Burnout: Solve Your Stress Cycle, by Emily and Amelia Nagoski
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witchlenore · 15 hours
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reblog for sample size !!
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witchlenore · 15 hours
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holy shit is this gorgeous.
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witchlenore · 16 hours
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witchlenore · 18 hours
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i watched one (1) video on how to draw hands that changed my life forever. like. i can suddenly draw hands again
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these were all drawn without reference btw. i can just. Understand Hands now (for the most part, im sure theres definitely inaccuracies). im a little baffled
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witchlenore · 18 hours
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April 27th is International Crow and Raven Appreciation Day! My comic Crow time is pretty much stuffed to the brim with crows, so it's a good way to celebrate these goth little dudes.
READ CROW TIME!
OR GET PLUSH GOTH BOI?? WOW!
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witchlenore · 1 day
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When your lady on her period.
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witchlenore · 1 day
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take me to the sky~
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witchlenore · 1 day
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witchlenore · 2 days
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witchlenore · 2 days
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gentle days
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witchlenore · 2 days
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pink moon.
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witchlenore · 3 days
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Priorities I guess
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witchlenore · 3 days
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Reblog art guys. Seriously.
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witchlenore · 3 days
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witchlenore · 3 days
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Needed this, thank you
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draw more fat characters ok. i love you
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witchlenore · 3 days
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It puzzles me when people cite LOTR as the standard of “simple” or “predictable” or “black and white” fantasy. Because in my copy, the hero fails. Frodo chooses the Ring, and it’s only Gollum’s own desperation for it that inadvertently saves the day. The fate of the world, this whole blood-soaked war, all the millennia-old machinations of elves and gods, comes down to two addicts squabbling over their Precious, and that is precisely and powerfully Tolkien’s point. 
And then the hero goes home, and finds home a smoking desolation, his neighbors turned on one another, that secondary villain no one finished off having destroyed Frodo’s last oasis not even out of evil so much as spite, and then that villain dies pointlessly, and then his killer dies pointlessly. The hero is left not with a cathartic homecoming, the story come full circle in another party; he is left to pick up the pieces of what was and what shall never be again. 
And it’s not enough. The hero cannot heal, and so departs for the fabled western shores in what remains a blunt and bracing metaphor for death (especially given his aged companions). When Sam tells his family, “Well, I’m back” at the very end, it is an earned triumph, but the very fact that someone making it back qualifies as a triumph tells you what kind of story this is: one that is too honest to allow its characters to claim a clean victory over entropy, let alone evil. 
“I can’t recall the taste of food, nor the sound of water, nor the touch of grass. I’m naked in the dark. There’s nothing–no veil between me and the wheel of fire. I can see him with my waking eyes.”
So where’s this silly shallow hippie fever-dream I’ve heard so much about? It sounds like a much lesser story than the one that actually exists.
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