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VERONIKA VEIL
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Josef Hoffmann, Textiles/ Das Interieur
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Frantisek Drtikol, photography.
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Frantisek Drtikol "The Wave",1925.
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Frantisek Drtikol "Nude: Five Times, Five Sizes (Cutout)" 1930
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František Bílek
V poslední hodince
dřevoryt / woodcut, 9 x 12,5 cm, 1926
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František Drtikol Fotographie.
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František Bílek (1933)
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František Bílek
Lazar
dřevoryt / woodcut, 8,5 x 7 cm, (1927)
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Karel Hlavacek
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Karel Hlavacek "Hral kdosi na hoboj"
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Karel Teige "Collage #350 (1948)
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Karel Teige "Collage Sans Titre" (1941)
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Karel Teige "The Minimum Dwelling" (1932)
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WILFRIED SATTY (1939- 1982) | Collage
Sätty was also influenced by alchemy and the occult. This was obvious in his choice of graphic material that he collaged with, a lot of his work was sourced from a personal collection of 17th century alchemy texts. Even in his meticulous choice of using the pseudonym “Sätty” over Podreich did he allude to the Ancient Pharaonoic name “Seti”.
- http://veronika-veil.com/filter/veiled/SATTY
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WILFRIED SATTY (1939- 1982) | Collage
“There is a time in the span of civilizations when creative energy and the human spirit are wholly, if briefly focused. When this occurs culture in all its manifestations reaches its zenith. The moment passes; civilizations decline, only to be replaced by others. This process of life appears cyclic. Communities become tribes, turn into nations and become empires which, like suns, radiate their energy to the limits of their power, then decay and finally vanish, leaving behind only traces. This cycle, which may continue until our sun--or our planet--fails us…”
-SATTY
http://veronika-veil.com/filter/veiled/SATTY
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WILFRIED SATTY (1939- 1982) | Collage
“There really is another world within our world. Through the imagination you can see it. It’s a matter of will. Almost everyone can achieve it if he activates only one centre of the brain at a time”
- http://veronika-veil.com/filter/veiled/SATTY
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WILFRIED SATTY (1939- 1982) | Collage
"When someone invokes artwork produced in the 1960’s and 70’s they are visually bombarded with multitudes of psychedelia; taking forms of saturated color, bloated typography and swaying Art Nouveau line and form. This kitsch aesthetic defined an entire graphic movement and infiltrated almost every vein of art and design. Yet when looking at Wilfried Podreich Sätty's work, it is hard to believe that such imagery was ever produced amid such a chaotic visual revolution."
- http://veronika-veil.com/filter/veiled/SATTY
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