U make some tokka art if i ask you pls?🥺 i loved your arts

😘

Prince Pouty ™

do you have a masterpost of "ty lee comes from crypto-air nomad" posts? I'm fascinated by this idea and want to read everything I can but I can't find where it started 😭

i feel like this is a question better posed to @kyoshi-lesbians, who, at least in my book, is the leading expert in ty lee studies (among other things). that said, i can definitely synthesize the argument (and why i find it cogent and persuasive), even if i don't actually know from where the theory originated (but i'm sure that if you look up "ty lee air nomad you'll immediately be directed to an old reddit page or fan forum from years ago; it's a "theory" that goes way back).

firstly, ty lee's appearance is distinctly "air nomadic" in a way no one else's is. save for aang, of course. she and aang do bear an uncanny resemblance. everyone else in the fire nation has yellowish brown eyes, for example, while ty lee, like aang, has charcoal greyish brown eyes. and they also have similar (round and cute) facial features, similar expressions, similar vibes. similar dispositions...

ty lee does not "have the personality" of a ruthless fire nation soldier, despite acting as the princess's right hand who takes out more opponents than pretty much everyone else put together. ty lee acts like an airbender, flirty and flighty. her relentless optimism and goodwill and cheer is decidedly a mask, but it is a mask she adopts adeptly. even if she is performing, she nonetheless performs the "aang" function of her respective group.

ty lee presents herself as more spiritually attuned than other people in the fire nation, who outright disrespect the spirits and spirituality. her constant talk of auras is likely a calculated move on her part, as nearly everything is, to make her seem silly and trivial, because she thrives best when she goes underestimated. but her talk of auras also has to come from somewhere, and seeing as literally no one else mentions auras once throughout the entire show, ty lee's sources are clearly scarce.

ty lee also fights like an airbender. despite generally taking the offensive, ty lee nonetheless exhibits a graceful, acrobatic quality when in combat. she never kills anyone either, merely incapacitates them momentarily. and when she is faced with stronger than typical opponents, she usually relies on her skills as an acrobat by taking the aerial advantage. note her ability to jump incredibly high, such as in "the chase," or her ability to run along a moving cable wire in "the boiling rock." ty lee's skills go beyond merely being a good acrobat. she's incredible. and perhaps even exhibiting some latent airbending skills she inherited from her ancestors.

ty lee's air nomad ancestry coheres really well with her arc as a character. imagining that her family of genocide survivors hid in the heart of the fire nation and assimilated into the imperialist culture that sought to exterminate them makes her own role that much more impactful. there's already a beautiful parallelism to the fact that ty lee is an acrobat and performer who contorts herself to suit the desires of others and performs obsequious loyalty for her own survival, but an extra layer of depth is added if she's also assimilating into the royal court by reducing herself and hiding her true feelings and motivations, just as her family did.

i see ty lee's ancestors as having assimilated into the imperial core out of fear, but over the generations, genuinely being subsumed into fire nation culture, with the desire to social climb a natural extension of their patriotism. but there are also still facets of ty lee's ancestry, whether genetic or otherwise, that have remained in traces. the generational trauma, for example, definitely reflects why her parents had so many children. and the fact that she's constantly torn between two worlds, as a genocide survivor who also directly serves the imperialists who murdered her ancestors, represents her internal struggle as someone who desires freedom of expression and the choice to assert her individuality, but is also forced through circumstance into lying and deflecting and manipulating (which, to be honest, is also the air nomad way) for the sake of survival.

surviving is ty lee's number one priority, in a way it just isn't for mai. mai and ty lee both come from social climbing families (although i've always assumed that mai's family is far wealthier than ty lee's) but mai is also depressed and frustrated and bored out of her mind. and even though she was raised in a family that forced her to don a mask and reduce herself and perform a passive model of femininity, she also has no problem stating aloud how she's feeling and what her limits are (with the exception of when azula gives her a veiled command as a test, and mai has no choice but to obey).

mai has the privilege of knowing that the stakes don't really matter, which she all but states when she claims that she grew up in luxury and opulence, and always had everything handed to her. which isn't to say that she led a perfect, easy life. she wouldn't be as depressed and repressed as she is if there weren't factors actively harming her, but she still chooses to join azula by choice, even if it's really only the illusion of choice between two awful options, whereas ty lee has to be coerced through violence.

mai kind of has a "fuck it we ball" attitude and doesn't really seem to care about her own safety (if anything, she's more concerned with comfort), whereas ty lee would do anything to ensure her survival. and that kind of mentality illustrates how she differs from most of the fire nation elites, who were inculcated into imperial privilege and never really considered what prioritizing survival even entails (zuko learns that lesson the hard way). ty really exhibits the mentality of the genocide victim/colonized subject through her prioritization of survival in the face of what to mai is a problem, but to ty lee is an existential threat.

whether or not ty lee even recognizes that her desperate desire to live comes from a place of generational grief and trauma is another story, but i do think there is something to be said for the fact that descendants of genocide survivors can feel that grief as it has been passed down to them. i think ty lee feels it, and i think that it motivates her to do whatever it takes to live, because above all, she is a survivor. and even if she has to assimilate and manipulate and cut away every part of herself that's real and authentic and true, she will do it (until she doesn't). and that's also, incidentally, what makes her such a great foil to aang.

Everyone preparing for the eclipse: Don't forget your viewing glasses😊Let's have a picnic 😊 Take plenty of pictures 😊😊😊

Me, an intellectual:

Forgotten half-children

Water tribe Zutara.

random fire nation diplomat #492 will never understand the complex and fucked up relationship between the water siblings like I do 🙄

zutarra crumbs natla ep 3

“Dadko is out of character” Ok then explain this:

Kintsugi is the art of decorating your scars with pieces of Agni.

In the Fire Nation, the amount of golden marks are a sign of status. Only the Royal Family can afford to seal every single wound with Kintsugi. Such is the weight of this tradition that, among the ones with Agni's blood, it is the highest mark of dishonor to have a natural scar, for it proves you aren't worthy of the privilege.

After the Agni Kai, Ozai forbid Zuko's scar to be sealed with Kintsugi. The boy wasn't worth his title, his traditions or his pride. Zuko would be broken, but he wouldn't be beautiful. Not anymore.

(And sometimes it's easier to pretend he never was)

daddy dae kim said sike🔥

watching atla for the first time

That Scarf Scene but make it Pride and Prejudice

my loser boy gets his notebook back and immediately gets back to work 🌊

Zutara, romance novels, and the female gaze

Okay so I’ve been thinking about the female gaze a LOT so I checked out a subreddit about romance novels, despite never having read one. I came across this meme (which was initially a Tumblr post and then got posted to Instagram and then to Reddit and I’m now bringing back to Tumblr — Internet telephone, pls never change):

And…what is The Southern Raiders, if not a platonic grovel? Katara’s pain is central to the episode. It’s central to Zuko. Zuko asks Katara what he can do to make up for his betrayal; she demands the impossible. He reads between the lines, cockblocks her brother to get the necessary information, and then waits outside her door overnight (which he also did for Iroh, the one person we know for sure he loves). He basically makes himself a receptacle for her rage, and he holds space for her by coming with her on her revenge quest and carrying their bags and not saying a damn thing about what she should and should not do beyond like…asking her to rest. And obviously the grovel works! She forgives him and then they’re thick as thieves, bantering and fighting and saving each other’s lives, etc.

On a different note, I’ve been told that enemies to lovers is one of the biggest tropes in romance novels, similar to YA lit and fanfic. Here’s something else I found in the romance novel discourse:

And…yeah. In TSR, Katara really does show Zuko her worst self, because she doesn’t feel the need to perform for him. She doesn’t feel the need to perform moral perfection OR cold blooded vengeance. She bloodbends in front of him and he just goes with it. She doesn’t kill Yon Rha and he just goes with it. He doesn’t treat her any differently afterwards. Maybe they talk about it off screen, but I kind of like the idea that they don’t, because Katara doesn’t need to explain anything. And it’s so interesting, because some people in the ATLA fandom have a totally different read on TSR. They think Zuko was encouraging Katara to get revenge (by what, keeping his mouth shut?), and that Aang is the one who acts as her moral compass. I believe that either Bryan or Mike said in the DVD commentary that Aang is the angel on her shoulder the entire time. And this interpretation does make sense if you see it from the male gaze, where Katara as an object of affection is acting in an angry, irrational, threatening way. But if you see it from the female gaze, you recognize that actually it’s probably the most emotionally taxing experience Katara has to go through, and she doesn’t owe it to be nice or perfect to anybody. Katara’s formative trauma literally comes to a head, and she has to make a decision — no, a discovery — about who she is in relation to the tragedy that defines her life and even her identity (as a waterbender, as a parentified child who becomes the mom friend, as a genocide victim), and she’s accompanied by someone who trusts her judgement and validates her feelings.

I’m not saying TSR is explicitly romantically coded, but when it conforms so well to romance novel tropes…is it any wonder that so many people thought “yes this is her man?” And then he takes lightning in the heart for her and reaches for her when he’s literally dying, I will never be normal about that either