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I’m really looking forward to the day at work when the CEO comes online and says, “Congrats, that was everything we were gonna do. We’ve done all the work. That’s all the stuff we’ve planned to do. The products are all really good right now and we shouldn’t change them anymore. It’s just cashing checks from here on out.” And we all go outside and play in the river.
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I loved that the first trailer for A Haunting In Venice looks like a generic horror movie until the final shot reveals that Hercule Poirot is there, and I want more trailers that disguise the true nature of the film before the very end. Specifically I want to see a trailer for a sappy rom-com that ends with the main couple about to be wed when the priest asks if there are any objections, only for the doors to slam open and reveal Benoit Blanc standing there about to make that ceremony a fiasco to remember
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Rainbow Valley - Antique
First USA Edition- Copyright- 1919. Frederick A. Stokes Company.
The inside says (I think) - "Happy Xmas 1919. From Lorne"
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Year of the dragon 2024
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mobile games taught me that women are always freezing in cold houses
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I understand that a lot of people are really into gardening but i think you should refrain from pointing at peoples houses and announcing the sexes of the bushes outside because you might accidentally get the correct ratio of men to women in that household and scare the crap out of the residents inside. Especially if you’re going to end your statement with “that’s why they’re not going to survive”
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i love when flowers close in the evening like good night girl i love you sleep tight
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I really, really love the use of the word "consecrated" here - I think it sums up lmm's commentary on place in single word
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Montgomery's female characters that were not-exactly-pretty-but-fascinating-and-charming:
Anne Shirley:
"Public opinion never agreed on Anne’s looks. People who had heard her called handsome met her and were disappointed. People who had heard her called plain saw her and wondered where other people’s eyes were. [...] While Anne was not beautiful in any strictly defined sense of the word she possessed a certain evasive charm and distinction of appearance that left beholders with a pleasurable sense of satisfaction in that softly rounded girlhood of hers, with all its strongly felt potentialities." (Anne of Avonlea).
Emily Starr:
"A slender, virginal young thing. Hair like black silk. Purplish-grey eyes, with violet shadows under them [...]; scarlet lips with a Murray-like crease at the corners; ears with Puckish, slightly pointed tips. [...] An exquisite line of chin and neck; a smile with a trick in it; such a slow-blossoming thing with a sudden radiance of fulfilment. And ankles that scandalous old Aunt Nancy Priest of Priest Pond commended. [...] With all this—pretty? I cannot tell you. Emily was never mentioned when Blair Water beauties were being tabulated. But no one who looked upon her face ever forgot it." (Emily's Quest).
Valancy Stirling:
"Valancy was still leaning forward. Her little hat with its crimson rose was tilted down over one eye. Olive stared. In the moonlight Valancy’s eyes—Valancy’s smile—what had happened to Valancy! She looked—not pretty—Doss couldn’t be pretty—but provocative, fascinating—yes, abominably so." (The Blue Castle).
Pat Gardiner:
"Somehow people seldom wondered whether Pat Gardiner was pretty or not...she was so vital, so wholesome, so joyous, that nothing else mattered. Yet her dark-brown hair was wavy and lustrous, her golden-brown eyes held challenging lights and the corners of her mouth had such a jolly quirk. She was looking her best to-night with a little flush of excitement staining her round, creamy cheeks. She felt as if she were slipping back into the past." (Mistress Pat).
Jane Stuart:
"Your granddaughter is going to be a very handsome girl," a lady told grandmother. "She doesn't resemble her lovely mother, of course, but there is something very striking about her face."
"Handsome is as handsome does," said grandmother in a tone which implied that, judged by that standard, Jane hadn't the remotest chance of good looks." (Jane of Lantern Hill).
Thora Dark:
"Whenever she came into a room people felt happier. She lighted life like a friendly beaming candle. She had a face that was charming without being in the least beautiful. A fascinating square face with a wide space between her blue almond-shaped eyes and a sweet, crooked mouth. She was very nicely dressed. Her peculiarly dark auburn hair was parted on her forehead and coronetted on her crown. There were milky pearl drops in her ears." (Tangled Web).
Marigold Lesley neé Richards (Marigold's Aunt, a wife of Uncle Klondike, a female doctor):
"She had a little, square, wide-lipped, straight-browed face like a boy's. Not pretty but haunting. Wavy brown hair with one teasing, unruly little curl that would fall down on her forehead, giving her a youthful look in spite of her thirty-five years. What a dear face! So wide at the cheekbones—so deep grey-eyed. With such a lovely, smiling, generous mouth." (Magic for Marigold).
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literally me
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your message “i’m gonna getcha! i’m gonna getcha!” has been removed for violating Twitter’s terms of service (threats of violence)
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i am an easy-going, cute, and suffering-oriented person
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points have been made
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Vean_ima
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yeah Romeo and Juliet suuucks they should’ve both survived at the end and lived happily ever after instead. but of course the writer kills them both off for shock value.
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